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Displaying results 1 to 12 of 12.

  1. Visual aggression
    images of Martyrdom in late medieval Germany
    Author: Pinḳus, Assaf
    Published: [2021]; © 2021
    Publisher:  The Pennsylvania State University Press, University Park, Pennsylvania

    Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction. Weep Not for Me . . . But Weep on Yourselves -- Chapter 1. Visual Rhetoric -- Chapter 2. Between Theological and Juridical Positions -- Chapter 3. Bodily Imagination,... more

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    Universität Potsdam, Universitätsbibliothek
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    Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction. Weep Not for Me . . . But Weep on Yourselves -- Chapter 1. Visual Rhetoric -- Chapter 2. Between Theological and Juridical Positions -- Chapter 3. Bodily Imagination, Imagined Bodies -- Chapter 4. Eroticized and Sexualized Bodies -- Chapter 5. The Body Reincarnated -- Epilogue. Effect and Response to Violence Imagery -- Notes -- Bibliography -- Index Why does a society seek out images of violence? What can the consumption of violent imagery teach us about the history of violence and the ways in which it has been represented and understood? Assaf Pinkus considers these questions within the context of what he calls galleries of violence, the torment imagery that flourished in German-speaking regions during the fourteenth and fifteenth centuries. Exploring these images and the visceral bodily responses that they produced in their viewers, Pinkus argues that the new visual discourse on violence was a watershed in premodern conceptualizations of selfhood.Images of martyrdom in late medieval Germany reveal a strikingly brutal parade of passion: severed heads, split skulls, mutilated organs, extracted fingernails and teeth, and myriad other torments. Stripped from their devotional context and presented simply as brutal acts, these portrayals assailed viewers’ bodies and minds so violently that they amounted to what Pinkus describes as “visual aggressions.” Addressing contemporary discourses on violence and cruelty, the aesthetics of violence, and the eroticism of the tortured body, Pinkus ties these galleries of violence to larger cultural concerns about the ethics of violence and bodily integrity in the conceptualization of early modern personhood.Innovative and convincing, this study heralds a fundamental shift in the scholarly conversation about premodern violence, moving from a focus on the imitatio Christi and the liturgy of punishment to the notion of violence as a moral problem in an ethical system. Scholars of medieval and early modern art, history, and literature will welcome and engage with Pinkus’s research for years to come

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780271087696
    Other identifier:
    RVK Categories: LK 83340
    Subjects: Art, Medieval; Martyrdom in art; Violence in art; ART / History / Medieval
    Scope: 1 Online-Ressource (xii, 178 Seiten, 25 ungezählte Seiten Tafeln), Illustrationen
  2. Visual aggression
    images of martyrdom in late medieval Germany
    Author: Pinḳus, Assaf
    Published: [2021]; © 2021
    Publisher:  The Pennsylvania State University Press, University Park, Pennsylvania

    Introduction : weep not for me ... but weep on yourselves -- Visual rhetoric -- Between theological and juridical positions -- Bodily imagination, imagined bodies -- Eroticized and sexualized bodies -- The body reincarnated -- Epilogue : effect and... more

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    Staatsbibliothek Bamberg
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Universitätsbibliothek der LMU München
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    Introduction : weep not for me ... but weep on yourselves -- Visual rhetoric -- Between theological and juridical positions -- Bodily imagination, imagined bodies -- Eroticized and sexualized bodies -- The body reincarnated -- Epilogue : effect and response to violence imagery "Explores images of torment and martyrdom that appeared in the German-speaking world in the late medieval period, tying them to premodern conceptualizations of individuality and selfhood"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780271083797
    RVK Categories: LK 83340 ; LK 10205
    Subjects: Folter <Motiv>; Kunst; Martyrium; Motiv; Gewalt <Motiv>; Märtyrerin; Märtyrer <Motiv>
    Other subjects: Violence in art; Martyrdom in art; Art, Medieval / Germany
    Scope: xii, 178 Seiten, 24 ungezählte Seiten Tafeln, Illustrationen
  3. Visual aggression
    images of martyrdom in late medieval Germany
    Author: Pinḳus, Assaf
    Published: [2021]; © 2021
    Publisher:  The Pennsylvania State University Press, University Park, Pennsylvania

    Why does a society seek out images of violence? What can the consumption of violent imagery teach us about the history of violence and the ways in which it has been represented and understood? Assaf Pinkus considers these questions within the context... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Why does a society seek out images of violence? What can the consumption of violent imagery teach us about the history of violence and the ways in which it has been represented and understood? Assaf Pinkus considers these questions within the context of what he calls galleries of violence, the torment imagery that flourished in German-speaking regions during the fourteenth and fifteenth centuries. Exploring these images and the visceral bodily responses that they produced in their viewers, Pinkus argues that the new visual discourse on violence was a watershed in premodern conceptualizations of selfhood.Images of martyrdom in late medieval Germany reveal a strikingly brutal parade of passion: severed heads, split skulls, mutilated organs, extracted fingernails and teeth, and myriad other torments. Stripped from their devotional context and presented simply as brutal acts, these portrayals assailed viewers' bodies and minds so violently that they amounted to what Pinkus describes as "visual aggressions." Addressing contemporary discourses on violence and cruelty, the aesthetics of violence, and the eroticism of the tortured body, Pinkus ties these galleries of violence to larger cultural concerns about the ethics of violence and bodily integrity in the conceptualization of early modern personhood.Innovative and convincing, this study heralds a fundamental shift in the scholarly conversation about premodern violence, moving from a focus on the imitatio Christi and the liturgy of punishment to the notion of violence as a moral problem in an ethical system. Scholars of medieval and early modern art, history, and literature will welcome and engage with Pinkus's research for years to come

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780271087696
    Other identifier:
    RVK Categories: LK 83340 ; LK 10205
    Subjects: ART / History / Medieval; Art, Medieval; Martyrdom in art; Violence in art; Folter <Motiv>; Märtyrerin; Motiv; Gewalt <Motiv>; Martyrium; Kunst; Märtyrer <Motiv>
    Scope: 1 Online-Ressource (xii, 178 Seiten), Illustrationen
  4. Visualidades de la violencia y la muerte
    prácticas y representaciones
    Contributor: Köppen, Elke (Publisher); Sánchez Menchero, Mauricio (Publisher)
    Published: 2021
    Publisher:  Universidad Nacional Autónoma de México, Centro de Investigaciones Interdisciplinarias en Ciencias y Humanidades, México

    El libro que tienes en tus manos invita a reflexionar sobre el modo en que la violencia y la muerte participan de diversas instancias personales, sociales y culturales a través de la visualidad. Aporta a la comprensión y explicación de la forma en la... more

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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    No loan of volumes, only paper copies will be sent

     

    El libro que tienes en tus manos invita a reflexionar sobre el modo en que la violencia y la muerte participan de diversas instancias personales, sociales y culturales a través de la visualidad. Aporta a la comprensión y explicación de la forma en la cual las representaciones construyen y conservan la memoria, incluso la destruyen. Interesan, por tanto, los espacios y los usos de estas imágenes; los agentes que las crearon; los mecanismos de circulación de las mismas, así como la mirada de aquellos que las observaron, interpretaron y se apropiaron de ellas, dotándoles significado. Este libro logra hacer de lo ininteligible, lo engorroso, lo olvidadizo, asuntos más comprensibles desde perspectivas teóricas y abordajes metodológicos diferentes y siempre pertinentes. Si la violencia y la muerte, junto al paso del tiempo y la desmemoria, se transformaron en las calificaciones estereotípicas para definir a América Latina, los textos de este libro logran abrirlas al análisis, a las explicaciones, a los razonamientos desde sus visualidades, lo que permite transmutar dichas apreciaciones en parámetros de comprensión y entendimiento.

     
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    Source: Union catalogues
    Contributor: Köppen, Elke (Publisher); Sánchez Menchero, Mauricio (Publisher)
    Language: Spanish
    Media type: Book
    ISBN: 9786073041881; 6073041888
    Edition: Primera edición
    Series: Colección Debate y reflexión ; 83
    Subjects: Gewalt <Motiv>; Tod <Motiv>; Kunst
    Other subjects: Offenses against the person; Violence in mass media; Violence in motion pictures; Violence in art; Death in mass media; Death in motion pictures; Death in art
    Scope: 222 Seiten, Illustrationen, 23 cm
    Notes:

    Includes bibliographical references
  5. Victorian visions of war & peace
    aesthetics, sovereignty & violence in the British Empire, c. 1851-1900
    Author: Willcock, Sean
    Published: 2021
    Publisher:  The Paul Mellon Centre for Studies in British Art, London ; Yale University Press, New Haven ; London

    A study of how artists and photographers shaped imperial visions of war and peace in the Victorian period. In an era that saw the birth of photography (c. 1839) and the rise of the illustrated press (c. 1842), the British experience of their empire... more

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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Bayerische Staatsbibliothek
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    A study of how artists and photographers shaped imperial visions of war and peace in the Victorian period. In an era that saw the birth of photography (c. 1839) and the rise of the illustrated press (c. 1842), the British experience of their empire became increasingly defined by the processes and products of image-making. Examining moments of military and diplomatic crisis, this book considers how artists and photographers operating "in the field" helped to define British visions of war and peace. The Victorians increasingly turned to visual spectacle to help them compose imperial sovereignty. The British Empire was thus rendered into a spectacle of "peace," from world's fairs to staged diplomatic rituals. Yet this occurred against a backdrop of incessant colonial war-campaigns which, far from being ignored, were in fact unprecedentedly visible within the cultural forms of Victorian society. Visual media thus shaped the contours of imperial statecraft and established many of the aesthetic and ethical frames within which the colonial violence was confronted

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781913107246; 1913107248
    RVK Categories: LH 84460 ; LO 50090 ; NQ 9410
    Subjects: Motiv; Fotografie; Krieg; Kolonie; Imperialismus; Kunst
    Other subjects: War in art; Imperialism in art; Colonization in art; Art / Great Britain; Art, Modern / 19th century / History; Violence in art; Art; Art, Modern; Violence in art; Great Britain; 1800-1899; History
    Scope: 278 Seiten, Illustrationen, Karte, Porträts (teilweise farbig), 27 cm
  6. Victorian visions of war & peace
    aesthetics, sovereignty & violence in the British Empire, c. 1851-1900
    Author: Willcock, Sean
    Published: 2021
    Publisher:  The Paul Mellon Centre for Studies in British Art, London ; Yale University Press, New Haven ; London

    A study of how artists and photographers shaped imperial visions of war and peace in the Victorian period. In an era that saw the birth of photography (c. 1839) and the rise of the illustrated press (c. 1842), the British experience of their empire... more

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    A study of how artists and photographers shaped imperial visions of war and peace in the Victorian period. In an era that saw the birth of photography (c. 1839) and the rise of the illustrated press (c. 1842), the British experience of their empire became increasingly defined by the processes and products of image-making. Examining moments of military and diplomatic crisis, this book considers how artists and photographers operating "in the field" helped to define British visions of war and peace. The Victorians increasingly turned to visual spectacle to help them compose imperial sovereignty. The British Empire was thus rendered into a spectacle of "peace," from world's fairs to staged diplomatic rituals. Yet this occurred against a backdrop of incessant colonial war-campaigns which, far from being ignored, were in fact unprecedentedly visible within the cultural forms of Victorian society. Visual media thus shaped the contours of imperial statecraft and established many of the aesthetic and ethical frames within which the colonial violence was confronted

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781913107246; 1913107248
    RVK Categories: LH 84460 ; LO 50090 ; NQ 9410
    Subjects: Motiv; Fotografie; Krieg; Kolonie; Imperialismus; Kunst
    Other subjects: War in art; Imperialism in art; Colonization in art; Art / Great Britain; Art, Modern / 19th century / History; Violence in art; Art; Art, Modern; Violence in art; Great Britain; 1800-1899; History
    Scope: 278 Seiten, Illustrationen, Karte, Porträts (teilweise farbig), 27 cm
  7. Visual aggression
    images of martyrdom in late medieval Germany
    Author: Pinḳus, Assaf
    Published: [2021]; © 2021
    Publisher:  The Pennsylvania State University Press, University Park, Pennsylvania

    Why does a society seek out images of violence? What can the consumption of violent imagery teach us about the history of violence and the ways in which it has been represented and understood? Assaf Pinkus considers these questions within the context... more

    Access:
    Verlag (lizenzpflichtig)
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    Location:
    TU Berlin, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan

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    Universität Potsdam, Universitätsbibliothek
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    Why does a society seek out images of violence? What can the consumption of violent imagery teach us about the history of violence and the ways in which it has been represented and understood? Assaf Pinkus considers these questions within the context of what he calls galleries of violence, the torment imagery that flourished in German-speaking regions during the fourteenth and fifteenth centuries. Exploring these images and the visceral bodily responses that they produced in their viewers, Pinkus argues that the new visual discourse on violence was a watershed in premodern conceptualizations of selfhood.Images of martyrdom in late medieval Germany reveal a strikingly brutal parade of passion: severed heads, split skulls, mutilated organs, extracted fingernails and teeth, and myriad other torments. Stripped from their devotional context and presented simply as brutal acts, these portrayals assailed viewers' bodies and minds so violently that they amounted to what Pinkus describes as "visual aggressions." Addressing contemporary discourses on violence and cruelty, the aesthetics of violence, and the eroticism of the tortured body, Pinkus ties these galleries of violence to larger cultural concerns about the ethics of violence and bodily integrity in the conceptualization of early modern personhood.Innovative and convincing, this study heralds a fundamental shift in the scholarly conversation about premodern violence, moving from a focus on the imitatio Christi and the liturgy of punishment to the notion of violence as a moral problem in an ethical system. Scholars of medieval and early modern art, history, and literature will welcome and engage with Pinkus's research for years to come

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780271087696
    Other identifier:
    RVK Categories: LK 83340 ; LK 10205
    Subjects: ART / History / Medieval; Art, Medieval; Martyrdom in art; Violence in art; Folter <Motiv>; Märtyrerin; Motiv; Gewalt <Motiv>; Martyrium; Kunst; Märtyrer <Motiv>
    Scope: 1 Online-Ressource (xii, 178 Seiten), Illustrationen
  8. Visual aggression
    images of martyrdom in late medieval Germany
    Author: Pinḳus, Assaf
    Published: [2021]
    Publisher:  The Pennsylvania State University Press, University Park, Pennsylvania

    Zusammenfassung: "Explores images of torment and martyrdom that appeared in the German-speaking world in the late medieval period, tying them to premodern conceptualizations of individuality and selfhood"--(Provided by publisher.) more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Zusammenfassung: "Explores images of torment and martyrdom that appeared in the German-speaking world in the late medieval period, tying them to premodern conceptualizations of individuality and selfhood"--(Provided by publisher.)

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780271083797
    RVK Categories: LK 83340
    Subjects: Violence in art; Martyrdom in art; Art, Medieval
    Scope: xii, 178 Seiten, 25 ungezählte Seiten Tafeln, Illustrationen
    Notes:

    Literaturverzeichnis: Seiten 145-160
  9. Visual aggression
    images of martyrdom in late medieval Germany
    Author: Pinḳus, Assaf
    Published: [2021]; © 2021
    Publisher:  The Pennsylvania State University Press, University Park, Pennsylvania

    Introduction : weep not for me ... but weep on yourselves -- Visual rhetoric -- Between theological and juridical positions -- Bodily imagination, imagined bodies -- Eroticized and sexualized bodies -- The body reincarnated -- Epilogue : effect and... more

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    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Introduction : weep not for me ... but weep on yourselves -- Visual rhetoric -- Between theological and juridical positions -- Bodily imagination, imagined bodies -- Eroticized and sexualized bodies -- The body reincarnated -- Epilogue : effect and response to violence imagery "Explores images of torment and martyrdom that appeared in the German-speaking world in the late medieval period, tying them to premodern conceptualizations of individuality and selfhood"--

     
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9780271083797
    RVK Categories: LK 83340 ; LK 10205
    Subjects: Folter <Motiv>; Kunst; Martyrium; Motiv; Gewalt <Motiv>; Märtyrerin; Märtyrer <Motiv>
    Other subjects: Violence in art; Martyrdom in art; Art, Medieval / Germany
    Scope: xii, 178 Seiten, 24 ungezählte Seiten Tafeln, Illustrationen
  10. Visual aggression
    images of martyrdom in late medieval Germany
    Author: Pinḳus, Assaf
    Published: [2021]
    Publisher:  The Pennsylvania State University Press, University Park, Pennsylvania

    Zusammenfassung: "Explores images of torment and martyrdom that appeared in the German-speaking world in the late medieval period, tying them to premodern conceptualizations of individuality and selfhood"--(Provided by publisher.) more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Zusammenfassung: "Explores images of torment and martyrdom that appeared in the German-speaking world in the late medieval period, tying them to premodern conceptualizations of individuality and selfhood"--(Provided by publisher.)

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780271083797
    RVK Categories: LK 83340
    Subjects: Violence in art; Martyrdom in art; Art, Medieval
    Scope: xii, 178 Seiten, 25 ungezählte Seiten Tafeln, Illustrationen
    Notes:

    Literaturverzeichnis: Seiten 145-160
  11. Visual aggression
    images of Martyrdom in late medieval Germany
    Author: Pinḳus, Assaf
    Published: [2021]; © 2021
    Publisher:  The Pennsylvania State University Press, University Park, Pennsylvania

    Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction. Weep Not for Me . . . But Weep on Yourselves -- Chapter 1. Visual Rhetoric -- Chapter 2. Between Theological and Juridical Positions -- Chapter 3. Bodily Imagination,... more

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    Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction. Weep Not for Me . . . But Weep on Yourselves -- Chapter 1. Visual Rhetoric -- Chapter 2. Between Theological and Juridical Positions -- Chapter 3. Bodily Imagination, Imagined Bodies -- Chapter 4. Eroticized and Sexualized Bodies -- Chapter 5. The Body Reincarnated -- Epilogue. Effect and Response to Violence Imagery -- Notes -- Bibliography -- Index Why does a society seek out images of violence? What can the consumption of violent imagery teach us about the history of violence and the ways in which it has been represented and understood? Assaf Pinkus considers these questions within the context of what he calls galleries of violence, the torment imagery that flourished in German-speaking regions during the fourteenth and fifteenth centuries. Exploring these images and the visceral bodily responses that they produced in their viewers, Pinkus argues that the new visual discourse on violence was a watershed in premodern conceptualizations of selfhood.Images of martyrdom in late medieval Germany reveal a strikingly brutal parade of passion: severed heads, split skulls, mutilated organs, extracted fingernails and teeth, and myriad other torments. Stripped from their devotional context and presented simply as brutal acts, these portrayals assailed viewers’ bodies and minds so violently that they amounted to what Pinkus describes as “visual aggressions.” Addressing contemporary discourses on violence and cruelty, the aesthetics of violence, and the eroticism of the tortured body, Pinkus ties these galleries of violence to larger cultural concerns about the ethics of violence and bodily integrity in the conceptualization of early modern personhood.Innovative and convincing, this study heralds a fundamental shift in the scholarly conversation about premodern violence, moving from a focus on the imitatio Christi and the liturgy of punishment to the notion of violence as a moral problem in an ethical system. Scholars of medieval and early modern art, history, and literature will welcome and engage with Pinkus’s research for years to come

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780271087696
    Other identifier:
    RVK Categories: LK 83340
    Subjects: Art, Medieval; Martyrdom in art; Violence in art; ART / History / Medieval
    Scope: 1 Online-Ressource (xii, 178 Seiten, 25 ungezählte Seiten Tafeln), Illustrationen
  12. Visual aggression
    images of martyrdom in late medieval Germany
    Author: Pinḳus, Assaf
    Published: 2021; ©2021
    Publisher:  Penn State University Press, University Park

    Intro -- COVER Front -- Copyright Page -- Acknowledgments -- Introduction -- Notes to Introduction -- Chapter 1: Visual Rhetoric -- Notes to Chapter 1 -- Chapter 2: Between Theological and Juridical Positions -- Notes to Chapter 2 -- Chapter 3:... more

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    Intro -- COVER Front -- Copyright Page -- Acknowledgments -- Introduction -- Notes to Introduction -- Chapter 1: Visual Rhetoric -- Notes to Chapter 1 -- Chapter 2: Between Theological and Juridical Positions -- Notes to Chapter 2 -- Chapter 3: Bodily Imagination, Imagined Bodies -- Notes to Chapter 3 -- Chapter 4: Eroticized and Sexualized Bodies -- Notes to Chapter 4 -- Chapter 5: The Body Reincarnated -- Notes to Chapter 5 -- Notes -- Bibliography -- Index.

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780271087696
    RVK Categories: LK 83340
    Subjects: Violence in art; Martyrdom in art; Art, Medieval; Electronic books
    Scope: 1 online resource (215 pages)
    Notes:

    Description based on publisher supplied metadata and other sources