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Displaying results 1 to 25 of 27.

  1. Humor and violence
    seeing Europeans in Central African art
    Published: [2016]
    Publisher:  Indiana University Press, Bloomington

    "Humor and Violence examines the rich history of portraying Europeans in Central African art in images ranging from heart-wrenching scenes of human trafficking to playful parodies of colonialists. Z. S. Strother contends that the dialectic of humor... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 994878
    Unlimited inter-library loan, copies and loan

     

    "Humor and Violence examines the rich history of portraying Europeans in Central African art in images ranging from heart-wrenching scenes of human trafficking to playful parodies of colonialists. Z. S. Strother contends that the dialectic of humor and violence reveals deep insights into the psychology of power and resistance that continues to operate in the region today. Her argument is built on a set of works of art and demonstrates the important role that patronage and political and social history played in their creation. Strother conveys Central African ideas about how the therapeutic power of humor can initiate social change and upset power relations between oppressors and oppressed. This analysis plunges seemingly benign figures into a maelstrom of violence and crime -- rape, murder, torture, and forced labor on a massive scale. By restoring the dialectic of humor, this study reveals the complicated psychological codependency of Africans and Europeans over a long period of history and maintains that art plays a mediating function in the mechanics and ethics of power."--Front cover flap

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780253022677
    RVK Categories: LC 91534 ; LC 91535
    Series: African expressive cultures
    Subjects: Art; Art; Europeans in African art; Wit and humor in art; Violence in art; Art; Art, Congolese (Democratic Republic); Art, African; Art; Art; Art; Art, African; Art, Congolese (Democratic Republic); Europeans in African art; Violence in art; Wit and humor in art
    Scope: xv, 344 pages, illustrations, 23 cm
  2. Einschnitte
    Signaturen der Gewalt in textorientierten Medien
    Contributor: Hoff, Dagmar von (HerausgeberIn); Jirku, Brigitte E. (HerausgeberIn); Sanna, Simonetta (HerausgeberIn); Ribeiro, António Sousa (HerausgeberIn)
    Published: [2016]; ©2016
    Publisher:  Königshausen & Neumann, Würzburg

    Staats- und Universitätsbibliothek Bremen
    a asl 615.8/663
    Unlimited inter-library loan, copies and loan
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    CD g 2016
    No inter-library loan
    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    GL/450/53
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    Content information
    Source: Union catalogues
    Contributor: Hoff, Dagmar von (HerausgeberIn); Jirku, Brigitte E. (HerausgeberIn); Sanna, Simonetta (HerausgeberIn); Ribeiro, António Sousa (HerausgeberIn)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3826059220; 9783826059223
    Other identifier:
    9783826059223
    RVK Categories: GE 5207 ; EC 5410
    Subjects: German literature; Violence in literature; Violence in art; Mass media and literature
    Scope: 152 Seiten
    Notes:

    Dagmar von Hoff: Vorwort ; Irritationen der Gewalt : Lektüren von Heinrich von Kleists Novelle das Erdbeben in Chili

    António Sousa Ribeiro: Komik und Gewalt : die Autorität des Opfers

    Dennis Bock: Macht und (sexuelle) Gewalt in Liana Millus Erzählungen der Rauch über Birkenau

    Simonetta Sanna: Die Kommandeuse (1954) von Stephan Hermlin : an den ursächlichsten Quellen von Gewalt

    Júlia Garraio: "Der Vergewaltiger unter uns" : Gedächtniskultur und deutsche Sexualverbrecher im Zweiten Weltkrieg

    Lena Wetenkamp: "Wer darstellt, übt aus" : Gewalt in Terézia Moras Erzählungen

    Catarina Martins: Gegen den deutschen Spiegel schreiben : Selbstbilder schwarzer Frauen in Deutschland

    Brigitte E. Jirku: Spielräume der Gewalt in Elfriede Jelineks die Schutzbefohlenen

    Franco Masia: Zum Titelbild Kentaur mit Putto und Anemonen

  3. Concerning consequences
    studies in art, destruction, and trauma
    Published: [2016]
    Publisher:  The University of Chicago Press, Chicago

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2016:4424:
    No inter-library loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 B 171085
    Unlimited inter-library loan, copies and loan
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    262584 - B
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780226774510; 9780226774534
    Subjects: Art, Modern; Psychic trauma in art; Violence in art
    Scope: XI, 478 Seiten, Illustrationen
    Notes:

    Literaturangaben

    Survival ethos and destruction artShaved heads and marked bodies : representations from cultures of trauma -- Remembering invisibility : documentary photography of the nuclear age -- The ideal gifts and the Trinity session of Istvan Kantor -- Franz West's dialogic Passstücke -- 1.1.78-2.2.78 : Lynn Hershman's Roberta Breitmore -- Larry Miller's Mom-me -- Unbosoming Lennon : the politics of Yoko Ono's experience -- Burden of light : Chris Burden -- Teaching a dead hand to draw : Kim Jones, war, and art -- Jean Toche : Impressions from the rogue Bush imperial presidency -- Cloud with its shadow : Marina Abramović -- Thunderbird immolation : William Pope.L and burning racism -- Barbara Turner Smith's haunting -- The aesthetics of the misfit : the case of Henry Flynt and David Tudor -- Notes on Rudolf Schwarzkogler's images of healing, a biographical sketch -- Rauschenberg's "gap" -- Warhol's "What?" -- 7:47 a.m. (the traumatic visual vocabulary of Maurice Benayoun's So.so.so. somebody, somewhere, some time) -- Wangechi Mutu's Family tree.

  4. Resistencias al olvido
    memoria y arte en Colombia
    Contributor: Acosta López, María del Rosario (Publisher)
    Published: enero de 2016
    Publisher:  Universidad de los Andes, Facultad de Artes y Humanidades, Bogotá, D.C., Colombia

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
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  5. Bodily extremities
    preoccupations with the human body in early modern European culture
    Contributor: Egmond, Florike (Publisher); Zwijnenberg, Robert (Publisher)
    Published: 2016; © 2003
    Publisher:  Routledge, London, [England] ; New York, New York

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Contributor: Egmond, Florike (Publisher); Zwijnenberg, Robert (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781351955065
    RVK Categories: LC 14005 ; LC 59005 ; LH 64920 ; LH 84120 ; NN 1540 ; NW 8800
    Subjects: Pain in art; Human figure in art; Arts, European; Violence in art; Affekt <Motiv>; Körper; Anatomie <Motiv>; Strafe <Motiv>; Kultur
    Scope: 1 online resource (246 pages), illustrations
    Notes:

    Description based on print version record

  6. Concerning consequences
    studies in art, destruction, and trauma
    Published: 2016
    Publisher:  The University of Chicago Press, Chicago

    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Unlimited inter-library loan, copies and loan
    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780226774510; 9780226774534; 9780226304403
    Subjects: Art, Modern; Psychic trauma in art; Violence in art; Gewalt <Motiv>; Trauma; Kunst; Kunstproduktion; Psychologie
    Scope: XI, 478 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

  7. Humor and violence
    seeing Europeans in Central African art
    Published: [2016]; © 2016
    Publisher:  Indiana University Press, Bloomington ; Indianapolis

    "Humor and Violence examines the rich history of portraying Europeans in Central African art in images ranging from heart-wrenching scenes of human trafficking to playful parodies of colonialists. Z. S. Strother contends that the dialectic of humor... more

    Universitätsbibliothek Bayreuth
    Unlimited inter-library loan, copies and loan
    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan

     

    "Humor and Violence examines the rich history of portraying Europeans in Central African art in images ranging from heart-wrenching scenes of human trafficking to playful parodies of colonialists. Z. S. Strother contends that the dialectic of humor and violence reveals deep insights into the psychology of power and resistance that continues to operate in the region today. Her argument is built on a set of works of art and demonstrates the important role that patronage and political and social history played in their creation. Strother conveys Central African ideas about how the therapeutic power of humor can initiate social change and upset power relations between oppressors and oppressed. This analysis plunges seemingly benign figures into a maelstrom of violence and crime -- rape, murder, torture, and forced labor on a massive scale. By restoring the dialectic of humor, this study reveals the complicated psychological codependency of Africans and Europeans over a long period of history and maintains that art plays a mediating function in the mechanics and ethics of power."--Front cover flap

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780253022677
    RVK Categories: LC 91535
    Series: African expressive cultures
    Subjects: Kunst; Europabild; Kunst; Gewalt <Motiv>; Humor <Motiv>
    Other subjects: Art / Congo (Democratic Republic); Art / Congo (Brazzaville); Europeans in African art; Wit and humor in art; Violence in art; Art / Africa, Central; Art, Congolese (Democratic Republic) / Themes, motives; Art, African / Themes, motives
    Scope: xv, 344 Seiten, Illustrationen
    Notes:

    Introduction -- Warning! What do you see? A white man? Or an overdressed one? -- New commodities on the Loango Coast (1840-1880) -- Depictions of human trafficking on Loango ivories in the 1880s -- Humor in the hygiene of power (ca. 1885-1915) -- By Congolese, for Congolese (1910s-1940s) -- The African victim in the Congolese imaginary (1950s-1997) -- Coda: Congolese perspectives on humor and redemption

  8. Witnessing sadism in texts of the American South
    women, specularity, and the poetics of subjectivity
    Published: 2016
    Publisher:  Routledge,, London

    Contents: Introduction: sadism and specularity: mirroring femininity and sadism; Empathy and risk: photography, writing, the softest voice; Projects of identity in Carrie Mae Weems's From Here I Saw What Happened and I Cried: the crucible of... more

    Access:
    Verlag (lizenzpflichtig)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    No inter-library loan

     

    Contents: Introduction: sadism and specularity: mirroring femininity and sadism; Empathy and risk: photography, writing, the softest voice; Projects of identity in Carrie Mae Weems's From Here I Saw What Happened and I Cried: the crucible of witnessing; Sacrificed daughters and the grammar of enslavement in Toni Morrison's Beloved, Flannery O'Connor's 'A View of the Woods', and Dorothy Allison's Bastard Out of Carolina; 'The adequate of Hell', or, how to watch the other suffer: Dickinson, Ransom, and Tate; Queer Southern belles: the transgender object of desire in O'Connor, McCullers, and Zora Neale Hurston's Mules and Men; Sadism and the open body: Kant, Scarry, and being in relation to the suffering other; By way of a conclusion: what I have done in your name; Appendix; Works cited; Index.

     

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  9. <<The>> visual culture of violence after the French Revolution
    Published: 2016
    Publisher:  Routledge, London [u.a.]

    Kunst- und Museumsbibliothek der Stadt Köln
    Unlimited inter-library loan, copies and loan
    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781472450197
    Subjects: Violence in art; Violence in popular culture; Violence in popular culture; Arts and society; Arts and society
    Scope: XIV, 197 S. : Ill.
  10. Concerning consequences
    studies in art, destruction, and trauma
    Published: [2016]
    Publisher:  The University of Chicago Press, Chicago

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780226774510; 9780226774534
    Subjects: Art, Modern; Psychic trauma in art; Violence in art
    Scope: XI, 478 Seiten, Illustrationen
    Notes:

    Literaturangaben

    Survival ethos and destruction artShaved heads and marked bodies : representations from cultures of trauma -- Remembering invisibility : documentary photography of the nuclear age -- The ideal gifts and the Trinity session of Istvan Kantor -- Franz West's dialogic Passstücke -- 1.1.78-2.2.78 : Lynn Hershman's Roberta Breitmore -- Larry Miller's Mom-me -- Unbosoming Lennon : the politics of Yoko Ono's experience -- Burden of light : Chris Burden -- Teaching a dead hand to draw : Kim Jones, war, and art -- Jean Toche : Impressions from the rogue Bush imperial presidency -- Cloud with its shadow : Marina Abramović -- Thunderbird immolation : William Pope.L and burning racism -- Barbara Turner Smith's haunting -- The aesthetics of the misfit : the case of Henry Flynt and David Tudor -- Notes on Rudolf Schwarzkogler's images of healing, a biographical sketch -- Rauschenberg's "gap" -- Warhol's "What?" -- 7:47 a.m. (the traumatic visual vocabulary of Maurice Benayoun's So.so.so. somebody, somewhere, some time) -- Wangechi Mutu's Family tree.

  11. Witnessing sadism in texts of the American South
    women, specularity, and the poetics of subjectivity
    Published: 2016
    Publisher:  Routledge,, London

    Contents: Introduction: sadism and specularity: mirroring femininity and sadism; Empathy and risk: photography, writing, the softest voice; Projects of identity in Carrie Mae Weems's From Here I Saw What Happened and I Cried: the crucible of... more

    Access:
    Verlag (lizenzpflichtig)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    Contents: Introduction: sadism and specularity: mirroring femininity and sadism; Empathy and risk: photography, writing, the softest voice; Projects of identity in Carrie Mae Weems's From Here I Saw What Happened and I Cried: the crucible of witnessing; Sacrificed daughters and the grammar of enslavement in Toni Morrison's Beloved, Flannery O'Connor's 'A View of the Woods', and Dorothy Allison's Bastard Out of Carolina; 'The adequate of Hell', or, how to watch the other suffer: Dickinson, Ransom, and Tate; Queer Southern belles: the transgender object of desire in O'Connor, McCullers, and Zora Neale Hurston's Mules and Men; Sadism and the open body: Kant, Scarry, and being in relation to the suffering other; By way of a conclusion: what I have done in your name; Appendix; Works cited; Index.

     

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  12. Humor and violence
    seeing Europeans in Central African art
    Published: [2016]; © 2016
    Publisher:  Indiana University Press, Bloomington ; Indianapolis

    "Humor and Violence examines the rich history of portraying Europeans in Central African art in images ranging from heart-wrenching scenes of human trafficking to playful parodies of colonialists. Z. S. Strother contends that the dialectic of humor... more

    Freie Universität Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    "Humor and Violence examines the rich history of portraying Europeans in Central African art in images ranging from heart-wrenching scenes of human trafficking to playful parodies of colonialists. Z. S. Strother contends that the dialectic of humor and violence reveals deep insights into the psychology of power and resistance that continues to operate in the region today. Her argument is built on a set of works of art and demonstrates the important role that patronage and political and social history played in their creation. Strother conveys Central African ideas about how the therapeutic power of humor can initiate social change and upset power relations between oppressors and oppressed. This analysis plunges seemingly benign figures into a maelstrom of violence and crime -- rape, murder, torture, and forced labor on a massive scale. By restoring the dialectic of humor, this study reveals the complicated psychological codependency of Africans and Europeans over a long period of history and maintains that art plays a mediating function in the mechanics and ethics of power."--Front cover flap

     

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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9780253022677
    RVK Categories: LC 91535
    Series: African expressive cultures
    Subjects: Kunst; Europabild; Kunst; Gewalt <Motiv>; Humor <Motiv>
    Other subjects: Art / Congo (Democratic Republic); Art / Congo (Brazzaville); Europeans in African art; Wit and humor in art; Violence in art; Art / Africa, Central; Art, Congolese (Democratic Republic) / Themes, motives; Art, African / Themes, motives
    Scope: xv, 344 Seiten, Illustrationen
    Notes:

    Introduction -- Warning! What do you see? A white man? Or an overdressed one? -- New commodities on the Loango Coast (1840-1880) -- Depictions of human trafficking on Loango ivories in the 1880s -- Humor in the hygiene of power (ca. 1885-1915) -- By Congolese, for Congolese (1910s-1940s) -- The African victim in the Congolese imaginary (1950s-1997) -- Coda: Congolese perspectives on humor and redemption

  13. Einschnitte
    Signaturen der Gewalt in textorientierten Medien
    Contributor: Hoff, Dagmar von (HerausgeberIn); Jirku, Brigitte E. (HerausgeberIn); Ribeiro, António Sousa (HerausgeberIn); Sanna, Simonetta (HerausgeberIn); Mateo, Hanna (MitwirkendeR)
    Published: [2016]; © 2016
    Publisher:  Königshausen & Neumann, Würzburg

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    10 A 70914
    Unlimited inter-library loan, copies and loan
    Staats- und Universitätsbibliothek Bremen
    a asl 615.8/663
    Unlimited inter-library loan, copies and loan
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    E-12 5/392
    No inter-library loan
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    CD g 2016
    No inter-library loan
    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    GL/450/53
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Heidelberg
    2017 A 633
    Unlimited inter-library loan, copies and loan
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
    Unlimited inter-library loan, copies and loan
    Otto-von-Guericke-Universität, Universitätsbibliothek
    2021.02176:1
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Mannheim
    500 EC 5410 G396 H698
    No inter-library loan
    Deutsches Literaturarchiv Marbach, Bibliothek
    No loan of volumes, only paper copies will be sent
    Württembergische Landesbibliothek
    68/16332
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek der Eberhard Karls Universität
    58 A 8060
    Unlimited inter-library loan, copies and loan
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    305344 - A
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Staatsbibliothek zu Berlin
    Contributor: Hoff, Dagmar von (HerausgeberIn); Jirku, Brigitte E. (HerausgeberIn); Ribeiro, António Sousa (HerausgeberIn); Sanna, Simonetta (HerausgeberIn); Mateo, Hanna (MitwirkendeR)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783826059223; 3826059220
    Other identifier:
    9783826059223
    RVK Categories: EC 5410 ; GE 5207
    Subjects: German literature; Violence in literature; Violence in art; Mass media and literature
    Scope: 152 Seiten, 24 cm
    Notes:

    Literaturangaben

    Dagmar von Hoff: Vorwort ; Irritationen der Gewalt : Lektüren von Heinrich von Kleists Novelle das Erdbeben in Chili

    António Sousa Ribeiro: Komik und Gewalt : die Autorität des Opfers

    Dennis Bock: Macht und (sexuelle) Gewalt in Liana Millus Erzählungen der Rauch über Birkenau

    Simonetta Sanna: Die Kommandeuse (1954) von Stephan Hermlin : an den ursächlichsten Quellen von Gewalt

    Júlia Garraio: "Der Vergewaltiger unter uns" : Gedächtniskultur und deutsche Sexualverbrecher im Zweiten Weltkrieg

    Lena Wetenkamp: "Wer darstellt, übt aus" : Gewalt in Terézia Moras Erzählungen

    Catarina Martins: Gegen den deutschen Spiegel schreiben : Selbstbilder schwarzer Frauen in Deutschland

    Brigitte E. Jirku: Spielräume der Gewalt in Elfriede Jelineks die Schutzbefohlenen

    Franco Masia: Zum Titelbild Kentaur mit Putto und Anemonen

  14. Humor and violence
    seeing Europeans in Central African art
    Published: [2016]
    Publisher:  Indiana University Press, Bloomington

    "Humor and Violence examines the rich history of portraying Europeans in Central African art in images ranging from heart-wrenching scenes of human trafficking to playful parodies of colonialists. Z. S. Strother contends that the dialectic of humor... more

    Haus der Kulturen der Welt, HKW.Bibliothek
    KA 300 AF-03 Str
    No loan of volumes, only paper copies will be sent
    Haus der Kulturen der Welt, HKW.Bibliothek
    KA 300 AF-03 Str (a)
    No loan of volumes, only paper copies will be sent
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 994878
    Unlimited inter-library loan, copies and loan
    Weltkulturen Museum, Bibliothek
    Af III 549
    No inter-library loan
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    9: PS:Str/31799
    No inter-library loan
    Niedersächsisches Landesmuseum Hannover, Bibliothek
    AL 1.4.6,STR
    No inter-library loan
    Universitätsbibliothek Heidelberg
    2020 C 243
    Unlimited inter-library loan, copies and loan
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Leipzig
    Unlimited inter-library loan, copies and loan
    Germanisches Nationalmuseum, Bibliothek
    No loan of volumes, only paper copies will be sent

     

    "Humor and Violence examines the rich history of portraying Europeans in Central African art in images ranging from heart-wrenching scenes of human trafficking to playful parodies of colonialists. Z. S. Strother contends that the dialectic of humor and violence reveals deep insights into the psychology of power and resistance that continues to operate in the region today. Her argument is built on a set of works of art and demonstrates the important role that patronage and political and social history played in their creation. Strother conveys Central African ideas about how the therapeutic power of humor can initiate social change and upset power relations between oppressors and oppressed. This analysis plunges seemingly benign figures into a maelstrom of violence and crime -- rape, murder, torture, and forced labor on a massive scale. By restoring the dialectic of humor, this study reveals the complicated psychological codependency of Africans and Europeans over a long period of history and maintains that art plays a mediating function in the mechanics and ethics of power."--Front cover flap

     

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    Content information
  15. Concerning consequences
    studies in art, destruction, and trauma
    Published: [2016]
    Publisher:  The University of Chicago Press, Chicago

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2016:4424:
    No inter-library loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 B 171085
    Unlimited inter-library loan, copies and loan
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Unlimited inter-library loan, copies and loan
    Hochschule für Gestaltung, Bibliothek
    No loan of volumes, only paper copies will be sent
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    262584 - B
    Unlimited inter-library loan, copies and loan
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780226774510; 9780226774534
    RVK Categories: LH 61100
    Subjects: Art, Modern; Psychic trauma in art; Violence in art
    Scope: XI, 478 Seiten, Illustrationen
    Notes:

    Literaturangaben

    Survival ethos and destruction artShaved heads and marked bodies : representations from cultures of trauma -- Remembering invisibility : documentary photography of the nuclear age -- The ideal gifts and the Trinity session of Istvan Kantor -- Franz West's dialogic Passstücke -- 1.1.78-2.2.78 : Lynn Hershman's Roberta Breitmore -- Larry Miller's Mom-me -- Unbosoming Lennon : the politics of Yoko Ono's experience -- Burden of light : Chris Burden -- Teaching a dead hand to draw : Kim Jones, war, and art -- Jean Toche : Impressions from the rogue Bush imperial presidency -- Cloud with its shadow : Marina Abramović -- Thunderbird immolation : William Pope.L and burning racism -- Barbara Turner Smith's haunting -- The aesthetics of the misfit : the case of Henry Flynt and David Tudor -- Notes on Rudolf Schwarzkogler's images of healing, a biographical sketch -- Rauschenberg's "gap" -- Warhol's "What?" -- 7:47 a.m. (the traumatic visual vocabulary of Maurice Benayoun's So.so.so. somebody, somewhere, some time) -- Wangechi Mutu's Family tree.

  16. The visual culture of violence after the French Revolution
    Published: 2016
    Publisher:  Routledge, London [u.a.]

    Kunst- und Museumsbibliothek der Stadt Köln
    KMB/EPM 2 2016
    No inter-library loan
    Universitäts- und Landesbibliothek Münster
    3K 67053
    Unlimited inter-library loan, copies and loan
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    Content information
  17. The visual culture of violence after the French Revolution
    Published: 2016
    Publisher:  Routledge, Taylor & Francis Group, London

    The guillotine in perspective -- The limit case : Philippe-Auguste Hennequin's The Remorse of Orestes at the Salon of 1800 -- Technologies of witness : violent spectacle and the Fualdès affair -- A proximate violence : Madame Tussaud's Chamber of... more

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Unlimited inter-library loan, copies and loan

     

    The guillotine in perspective -- The limit case : Philippe-Auguste Hennequin's The Remorse of Orestes at the Salon of 1800 -- Technologies of witness : violent spectacle and the Fualdès affair -- A proximate violence : Madame Tussaud's Chamber of horrors

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781472450197; 1472450191
    Other identifier:
    9781472450197
    RVK Categories: LH 84390
    Edition: First published
    Series: An Ashgate book
    Subjects: Violence in art; Violence in popular culture; Violence in popular culture; Arts and society; Arts and society
    Scope: xiv, 197 Seiten, Illustrationen, 24 cm
    Notes:

    An Ashgate book

    Literaturverzeichnis: Seite [177]-191

    The guillotine in perspectiveThe limit case : Philippe-Auguste Hennequin's The Remorse of Orestes at the Salon of 1800 -- Technologies of witness : violent spectacle and the Fualdès affair -- A proximate violence : Madame Tussaud's Chamber of horrors.

  18. Cucurrucucú
    Contributor: De Middel, Cristina (KünstlerIn); Medina, Cuauhtémoc (VerfasserIn einer Einleitung)
    Published: [2016]; © 2016
    Publisher:  RM Verlag, Barcelona

    Mexican-based, Spanish-born documentary photographer Christina de Middel (born 1975) offers 200 drawings of different archival news magazine photographs accompanied by lyrics of Mexican ranchera songs. A pastiche of forms, Cucurrucucú invites us to... more

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Mexican-based, Spanish-born documentary photographer Christina de Middel (born 1975) offers 200 drawings of different archival news magazine photographs accompanied by lyrics of Mexican ranchera songs. A pastiche of forms, Cucurrucucú invites us to reexamine the violence concealed beneath accepted codes, whether in photojournalism or folk music Mexican-based, Spanish-born documentary photographer Christina de Middel (born 1975) offers 200 drawings of different archival news magazine photographs accompanied by lyrics of Mexican ranchera songs. A pastiche of forms, Cucurrucucú invites us to reexamine the violence concealed beneath accepted codes, whether in photojournalism or folk music.-- Internet

     

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    Source: Union catalogues
    Contributor: De Middel, Cristina (KünstlerIn); Medina, Cuauhtémoc (VerfasserIn einer Einleitung)
    Language: Spanish; English
    Media type: Book
    Format: Print
    ISBN: 9788416282654
    Other identifier:
    9788416282654
    RVK Categories: AP 94100
    Subjects: Artists' books; Death in art; Violence in art
    Scope: 399 Seiten, Illustrationen, 24 cm
    Notes:

    Photographs. - Cristina De Middel (1975-), photographer

  19. The visual culture of violence after the French Revolution
    Published: 2016
    Publisher:  Routledge, London ; New York

    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Unlimited inter-library loan, copies and loan
    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781472450197
    RVK Categories: LH 84390
    Series: An Ashgate book
    Subjects: Geschichte; Violence in art; Violence in popular culture; Violence in popular culture; Arts and society; Arts and society; Sachkultur; Gewalt <Motiv>; Französische Revolution; Malerei; Hinrichtung <Motiv>; Arbeiten auf Papier
    Scope: xiv, 197 Seiten, Illustrationen, 24 cm
  20. Propos sur la violence de l'art, la violence dans l'art
    Published: [2016]
    Publisher:  Édition l'Art-Dit, Arles

    La dimension pulsionnelle de la création, la nature du sujet représenté, la force, la puissance du style, la volonté de dominer sont autant de facteurs qui entrent en compte dans la perception de la violence dans l'art. Pour l'artiste, l'art... more

    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent

     

    La dimension pulsionnelle de la création, la nature du sujet représenté, la force, la puissance du style, la volonté de dominer sont autant de facteurs qui entrent en compte dans la perception de la violence dans l'art. Pour l'artiste, l'art lui-même, ou du moins sa pratique, peut aussi être synonyme de violence quand il faut à la fois " se lâcher pour laisser agir les modalités d'expression et en même temps maîtriser une technique, un style.? La violence de l'art réside aussi dans la position de l'artiste, qui cherche autant à donner du sens à un monde absurde ou fantastique, qu'à célébrer la vie délivrée de ses carcans et de ses conformismes

     

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    Source: Union catalogues
    Contributor: Delcourt, Thierry
    Language: French
    Media type: Book
    ISBN: 9782919221257
    Series: Papotages entre amis autour d'une oeuvre
    Subjects: Violence in art; Kunst; Gewalt <Motiv>
    Other subjects: Koller, Ben-Ami / 1948- / Criticism and interpretation; Violence / Dans l'art
    Scope: 69 Seiten, Illustrationen, 18 cm
    Notes:

    Index et biographies

  21. Humor and violence
    seeing Europeans in Central African art
    Published: [2016]
    Publisher:  Indiana University Press, Bloomington

    "Humor and Violence examines the rich history of portraying Europeans in Central African art in images ranging from heart-wrenching scenes of human trafficking to playful parodies of colonialists. Z. S. Strother contends that the dialectic of humor... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    "Humor and Violence examines the rich history of portraying Europeans in Central African art in images ranging from heart-wrenching scenes of human trafficking to playful parodies of colonialists. Z. S. Strother contends that the dialectic of humor and violence reveals deep insights into the psychology of power and resistance that continues to operate in the region today. Her argument is built on a set of works of art and demonstrates the important role that patronage and political and social history played in their creation. Strother conveys Central African ideas about how the therapeutic power of humor can initiate social change and upset power relations between oppressors and oppressed. This analysis plunges seemingly benign figures into a maelstrom of violence and crime -- rape, murder, torture, and forced labor on a massive scale. By restoring the dialectic of humor, this study reveals the complicated psychological codependency of Africans and Europeans over a long period of history and maintains that art plays a mediating function in the mechanics and ethics of power."--Front cover flap

     

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  22. Einschnitte
    Signaturen der Gewalt in textorientierten Medien
    Contributor: Hoff, Dagmar von (HerausgeberIn); Jirku, Brigitte E. (HerausgeberIn); Ribeiro, António Sousa (HerausgeberIn); Sanna, Simonetta (HerausgeberIn); Mateo, Hanna (MitwirkendeR)
    Published: [2016]; © 2016
    Publisher:  Königshausen & Neumann, Würzburg

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Contributor: Hoff, Dagmar von (HerausgeberIn); Jirku, Brigitte E. (HerausgeberIn); Ribeiro, António Sousa (HerausgeberIn); Sanna, Simonetta (HerausgeberIn); Mateo, Hanna (MitwirkendeR)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783826059223; 3826059220
    Other identifier:
    9783826059223
    RVK Categories: EC 5410 ; GE 5207
    Subjects: German literature; Violence in literature; Violence in art; Mass media and literature
    Scope: 152 Seiten, 24 cm
    Notes:

    Literaturangaben

    Dagmar von Hoff: Vorwort ; Irritationen der Gewalt : Lektüren von Heinrich von Kleists Novelle das Erdbeben in Chili

    António Sousa Ribeiro: Komik und Gewalt : die Autorität des Opfers

    Dennis Bock: Macht und (sexuelle) Gewalt in Liana Millus Erzählungen der Rauch über Birkenau

    Simonetta Sanna: Die Kommandeuse (1954) von Stephan Hermlin : an den ursächlichsten Quellen von Gewalt

    Júlia Garraio: "Der Vergewaltiger unter uns" : Gedächtniskultur und deutsche Sexualverbrecher im Zweiten Weltkrieg

    Lena Wetenkamp: "Wer darstellt, übt aus" : Gewalt in Terézia Moras Erzählungen

    Catarina Martins: Gegen den deutschen Spiegel schreiben : Selbstbilder schwarzer Frauen in Deutschland

    Brigitte E. Jirku: Spielräume der Gewalt in Elfriede Jelineks die Schutzbefohlenen

    Franco Masia: Zum Titelbild Kentaur mit Putto und Anemonen

  23. The visual culture of violence after the French Revolution
    Published: 2016
    Publisher:  Routledge, London ; New York

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781472450197
    RVK Categories: LH 84390
    Series: An Ashgate book
    Subjects: Geschichte; Violence in art; Violence in popular culture; Violence in popular culture; Arts and society; Arts and society; Sachkultur; Gewalt <Motiv>; Französische Revolution; Malerei; Hinrichtung <Motiv>; Arbeiten auf Papier
    Scope: xiv, 197 Seiten, Illustrationen, 24 cm
  24. Concerning consequences
    studies in art, destruction, and trauma
    Published: [2016]
    Publisher:  The University of Chicago Press, Chicago

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780226774510; 9780226774534
    RVK Categories: LH 61100
    Subjects: Art, Modern; Psychic trauma in art; Violence in art
    Scope: XI, 478 Seiten, Illustrationen
    Notes:

    Literaturangaben

    Survival ethos and destruction artShaved heads and marked bodies : representations from cultures of trauma -- Remembering invisibility : documentary photography of the nuclear age -- The ideal gifts and the Trinity session of Istvan Kantor -- Franz West's dialogic Passstücke -- 1.1.78-2.2.78 : Lynn Hershman's Roberta Breitmore -- Larry Miller's Mom-me -- Unbosoming Lennon : the politics of Yoko Ono's experience -- Burden of light : Chris Burden -- Teaching a dead hand to draw : Kim Jones, war, and art -- Jean Toche : Impressions from the rogue Bush imperial presidency -- Cloud with its shadow : Marina Abramović -- Thunderbird immolation : William Pope.L and burning racism -- Barbara Turner Smith's haunting -- The aesthetics of the misfit : the case of Henry Flynt and David Tudor -- Notes on Rudolf Schwarzkogler's images of healing, a biographical sketch -- Rauschenberg's "gap" -- Warhol's "What?" -- 7:47 a.m. (the traumatic visual vocabulary of Maurice Benayoun's So.so.so. somebody, somewhere, some time) -- Wangechi Mutu's Family tree.

  25. Violenza
    Gewalt als Denkfigur im michelangelesken Kunstdiskurs
    Published: [2016]
    Publisher:  De Gruyter, Berlin

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2016:139:
    No inter-library loan
    Hochschule für Bildende Künste Braunschweig, Bibliothek
    K 5.1 Michelangelo 28
    Unlimited inter-library loan, copies and loan
    Staatliche Kunstsammlungen Dresden, Kunstbibliothek
    No loan of volumes, only paper copies will be sent
    Universitätsbibliothek Freiburg
    GE 2016/3555
    Unlimited inter-library loan, copies and loan
    Universität Freiburg, Kunstgeschichtliches Institut, Bibliothek
    Frei 13: L-IT-113-75
    No loan of volumes, only paper copies will be sent
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2016 A 25682
    Unlimited inter-library loan, copies and loan
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    LI 59401 100
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Heidelberg
    2016 A 613
    Unlimited inter-library loan, copies and loan
    Thüringer Universitäts- und Landesbibliothek
    KUN:YM:5690:a::2016
    Unlimited inter-library loan, copies and loan
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
    Unlimited inter-library loan, copies and loan
    Diözesanbibliothek Münster
    23:3072
    Unlimited inter-library loan, copies and loan
    Universität des Saarlandes, Fachrichtung Kunst- und Kulturwissenschaft, Bibliothek
    O 303/100
    No loan of volumes, only paper copies will be sent
    Württembergische Landesbibliothek
    65/20524
    Unlimited inter-library loan, copies and loan
    Kunsthistorisches Institut, Bibliothek
    M 5180 / 156
    No loan of volumes, only paper copies will be sent
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    Content information
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 3110403463; 9783110403466; 9783110403985; 3110403986
    Other identifier:
    9783110403466
    9783110403985
    RVK Categories: LI 59401 ; LH 61080
    Series: Actus et Imago ; Band 17
    Subjects: Violence in art; Aesthetics
    Other subjects: Michelangelo Buonarroti (1475-1564)
    Scope: XII, 455 Seiten, Illustrationen
    Notes:

    "Bei der vorliegenden Arbeit handelt es sich um die leicht überarbeitete Fassung meiner 2013 an der Ludwig-Maximilians-Universität München eingereichten Dissertation im Fach Kunstgeschichte." (Vorwort und Danksagung)

    Dissertation, Ludwig-Maximilians-Universität München, 2013