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  1. Revolts and political violence in early modern imagery
    Contributor: Griesse, Malte (Herausgeber); Barget, Monika (Herausgeber); De Boer, David (Herausgeber)
    Published: [2022]
    Publisher:  Brill, Leiden ; Boston

    "In the early modern period, images of revolts and violence became increasingly important tools to legitimize or contest political structures. This volume offers the first in-depth analysis of how early modern people produced and consumed violent... more

    Location:
    Universitäts- und Landesbibliothek Bonn
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    Unlimited inter-library loan, copies and loan

     

    "In the early modern period, images of revolts and violence became increasingly important tools to legitimize or contest political structures. This volume offers the first in-depth analysis of how early modern people produced and consumed violent imagery and assesses its role in memory practices, political mobilization, and the negotiation of cruelty and justice. Critically evaluating the traditional focus on Western European imagery, the case studies in this book draw on evidence from Russia, China, Hungary, Portugal, Germany, North America and other regions. The contributors highlight the distinctions among visual cultures of violence, as well as their entanglements in networks of intensive transregional communication, early globalization and European colonization. Contributors include: Monika Barget, David de Boer, Nóra G. Etényi, Fabian Fechner, Joana Fraga, Malte Griesse, Alain Hugon, Gleb Kazakov, Nancy Kollmann, Ya-Chen Ma, Galina Tirnanic, and Ramon Voges"--

     
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    Source: Union catalogues
    Contributor: Griesse, Malte (Herausgeber); Barget, Monika (Herausgeber); De Boer, David (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004461949
    Other identifier:
    Series: Brill's studies on art, art history, and intellectual history ; volume 54
    Subjects: Aufstand <Motiv>; Gewalt <Motiv>; Druckgrafik
    Other subjects: Art / Political aspects; Visual communication / Political aspects; Violence in art; Political violence
    Scope: 1 Online-Ressource (XV, 324 Seiten), Illustrationen
    Notes:

    Includes index
  2. The aesthetics of violence
    art, fiction, drama and film
    Author: Appelbaum, Robert
    Published: 2017
    Publisher:  Rowman & Littlefield International, London ; New York

    Location:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781786605047
    Series: Futures of the archive
    Subjects: Violence in art; Violence in literature; Violence in motion pictures; Arts; Kunst; Literatur; Film; Gewalt; Gewalt <Motiv>; Philosophie
    Scope: 1 Online-Ressource (xxvi, 169 Seiten), Illustrationen
  3. Concerning consequences
    studies in art, destruction, and trauma
    Author: Stiles, Kristine
    Published: 2017
    Publisher:  The University of Chicago Press, Chicago ; Oxford University Press, Oxford

    Kristine Stiles here considers some of the most notorious art of the second half of the 20th century by artists who use their bodies to address destruction and violence. From war and environmental pollution to racism and sexual assault, she analyses... more

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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Kristine Stiles here considers some of the most notorious art of the second half of the 20th century by artists who use their bodies to address destruction and violence. From war and environmental pollution to racism and sexual assault, she analyses the consequences of trauma as seen in the works of artists such as Marina Abramovic, Pope.L and Chris Burden. Assembling rich intellectual explorations on everything from Paleolithic paintings to the Bible's patriarchal legacies to documentary images of nuclear explosions, she explores how art can provide a distinctive means of understanding trauma, and promote individual and collective healing.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226304403
    Other identifier:
    Subjects: Psychisches Trauma <Motiv>; Zerstörung <Motiv>; Kunst; Performance <Künste>; Fotografie; Art, Modern; Psychic trauma in art; Violence in art
    Scope: 1 Online-Ressource, Illustrations (black and white)
    Notes:

    Previously issued in print: 2016

    Includes bibliographical references and index
  4. Visual aggression
    images of Martyrdom in late medieval Germany
    Author: Pinḳus, Assaf
    Published: [2021]; © 2021
    Publisher:  The Pennsylvania State University Press, University Park, Pennsylvania

    Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction. Weep Not for Me . . . But Weep on Yourselves -- Chapter 1. Visual Rhetoric -- Chapter 2. Between Theological and Juridical Positions -- Chapter 3. Bodily Imagination,... more

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    Location:
    Universität Potsdam, Universitätsbibliothek
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    Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction. Weep Not for Me . . . But Weep on Yourselves -- Chapter 1. Visual Rhetoric -- Chapter 2. Between Theological and Juridical Positions -- Chapter 3. Bodily Imagination, Imagined Bodies -- Chapter 4. Eroticized and Sexualized Bodies -- Chapter 5. The Body Reincarnated -- Epilogue. Effect and Response to Violence Imagery -- Notes -- Bibliography -- Index Why does a society seek out images of violence? What can the consumption of violent imagery teach us about the history of violence and the ways in which it has been represented and understood? Assaf Pinkus considers these questions within the context of what he calls galleries of violence, the torment imagery that flourished in German-speaking regions during the fourteenth and fifteenth centuries. Exploring these images and the visceral bodily responses that they produced in their viewers, Pinkus argues that the new visual discourse on violence was a watershed in premodern conceptualizations of selfhood.Images of martyrdom in late medieval Germany reveal a strikingly brutal parade of passion: severed heads, split skulls, mutilated organs, extracted fingernails and teeth, and myriad other torments. Stripped from their devotional context and presented simply as brutal acts, these portrayals assailed viewers’ bodies and minds so violently that they amounted to what Pinkus describes as “visual aggressions.” Addressing contemporary discourses on violence and cruelty, the aesthetics of violence, and the eroticism of the tortured body, Pinkus ties these galleries of violence to larger cultural concerns about the ethics of violence and bodily integrity in the conceptualization of early modern personhood.Innovative and convincing, this study heralds a fundamental shift in the scholarly conversation about premodern violence, moving from a focus on the imitatio Christi and the liturgy of punishment to the notion of violence as a moral problem in an ethical system. Scholars of medieval and early modern art, history, and literature will welcome and engage with Pinkus’s research for years to come

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780271087696
    Other identifier:
    RVK Categories: LK 83340
    Subjects: Art, Medieval; Martyrdom in art; Violence in art; ART / History / Medieval
    Scope: 1 Online-Ressource (xii, 178 Seiten, 25 ungezählte Seiten Tafeln), Illustrationen
  5. Gewalt und Ästhetik
    Zur Gewalt und ihrer Darstellung in der griechischen Klassik
    Published: 2008; ©2006
    Publisher:  de Gruyter, Berlin [u.a.]

    Biographical note: Bernd Seidensticker und Martin Vöhler, Freie Universität Berlin. Gewalt und die Formen ihrer Gestaltung sind ein lange Zeit vernachlässigtes, zentrales Element der griechischen Klassik. Die Studien des Bandes untersuchen nach einem... more

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    Universität Potsdam, Universitätsbibliothek
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    Biographical note: Bernd Seidensticker und Martin Vöhler, Freie Universität Berlin. Gewalt und die Formen ihrer Gestaltung sind ein lange Zeit vernachlässigtes, zentrales Element der griechischen Klassik. Die Studien des Bandes untersuchen nach einem Blick auf die an Gewalterfahrungen reiche Geschichte des 5. Jahrhunderts v. Chr. das Spannungsfeld von Gewalt und Ästhetik in den Bereichen von Mythos und Kult, Literatur mit dem Schwerpunkt auf der Tragödie und bildender Kunst. Violence and the forms of its representation are a long neglected central element of Classical Greece. After reviewing the history of the 5th century BC with its intensive experience of violence, the studies in this volume examine the tension between violence and aesthetics in the fields of myth, cult, and literature with particular reference to tragedy and visual art. Review text: "Der Sammelband „Gewalt und Ästhetik0 liefert einen interessanten und informativen Überblick über die Darstellung von Gewalt im antiken Griechenland."Udo Hartmann in: H-Soz-u-Kult 04/2007

     
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  6. Bodily extremities
    preoccupations with the human body in early modern European culture
    Contributor: Egmond, Florike (Publisher); Zwijnenberg, Robert (Publisher)
    Published: 2016; © 2003
    Publisher:  Routledge, London, [England] ; New York, New York

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Contributor: Egmond, Florike (Publisher); Zwijnenberg, Robert (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781351955065
    RVK Categories: LC 14005 ; LC 59005 ; LH 64920 ; LH 84120 ; NN 1540 ; NW 8800
    Subjects: Pain in art; Human figure in art; Arts, European; Violence in art; Affekt <Motiv>; Körper; Anatomie <Motiv>; Strafe <Motiv>; Kultur
    Scope: 1 online resource (246 pages), illustrations
    Notes:

    Description based on print version record
  7. Gewalt und Ästhetik
    zur Gewalt und ihrer Darstellung in der griechischen Klassik
    Published: 2006
    Publisher:  De Gruyter, Berlin

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 311018432X; 3110202859; 9783110184327; 9783110202854
    Subjects: LITERARY CRITICISM / Ancient & Classical; Art; Greek literature, Hellenistic; Literature; Violence; Violence in the theater; Kunst; Literatur; Greek literature, Hellenistic; Violence in literature; Violence in art; Violence in the theater; Gewalt <Motiv>; Literatur; Gewaltdarstellung; Kunst
    Scope: 1 Online-Ressource (xiv, 308 pages)
    Notes:

    Based on a symposium of the same name, held July 2005, at the Free Univ. Berlin "im Rahmen des Sonderforschungsbereichs 626 der Deutschen Forschungsgemeinschaft 'Ästhetische Erfahrung im Zeichen der Entgrenzung der Künste'". - Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references and indexes

    Vorwort / Bernd Seidensticker und Martin Vöhler ; Die Tyrannis als Wunsch- und Schreckbild / Kai Trampedach ; Gewalt als präsente und diskursive Obsession in der griechischen Klassik / Egon Flaig ; Blutvergie_en am Altar. Zur Ritualisierung der Gewalt im griechischen Opferkult / Albert Henrichs ; Distanz und Nähe. Zur Darstellung von Gewalt in der griechischen Tragödie / Bernd Seidensticker ; Körper und Geist in tragischen Schmerz-Szenen / Felix Budelmann ; Der Ort der Gewalt. Was sehen wir auf der Bühne? / Simon Goldhill ; Zur ästhetischen Funktion von Gewalt-Darstellung in der griechischen Tragödie / Karl Heinz Bohrer ; Gewalt der Darstellung. Zur Inszenierung antiker Tragödien im (post)modernen Theater / Patrick Primavesi ; Gefährliche Bilder. Gewalt und Leidenschaft in der archaischen und klassischen Kunst / Barbara E. Borg ; Als die Gewaltbilder zu ihrem Wirkungspotential fanden / Susanne Muth
  8. Visual aggression
    images of martyrdom in late medieval Germany
    Author: Pinḳus, Assaf
    Published: [2021]; © 2021
    Publisher:  The Pennsylvania State University Press, University Park, Pennsylvania

    Why does a society seek out images of violence? What can the consumption of violent imagery teach us about the history of violence and the ways in which it has been represented and understood? Assaf Pinkus considers these questions within the context... more

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Bayerische Staatsbibliothek
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    Deutsches Forum für Kunstgeschichte, Bibliothek

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    Universitätsbibliothek Passau
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    Why does a society seek out images of violence? What can the consumption of violent imagery teach us about the history of violence and the ways in which it has been represented and understood? Assaf Pinkus considers these questions within the context of what he calls galleries of violence, the torment imagery that flourished in German-speaking regions during the fourteenth and fifteenth centuries. Exploring these images and the visceral bodily responses that they produced in their viewers, Pinkus argues that the new visual discourse on violence was a watershed in premodern conceptualizations of selfhood.Images of martyrdom in late medieval Germany reveal a strikingly brutal parade of passion: severed heads, split skulls, mutilated organs, extracted fingernails and teeth, and myriad other torments. Stripped from their devotional context and presented simply as brutal acts, these portrayals assailed viewers' bodies and minds so violently that they amounted to what Pinkus describes as "visual aggressions." Addressing contemporary discourses on violence and cruelty, the aesthetics of violence, and the eroticism of the tortured body, Pinkus ties these galleries of violence to larger cultural concerns about the ethics of violence and bodily integrity in the conceptualization of early modern personhood.Innovative and convincing, this study heralds a fundamental shift in the scholarly conversation about premodern violence, moving from a focus on the imitatio Christi and the liturgy of punishment to the notion of violence as a moral problem in an ethical system. Scholars of medieval and early modern art, history, and literature will welcome and engage with Pinkus's research for years to come

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780271087696
    Other identifier:
    RVK Categories: LK 83340 ; LK 10205
    Subjects: ART / History / Medieval; Art, Medieval; Martyrdom in art; Violence in art; Folter <Motiv>; Märtyrerin; Motiv; Gewalt <Motiv>; Martyrium; Kunst; Märtyrer <Motiv>
    Scope: 1 Online-Ressource (xii, 178 Seiten), Illustrationen
  9. Art and violence in the Middle Ages and the Renaissance
    Contributor: Sullivan, Robert G. (Publisher); Pagès, Meriem (Publisher)
    Published: 2020
    Publisher:  Cambridge Scholars Publishing, Newcastle upon Tyne

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Contributor: Sullivan, Robert G. (Publisher); Pagès, Meriem (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781527563346
    Subjects: Gewalt <Motiv>; Kunst; Literatur
    Other subjects: Violence in art; Art, Medieval; Art, Renaissance; Art, Medieval; Art, Renaissance; Violence in art
    Scope: 1 Online-Ressource (ix, 215 Seiten), Illustrationen
  10. The aesthetics of violence
    art, fiction, drama and film
    Author: Appelbaum, Robert
    Published: [2017]; © 2017
    Publisher:  Rowman & Littlefield international, London ; New York

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781786605047
    RVK Categories: CC 6900 ; EC 5410
    Series: Futures of the archive
    Subjects: Violence in art; Arts; Literatur; Film; Ästhetik; Gewalt <Motiv>; Kunst
    Scope: 1 Online-Ressource (xxvi, 169 Seiten), Illustrationen
  11. Visualizing violence in francophone cultures
    Contributor: Compan, Magali (Publisher)
    Published: 2015; © 2015
    Publisher:  Cambridge Scholars Publishing, Newcastle upon Tyne, England

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Contributor: Compan, Magali (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781443880725; 9781443884884
    Subjects: Violence in art; Violence; Violence in literature; Visualisierung; Gewalt <Motiv>
    Scope: 1 online resource (194 pages)
    Notes:

    Description based on online resource; title from PDF title page (ebrary, viewed June 27, 2016)
  12. Beyond partition
    gender, violence, and representation in postcolonial India
    Author: Misri, Deepti
    Published: 2014; © 2014
    Publisher:  University of Illinois Press, Urbana, Illinois ; Chicago, Illinois

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780252080395; 9780252038853; 9780252096815
    Series: Dissident Feminisms
    Subjects: Frau; Geschichte; Violence; Women; Violence in literature; Violence in art; Frau; Kultur; Indien <Motiv>; Gewalt
    Scope: 1 online resource (217 pages), illustrations
    Notes:

    Description based on print version record
  13. Revolts and political violence in early modern imagery
    Contributor: Griesse, Malte (Publisher); Barget, Monika (Publisher); Boer, David de (Publisher)
    Published: [2022]; © 2022
    Publisher:  Brill, Leiden ; Boston

    "In the early modern period, images of revolts and violence became increasingly important tools to legitimize or contest political structures. This volume offers the first in-depth analysis of how early modern people produced and consumed violent... more

    Location:
    Deutsches Forum für Kunstgeschichte, Bibliothek

     

    "In the early modern period, images of revolts and violence became increasingly important tools to legitimize or contest political structures. This volume offers the first in-depth analysis of how early modern people produced and consumed violent imagery and assesses its role in memory practices, political mobilization, and the negotiation of cruelty and justice. Critically evaluating the traditional focus on Western European imagery, the case studies in this book draw on evidence from Russia, China, Hungary, Portugal, Germany, North America and other regions. The contributors highlight the distinctions among visual cultures of violence, as well as their entanglements in networks of intensive transregional communication, early globalization and European colonization. Contributors include: Monika Barget, David de Boer, Nóra G. Etényi, Fabian Fechner, Joana Fraga, Malte Griesse, Alain Hugon, Gleb Kazakov, Nancy Kollmann, Ya-Chen Ma, Galina Tirnanic, and Ramon Voges"

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Griesse, Malte (Publisher); Barget, Monika (Publisher); Boer, David de (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004461949
    Other identifier:
    RVK Categories: LH 84060 ; LH 70360 ; LH 71340 ; NN 1400
    Series: Brill's studies on art, art history, and intellectual history ; volume 54
    Subjects: Bild; Aufstand <Motiv>; Kultur; Politik; Gewalt <Motiv>
    Other subjects: Violence in art; Political violence; Art / Political aspects; Visual communication / Political aspects
    Scope: 1 Online-Ressource ( XV, 324 Seiten), Illustrationen
    Notes:

    Includes index
  14. The matter of violence in Baroque painting
    Author: Cornea, Bogdan
    Published: 2023
    Publisher:  Amsterdam University Press, Amsterdam

    Baroque depictions of violence are often dismissed as 'over the top' and 'excessive'. Their material richness and exciting visual complexity, together with the visceral engagement they demand from beholders, are usually explained in literature as... more

    Location:
    Universitätsbibliothek Bamberg
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    Location:
    Bayerische Staatsbibliothek
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    Baroque depictions of violence are often dismissed as 'over the top' and 'excessive'. Their material richness and exciting visual complexity, together with the visceral engagement they demand from beholders, are usually explained in literature as reflecting the presumed violence of early modern society. This book explores the intersection between materiality, excess, and violence in seventeenth-century paintings through a close analysis of some of the most iconic works of the period

     
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  15. Witnessing sadism in texts of the American South
    women, specularity, and the poetics of subjectivity
    Author: Raymond, Claire
    Published: 2016
    Publisher:  Routledge,, London

    Contents: Introduction: sadism and specularity: mirroring femininity and sadism; Empathy and risk: photography, writing, the softest voice; Projects of identity in Carrie Mae Weems's From Here I Saw What Happened and I Cried: the crucible of... more

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    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Contents: Introduction: sadism and specularity: mirroring femininity and sadism; Empathy and risk: photography, writing, the softest voice; Projects of identity in Carrie Mae Weems's From Here I Saw What Happened and I Cried: the crucible of witnessing; Sacrificed daughters and the grammar of enslavement in Toni Morrison's Beloved, Flannery O'Connor's 'A View of the Woods', and Dorothy Allison's Bastard Out of Carolina; 'The adequate of Hell', or, how to watch the other suffer: Dickinson, Ransom, and Tate; Queer Southern belles: the transgender object of desire in O'Connor, McCullers, and Zora Neale Hurston's Mules and Men; Sadism and the open body: Kant, Scarry, and being in relation to the suffering other; By way of a conclusion: what I have done in your name; Appendix; Works cited; Index.

     
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  16. The aesthetics of violence
    art, fiction, drama and film
    Author: Appelbaum, Robert
    Published: 2017
    Publisher:  Rowman & Littlefield International, London, [England] ; New York, [New York]

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781786605047
    RVK Categories: CC 6900 ; EC 5410
    Series: Futures of the Archive : Theory, Criticism, Crisis
    Subjects: Violence in art; Arts; Gewalt <Motiv>; Film; Kunst; Ästhetik; Literatur
    Scope: 1 Online-Ressource (196 pages), illustrations
    Notes:

    Description based on print version record
  17. The Aesthetics of Violence
    Art, Fiction, Drama and Film
    Author: Appelbaum, Robert
    Published: 2017
    Publisher:  Rowman & Littlefield Publishers, London ; ProQuest, Ann Arbor, Michigan

    Offering an ambitious study of the aesthetics of violence across art, literature, film and theatre, this volume brings together traditional German aesthetic and social theory with the modern problem of violence in art. Written in an engaging style,... more

    Location:
    Universität Frankfurt, Elektronische Ressourcen
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    Universitätsbibliothek Gießen
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    Offering an ambitious study of the aesthetics of violence across art, literature, film and theatre, this volume brings together traditional German aesthetic and social theory with the modern problem of violence in art. Written in an engaging style, the book includes examples ranging from Homer and Shakespeare to slasher films and performance art.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781786605047
    Edition: 1st ed.
    Series: Futures of the Archive
    Subjects: Kunst; Literatur; Film; Philosophie; Gewalt; Gewalt <Motiv>; Violence in art; Arts-Themes, motives
    Scope: 1 Online-Ressource (196 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  18. Gewalt im Bild
    Das Phänomen der medialen Gewalt im Athen des 6. und 5. Jahrhunderts v. Chr
    Author: Muth, Susanne
    Published: 2008; ©2008
    Publisher:  Walter de Gruyter, Berlin, New York

    Few images occupy and polarise public discussion today as much as depictions of violence. Most scholars assume that depictions of violence mirror actual experience and social perceptions of violence, and that they contribute to stimulating... more

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    Location:
    Universität Potsdam, Universitätsbibliothek
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    Few images occupy and polarise public discussion today as much as depictions of violence. Most scholars assume that depictions of violence mirror actual experience and social perceptions of violence, and that they contribute to stimulating aggression. Focussing on the countless depictions of violence on the painted pottery of Archaic and Classical Athens (war, myth, etc.), Susanne Muth tackles these propositions in a fascinating and groundbreaking study. For the first time in visual history the Athenians created an advanced imagery of violence and its effects can still be felt today. So as to

     
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  19. Witnessing sadism in texts of the American South
    women, specularity, and the poetics of subjectivity
    Author: Raymond, Claire
    Published: 2016
    Publisher:  Routledge,, London

    Contents: Introduction: sadism and specularity: mirroring femininity and sadism; Empathy and risk: photography, writing, the softest voice; Projects of identity in Carrie Mae Weems's From Here I Saw What Happened and I Cried: the crucible of... more

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    Contents: Introduction: sadism and specularity: mirroring femininity and sadism; Empathy and risk: photography, writing, the softest voice; Projects of identity in Carrie Mae Weems's From Here I Saw What Happened and I Cried: the crucible of witnessing; Sacrificed daughters and the grammar of enslavement in Toni Morrison's Beloved, Flannery O'Connor's 'A View of the Woods', and Dorothy Allison's Bastard Out of Carolina; 'The adequate of Hell', or, how to watch the other suffer: Dickinson, Ransom, and Tate; Queer Southern belles: the transgender object of desire in O'Connor, McCullers, and Zora Neale Hurston's Mules and Men; Sadism and the open body: Kant, Scarry, and being in relation to the suffering other; By way of a conclusion: what I have done in your name; Appendix; Works cited; Index.

     
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  20. Visual aggression
    images of martyrdom in late medieval Germany
    Author: Pinḳus, Assaf
    Published: [2021]; © 2021
    Publisher:  The Pennsylvania State University Press, University Park, Pennsylvania

    Why does a society seek out images of violence? What can the consumption of violent imagery teach us about the history of violence and the ways in which it has been represented and understood? Assaf Pinkus considers these questions within the context... more

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    Why does a society seek out images of violence? What can the consumption of violent imagery teach us about the history of violence and the ways in which it has been represented and understood? Assaf Pinkus considers these questions within the context of what he calls galleries of violence, the torment imagery that flourished in German-speaking regions during the fourteenth and fifteenth centuries. Exploring these images and the visceral bodily responses that they produced in their viewers, Pinkus argues that the new visual discourse on violence was a watershed in premodern conceptualizations of selfhood.Images of martyrdom in late medieval Germany reveal a strikingly brutal parade of passion: severed heads, split skulls, mutilated organs, extracted fingernails and teeth, and myriad other torments. Stripped from their devotional context and presented simply as brutal acts, these portrayals assailed viewers' bodies and minds so violently that they amounted to what Pinkus describes as "visual aggressions." Addressing contemporary discourses on violence and cruelty, the aesthetics of violence, and the eroticism of the tortured body, Pinkus ties these galleries of violence to larger cultural concerns about the ethics of violence and bodily integrity in the conceptualization of early modern personhood.Innovative and convincing, this study heralds a fundamental shift in the scholarly conversation about premodern violence, moving from a focus on the imitatio Christi and the liturgy of punishment to the notion of violence as a moral problem in an ethical system. Scholars of medieval and early modern art, history, and literature will welcome and engage with Pinkus's research for years to come

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780271087696
    Other identifier:
    RVK Categories: LK 83340 ; LK 10205
    Subjects: ART / History / Medieval; Art, Medieval; Martyrdom in art; Violence in art; Folter <Motiv>; Märtyrerin; Motiv; Gewalt <Motiv>; Martyrium; Kunst; Märtyrer <Motiv>
    Scope: 1 Online-Ressource (xii, 178 Seiten), Illustrationen
  21. Kunst - Macht - Gewalt : der ästhetische Ort der Aggressivität
    Published: 2000
    Publisher:  München : Fink

    hrsg. von Rolf Grimminger ; Inhaltsverzeichnis ; Volltext // Exemplar mit der Signatur: München, Bayerische Staatsbibliothek -- PVA 2000.4365 more

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    hrsg. von Rolf Grimminger ; Inhaltsverzeichnis ; Volltext // Exemplar mit der Signatur: München, Bayerische Staatsbibliothek -- PVA 2000.4365

     
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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Online
    Other identifier:
    ftbsbmuenchendc:oai:bdr.oai.bsb-muenchen.de:all:BDR-BV013210309-24755
    Other subjects: Geschichte 1900-2000; Art - Aspect social; Esthétique; Geweld; Kunst; Violence - Dans l'art; Violence dans la littérature; Gewalt; Ästhetik; Violence in art; Aesthetics; Arts and society; Arts; Modern -- 20th century; Künste
    Scope: Online-Ressource
    Notes:

    Datenlieferant: Bavarian Digital Repository (BDR - Bayerische Staatsbibliothek Munich, BSB)
  22. Gewalt und Ästhetik
    zur Gewalt und ihrer Darstellung in der griechischen Klassik
    Published: 2010
    Publisher:  De Gruyter, Berlin

    Frontmatter; Inhaltsverzeichnis; Die Tyrannis als Wunsch- und Schreckbild; Gewalt als präsente und als diskursive Obsession in der griechischen Klassik; Blutvergießen am Altar: Zur Ritualisierung der Gewalt im griechischen Opferkult; Distanz und... more

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    Frontmatter; Inhaltsverzeichnis; Die Tyrannis als Wunsch- und Schreckbild; Gewalt als präsente und als diskursive Obsession in der griechischen Klassik; Blutvergießen am Altar: Zur Ritualisierung der Gewalt im griechischen Opferkult; Distanz und Nähe: Zur Darstellung von Gewalt in der griechischen Tragödie; Körper und Geist in tragischen Schmerz-Szenen; Der Ort der Gewalt: Was sehen wir auf der Bühne?; Zur ästhetischen Funktion von Gewalt-Darstellung in der Griechischen Tragödie; Gewalt der Darstellung: Zur Inszenierung antiker Tragödien im (post)modernen Theater Gefährliche Bilder? Gewalt und Leidenschaft in der archaischen und klassischen KunstAls die Gewaltbilder zu ihrem Wirkungspotential fanden; Backmatter Violence and the forms of its representation are a long neglected central element of Classical Greece. After reviewing the history of the 5th century BC with its intensive experience of violence, the studies in this volume examine the tension between violence and aesthetics in the fields of myth, cult, and literature with particular reference to tragedy and visual art

     
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    Content information
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110202854; 3110202859
    Subjects: Greek literature, Hellenistic; Violence in literature; Violence in art; Violence in the theater; Greek literature, Hellenistic; Violence in literature; Violence in art; Violence in the theater; Greek literature, Hellenistic; Violence in art; Violence in literature; Violence in the theater; LITERARY CRITICISM ; Ancient & Classical; Greek literature, Hellenistic; Violence in art; Violence in literature; Violence in the theater; Gewaltdarstellung; Conference papers and proceedings; Criticism, interpretation, etc
    Scope: Online Ressource (xiv, 308 pages), illustrations
    Notes:

    Based on a symposium of the same name, held July 2005, at the Free Univ. Berlin "im Rahmen des Sonderforschungsbereichs 626 der Deutschen Forschungsgemeinschaft 'Ästhetische Erfahrung im Zeichen der Entgrenzung der Künste'. - Includes bibliographical references and indexes. - Description based on print version record

    Includes bibliographical references and indexes

    Description based on print version record

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Online-Ausg. [S.l.] : HathiTrust Digital Library
  23. Gewalt und Ästhetik
    zur Gewalt und ihrer Darstellung in der griechischen Klassik
    Published: 2006
    Publisher:  de Gruyter, Berlin [u.a.]

    Main description: Gewalt und die Formen ihrer Gestaltung sind ein lange Zeit vernachlässigtes, zentrales Element der griechischen Klassik. Die Studien des Bandes untersuchen nach einem Blick auf die an Gewalterfahrungen reiche Geschichte des 5.... more

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    Main description: Gewalt und die Formen ihrer Gestaltung sind ein lange Zeit vernachlässigtes, zentrales Element der griechischen Klassik. Die Studien des Bandes untersuchen nach einem Blick auf die an Gewalterfahrungen reiche Geschichte des 5. Jahrhunderts v. Chr. das Spannungsfeld von Gewalt und Ästhetik in den Bereichen von Mythos und Kult, Literatur mit dem Schwerpunkt auf der Tragödie und bildender Kunst. Main description: Violence and the forms of its representation are a long neglected central element of Classical Greece. After reviewing the history of the 5th century BC with its intensive experience of violence, the studies in this volume examine the tension between violence and aesthetics in the fields of myth, cult, and literature with particular reference to tragedy and visual art. Biographical note: Bernd Seidensticker und Martin Vöhler, Freie Universität Berlin. Review text: "Der Sammelband „Gewalt und Ästhetik0 liefert einen interessanten und informativen Überblick über die Darstellung von Gewalt im antiken Griechenland."Udo Hartmann in: H-Soz-u-Kult 04/2007

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 311018432X; 9783110184327
    Other identifier:
    RVK Categories: FB 4161
    Subjects: Greek literature, Hellenistic; Violence in the theater; Violence in art; Violence in literature; Greece
    Scope: XIV, 308 S.
    Notes:

    Based on a symposium of the same name, held July 2005, at the Free Univ. Berlin "im Rahmen des Sonderforschungsbereichs 626 der deutschen Forschungsgemeinschaft 'Ästhetische Erfahrung im Zeichen der Entgrenzung der Künste'

    Includes bibliographical references and indexes

    Electronic reproduction; Available via World Wide Web

    Vorwort / Bernd Seidensticker und Martin Vöhler ; Die Tyrannis als Wunsch- und Schreckbild / Kai Trampedach ; Gewalt als präsente und diskursive Obsession in der griechischen Klassik / Egon Flaig ; Blutvergie_en am Altar. Zur Ritualisierung der Gewalt im griechischen Opferkult / Albert Henrichs ; Distanz und Nähe. Zur Darstellung von Gewalt in der griechischen Tragödie / Bernd Seidensticker ; Körper und Geist in tragischen Schmerz-Szenen / Felix Budelmann ; Der Ort der Gewalt. Was sehen wir auf der Bühne? / Simon Goldhill ; Zur ästhetischen Funktion von Gewalt-Darstellung in der griechischen Tragödie / Karl Heinz Bohrer ; Gewalt der Darstellung. Zur Inszenierung antiker Tragödien im (post)modernen Theater / Patrick Primavesi ; Gefährliche Bilder. Gewalt und Leidenschaft in der archaischen und klassischen Kunst / Barbara E. Borg ; Als die Gewaltbilder zu ihrem Wirkungspotential fanden / Susanne Muth.
  24. Does war belong in museums?
    the representation of violence in exhibitions
    Contributor: Muchitsch, Wolfgang (HerausgeberIn)
    Published: [2013]; © 2013
    Publisher:  transcript, Bielefeld

    Presentations of war and violence in museums generally oscillate between the fascination of terror and its instruments and the didactic urge to explain violence and, by analysing it, make it easier to handle and prevent. The museums concerned also... more

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    Presentations of war and violence in museums generally oscillate between the fascination of terror and its instruments and the didactic urge to explain violence and, by analysing it, make it easier to handle and prevent. The museums concerned also have to face up to these basic issues about the social and institutional handling of war and violence. Does war really belong in museums? And if it does, what objectives and means are involved? Can museums avoid trivializing and aestheticising war, transforming violence, injury, death and trauma into tourist sights? What images of shock or identification does one generate - and what images would be desirable?

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Muchitsch, Wolfgang (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783839423066
    Other identifier:
    RVK Categories: AK 86500
    Series: Edition Museumsakademie Joanneum ; 4
    Subjects: War in art; Violence in art; Violence in art.; War in art.; Violence in art.; War in art.; Künste, Bildende Kunst allgemein.; ART / Museum Studies
    Other subjects: Conflict; Cultural History; Exhibition; Memory Culture; Museology; Violence; War
    Scope: 1 Online-Ressource (223 Seiten), Illustrationen
    Notes:

    Literaturangaben
  25. Gewalt und Ästhetik
    Zur Gewalt und ihrer Darstellung in der griechischen Klassik
    Published: 2008; ©2006
    Publisher:  de Gruyter, Berlin [u.a.]

    Biographical note: Bernd Seidensticker und Martin Vöhler, Freie Universität Berlin. Gewalt und die Formen ihrer Gestaltung sind ein lange Zeit vernachlässigtes, zentrales Element der griechischen Klassik. Die Studien des Bandes untersuchen nach einem... more

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    Biographical note: Bernd Seidensticker und Martin Vöhler, Freie Universität Berlin. Gewalt und die Formen ihrer Gestaltung sind ein lange Zeit vernachlässigtes, zentrales Element der griechischen Klassik. Die Studien des Bandes untersuchen nach einem Blick auf die an Gewalterfahrungen reiche Geschichte des 5. Jahrhunderts v. Chr. das Spannungsfeld von Gewalt und Ästhetik in den Bereichen von Mythos und Kult, Literatur mit dem Schwerpunkt auf der Tragödie und bildender Kunst. Violence and the forms of its representation are a long neglected central element of Classical Greece. After reviewing the history of the 5th century BC with its intensive experience of violence, the studies in this volume examine the tension between violence and aesthetics in the fields of myth, cult, and literature with particular reference to tragedy and visual art. Review text: "Der Sammelband „Gewalt und Ästhetik0 liefert einen interessanten und informativen Überblick über die Darstellung von Gewalt im antiken Griechenland."Udo Hartmann in: H-Soz-u-Kult 04/2007

     
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