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  1. Maya Deren
    incomplete control
    Published: [2014]; ©2014
    Publisher:  Columbia University Press, New York, NY

    Maya Deren (1917-1961) was a Russian-born American filmmaker, theorist, poet, and photographer working at the forefront of the American avant-garde in the 1940s and 1950s. Influenced by Jean Cocteau and Marcel Duchamp, she is best known for her... more

    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
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    Maya Deren (1917-1961) was a Russian-born American filmmaker, theorist, poet, and photographer working at the forefront of the American avant-garde in the 1940s and 1950s. Influenced by Jean Cocteau and Marcel Duchamp, she is best known for her seminal film Meshes of the Afternoon (1943), a dream-like experiment with time and symbol, looped narrative, and provocative imagery. This book assesses the filmmaker's completed work alongside her incomplete projects, arguing that Deren's overarching aesthetic is founded on principles of contingency and openness, which give her work singular depth but also complicate its making. Combining documentary, experimental, and creative approaches to filmmaking, Deren created a wholly original experience for film audiences, and this critical retrospective illuminates these productive tensions, which continue to energize film

     

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    Source: Union catalogues
    Media type: Book
    Format: Online
    Other subjects: Experimentalfilm/A; Unabhängige Produktion/G; Darstellende Kunst/A; Genres/A; Filmemacherinnen/A; Ästhetik/A
    Scope: 1 online resource(296 p.), illustrations
    Notes:

    Mode of access: Internet via World Wide Web

  2. The " I" of the camera
    essays in film criticism, history, and aesthetics
    Published: 1989
    Publisher:  Cambridge Univ. Pr., Cambridge [u.a.]

    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
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    Source: Union catalogues
    Media type: Book
    ISBN: 052136048X
    Series: Film studies in film
    Other subjects: Adaption/A; Analyse von Filmen/A; Kritik/A; Ästhetik/A; Kamera/A; Unabhängige Produktion/G; Dokumentarfilm/B; Experimentalfilm/A; Essays/N
    Scope: 210 S., Ill.
  3. Verse, voice, and vision
    poetry and the cinema
    Contributor: Santos, Marlisa (Hrsg.)
    Published: 2013
    Publisher:  Scarecrow Pr., Lanham [u.a.]

    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
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  4. Ein neues New Hollywood?
    zur Verschmelzung von Independent und Mainstream im aktuellen Hollywood-Kino
    Published: 2004
    Publisher:  Tectum Verl., Marburg

    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
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    Source: Union catalogues
    Media type: Dissertation
    ISBN: 3828886574
    Series: Diplomica ; 17
    Other subjects: Ästhetik/A; Unabhängiger Verleih/G; Unabhängige Produktion/G; Diplomarbeiten/J; Studiosystem/G; Blockbuster/A
    Scope: 201 S.
    Notes:

    [Zugl.: Univ., Salzburg, Diplomarb., 2001]

  5. Mediale Ansichten
    Dokumentation des 18. Film- und Fernsehwissenschaftlichen Kolloquiums, Universität Mannheim
    Contributor: Kallwies, Nicole (Hrsg.)
    Published: 2006
    Publisher:  Schüren Verl., Marburg

    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
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    Source: Union catalogues
    Contributor: Kallwies, Nicole (Hrsg.)
    Media type: Book
    ISBN: 3894724447
    Other subjects: Kolloquien/T; Unabhängige Produktion/G; Avantgarde/A; Dramaturg/A; Ästhetik/A; Rezeption/E; Kamera/A; Wahrnehmung/E; Frauen/A
    Scope: 190 S.
  6. Das Konzept "Exploitation" und das jugendliche Publikum
    von 'I Was a Teenage Werewolf" zu 'Buffy - The Vampire Slayer'
    Author: Celko, Max
    Published: 2006

    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
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  7. Kino im Aufbruch
    New Hollywood 1967-1976
    Published: 2006
    Publisher:  Schüren, Marburg

    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
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