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  1. Literary impressionism and modernist aesthetics
    Author: Matz, Jesse
    Published: 2001
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    "Jesse Matz examines the writing of such modernists as Henry James, Joseph Conrad and Virginia Woolf, who used the word "impression" to describe what they wanted their fiction to present. Matz redefines literary Impressionism, focusing on the way... more

    Location:
    Universitätsbibliothek Bamberg
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    Location:
    Universitätsbibliothek Bayreuth
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    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Location:
    Bayerische Staatsbibliothek
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    Location:
    Universitätsbibliothek Würzburg
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    "Jesse Matz examines the writing of such modernists as Henry James, Joseph Conrad and Virginia Woolf, who used the word "impression" to describe what they wanted their fiction to present. Matz redefines literary Impressionism, focusing on the way that impressions destroy standard perceptual distinctions between thinking and sensing, believing and suspecting. He argues that these writers favored not immediate subjective sense, but rather a mode that would mediate perceptual distinctions. Just as impressions fall somewhere between thought and sense, Impressionist fiction occupies the middle ground between opposite ways of engaging with the world. Reconceiving Impressionist fiction in these terms, this wide-ranging study addresses the problems of perception and representation that occupied the great Modernist writers."--BOOK JACKET.

     
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  2. Literary impressionism and modernist aesthetics
    Author: Matz, Jesse
    Published: 2001
    Publisher:  Cambridge University Press, Cambridge, U.K.

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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  3. Literary impressionism and modernist aesthetics
    Author: Matz, Jesse
    Published: 2001
    Publisher:  Cambridge University Press, Cambridge, U.K.

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0511017839; 0521803527; 9780511017834; 9780521803526
    Subjects: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; À la recherche du temps perdu (Proust, Marcel); Aesthetics, Modern; English fiction; Impressionism in literature; Modernism (Literature); English fiction; Impressionism in literature; English fiction; Modernism (Literature); Modernism (Literature); Aesthetics, Modern; Totalität; Impressionismus; Englisch; Ästhetik; Literatur; Wahrnehmung; Moderne
    Other subjects: Proust, Marcel / 1871-1922 / À la recherche du temps perdu; Proust, Marcel (1871-1922): À la recherche du temps perdu; Conrad, Joseph (1857-1924); Woolf, Virginia (1882-1941); James, Henry (1843-1916)
    Scope: 1 Online-Ressource (ix, 278 pages)
    Notes:

    Includes bibliographical references (pages 250-274) and index

    Impressions of modernity -- Pater's homoerotic impression -- The woman of genius. "Call down Dolly" ; Proust in Eulalie's bedroom ; Conrad's distant laborer ; Ford's peasant cabman -- Woolf's phenomenological impression -- Three impressionist allegories
  4. Literary impressionism and modernist aesthetics
    Author: Matz, Jesse
    Published: 2001
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    "Jesse Matz examines the writing of such modernists as Henry James, Joseph Conrad and Virginia Woolf, who used the word "impression" to describe what they wanted their fiction to present. Matz redefines literary Impressionism, focusing on the way... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Unlimited inter-library loan, copies and loan

     

    "Jesse Matz examines the writing of such modernists as Henry James, Joseph Conrad and Virginia Woolf, who used the word "impression" to describe what they wanted their fiction to present. Matz redefines literary Impressionism, focusing on the way that impressions destroy standard perceptual distinctions between thinking and sensing, believing and suspecting. He argues that these writers favored not immediate subjective sense, but rather a mode that would mediate perceptual distinctions. Just as impressions fall somewhere between thought and sense, Impressionist fiction occupies the middle ground between opposite ways of engaging with the world. Reconceiving Impressionist fiction in these terms, this wide-ranging study addresses the problems of perception and representation that occupied the great Modernist writers."--BOOK JACKET.

     
    Export to reference management software   RIS file
      BibTeX file
    Content information