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  1. Poetics and politics
    net structures and agencies in early modern drama
    Published: [2018]
    Publisher:  De Gruyter, Berlin ; Boston

    "This volume uses theories of circulation to analyze the development of European secular and religious drama. It explores the relationship between tradition and innovation, the status of genre, the proportion of autonomous and heteronomous creational... more

    Universitätsbibliothek Regensburg
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    "This volume uses theories of circulation to analyze the development of European secular and religious drama. It explores the relationship between tradition and innovation, the status of genre, the proportion of autonomous and heteronomous creational dispositions within given artefacts or within genres, and the strategies of functionalization in the context of a given part of the cultural net"--

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 311053665X; 3110536692; 9783110536652; 9783110536690
    Other identifier:
    RVK Categories: EC 2450 ; HI 1150 ; HI 1250
    Subjects: Théâtre européen; European drama; LITERARY CRITICISM / Drama; The arts; European drama; Drama
    Other subjects: Comparative Literature; Drama; Early Modern Europe; History of Ideas; Electronic books; Criticism, interpretation, etc
    Scope: 1 Online-Ressource
    Notes:

    1809

    National literatures? / Joachim Küpper -- American presidential candidates at the court of Charles V: how political theory trumped political theology in fourteenth-century Paris / Stephen G. Nichols -- Cross-cultural inventions in drama on the basis of the novel in prose, or world literature before world literature: the case of Fortunatus / Sandra Richter -- Sex on stage: how does the audience know? (Dovizi da Bibbiena, La Calandra III. 10; Shakespeare, Henry V, V.2) / Esther Schomacher -- Castigliones green sense of theater / Stefano Gulizia -- Luigi Grotos Adriana: a laboratory experiment on literary genre / Bernhard Huss -- The agency of errors: Hamartia and its (mis)interpretations in the Italian Cinquecento / Cristina Savettieri -- Playful institutions: social and textual practices in early Spanish academies / Stephanie Bung -- The role of music in folk drama: an investigation based on Tyrolean sources / Franz Gratl -- From a rhetorical to a natural art of acting: what the networks of the seventeenth and eighteenth centuries achieved / Erika Fischer-Lichte -- Early modern religious processions: the rise and fall of a political genre / Jaša Drnovšek -- Directions, examples, and incentives: Slovenian playwriting in the second half of the eighteenth century / Igor Grdina -- Variants of hypothepsis: rhetorical, anthropistic, dramatic (with remarks on Terence, Machiavelli, Shakespeare) / DS Mayfield

  2. The end of the world
    apocalypse and its aftermath in Western culture
    Published: 2011
    Publisher:  Open Book Publishers, Cambridge, UK

    "Our fear of the world ending, like our fear of the dark, is ancient, deep-seated and perennial. It crosses boundaries of space and time, recurs in all human communities and finds expression in every aspect of cultural production - from pre-historic... more

    Universitätsbibliothek Regensburg
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    "Our fear of the world ending, like our fear of the dark, is ancient, deep-seated and perennial. It crosses boundaries of space and time, recurs in all human communities and finds expression in every aspect of cultural production - from pre-historic cave paintings to high-tech computer games. This book examines historical and imaginary scenarios of Apocalypse, the depiction of its likely triggers, and imagined landscapesin the aftermath of global destruction. Its discussion moves effortlessly from classic novels including Aldous Huxley's Brave New World, George Orwell's Nineteen Eighty-Four and Margaret Atwood's Oryx and Crake, to blockbuster films such as Blade Runner, Armageddon and The Terminator. The author also takes into account religious doctrine, scientific research and the visual arts to create a penetrating, multi-disciplinary study that provides profound insight into one of Western culture's darkest and most enduring preoccupations."--Publisher's website

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1906924503; 190692452X; 1906924619; 1906924627; 2821817088; 9781906924508; 9781906924522; 9781906924614; 9781906924621; 9782821817081
    RVK Categories: LC 32000
    Subjects: Fin du monde au cinéma; Fin du monde dans l'art; Fin du monde dans la littérature; Fin du monde; Apocalypse in literature; Apocalypse in motion pictures; Cultural studies; End of the world in literature; End of the world; Film, TV and radio; LITERARY CRITICISM; Literature and literary studies; Literature: history and criticism; RELIGION; Society and culture: general; Society and social sciences Society and social sciences; The arts; Apocalypse in motion pictures; End of the world in literature; End of the world; Literatur; Weltuntergang <Motiv>; Film
    Other subjects: Electronic books
    Scope: 1 Online-Ressource (xxv, 194 Seiten), illustrations
    Notes:

    Prologue -- 1. Apocalypse now and again -- 2. The world gone M.A.D. -- 3. And then there was nothing: is the end ever really the end? -- 4. Falling out with Hal and Hester -- 5. Dying of happiness: Utopia at the end of this world -- Afterword: Libera me, Domine, de vita æterna

  3. The art of the caveman
    the poetry of Paul Durcan
    Published: 2016
    Publisher:  Cambridge Scholars Publishing, Newcastle upon Tyne, UK

    Table of Contents; Acknowledgements; Abbreviations; Introduction; Chapter One; Chapter Two; Chapter Three; Chapter Four; Chapter Five; Chapter Six; Chapter Seven; Conclusion; Bibliography; Index The first monograph on the poetry of Paul Durcan, this... more

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    Table of Contents; Acknowledgements; Abbreviations; Introduction; Chapter One; Chapter Two; Chapter Three; Chapter Four; Chapter Five; Chapter Six; Chapter Seven; Conclusion; Bibliography; Index The first monograph on the poetry of Paul Durcan, this book deals thematically with the dominant concerns evident from his first solo collection, O Westport in the Light of Asia Minor, published in 1975, up to, and including, The Days of Surprise, published in 2015. His work is marked by an unnerving emotional honesty and a recurring desire to undermine the pomposity of an Ireland struggling under the weight of inherited inconsistencies. One of the central arguments here is that Durcan has captured, more than any other poet of his generation, the complexities and contradictions inherent in Ire

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1443816442; 9781443816441
    Subjects: The arts; POETRY ; English, Irish, Scottish, Welsh; Lyrik; Criticism, interpretation, etc
    Other subjects: Durcan, Paul (1944-); Durcan, Paul; Durcan, Paul
    Scope: 1 Online-Ressource (157 pages)
    Notes:

    Includes bibliographical references and index

  4. Writing from the Margins
    the Aesthetics of Disruption in the Irish Short Story
    Published: 2015
    Publisher:  Cambridge Scholars Publishing, Newcastle upon Tyne

    The Irish short story tradition occupies a unique space in world literature. Rooted in an ancient oral storytelling culture, the Irish short story has underwent numerous transitions, from 19th century Anglo-Irish writers such as William Carleton... more

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    The Irish short story tradition occupies a unique space in world literature. Rooted in an ancient oral storytelling culture, the Irish short story has underwent numerous transitions, from 19th century Anglo-Irish writers such as William Carleton through to the 20th century's groundbreaking impact of George Moore's The Untilled Field. George Moore's work inspired the next generation of Irish Catholic writers such as Joyce, Frank O'Connor and Benedict Kiely, who foregrounded the backbone of the Table of contents; acknowledgements; introduction; part one:; chapter one; chapter two; chapter three; chapter four; part two; chapter five; chapter six; chapter seven; part three; chapter eight; chapter nine; chapter ten; contributors; index.

     

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  5. We Speak a Different Tongue
    Maverick Voices and Modernity 1890¡OÐC¡o1939
    Published: 2015
    Publisher:  Cambridge Scholars Publishing, [Erscheinungsort nicht ermittelbar]

    We Speak a Different Tongue: Maverick Voices and Modernity 1890-1939 challenges the critical practice of privileging modernism. In so doing, the volume makes a significant contribution to contemporary debates about re-visioning literary modernism,... more

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    We Speak a Different Tongue: Maverick Voices and Modernity 1890-1939 challenges the critical practice of privileging modernism. In so doing, the volume makes a significant contribution to contemporary debates about re-visioning literary modernism, questioning its canon, and challenging its aesthetic parameters. By utilizing the term "modernity" rather than "modernism", the 16 essays housed in this volume foreground the writers who have been marginalised by both their contemporary modernist writers and literary scholars, while exploring the way in which these authors responded to the tensions

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1443883514; 9781443883511
    Subjects: Modernism (Literature); The arts; Literature & literary studies; Society & culture: general; BIOGRAPHY & AUTOBIOGRAPHY ; Literary; Modernism (Literature)
    Scope: 1 Online-Ressource (1 online resource)
  6. Zingend door het leven
    het Nederlandse liedboek in de Gouden Eeuw
    Published: c2009
    Publisher:  Amsterdam University Press, Amsterdam

    Annotation This title can be previewed in Google Books - http://books.google.com/books?vid=ISBN9789089643100. This title is available in the OAPEN Library - http://www.oapen.org more

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    Annotation This title can be previewed in Google Books - books.google.com/books. This title is available in the OAPEN Library - www.oapen.org

     

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    Source: Union catalogues
    Language: Dutch
    Media type: Ebook
    Format: Online
    ISBN: 9789048510788; 9048510783
    Other identifier:
    9789089641465
    Series: Amsterdamse gouden eeuw reeks
    Subjects: Dutch literature; Songbooks, Dutch; Dutch literature; LITERARY CRITICISM ; European ; German; History; Humanities; Music; The arts; Dutch literature; Songbooks, Dutch; Criticism, interpretation, etc
    Scope: Online Ressource (179 p.), ill.
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    Includes bibliographical references (p. 155-165) and index. - Description based on print version record

  7. Strindberg on drama and theatre
    a source book
    Published: (c)2007
    Publisher:  Amsterdam University Press, Amsterdam

    Preface; Introduction; 1870-1880; 1881-1889; 1891-1899; 1900-1906; 1907-1912; Strindberg's Plays; Notes; Select Bibliography; Name and Ti t l e Index; Subject Index. Sweden's August Strindberg (1849-1912) has long been recognised as one of the... more

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    Preface; Introduction; 1870-1880; 1881-1889; 1891-1899; 1900-1906; 1907-1912; Strindberg's Plays; Notes; Select Bibliography; Name and Ti t l e Index; Subject Index. Sweden's August Strindberg (1849-1912) has long been recognised as one of the leading dramatists around the turn of the last century. His electrifying theatre work resonated with the public in his lifetime, and continues to grip playwrights and audiences today. A restless innovator of various drama forms, he was a source of inspiration for Eugene O'Neill, Samuel Beckett and Ingmar Bergman, and has proved seminal to the development of modern drama. His preface to Miss Julie and his prefatory note to A Dream Play are well known and often reprinted. What is less well known is that Strindberg frequently commented on drama and theatre in general, and on his own plays and their staging in particular. This book presents the most important of these comments, chronologically assembled and annotated, many of them for the first time in an English translation. An essential resource for those interested in one of the most influential modern playwrights and for the dedicated theatre lover

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048510047; 904851004X
    Series: NUR ; 670
    Subjects: Drama; Drama; Drama; Theatre studies; Drama; Theater; Theater; Drama; Finnlandschwedisch; Theater; Drama; LITERARY CRITICISM ; European ; Scandinavian; Criticism, interpretation, etc; The arts
    Other subjects: Strindberg, August 1849-1912; Strindberg, August 1849-1912; Strindberg, August (1849-1912); Strindberg, August (1849-1912); Strindberg, August; Strindberg, August; Strindberg, August
    Scope: Online Ressource (206 pages)
    Notes:

    Includes bibliographical references (pages 190-194) and indexes. - Description based on print version record

  8. Writing for the medium
    television in transition
    Published: c1994
    Publisher:  Amsterdam University Press, Amsterdam

    Is there still room for literature and science on television? more

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    Is there still room for literature and science on television?

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048503490; 9048503493
    Series: Film culture in transition
    Subjects: Télévision; Adaptations télévisées; Télévision; Television authorship; PERFORMING ARTS ; Television ; Screenwriting; The arts; Film, TV and radio; PERFORMING ARTS ; Film & Video ; General; Television authorship; Televisieprogramma's
    Scope: Online Ressource (211 p.)
    Notes:

    Includes bibliographical references (p. 203-206). - Description based on print version record

  9. Seeking God in the works of T.S. Eliot and Michelangelo
    Published: 2017
    Publisher:  Cambridge Scholars Publishing, Newcastle upon Tyne, UK

    A love song -- Adultery -- Do I dare disturb the universe? -- And would it have been worth it? -- Once upon a time before time turned against itself -- Rise of the money changers -- Talking of Michelangelo -- The medieval world -- The doors of... more

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    A love song -- Adultery -- Do I dare disturb the universe? -- And would it have been worth it? -- Once upon a time before time turned against itself -- Rise of the money changers -- Talking of Michelangelo -- The medieval world -- The doors of perception -- The Sistine Chapel. Do I dare disturb the universe? It is a question recognized by people around the world. If typed into the internet, hundreds of examples appear. Many know that it comes from one of the best known poems of the twentieth century, T.S. Eliot's The Love Song of J. Alfred Prufrock. What many do not know is that Eliot dramatically shifted his views at the height of his fame for writing such dark poetry as this and his also famous The Wasteland, becoming a sincere, devoted Christian. While his poetry is famous because it expresses the loss of a spiritual center in European civilization, a careful re

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 144389365X; 9781443893657
    Subjects: Christianity and the arts; BIOGRAPHY & AUTOBIOGRAPHY ; Literary; Literature & literary studies; Religion: general; The arts; Christianity and the arts
    Other subjects: Eliot, T. S (1888-1965); Michelangelo Buonarroti (1475-1564); Eliot, T. S; Michelangelo Buonarroti
    Scope: 1 Online-Ressource (283 pages), illustrations
    Notes:

    Includes bibliographical references and index

  10. Asian literary voices
    from marginal to mainstream
    Published: 2010
    Publisher:  Amsterdam University Press, Amsterdam

    This volume brings together some of the most exciting recent scholarship on Asian literature and culture, spanning all three mainstream cultures of China, Japan, and Korea, along with India. Ranging from Sanskrit poetry of over a thousand years ago... more

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    This volume brings together some of the most exciting recent scholarship on Asian literature and culture, spanning all three mainstream cultures of China, Japan, and Korea, along with India. Ranging from Sanskrit poetry of over a thousand years ago to contemporary Chinese fiction, the contributors combine original fi ndings of interest to specialists with a clear style of writing that makes the volume accessible and appealing to the general reader. A unifying concern of the contributors is to give voice to a wide range of literary and scholarly fi gures who were important in their time

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048508198; 9048508193
    Series: ICAS publication series. Edited volumes ; 12
    Subjects: Oriental literature; Oriental literature; Literature; TRAVEL ; Special Interest ; Literary; LITERARY CRITICISM ; General; ART ; History ; General; The arts; History of art ; art and design styles; Society and social sciences; Society and culture: general; Literature and literary studies; Literature: history and criticism; Oriental literature; Bellettrie; Conference papers and proceedings; Criticism, interpretation, etc
    Scope: Online Ressource (168 p.), ill.
    Notes:

    Originally presented at biennial conferences of the International Convention of Asia Scholars. - Includes bibliographical references and index. - Description based on print version record

  11. Intercultural Geopoetics in Kenneth White's Open World (1)
    Published: 2017-09-01 00:00:00.0
    Publisher:  Cambridge Scholars Publishing, Newcastle-upon-Tyne, UNKNOWN

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  12. Kerouac Ascending
    Memorabilia of the Decade of On the Road
    Published: 2010
    Publisher:  Cambridge Scholars Pub, Newcastle upon Tyne

    Kerouac Ascending: Memorabilia of the Decade of ON THE ROAD is a memoir written by Elbert Lenrow about his relationship with Jack Kerouac, whom he taught at the New School in NewYork when Jack was emerging as a writer and with Allen Ginsberg, both of... more

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    Kerouac Ascending: Memorabilia of the Decade of ON THE ROAD is a memoir written by Elbert Lenrow about his relationship with Jack Kerouac, whom he taught at the New School in NewYork when Jack was emerging as a writer and with Allen Ginsberg, both of whom Lenrow befriended and encouraged. Lenrow writes with sympathy and charm about both writers and their "beat" friends, revealing Kerouac's seriously academic side by sharing papers he wrote in his course and giving insight about both writers t

     

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  13. The Future of Text and Image
    Collected Essays on Literary and Visual Conjunctures
    Published: 2012
    Publisher:  Cambridge Scholars Publishing, Newcastle upon Tyne

    The question of the relation between the visual and the textual in literature is at the heart of an increasing number of scholarly projects, and in turn, the investigation of evolving visual-verbal dynamics is becoming an independent discipline. This... more

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    The question of the relation between the visual and the textual in literature is at the heart of an increasing number of scholarly projects, and in turn, the investigation of evolving visual-verbal dynamics is becoming an independent discipline. This volume explores these profound literary shifts through the work of twelve talented, and in some cases, emerging scholars who study text and image relations in diverse forms and contexts. The inter-medial conjunctures investigated in this book pl

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781443836753; 1443836753
    Series: EBSCO Academic Collection
    Subjects: Visual literature; Art in literature; Visual literature; Cultural studies; The arts; Literature: history & criticism; Art in literature; Visual literature; Konst i litteraturen; Text och bild ; historia; Criticism, interpretation, etc; LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh
    Scope: Online Ressource (377 p.)
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    Description based upon print version of record

  14. Literacy, literature and identity
    multiple perspectives
    Contributor: Roscoe, Adrian A. (HerausgeberIn); Mahrooqi, Rahma al- (HerausgeberIn)
    Published: 2012
    Publisher:  Cambridge Scholars Pub, Newcastle upon Tyne

    Modern humanities scholarship presents a scene of intriguing change. A leading figure like Professor Eagleton moves suddenly from theory to a fascination with culture, while still wrestling with literature's meaning and function. Creative non-fiction... more

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    Modern humanities scholarship presents a scene of intriguing change. A leading figure like Professor Eagleton moves suddenly from theory to a fascination with culture, while still wrestling with literature's meaning and function. Creative non-fiction becomes fashionable while life writings retain a very wide readership. Language professionals, meanwhile, ask themselves if teaching an alien tongue can be done without teaching its associated culture, and what this might mean for individual and

     

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    Contributor: Roscoe, Adrian A. (HerausgeberIn); Mahrooqi, Rahma al- (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781443843935; 1443843938
    Subjects: Identity (Philosophical concept) in literature; Group identity in literature; Literature; Literacy; Literature & literary studies; BIOGRAPHY & AUTOBIOGRAPHY ; Literary; Group identity in literature; Identity (Philosophical concept) in literature; The arts
    Scope: Online Ressource (ix, 239 Seiten)
    Notes:

    Includes bibliographical references. - Description based on print version record

  15. Theatre Cultures within Globalising Empires
    Looking at Early Modern England and Spain
    Contributor: Küpper, Joachim (HerausgeberIn); Pawlita, Leonie (HerausgeberIn)
    Published: [2018]
    Publisher:  De Gruyter, Berlin

    Frontmatter --Preface /Pawlita, Leonie / Küpper, Joachim --Contents --The Early Modern European Drama And The Cultural Net: Some Basic Hypotheses /Küpper, Joachim --Part I: Transnational Aspects Of European Drama --Stefanelo Botarga And Pickelhering:... more

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    Frontmatter --Preface /Pawlita, Leonie / Küpper, Joachim --Contents --The Early Modern European Drama And The Cultural Net: Some Basic Hypotheses /Küpper, Joachim --Part I: Transnational Aspects Of European Drama --Stefanelo Botarga And Pickelhering: Fishy Italian And English Stage Clowns In Spain And Germany /Katritzky, M.A. --The Art Of Adaptation And Self-Promotion: Carlo Gozzi'S La Principessa Filosofa /Korneeva, Tatiana --From Augsburg To Edgar: Continental Beggar Books And King Lear /Henke, Robert --Part II: Intercultural Connections Between English And Spanish Drama --Dream And Doubt: Skepticism In Shakespeare'S Hamlet And Calderón'S La Vida Es Sueño /Pawlita, Leonie --The Patient Griselda Myth And Marriage Anxieties On Early Modern English And Spanish Stages /Rüegg, Madeline --Part III: Images Of Spain On The English Stage --"Now Shall I See The Fall Of Babylon": The Image Of Spain In The Early Modern English Revenge Tragedy /Haekel, Ralf --Polycolonial Angst: Representations Of Spain In Early Modern English Drama /Bhaduri, Saugata --Part IV: Between Europe And The Colonies --Multi-Didaxis In The Drama Of Lope De Vega And Sor Juana Inés De La Cruz /Ventarola, Barbara --Tamburlaine In Hindustan /Harris, Jonathan Gil --"Eating The Yaban'S Rice": Socio-Cultural Transactions On The Mid-Colonial Bengali Stage /Chakrabarti, Gautam --Notes On Contributors This volume presents the proceedings of the international conference "Theatre Cultures within Globalising Empires: Looking at Early Modern England and Spain", held in 2012 as part of the ERC Advanced Grant Project Early Modern European Drama and the Cultural Net (DramaNet). Implementing the concept of culture as a virtual network, it investigates Early modern European drama and its global dissemination. The 12 articles of the volume - all written by experts in the field teaching in the United Kingdom, the USA, Russia, Switzerland, India and Germany - focus on a selection of English and Spanish dramas from the sixteenth and seventeenth centuries. Analysing and comparing motifs, formal parameters as well as plot structures, they discuss the commonalities and differences of Early modern drama in England and Spain

     

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    Source: Union catalogues
    Contributor: Küpper, Joachim (HerausgeberIn); Pawlita, Leonie (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110536881
    Subjects: English drama; The arts; LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh; English drama ; Early modern and Elizabethan; Criticism, interpretation, etc
    Scope: 1 Online-Ressource (245 pages)
  16. Poetics and politics
    net structures and agencies in early modern drama
    Contributor: Bernhart, Toni (HerausgeberIn); Drnovšek, Jaša (HerausgeberIn); Kilian, Sven Thorsten (HerausgeberIn); Küpper, Joachim (HerausgeberIn); Mosch, Jan (HerausgeberIn)
    Published: [2018]
    Publisher:  De Gruyter, Berlin

    National literatures? / Joachim Küpper -- American presidential candidates at the court of Charles V: how political theory trumped political theology in fourteenth-century Paris / Stephen G. Nichols -- Cross-cultural inventions in drama on the basis... more

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    National literatures? / Joachim Küpper -- American presidential candidates at the court of Charles V: how political theory trumped political theology in fourteenth-century Paris / Stephen G. Nichols -- Cross-cultural inventions in drama on the basis of the novel in prose, or world literature before world literature: the case of Fortunatus / Sandra Richter -- Sex on stage: how does the audience know? (Dovizi da Bibbiena, La Calandra III. 10; Shakespeare, Henry V, V.2) / Esther Schomacher -- Castigliones green sense of theater / Stefano Gulizia -- Luigi Grotos Adriana: a laboratory experiment on literary genre / Bernhard Huss -- The agency of errors: Hamartia and its (mis)interpretations in the Italian Cinquecento / Cristina Savettieri -- Playful institutions: social and textual practices in early Spanish academies / Stephanie Bung -- The role of music in folk drama: an investigation based on Tyrolean sources / Franz Gratl -- From a rhetorical to a natural art of acting: what the networks of the seventeenth and eighteenth centuries achieved / Erika Fischer-Lichte -- Early modern religious processions: the rise and fall of a political genre / Jaša Drnovšek -- Directions, examples, and incentives: Slovenian playwriting in the second half of the eighteenth century / Igor Grdina -- Variants of hypothepsis: rhetorical, anthropistic, dramatic (with remarks on Terence, Machiavelli, Shakespeare) / DS Mayfield. "This volume uses theories of circulation to analyze the development of European secular and religious drama. It explores the relationship between tradition and innovation, the status of genre, the proportion of autonomous and heteronomous creational dispositions within given artefacts or within genres, and the strategies of functionalization in the context of a given part of the cultural net"--

     

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    Source: Union catalogues
    Contributor: Bernhart, Toni (HerausgeberIn); Drnovšek, Jaša (HerausgeberIn); Kilian, Sven Thorsten (HerausgeberIn); Küpper, Joachim (HerausgeberIn); Mosch, Jan (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110536690
    Subjects: European drama; The arts; LITERARY CRITICISM / Drama; European drama; Criticism, interpretation, etc
    Scope: 1 Online-Ressource (1 online resource)
    Notes:

    Includes bibliographical references and index

  17. Theatre and war
    notes from the field
    Published: ©2016
    Publisher:  Open Book Publishers, Cambridge

    Introduction -- 1. Why -- 2. Where -- 3. Who -- 4. What -- 5. When -- Conclusions -- Bibliography -- Index. "Nandita Dinesh places Kiplings "six honest serving-men" (who, what, when, where, why, how) in productive conversation with her own... more

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    Introduction -- 1. Why -- 2. Where -- 3. Who -- 4. What -- 5. When -- Conclusions -- Bibliography -- Index. "Nandita Dinesh places Kiplings "six honest serving-men" (who, what, when, where, why, how) in productive conversation with her own experiences in conflict zones across the world to offer a theoretical and practical reflection on making theatre in times of war. This timely and important book weaves together Dineshs personal narrative with the public story of modern conflict, illustrating as it does, the importance of theatre as a force for ethical deliberation and social justice. In it Dinesh asks how theatre might intervene in times and places of conflict and how we might reflect on such interventions. In pursuit of answers, Theatre and War adopts the methods of auto-ethnography, positioning the theatrical practitioner at the heart of conflict zones in northern Uganda, Guatemala, Northern Ireland, Mexico, Rwanda, Kenya, Nagaland, and Kashmir. No longer a detached observer, the researcher and practitioner has to be able to meld theory with practice; to speak to doing, without undervaluing the importance of thinking about doing. Each chapter approaches the need for a synthesis of theory and practice by way of a term of inquirуђ́إWhy, Where, Who, What, Whenђ́إand each is equipped with a set of unflinchingly honest field notes that are designed to reveal some of the howsfrom the authors own repertoire: questions and issues that were encountered during her own theatrical undertakings, along with first hand reflection on the complexities, potential, and challenges that attended her global work in community theatre. Within these notes are strategies that give the reader a practical insight into how the discussion might find its footing on the ground of war. The range and scope of this book make it required reading for those interested in theatrеђ́إpractitioners, researchers, and students alikeas well as those seeking to understand the applications of the arts for ethics, politics, and education."--Publisher's website "Nandita Dinesh places Kipling's "six honest serving-men" (who, what, when, where, why, how) in productive conversation with her own experiences in conflict zones across the world to offer a theoretical and practical reflection on making theatre in times of war. This timely and important book weaves together Dinesh's personal narrative with the public story of modern conflict, illustrating as it does, the importance of theatre as a force for ethical deliberation and social justice. In it Dinesh asks how theatre might intervene in times and places of conflict and how we might reflect on such interventions. In pursuit of answers, Theatre and War adopts the methods of auto-ethnography, positioning the theatrical practitioner at the heart of conflict zones in northern Uganda, Guatemala, Northern Ireland, Mexico, Rwanda, Kenya, Nagaland, and Kashmir. No longer a detached observer, the researcher and practitioner has to be able to meld theory with practice; to speak to 'doing', without undervaluing the importance of 'thinking about doing'. Each chapter approaches the need for a synthesis of theory and practice by way of a term of inquiry--Why, Where, Who, What, When--and each is equipped with a set of unflinchingly honest field notes that are designed to reveal some of the 'hows' from the author's own repertoire: questions and issues that were encountered during her own theatrical undertakings, along with first hand reflection on the complexities, potential, and challenges that attended her global work in community theatre. Within these notes are strategies that give the reader a practical insight into how the discussion might find its footing on the ground of war. The range and scope of this book make it required reading for those interested in theatre--practitioners, researchers, and students alike--as well as those seeking to understand the applications of the arts for ethics, politics, and education."--Publisher's website

     

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  18. Fiesco's conspiracy at Genoa
    Published: ©2015
    Publisher:  Open Book Publishers, Cambridge

    "Within two years of the success of his first play Die Räuber on the German stage in 1781, Schiller wrote a drama based on a rebellion in sixteenth century Italy, its title: The Conspiracy of Fiesco at Genoa. A Republican Tragedy. At the head of the... more

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    "Within two years of the success of his first play Die Räuber on the German stage in 1781, Schiller wrote a drama based on a rebellion in sixteenth century Italy, its title: The Conspiracy of Fiesco at Genoa. A Republican Tragedy. At the head of the conspiracy stood Gian Luigi de' Fieschi (1524-1547), Schiller's Count Fiesco, a clever, courageous and charismatic figure, an epicurean and unhesitant egoist, politically ambitious, but unsure of his aims and principles. He is one of Schiller's mysterious, protean characters who secures both our admiration and disgust. With Fiesco as tragic hero Schiller examines the complex entanglement of morality and politics in his own times that was to preoccupy him throughout his career. The play was a moderate success when performed in Mannheim in 1784; it was more popular in Berlin where, during Schiller's lifetime, it was performed many times in a version by Carl Plümicke, which however radically altered the play's meaning. There have been some noteworthy productions on the German stage and television, even if it has remained somewhat in the shadow of Schiller' other works. In the English-speaking world it is all but unknown and very seldom performed. This translation aims to remedy that oversight."--Publisher's website Introduction / John Guthrie -- The conspiracy of Fiesco at Genoa / translated by Flora Kimmich -- Notes to the text / John Guthrie -- Select bibliography. Within two years of the success of his first play Die R©Þuber on the German stage in 1781, Schiller wrote a drama based on a rebellion in sixteenth century Italy, its title: The Conspiracy of Fiesco at Genoa. A Republican Tragedy. At the head of the conspiracy stood Gian Luigi dеђ́ة Fieschi (1524-1547), Schillerђ́ةs Count Fiesco, a clever, courageous and charismatic figure, an epicurean and unhesitant egoist, politically ambitious, but unsure of his aims and principles. He is one of Schillerђ́ةs mysterious, protean characters who secures both our admiration and disgust. With Fiesco as tragic hero Schiller examines the complex entanglement of morality and politics in his own times that was to preoccupy him throughout his career. The play was a moderate success when performed in Mannheim in 1784; it was more popular in Berlin, where during Schillerђ́ةs lifetime, it was performed many times in a version by Carl Pl©ơmicke, which however radically altered the plaуђ́ةs meaning. There have been some noteworthy productions on the German stage and television, even if it has remained somewhat in the shadow of Schillerђ́ة other works. In the English-speaking world it is all but unknown and very seldom performed. This translation aims to remedy that oversight

     

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  19. Joost van den Vondel (1587 - 1679)
    Dutch playwright in the Golden Age
    Published: 2012
    Publisher:  Brill, Leiden [u.a.]

    "Both historically and theoretically this book deals the work and the life of Joost van den Vondel, the most famous and controversial Dutch playwright in the Dutch Republic. Over twenty-five of his tragedies are analyzed, offering an overview of... more

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    "Both historically and theoretically this book deals the work and the life of Joost van den Vondel, the most famous and controversial Dutch playwright in the Dutch Republic. Over twenty-five of his tragedies are analyzed, offering an overview of different theoretical approaches. Historically, Vondel is situated in his own times and in the present."--Publisher's description Vondel's Dramas: A Chronological Survey /Eddy Grootes and Riet Schenkeveld-van der Dussen --Vondel's Works for the Stage Read and Studied Over the Centuries /Riet Schenkeveld-van der Dussen --Vondel's Dramas: Ways of Relating Present and Past /Frans-Willem Korsten --Part I: Vondel's Life, Works and Times.Vondel's Life /Mieke B. Smits-Veldt and Marijke Spies --Vondel's Religion /Judith Pollmann --Vondel and Amsterdam /Eddy Grootes --Vondel as a Dramatist: The Representation of Language and Body /Bettina Noak --Vondel's Theatre and Music /Louis Peter Grijp and Jan Bloemendal --Vondel's Dramas: Their Afterlife in Performance /Mieke B. Smits-Veldt --Between Disregard and Political Mobilization -- Vondel as a Playwright in Contemporary European Context: England, France and the German Lands /Guillaume van Gemert --Part II:Approaches and Dramas.New Historicism -- Hierusalem verwoest (1620) and the Jewish Question /Jürgen Pieters --Politics and Aesthetics -- Decoding Allegory in Palamedes (1625) /Nina Geerdink --Translation Studies -- Vondel's Appropriation of Grotius's Sophompaneas (1635) /Madeleine Kasten --Intertextuality -Gysbreght van Aemstel (1637) /Marco Prandoni --Dramaturgy -- Staging Problems in Vondel's Gysbreght van Aemstel /Peter G.F. Eversmann --Cultural Analysis -- Joseph Plays /Mieke Bal, Maaike Bleeker, Bennett Carpenter and Frans-Willem Korsten --The Humanist Tradition -- Maria Stuart (1646) /James A. Parente, Jr. and Jan Bloemendal --Deconstruction -- Unsettling Peace in Leeuwendalers (1647) /Stefan van der Lecq --Religion and Politics -- Lucifer (1654) and Milton's Paradise Lost (1674) /Jan Frans van Dijkhuizen and Helmer Helmers --Gender Studies -- Emotions in Jeptha (1659) /Kristine Steenbergh --Close Reading and Theory -- The David Plays /Frans-Willem Korsten --Psychoanalysis -- Law, Theatre and Violence in Samson (1660) /Yasco Horsman --Law and Literature -- Batavische gebroeders (1663) /Jeanne Gaakeer --New Philology -- Variants in Adam in ballingschap (1664) /Jan Bloemendal --Philosophy -- Noah (1667) on God and Nature /Wiep van Bunge --Bibliography of Vondel's Dramas (1850-2010) /Jan Bloemendal. pt. 1. Vondel's life, works and times -- pt. 2. Approaches and dramas.

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004218833; 9004218831; 9004217533; 9789004217539
    Series: Drama and theatre in early modern Europe ; v. 1
    Subjects: Vondel, Joost van den; Humanities; History; Language; The arts; Theatre studies; LITERARY CRITICISM ; European ; German; HISTORY ; General; Languages & Literatures; Germanic Literature; Vondel, Joost van den; Criticism, interpretation, etc
    Other subjects: Vondel, Joost van den (1587-1679)
    Scope: 1 Online-Ressource (xi, 652 pages), portrait
    Notes:

    Includes bibliographical references and indexes

    This work is licensed under the following Creative Commons License: Attribution-NonCommercial 3.0 Unported (CC BY-NC 3.0)

  20. The End of the World: Apocalypse and its Aftermath in Western Culture
    Published: 2011
    Publisher:  Open Book Publishers, [Erscheinungsort nicht ermittelbar]

    Apocalypse Now and Again --The World Gone M.A.D. --And Then There Was Nothing: Is The End Ever Really The End? --Falling out with Hal and Hester --Dying of Happiness: Utopia at the End of this World --Afterword:Libera Me, Domine, De Vita Æterna. This... more

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    Apocalypse Now and Again --The World Gone M.A.D. --And Then There Was Nothing: Is The End Ever Really The End? --Falling out with Hal and Hester --Dying of Happiness: Utopia at the End of this World --Afterword:Libera Me, Domine, De Vita Æterna. This book examines historical and imaginary scenarios of apocalypse, the depiction of its likely triggers, and imagined landscapes in the aftermath of global destruction. Its discussion moves effortlessly from classic novels including Aldous Huxleys Brave New World, George Orwells Nineteen Eighty-Four and Margaret Atwoods Oryx and Crake, to blockbuster films such as Blade Runner, Armageddon and The Terminator. The author also takes into account religious doctrine, scientific research and the visual arts to create a penetrating, multi-disciplinary study that provides profound insight into one of Western cultures darkest and most enduring preoccupations

     

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  21. The End of the World: Apocalypse and its Aftermath in Western Culture
    Published: 2011
    Publisher:  Open Book Publishers, s.l.

    This book examines historical and imaginary scenarios of apocalypse, the depiction of its likely triggers, and imagined landscapes in the aftermath of global destruction. Its discussion moves effortlessly from classic novels including Aldous Huxleys... more

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    This book examines historical and imaginary scenarios of apocalypse, the depiction of its likely triggers, and imagined landscapes in the aftermath of global destruction. Its discussion moves effortlessly from classic novels including Aldous Huxleys Brave New World, George Orwells Nineteen Eighty-Four and Margaret Atwoods Oryx and Crake, to blockbuster films such as Blade Runner, Armageddon and The Terminator. The author also takes into account religious doctrine, scientific research and the visual arts to create a penetrating, multi-disciplinary study that provides profound insight into one of Western cultures darkest and most enduring preoccupations

     

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  22. Art and biotechnology
    viral culture from CRISPR to COVID
    Contributor: Nettleton, Claire (Publisher); Mackenzie, Louise (Publisher)
    Published: 2024
    Publisher:  Bloomsbury Visual Arts, London

    "This interdisciplinary anthology examines the relationship between developments in biotechnology and both artistic and literary innovation, focussing in particular on how newfound molecular technologies and knowledge regimes, such as CRISPR gene... more

    Bayerische Staatsbibliothek
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    "This interdisciplinary anthology examines the relationship between developments in biotechnology and both artistic and literary innovation, focussing in particular on how newfound molecular technologies and knowledge regimes, such as CRISPR gene editing, alter conceptions of what it means to be human. The book presents 21 essays, split across five parts, from a coterie of artists, scientists, and theorists, which examine the symbiotic relationship between humans, animals, and viruses as well as the impossibility of germ-free existence. The essays in this volume are urgent in their topicality, embodying the exhilarating yet alarming zeitgeist of contemporary nonhuman-to-human viral transmission and gene editing technologies. Ultimately, Art and Biotechnology reveals how art has influenced biotechnological innovation and has shaped the discussion around gene editing and the socio-cultural aspects of the Covid-19 pandemic. It is essential reading for students and researchers focussing on science and art, environmental humanities, and ethics. In the age of biotechnology, is it possible to conceive of microbes as our new paintbrush, DNA as our typewriter and organic tissue as our new clay? Through an interdisciplinary approach, we examine how newfound molecular technologies and knowledge regimes, such as CRISPR-Cas9 genome editing and the recent COVID-19 pandemic, alter understandings of the human experience. We ask: Where do the arts, which have been at the forefront of technological innovation, sit in relation to our ongoing viral and biomedical entanglement? How have the arts shaped discussion and ethical considerations around genome editing and COVID-19? How have the pandemic and biotechnological innovation - from CRISPR to vaccines with messenger RNA (mRNA) - transformed what it means to be human? [...]"

     

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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Nettleton, Claire (Publisher); Mackenzie, Louise (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781350376069; 9781350376052; 9781350376045
    Other identifier:
    Series: Biotechne
    Bloomsbury collections
    Subjects: Interdisziplinarität; Biotechnologie; Kunst
    Other subjects: Science and the arts; Art and biology; Creation (Literary, artistic, etc.); Science: general issues; The arts; Theory of art
    Scope: 1 Online-Ressource (280 Seiten), Illustrationen
  23. Poétiques du merveilleux
    Contributor: Besson, Anne (Herausgeber); Jacquelin, Evelyne (Herausgeber)
    Published: 2015
    Publisher:  Artois Presses Université, Arras ; OAPEN FOUNDATION, The Hague

    Réunir sous le signe du merveilleux les domaines du fantastique, de la science-fiction et de la fantasy ne va pas de soi si l’on se réfère aux théories établies qui ont d’abord cherché à saisir la spécificité de chacun d’entre eux en tentant de les... more

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    Réunir sous le signe du merveilleux les domaines du fantastique, de la science-fiction et de la fantasy ne va pas de soi si l’on se réfère aux théories établies qui ont d’abord cherché à saisir la spécificité de chacun d’entre eux en tentant de les circonscrire comme des territoires limités par des frontières. Cet ouvrage se propose de revenir sur les poétiques des genres de l’imaginaire pour mettre en lumière la porosité des catégories héritées, et notamment de la célèbre tripartition todorovienne entre merveilleux, fantastique et étrange. Les articles réunis repèrent avec une grande cohérence cette plasticité théorique contemporaine, qui s’impose à eux dans des corpus diversifiés, du roman post-moderne à la littérature pour la jeunesse en passant par le cinéma et les séries télévisées.

     

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    Source: Union catalogues
    Contributor: Besson, Anne (Herausgeber); Jacquelin, Evelyne (Herausgeber)
    Language: French
    Media type: Ebook
    Format: Online
    ISBN: 9782848324210; 9782848321950
    RVK Categories: EC 6805 ; EC 6745
    Series: Études littéraires
    Subjects: Kunst; Literatur; Das Fantastische; Science-Fiction-Literatur; Das Wunderbare; Hybride; The arts; Literary studies: general
    Other subjects: fantastique; science-fiction; actes de congrès; merveilleux; art
    Scope: 1 Online-Ressource (266 p.)
  24. L’Apocalypse : une imagination politique
    Contributor: Coquio, Catherine (Herausgeber); Engélibert, Jean-Paul (Herausgeber); Guidée, Raphaëlle (Herausgeber)
    Published: 2018
    Publisher:  Presses universitaires de Rennes, Rennes ; OAPEN FOUNDATION, The Hague

    Depuis deux cents ans, la littérature, la philosophie et le cinéma s’intéressent toujours davantage à l’apocalypse et aux catastrophes. Est-ce céder à un certain nihilisme ou au contraire chercher une ouverture politique quand l’horizon semble fermé... more

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    Depuis deux cents ans, la littérature, la philosophie et le cinéma s’intéressent toujours davantage à l’apocalypse et aux catastrophes. Est-ce céder à un certain nihilisme ou au contraire chercher une ouverture politique quand l’horizon semble fermé ? Explorant la force et les limites de cet imaginaire politique ambivalent, les contributions rassemblées dans ce volume tentent d’expliquer pourquoi le scénario apocalyptique fait retour dans une civilisation qui n’est plus soudée ni par la croyance religieuse ni par l’espoir révolutionnaire. Qu’est-ce qui distingue l’apocalyptisme contemporain de l’apocalyptisme biblique et de ses avatars ? Comment distinguer un apocalyptisme laïc, qui affronte avec lucidité la perspective d’une destruction par l’homme des conditions nécessaires à la poursuite de son existence et les lubies des marchands d’apocalypse, qui mobilisent et galvaudent à leur profit le scénario religieux ? Enfin, comment restaurer une perspective politique dans ce climat de destruction générale ? En réunissant des contributions d’historiens, de philosophes, de spécialistes de littérature, d’études théâtrales et de cinéma, ce volume de La Licorne entreprend d’approcher de façon critique un art de désespérer avec espoir caractéristique de l’époque contemporaine.

     

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    Source: Union catalogues
    Contributor: Coquio, Catherine (Herausgeber); Engélibert, Jean-Paul (Herausgeber); Guidée, Raphaëlle (Herausgeber)
    Language: French
    Media type: Ebook
    Format: Online
    ISBN: 9782753591448; 9782753574014
    RVK Categories: EC 5410
    Series: La Licorne
    Subjects: Literatur; Film; Weltuntergang <Motiv>; Politische Philosophie; The arts; Literature: history & criticism; Philosophy
    Other subjects: littérature; nihilisme; cinéma; théâtre
    Scope: 1 Online-Ressource (286 p.)
  25. Poésie, musique et chanson
    Contributor: Buffard-Moret, Brigitte (Herausgeber)
    Published: 2009
    Publisher:  Artois Presses Université, Arras ; OAPEN FOUNDATION, The Hague

    De l’aube de la littérature à nos jours, en France comme à l’étranger, poésie, musique et chanson ont partie liée. Ce sont les zones où ces trois éléments se joignent ou se croisent qu’explorent les articles de ce recueil, où il est question de... more

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    De l’aube de la littérature à nos jours, en France comme à l’étranger, poésie, musique et chanson ont partie liée. Ce sont les zones où ces trois éléments se joignent ou se croisent qu’explorent les articles de ce recueil, où il est question de poèmes à chanter et non chantés du Moyen Âge chinois, de lyrique médiévale hispano-arabe, de chansonnettes mesurées du XVIe siècle, de chansons des rues inspirant poésie et musique savantes au XVIIe siècle, du chant féerique dans la poésie symboliste, de la pérennité d’une strophe de chanson à travers les siècles, de Verlaine, de l’articulation entre poésie, musique et cinéma dans la Grèce d’aujourd’hui, du lien entre la chanson contemporaine française et la poésie, ainsi que de la façon dont la chanson, à l’école, permet de découvrir la poésie.

     

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    Source: Union catalogues
    Contributor: Buffard-Moret, Brigitte (Herausgeber)
    Language: French
    Media type: Ebook
    Format: Online
    ISBN: 9782848324265; 9782848320823
    RVK Categories: IE 1342
    Series: Études littéraires
    Subjects: Chanson; Lied; Musik; Literatur; Lyrik; The arts; Film, TV & radio
    Other subjects: poésie; musique; histoire; littérature; chanson; critique; actes de congrés
    Scope: 1 Online-Ressource (236 Seiten)