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Displaying results 126 to 150 of 240.

  1. Film Front Weimar: Representations of the First World War in German Films from the Weimar Period (1919-1933)
    Author: Kester, Bernadette
    Published: 2002
    Publisher:  Amsterdam University Press, Amsterdam

    Describes Germany's experience of World War I as depicted in the cinematography of the Weimar era. more

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    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
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    Bibliothek der Frankfurt University of Applied Sciences
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    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
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    Universitätsbibliothek Gießen
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    Describes Germany's experience of World War I as depicted in the cinematography of the Weimar era.

     
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    Source: Union catalogues
    Language: Dutch; English
    Media type: Ebook
    Format: Online
    ISBN: 9789048505197; 9048505194; 9053565981; 9789053565988
    RVK Categories: AP 52700
    Series: Film Culture in Transition
    Subjects: Film; Kriegsfilm; Weimarer Republik <Motiv>; Erster Weltkrieg <Motiv>; World War, 1914-1918; Motion pictures; Propaganda, German; Society and social sciences; Society and culture: general; The arts; Film, TV and radio; Humanities; History; HISTORY; Motion pictures; Propaganda, German; War and motion pictures; History & Archaeology; History - General
    Scope: 1 Online-Ressource (331 Seiten)
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    Includes bibliographical references (pages 305-317) and indexes
  2. Transfigurations
    violence, death and masculinity in American cinema
    Author: Grønstad, Asbjørn
    Published: 2008
    Publisher:  Amsterdam University Press, Amsterdam

    "Transfigurations: Violence, Death and Masculinity in American Cinema suggests a fundamental rethinking of the notion of violence in Hollywood cinema, and discloses the methodological and theoretical inadequacies of a series of common approaches to... more

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    "Transfigurations: Violence, Death and Masculinity in American Cinema suggests a fundamental rethinking of the notion of violence in Hollywood cinema, and discloses the methodological and theoretical inadequacies of a series of common approaches to screen violence. More specifically, the book challenges the traditional understanding of the concept of memesis with regard to film fiction in general and film violence in particular. Transfigurations deconstructs the idea that the film image is a transparent entity, and proposes instead that filmicity is always opaque. In turn, this argument leads to the conclusion that all film fiction is amimetic, and that it entails processes of transfiguration rather representation, aesthetic theorization rather than mimetic reflection. By considering film violence not as a mirror but as a trope, this book shows how the violence in films may be interpreted as a discourse on death and masculinity."--Jacket. In many senses, viewers have cut their teeth on the violence in American cinema: from Anthony Perkins slashing Janet Leigh in the most infamous of shower scenes; to the 1970s masterpieces of Martin Scorsese, Sam Peckinpah and Francis Ford Coppola; to our present-day undertakings in imagining global annihilations through terrorism, war, and alien grudges. Transfigurations brings our cultural obsession with film violence into a renewed dialogue with contemporary theory. Grønstad argues that the use of violence in Hollywood films should be understood semiotically rather than viewed realistically; Tranfigurations thus alters both our methodology of reading violence in films and the meanings we assign to them, depicting violence not as a self-contained incident, but as a convoluted network of our own cultural ideologies and beliefs.

     
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  3. The visible world
    Samuel van Hoogstraten's art theory and the legitimation of painting in the Dutch golden age
    Author: Weststeijn, Thijs
    Published: 2008
    Publisher:  Amsterdam University Press, [Amsterdam]

    Provides an ambitious overview of Dutch artists' ideas on painting. more

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    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
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    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Provides an ambitious overview of Dutch artists' ideas on painting.

     
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    Source: Union catalogues
    Contributor: Jackson, Beverley; Richards, Lynne
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048507894; 9048507898
    RVK Categories: LO 34230
    Series: Amsterdam studies in the Dutch golden age.
    Subjects: Malerei; Ästhetik; Painting, Dutch; ART; The arts; History of art; Humanities; History; Aesthetics; Painting, Dutch
    Other subjects: Hoogstraten, Samuel van (1627-1678); Historical treatment of fine and decorative arts; History, geography, and auxiliary disciplines; Kunst en kunstgeschiedenis; Geschiedenis
    Scope: 1 Online-Ressource (475 Seiten), Illustrations (some color)
    Notes:

    Includes bibliographical references (pages 443-462) and indexes
  4. Asian literary voices
    from marginal to mainstream
    Contributor: Williams, Philip F.
    Published: 2010
    Publisher:  Amsterdam University Press, Amsterdam

    This volume brings together some of the most exciting recent scholarship on Asian literature and culture, spanning all three mainstream cultures of China, Japan, and Korea, along with India. Ranging from Sanskrit poetry of over a thousand years ago... more

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    Universitätsbibliothek Gießen
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    This volume brings together some of the most exciting recent scholarship on Asian literature and culture, spanning all three mainstream cultures of China, Japan, and Korea, along with India. Ranging from Sanskrit poetry of over a thousand years ago to contemporary Chinese fiction, the contributors combine original fi ndings of interest to specialists with a clear style of writing that makes the volume accessible and appealing to the general reader. A unifying concern of the contributors is to give voice to a wide range of literary and scholarly figures who were important in their time.

     
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    Source: Union catalogues
    Contributor: Williams, Philip F.
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048508198; 9048508193
    Series: ICAS publication series. Edited volumes ; 12
    Subjects: Literatur; Literaturwissenschaft; Oriental literature; TRAVEL; LITERARY CRITICISM; ART; The arts; History of art; Society and social sciences; Society and culture: general; Literature and literary studies; Literature: history and criticism; Oriental literature
    Other subjects: Historical treatment of fine and decorative arts; Culture and institutions; Kunst en kunstgeschiedenis; Cultuur en instituten
    Scope: 1 Online-Ressource (168 Seiten), Illustrations
    Notes:

    Includes bibliographical references and index
  5. Ostrannenie
    on "strangeness" and the moving image : the history, reception, and relevance of a concept
    Contributor: Oever, Annie van den
    Published: 2010
    Publisher:  Amsterdam University Press, Amsterdam

    Defamiliarisation or ostrannenie, the artistic technique of forcing the audience to see common things in an unfamiliar or strange way, in order to enhance perception of the familiar, ihas become one of the central concept of modern artistic practice,... more

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    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Universität Mainz, Zentralbibliothek
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    Defamiliarisation or ostrannenie, the artistic technique of forcing the audience to see common things in an unfamiliar or strange way, in order to enhance perception of the familiar, ihas become one of the central concept of modern artistic practice, ranging over movements including Dada, postmodernism, epic theatre, and science fiction, as well as our response to arts. Coined by the Soviet literary critic Victor Shklovskii in 1917, ostrannenie has come to resonate deeply in film studies, where it entered into dialogue with the French philosopher Derrida's concept of differance, bordering on 'differing' and 'deferring'. Striking, provocative and incisive, the essays of the distinguished film scholars in this volume recall the range and depth of a concept that since 1917 changed the trajectory of theoretical inquiry.

     
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    Source: Union catalogues
    Contributor: Oever, Annie van den
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048507955; 9048507952
    RVK Categories: AP 50300
    Series: The key debates ; ; 1
    Subjects: Film; Fremdheit <Motiv>; Motion pictures; PERFORMING ARTS; PERFORMING ARTS; The arts; Film, TV and radio; Films, cinema; Film theory and criticism; Motion pictures
    Other subjects: Defamiliarisation; Ostrannenie
    Scope: 1 Online-Ressource (278 Seiten)
    Notes:

    Includes bibliographical references (pages 241-254) and indexes
  6. Helmet
    Author: Maxwell, Douglas
    Published: 2002
    Publisher:  Oberon Books, London ; Bloomsbury Publishing PLC

    Helmet (a.k.a. Roddy) lives his life completely immersed in computer games. The little time he has away from his consoles is spent in The Zone, a low tech games shop, which has just this very day gone bankrupt. Sal, the down-trodden owner of The... more

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    Helmet (a.k.a. Roddy) lives his life completely immersed in computer games. The little time he has away from his consoles is spent in The Zone, a low tech games shop, which has just this very day gone bankrupt. Sal, the down-trodden owner of The Zone, is left wondering where it all went wrong. The shop is Sal's prison, but it's Helmet's church. As they get to know each other, hiding from reality for a while, it becomes clear that Helmet has a secret that could make things a lot worse for both of them. Helmet is structured in levels like a computer game, in which each character has three lives. A production involving art graphics projections and effects, Helmet toured in 2002, including performances at The Traverse, Edinburgh and the Soho Theatre, London.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781350432239
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    Edition: 1st ed.
    Series: Oberon Modern Plays
    Subjects: Theatre; Plays, playscripts; The arts; United Kingdom, Great Britain
    Scope: 1 Online-Ressource (64 pages)
  7. Facing Forward. Art and Theory from a Future Perspective
    Author: Folkerts, Hendrik
    Published: 2015
    Publisher:  Amsterdam University Press, [Erscheinungsort nicht ermittelbar] ; OAPEN, [The Hague]

    This spirited exploration of the interfaces between art and theory in the 21st century brings together a multidisciplinary range of viewpoints on their future. The authors examine contemporary visual culture based on speculative predictions and... more

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    Technische Hochschule Mittelhessen, Hochschulbibliothek Gießen
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    Universitätsbibliothek Gießen
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    This spirited exploration of the interfaces between art and theory in the 21st century brings together a multidisciplinary range of viewpoints on their future. The authors examine contemporary visual culture based on speculative predictions and creative scientific arguments. Focusing on seven themes - Future Tech, Future Image, Future Museum, Future City, Future Freedom, Future History, and Future Future - the book shows how our sense of the future is shaped by a visual rhetoric of acceleration, progression, excess and destruction. The essays reflect collaborative work between the Stedelijk Museum Amsterdam, the Amsterdam School for Cultural Analysis at the University of Amsterdam, De Appel Arts Centre, W139–Space for Contemporary Art, and the art magazine Metropolis M. Discussing provocative themes like future history and future freedom, ‘Facing Forward’ is an energetic look at how our visions of the future affect how we depict the world around us.

     
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    Source: Union catalogues
    Contributor: Lindner, Cristoph; Schavemaker, Margriet
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789089647993
    RVK Categories: LH 61020
    Subjects: Kunst; Ästhetik; Zukunft; The arts; Film, TV and radio; Films, cinema; Film theory and criticism
    Other subjects: Art; Art theory; Futures
    Scope: 1 Online-Ressource
  8. Das Triviale in Literatur, Musik und bildender Kunst
    Contributor: La Motte-Haber, Helga de (Publisher)
    Published: 1972
    Publisher:  Klostermann, Frankfurt am Main

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    Staats- und Stadtbibliothek Augsburg
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Universitätsbibliothek der LMU München
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Universitätsbibliothek Passau
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

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    Hochschule für Musik, Bibliothek
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    Source: Union catalogues
    Contributor: La Motte-Haber, Helga de (Publisher)
    Language: German
    Media type: Book
    RVK Categories: EC 1900 ; EC 8780 ; LR 56825 ; MS 8000
    Series: Studien zur Philosophie und Literatur des neunzehnten Jahrhunderts ; 18
    Subjects: The arts; Aesthetics, Modern; Arts; Popular culture; Trivialmusik; Trivialkunst; Trivialliteratur
    Scope: VI, 295, XXII S., Ill.
  9. Das Triviale in Literatur, Musik und bildender Kunst
    Contributor: La Motte-Haber, Helga de (Publisher)
    Published: 1972
    Publisher:  Klostermann, Frankfurt am Main

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    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Staatliches Institut für Musikforschung - Preußischer Kulturbesitz, Bibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität der Künste Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Contributor: La Motte-Haber, Helga de (Publisher)
    Language: German
    Media type: Book
    RVK Categories: EC 1900 ; EC 8780 ; LR 56825 ; MS 8000
    Series: Studien zur Philosophie und Literatur des neunzehnten Jahrhunderts ; 18
    Subjects: The arts; Aesthetics, Modern; Arts; Popular culture; Trivialmusik; Trivialliteratur; Trivialkunst
    Scope: VI, 295, XXII S., Ill.
  10. Joost van den Vondel (1587 - 1679)
    Dutch playwright in the Golden Age
    Published: 2012
    Publisher:  Brill, Leiden [u.a.]

    "Both historically and theoretically this book deals the work and the life of Joost van den Vondel, the most famous and controversial Dutch playwright in the Dutch Republic. Over twenty-five of his tragedies are analyzed, offering an overview of... more

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    "Both historically and theoretically this book deals the work and the life of Joost van den Vondel, the most famous and controversial Dutch playwright in the Dutch Republic. Over twenty-five of his tragedies are analyzed, offering an overview of different theoretical approaches. Historically, Vondel is situated in his own times and in the present."--Publisher's description Vondel's Dramas: A Chronological Survey /Eddy Grootes and Riet Schenkeveld-van der Dussen --Vondel's Works for the Stage Read and Studied Over the Centuries /Riet Schenkeveld-van der Dussen --Vondel's Dramas: Ways of Relating Present and Past /Frans-Willem Korsten --Part I: Vondel's Life, Works and Times.Vondel's Life /Mieke B. Smits-Veldt and Marijke Spies --Vondel's Religion /Judith Pollmann --Vondel and Amsterdam /Eddy Grootes --Vondel as a Dramatist: The Representation of Language and Body /Bettina Noak --Vondel's Theatre and Music /Louis Peter Grijp and Jan Bloemendal --Vondel's Dramas: Their Afterlife in Performance /Mieke B. Smits-Veldt --Between Disregard and Political Mobilization -- Vondel as a Playwright in Contemporary European Context: England, France and the German Lands /Guillaume van Gemert --Part II:Approaches and Dramas.New Historicism -- Hierusalem verwoest (1620) and the Jewish Question /Jürgen Pieters --Politics and Aesthetics -- Decoding Allegory in Palamedes (1625) /Nina Geerdink --Translation Studies -- Vondel's Appropriation of Grotius's Sophompaneas (1635) /Madeleine Kasten --Intertextuality -Gysbreght van Aemstel (1637) /Marco Prandoni --Dramaturgy -- Staging Problems in Vondel's Gysbreght van Aemstel /Peter G.F. Eversmann --Cultural Analysis -- Joseph Plays /Mieke Bal, Maaike Bleeker, Bennett Carpenter and Frans-Willem Korsten --The Humanist Tradition -- Maria Stuart (1646) /James A. Parente, Jr. and Jan Bloemendal --Deconstruction -- Unsettling Peace in Leeuwendalers (1647) /Stefan van der Lecq --Religion and Politics -- Lucifer (1654) and Milton's Paradise Lost (1674) /Jan Frans van Dijkhuizen and Helmer Helmers --Gender Studies -- Emotions in Jeptha (1659) /Kristine Steenbergh --Close Reading and Theory -- The David Plays /Frans-Willem Korsten --Psychoanalysis -- Law, Theatre and Violence in Samson (1660) /Yasco Horsman --Law and Literature -- Batavische gebroeders (1663) /Jeanne Gaakeer --New Philology -- Variants in Adam in ballingschap (1664) /Jan Bloemendal --Philosophy -- Noah (1667) on God and Nature /Wiep van Bunge --Bibliography of Vondel's Dramas (1850-2010) /Jan Bloemendal. pt. 1. Vondel's life, works and times -- pt. 2. Approaches and dramas.

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004218833; 9004218831; 9004217533; 9789004217539
    Series: Drama and theatre in early modern Europe ; v. 1
    Subjects: Vondel, Joost van den; Humanities; History; Language; The arts; Theatre studies; LITERARY CRITICISM ; European ; German; HISTORY ; General; Languages & Literatures; Germanic Literature; Vondel, Joost van den; Criticism, interpretation, etc
    Other subjects: Vondel, Joost van den (1587-1679)
    Scope: 1 Online-Ressource (xi, 652 pages), portrait
    Notes:

    Includes bibliographical references and indexes

    This work is licensed under the following Creative Commons License: Attribution-NonCommercial 3.0 Unported (CC BY-NC 3.0)
  11. Asian literary voices
    from marginal to mainstream
    Published: 2010
    Publisher:  Amsterdam University Press, Amsterdam

    This volume brings together some of the most exciting recent scholarship on Asian literature and culture, spanning all three mainstream cultures of China, Japan, and Korea, along with India. Ranging from Sanskrit poetry of over a thousand years ago... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Unlimited inter-library loan, copies and loan

     

    This volume brings together some of the most exciting recent scholarship on Asian literature and culture, spanning all three mainstream cultures of China, Japan, and Korea, along with India. Ranging from Sanskrit poetry of over a thousand years ago to contemporary Chinese fiction, the contributors combine original fi ndings of interest to specialists with a clear style of writing that makes the volume accessible and appealing to the general reader. A unifying concern of the contributors is to give voice to a wide range of literary and scholarly figures who were important in their time 1. Korean and Japanese Portraits of Ideal Lovers -- 2. Yamada Bimyo's "Musashino" and the Development of Early Meiji Historical Fiction -- 3. From Atomized to Networked: Rural-to-Urban Migrants in Twentieth-century Chinese Narrative -- 4. Sex for Sex's Sake?The "Genital Writings" of the Chinese Bad-Girl Writers -- 5. In and Out of Home: Bing Xin Recontextualized -- 6. From Enlightenment to Sinology: Early European Suggestions on How to Learn Chinese, 1770-1840 -- 7. Chinese Avant-garde Theater: New Trends in Chinese Experimental Drama near the Close of the Twentieth Century -- 8. Malraux's Hope: Allegory and the Voices of Silence -- 9. Reception, Reappropriation, and Reinvention: Chinese Vernacular Fiction and Elite Women's Reading Practices in Late Choson Korea -- 10. Some Women Writers and their Works in Classical Sanskrit Literature: A Reinterpretation

     
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  12. Theatre and war
    notes from the field
    Author: Dinesh, Nandita
    Published: ©2016
    Publisher:  Open Book Publishers, Cambridge

    "Nandita Dinesh places Kipling's "six honest serving-men" (who, what, when, where, why, how) in productive conversation with her own experiences in conflict zones across the world to offer a theoretical and practical reflection on making theatre in... more

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    "Nandita Dinesh places Kipling's "six honest serving-men" (who, what, when, where, why, how) in productive conversation with her own experiences in conflict zones across the world to offer a theoretical and practical reflection on making theatre in times of war. This timely and important book weaves together Dinesh's personal narrative with the public story of modern conflict, illustrating as it does, the importance of theatre as a force for ethical deliberation and social justice. In it Dinesh asks how theatre might intervene in times and places of conflict and how we might reflect on such interventions. In pursuit of answers, Theatre and War adopts the methods of auto-ethnography, positioning the theatrical practitioner at the heart of conflict zones in northern Uganda, Guatemala, Northern Ireland, Mexico, Rwanda, Kenya, Nagaland, and Kashmir. No longer a detached observer, the researcher and practitioner has to be able to meld theory with practice; to speak to 'doing', without undervaluing the importance of 'thinking about doing'. Each chapter approaches the need for a synthesis of theory and practice by way of a term of inquiry--Why, Where, Who, What, When--and each is equipped with a set of unflinchingly honest field notes that are designed to reveal some of the 'hows' from the author's own repertoire: questions and issues that were encountered during her own theatrical undertakings, along with first hand reflection on the complexities, potential, and challenges that attended her global work in community theatre. Within these notes are strategies that give the reader a practical insight into how the discussion might find its footing on the ground of war. The range and scope of this book make it required reading for those interested in theatre--practitioners, researchers, and students alike--as well as those seeking to understand the applications of the arts for ethics, politics, and education."--Publisher's website

     
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  13. Writing for the medium
    television in transition
    Published: 1994
    Publisher:  Amsterdam University Press, Amsterdam

    Is there still room for literature and science on television? pt. 1. Quality television -- pt. 2. Litarature on television -- pt. 3. Science on television more

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    Is there still room for literature and science on television? pt. 1. Quality television -- pt. 2. Litarature on television -- pt. 3. Science on television

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9053560548; 9048503493; 9789053560549; 9789048503490
    Series: Film culture in transition
    Subjects: Television authorship; Television authorship; Film, TV and radio; PERFORMING ARTS ; Film & Video ; General; Television authorship; Televisieprogramma's; PERFORMING ARTS ; Television ; Screenwriting; The arts
    Scope: 1 Online-Ressource (211 pages)
    Notes:

    Includes bibliographical references (pages 203-206)

    Thomas Elsaesser: Part 1. Quality Television. General Introduction

    Lutz Hachmeister: Television in the Age of Consensus without Sense

    Geoffrey Nowell-Smith: 'Quality' Television

    Sonja de Leeuw: Quality Television in The Netherlands: Some Hopeful Reflections on Breaking the Taboo

    Olga Madsen: On the Quality of Soap

    Thomas Elsaesser: Zapping One's Way into Quality: Arts Programmes on TV

    Jon Cook and Thomas Elsaesser: Definitions of Quality

    Jan Simons: Questionable Quality or the Undiscoverable Quality of Television

    Thomas Elsaesser: Part 2. Literature on Television. Introduction

    Malcolm Bradbury: The Novelist and Television Drama

    Fay Weldon: On Achieving Good Television

    Alan Plater: Speaking to Nations

    Jon Cook: Television and Literature

    Thomas Elsaesser: Literature after Television: Author, Authority, Authenticity

    Jan Simons: Unwritable Films, Unfilmable Texts?

    Jan Simons: Part 3. Science on Television. Introduction

    Thomas Elsaesser: Gee-Wizards of the Box?

    Aart Gisolf: Science on Television

    Graham Creelman: On Being God and Darwin

    Jana Bennett: Citizen Scientists or A Dinosaur for All Seasons?

    Jaap Willems.: Science and Technology on TV: Four European Countries Compared
  14. Asian literary voices
    from marginal to mainstream
    Published: 2010
    Publisher:  Amsterdam University Press, Amsterdam

    This volume brings together some of the most exciting recent scholarship on Asian literature and culture, spanning all three mainstream cultures of China, Japan, and Korea, along with India. Ranging from Sanskrit poetry of over a thousand years ago... more

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    This volume brings together some of the most exciting recent scholarship on Asian literature and culture, spanning all three mainstream cultures of China, Japan, and Korea, along with India. Ranging from Sanskrit poetry of over a thousand years ago to contemporary Chinese fiction, the contributors combine original fi ndings of interest to specialists with a clear style of writing that makes the volume accessible and appealing to the general reader. A unifying concern of the contributors is to give voice to a wide range of literary and scholarly figures who were important in their time 1. Korean and Japanese Portraits of Ideal Lovers -- 2. Yamada Bimyo's "Musashino" and the Development of Early Meiji Historical Fiction -- 3. From Atomized to Networked: Rural-to-Urban Migrants in Twentieth-century Chinese Narrative -- 4. Sex for Sex's Sake?The "Genital Writings" of the Chinese Bad-Girl Writers -- 5. In and Out of Home: Bing Xin Recontextualized -- 6. From Enlightenment to Sinology: Early European Suggestions on How to Learn Chinese, 1770-1840 -- 7. Chinese Avant-garde Theater: New Trends in Chinese Experimental Drama near the Close of the Twentieth Century -- 8. Malraux's Hope: Allegory and the Voices of Silence -- 9. Reception, Reappropriation, and Reinvention: Chinese Vernacular Fiction and Elite Women's Reading Practices in Late Choson Korea -- 10. Some Women Writers and their Works in Classical Sanskrit Literature: A Reinterpretation

     
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  15. Mapping intermediality in performance
    Published: ©2010
    Publisher:  Amsterdam University Press, Amsterdam

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9048513146; 9089642552; 9789048513147; 9789089642554
    Series: MediaMatters
    Subjects: Fine Arts; PERFORMING ARTS / Theater / History & Criticism; The arts; Film, TV and radio; Theatre studies; PERFORMING ARTS / Film & Video / General; Digital media; Intermediality; Performance art; Toneel; Uitvoerende kunsten; Intermedialiteit; Massamedia; Digitale technieken; Medien; Theater; Intermediality; Digital media; Performance art; Neue Medien; Intermedialität; Schauspielkunst; Performance <Künste>
    Scope: 1 Online-Ressource (304 pages)
    Notes:

    Includes bibliographical references (pages 267-281) and index

    This volume examines afresh the impact upon acting and performance of digital technologies. It is concerned with how digital culture combines the traditional 'liveness' of theatre with media interfaces and internet protocols. The time and space of the 'here and now' are both challenged and adapted, just as barriers between theatre-makers and the 'experiencers' of events are broken down. Today many of us are everyday players performing the interconnectedness of digital culture and a key aim of the book is to unpack the multiple interrelations within the landscape of contemporary performance

    Introduction: prospective mapping and network of terms -- Portal: performativity and corporeal literacy -- Node: modes of experience -- Instances -- Portal: time and space -- Node: dimensions -- Instances -- Portal: digital culture and posthumanism -- Node: actuality-virtuality -- Instances -- Portal: networking -- Node: inter-relations -- Instances -- Portal: pedagogic praxis -- Retrospection: the pre- and proto-digital
  16. Transfigurations
    violence, death and masculinity in American cinema
    Author: Grønstad, Asbjørn
    Published: 2008
    Publisher:  Amsterdam University Press, Amsterdam

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9048508509; 908964010X; 9089640304; 9789048508501; 9789089640307
    RVK Categories: AP 50300
    Series: Film culture in transition
    Subjects: PERFORMING ARTS / Film & Video / Reference; The arts; Film, TV and radio; Films, cinema; Film theory and criticism; Society and social sciences; Society and culture: general; PERFORMING ARTS / Film & Video / General; Death; Masculinity; Motion pictures; Motion pictures, American; Violence; Gewalt <Motiv>; Tod <Motiv>; Männlichkeit <Motiv>; Film; Film; Violence in motion pictures; Death in motion pictures; Masculinity in motion pictures; Motion pictures, American; Film; Mann <Motiv>; Gewalt <Motiv>
    Scope: 1 Online-Ressource (274 pages)
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    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (pages 221-260) and indexes

    Introduction: film violence as figurality -- - Screen violence: five fallacies. Empiricism ; Aristotelianism ; Aestheticism ; Mythologicism ; Mimeticism -- - Filming death. The transfigured image -- - Narrating violence, or, allegories of dying -- - Male subjectivities at the margins. Mean streets: death and disfiguration in Hawks's Scarface -- - Kubrick's The killing and the emplotment of death -- - Blood of a poet: Peckinpah's The wild bunch -- - As I lay dying: violence and subjectivity in Tarantino's Reservoir dogs -- - One-dimensional men: Fincher's Fight club and the end of masculinity

    In many senses, viewers have cut their teeth on the violence in American cinema: from Anthony Perkins slashing Janet Leigh in the most infamous of shower scenes; to the 1970s masterpieces of Martin Scorsese, Sam Peckinpah and Francis Ford Coppola; to our present-day undertakings in imagining global annihilations through terrorism, war, and alien grudges. Transfigurations brings our cultural obsession with film violence into a renewed dialogue with contemporary theory. Grønstad argues that the use of violence in Hollywood films should be understood semiotically rather than viewed realistically; Tranfigurations thus alters both our methodology of reading violence in films and the meanings we assign to them, depicting violence not as a self-contained incident, but as a convoluted network of our own cultural ideologies and beliefs
  17. Writing for the medium
    television in transition
    Published: ©1994
    Publisher:  Amsterdam University Press, Amsterdam

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9048503493; 9053560548; 9789048503490; 9789053560549
    Series: Film culture in transition
    Subjects: Télévision / Art d'écrire; Adaptations télévisées; Télévision / Émissions scientifiques; PERFORMING ARTS / Television / Screenwriting; The arts; Film, TV and radio; PERFORMING ARTS / Film & Video / General; Television authorship; Televisieprogramma's; Television authorship; Fernsehprogramm; Drehbuch; Fernsehen; Qualität
    Scope: 1 Online-Ressource (211 pages)
    Notes:

    Includes bibliographical references (pages 203-206)

    Part 1 - Quality Television - General Introduction - Thomas Elsaesser -- - Television in the Age of Consensus without Sense - Lutz Hachmeister -- - 'Quality' Television - Geoffrey Nowell-Smith -- - Quality Television in The Netherlands: Some Hopeful Reflections on Breaking the Taboo - Sonja de Leeuw -- - On the Quality of Soap - Olga Madsen -- - Zapping One's Way into Quality: Arts Programmes on TV - Thomas Elsaesser -- - Definitions of Quality - Jon Cook and Thomas Elsaesser -- - Questionable Quality or the Undiscoverable Quality of Television - Jan Simons -- - Part 2 - Literature on Television - Introduction - Thomas Elsaesser -- - The Novelist and Television Drama - Malcolm Bradbury -- - On Achieving Good Television - Fay Weldon -- - Speaking to Nations - Alan Plater -- - Television and Literature - Jon Cook -- - Literature after Television: Author, Authority, Authenticity - Thomas Elsaesser -- - Unwritable Films, Unfilmable Texts? - Jan Simons -- - Part 3 - Science on Television - Introduction - Jan Simons -- - Gee-Wizards of the Box? - Thomas Elsaesser -- - Science on Television - Aart Gisolf -- - On Being God and Darwin - Graham Creelman -- - Citizen Scientists or A Dinosaur for All Seasons? - Jana Bennett -- - Science and Technology on TV: Four European Countries Compared - Jaap Willems

    Is there still room for literature and science on television?

    pt. 1. Quality television -- pt. 2. Litarature on television -- pt. 3. Science on television
  18. Performing memories
    media, creation, anthropology, and remembrance
    Contributor: Biotti, Gabriele (Publisher)
    Published: 2021
    Publisher:  Cambridge Scholars Publishers, Newcastle-upon-Tyne

    What is memory today? How can it be approached? Why does the contemporary world seem to be more and more haunted by different types of memories still asking for elaboration? Which artistic experiences have explored and defined memory in meaningful... more

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    What is memory today? How can it be approached? Why does the contemporary world seem to be more and more haunted by different types of memories still asking for elaboration? Which artistic experiences have explored and defined memory in meaningful ways? How do technologies and the media have changed it?These are just some of the questions developed in this collection of essays analysing memory and memory shapes, which explores the different ways in which past time and its elaboration have been, and still are, elaborated, discussed, written or filmed, and contested, but also shared. By gathering together scholars from different fields of investigation, this book explores the cultural, social and artistic tensions in representing the past and the present, in understanding our legacies, and in approaching historical time and experience. Through the analysis of different representations of memory, and the investigation of literature, anthropology, myth and storytelling, a space of theories and discourses about the symbolic and cultural spaces of memory representation is developed

     
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    Source: Union catalogues
    Contributor: Biotti, Gabriele (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781527566606
    Subjects: Kollektives Gedächtnis; Erinnerung; Erzählen; Film; Mythos; Literatur; Kunst; Anthropologie
    Other subjects: Memory / Social aspects; Memory in art; Memory in mass media; Humanities; The arts
    Scope: XXVI, 413 Seiten, Illustrationen, Karte
    Notes:

    Intro -- Contents -- List of Figures -- Acknowledgments -- Introduction -- Section 1 -- The Golan Brides -- The Invisible Army of the Irish Republic -- That's a Fact -- Narratives of "Victim," "Perpetrator," and "Liberator" at the United States Holocaust Memorial Museum -- Ghosted Pasts and Haunting Presents -- 1968-2018: Tlatelolco, Fifty Years After -- Section 2 -- Epidemic and Visual Memory -- "Why don't you give your life to Jesus now?" -- Remembering and Forgetting -- The Third Generation's Postmemory and Transgenerational Trauma in Rachel Seiffert's The Dark Room

    Ted Chiang's Braided Stories of Memory, Narrative, and Technology -- Overlapping Places of Collective Memory -- Section 3 -- The Architecture of Antoni Gaudí as Memory of the Renaixença Movement Ideals -- The Relationship between Memory and Architecture. Visualization of Spatial Recalls -- "Unpath'd waters, undream'd shores" -- Moulding Sorrow -- From Urbanity to Urbanophobia -- Section 4 -- Memory Telling and Social Remembrance in Uruguayan Documentary Cinema -- Memory in Montage -- Saving the History(ies) -- Memory in the Unconscious -- Memories of Adolescence -- Notes on Contributors

    Index of Names -- Index of Terms
  19. Romantic modernism
    nostalgia in the world of conservation
    Author: Denslagen, W. F.
    Published: ©2009
    Publisher:  Amsterdam University Press, Amsterdam

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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  20. Shooting the family
    transnational media and intercultural values
    Published: ©2005
    Publisher:  Amsterdam University Press, Amsterdam

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1280959142; 141758341X; 9048505402; 905356750X; 9781280959141; 9781417583416; 9789048505401; 9789053567500
    Subjects: Family; Médias et famille; Famille; FAMILY & RELATIONSHIPS / Alternative Family; FAMILY & RELATIONSHIPS / Reference; The arts; Film, TV and radio; PERFORMING ARTS / Film & Video / General; Families; Mass media and families; Films; Televisie; Familierelaties; Interculturele vergelijking; Film; Fernsehfilm; Audiovisuelle Medien; Familie; Familie <Motiv>; Multikulturelle Gesellschaft <Motiv>; Film; Mass media and families; Families; Massenmedien; Familie
    Scope: 1 Online-Ressource
    Notes:

    Title from e-book title screen (viewed Mar. 18, 2005). - Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references and index

    This collection of essays explores ever-changing representations of family life on a global scale

    PART 1: THE FAMILY AND THE MEDIA -- - Capturing the family: home video in the age of digital reproduction - José van Dijck -- - Migrant children mediating family relations - Sonja de Leeuw -- - The shooting family: gender and ethnicity in the New Dutch Police Series - Joke Hermes - Joost de Bruin -- - PART 2: PRIVATE MATTERS, PUBLIC FAMILIES -- - Family portrait: queering the nuclear family in François Ozon's SITCOM - Jaap Kooijman -- - Radicalism begins at home: fundamentalism and the family in My son the fanatic - Laura Copier -- - Family matters in Eat drink man woman: food envy, family longing, or intercultural knowledge through the senses? - Tarja Laine -- - PART 3: TRANSLATING FAMILY VALUES -- - Saved by betrayal? Ang Lee's translations of "Chinese" family ideology - Jeroen de Kloet -- - Eurydice's diasporic voice: Marcel Camus's Black Orpheus and the family in poet's hell - Catherine M. Lord -- - Archiving the (secret) family in Egoyan's Family viewing - Marie-Aude Baronian -- - PART 4: LOVING FAMILIES -- - Suspending the body: biopower and the contradictions of family values - Sudeep Dasgupta -- - Unfamiliar film: sisters unsettling family habits - Wim Staat -- - Micropolitics of the migrant family in accented cinema: love and creativity in empire - Patricia Pisters
  21. The visible world
    Samuel van Hoogstraten's art theory and the legitimation of painting in the Dutch golden age
    Author: Weststeijn, Thijs
    Published: 2008
    Publisher:  Amsterdam University Press, [Amsterdam]

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1282171445; 9048507898; 9089640274; 9781282171442; 9789048507894; 9789089640277
    Series: Amsterdam studies in the Dutch golden age
    Subjects: ART / History / General; Aesthetics; Painting, Dutch; The arts; History of art / art and design styles; Humanities; History; Geschichte; Ästhetik; Painting, Dutch; Malerei; Ästhetik
    Other subjects: Hoogstraten, Samuel van / 1627-1678 / Criticism and interpretation / Aesthetics; Hoogstraten, Samuel van / 1627-1678; Hoogstraten, Samuel van (1627-1678); Hoogstraten, Samuel van (1627-1678); Hoogstraten, Samuel van (1627-1678): Inleyding tot de hooge schoole der schilderkonst, anders de zichtbaere werelt; Hoogstraten, Samuel van (1627-1678)
    Scope: 1 Online-Ressource (475 pages)
    Notes:

    Includes bibliographical references (pages 443-462) and indexes

    Table of Contents; Preface and Acknowledgements; Introduction; Ch I: Samuel van Hoogstraten in the Republic of Letters; Ch II:The Visible World; Ch III:Pictorial Imitation; Ch IV:The Depiction of the Passions; Ch V:The Eloquence of Colour; Ch VI:Painting as a Mirror of Nature; Excursus: Painting as a 'Sister of Philosophy'; Conclusion; Bibliographical abbreviations; Notes; Bibliography; Studies; Index of subjects; Index of names

    Provides an ambitious overview of Dutch artists' ideas on painting
  22. Art in progress
    a philosophical response to the end of the avant-garde
    Author: Doorman, Maarten
    Published: 2003
    Publisher:  Amsterdam University Press, Amsterdam

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0585495378; 1280958820; 9048505135; 905356585X; 9780585495378; 9781280958823; 9789048505135; 9789053565858
    Subjects: ART / General; Humanities; Philosophy; Philosophy: aesthetics; The arts; History of art / art and design styles; ART / History / General; Aesthetics; Avant-garde (Aesthetics); Progress; Kunsttheorie; Vernieuwing; Avant-garde; Geschichte; Philosophie; Ästhetik; Aesthetics; Progress; Avant-garde (Aesthetics); Avantgarde; Postmoderne; Ästhetik; Kunst
    Scope: 1 Online-Ressource
    Notes:

    Title from e-book title screen (viewed Feb. 16, 2004)

    Includes bibliographical references and index

    Perspectives on Progress: A History -- - From the Ancients and the Moderns: A Door to the Future -- - From Romanticism to the Avant-Garde -- - On Making Revolution -- - Innovation in Painting and Architecture: De Stijl -- - The End of Art -- - A New Approach to an Old Concept

    A philosophical essay in support of the argument that progress in art is both possible and necessary
  23. Medium, messenger, transmission
    an approach to media philosophy
    Author: Krämer, Sybille
    Published: [2015]; ©2015
    Publisher:  Amsterdam University Press, Amsterdam

    This rich study provides a comprehensive introduction to media philosophy while offering a new perspective on the concept and function of transmission media in all systems of exchange. Krämer uses the figure of the messenger as a key metaphor,... more

    Location:
    Universitätsbibliothek Regensburg
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    This rich study provides a comprehensive introduction to media philosophy while offering a new perspective on the concept and function of transmission media in all systems of exchange. Krämer uses the figure of the messenger as a key metaphor, examining a diverse range of transmission events, including the circulation of money, translation of languages, angelic visitations, spread of infectious diseases, and processes of transference and counter-transference that occur during psychoanalysis

     
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    Volltext (kostenfrei)
    Source: Union catalogues
    Contributor: Krämer, Sybille
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9048524997; 9789048524990
    RVK Categories: AP 13550
    Series: Recursions: theories of media, materiality, and cultural techniques
    Subjects: ART; Communication; Film theory and criticism; Film, TV and radio; Films, cinema; Mass media; Medialität; Medien; Medienphilosophie; Medientheorie; Metaphysics; PSYCHOLOGY; PSYCHOLOGY; The arts; Vermittlung; Communication; Mass media; Metaphysics; Medientheorie; Vermittlung <Philosophie>; Kultur; Mensch; Medienphilosophie
    Other subjects: Electronic books; Electronic books
    Scope: 1 Online-Ressource (269 Seiten)
    Notes:

    Introduction : the media philosphy of Sybille Kr©Þmer -- Prologue -- Methodological considerations
  24. Modernism and the spiritual in Russian art
    new perspectives
    Contributor: Hardiman, Louise (Publisher); Kozicharow, Nicola (Publisher)
    Published: [2017]; ©2017
    Publisher:  Open Book Publishers, Cambridge

    "In 1911 Vasily Kandinsky published the first edition of 'On the Spiritual in Art', a landmark modernist treatise in which he sought to reframe the meaning of art and the true role of the artist. For many artists of late Imperial Russia - a culture... more

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Location:
    Universitätsbibliothek Regensburg
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    "In 1911 Vasily Kandinsky published the first edition of 'On the Spiritual in Art', a landmark modernist treatise in which he sought to reframe the meaning of art and the true role of the artist. For many artists of late Imperial Russia - a culture deeply influenced by the regime's adoption of Byzantine Orthodoxy centuries before - questions of religion and spirituality were of paramount importance. As artists and the wider art community experimented with new ideas and interpretations at the dawn of the twentieth century, their relationship with 'the spiritual' - broadly defined - was inextricably linked to their roles as pioneers of modernism. This diverse collection of essays introduces new and stimulating approaches to the ongoing debate as to how Russian artistic modernism engaged with questions of spirituality in the late nineteenth to mid-twentieth centuries. Ten chapters from emerging and established voices offer new perspectives on Kandinsky and other familiar names, such as Kazimir Malevich, Mikhail Larionov, and Natalia Goncharova, and introduce less well-known figures, such as the Georgian artists Ucha Japaridze and Lado Gudiashvili, and the craftswoman and art promoter Aleksandra Pogosskaia. Prefaced by a lively and informative introduction by Louise Hardiman and Nicola Kozicharow that sets these perspectives in their historical and critical context, Modernism and the Spiritual in Russian Art: New Perspectives enriches our understanding of the modernist period and breaks new ground in its re-examination of the role of religion and spirituality in the visual arts in late Imperial Russia. Of interest to historians and enthusiasts of Russian art, culture, and religion, and those of international modernism and the avant-garde, it offers innovative readings of a history only partially explored, revealing uncharted corners and challenging long-held assumptions."--Publisher's websitepagespagespagespagespagespagespages

     
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    Volltext (kostenfrei)
    Source: Union catalogues
    Contributor: Hardiman, Louise (Publisher); Kozicharow, Nicola (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781783743407; 9781783743414; 9781783743421
    Other identifier:
    9781783743384
    RVK Categories: KH 1065 ; LO 75030
    Subjects: Art russe; Art forms; Art treatments and subjects; Art, Russian; Modernism (Art); Painters; Painting; The arts; Theory of art; Art, Russian; Moderne; Kunst; Religion <Motiv>
    Other subjects: Russia; Criticism, interpretation, etc; History
    Scope: 1 Online-Ressource (320 Seiten), Illustrationen
    Notes:

    Acknowledgements -- Notes on Transliteration and Conventions -- Notes on Contributors -- 1. Introduction: Modernism and the Spiritual in Russian Art / Louise Hardiman and Nicola Kozicharow -- 2. From Angels to Demons: Mikhail Vrubel and the Search for a Modernist Idiom / Maria Taroutina -- 3. 'The Loving Labourer through Space and Time': Aleksandra Pogosskaia, Theosophy, and Russian Arts and Crafts, c. 1900-1917 / Louise Hardiman -- 4. Kazimir Malevich, Symbolism, and Ecclesiastic Orthodoxy / Myroslava M. Mudrak -- 5. Spirituality and the Semiotics of Russian Culture: From the Icon to Avant-Garde Art / Oleg Tarasov -- 6. Re-imagining the Old Faith: Larionov, Goncharova, and the Spiritual Traditions of Old Believers / Nina Gurianova -- 7. 'Russian Messiah': On the Spiritual in the Reception of Vasily Kandinsky's Art in Germany, c. 1910-1937 / Sebastian Borkhardt -- 8. Ellis H. Minns and Nikodim Kondakov's The Russian Icon (1927) / Wendy Salmond -- 9. Stelletsky's Murals at Saint-Serge: Orthodoxy and the Neo-Russian Style in Emigration / Nicola Kozicharow -- 10. The Role of the 'Red Commissar' Nikolai Punin in the Rediscovery of Icons / Natalia Murray -- 11. Ucha Japaridze, Lado Gudiashvili, and the Spiritual in Painting in Soviet / Georgia Jennifer Brewin -- Select Bibliography -- Illustrations -- Index
  25. Tanzpraxis in der Forschung - Tanz als Forschungspraxis
    Choreographie, Improvisation, Exploration
    Contributor: Quinten, Susanne (Publisher); Schroedter, Stephanie (Publisher)
    Published: [2016]; ©2016
    Publisher:  transcript-Verlag, Bielefeld

    Dance practice is gaining just as much in importance in research as it is becoming a kind of research in itself. Choreography, improvisation and exploration are expanding conventional discursive methods of knowledge generation and transfer to... more

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    Universitätsbibliothek Regensburg
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    Dance practice is gaining just as much in importance in research as it is becoming a kind of research in itself. Choreography, improvisation and exploration are expanding conventional discursive methods of knowledge generation and transfer to incorporate aesthetic dimensions of movement, corporeality, sensuality and emotion. This volume, with its interdisciplinary structure, provides an insight into the multi-faceted trend of research approaches that have either developed directly from, or refer back to, dance practice. Using projects as concrete examples, the contributions in this volume present theoretical and methodological foundations and historical connections advances in knowledge Tanzpraxis gewinnt in der Forschung ebenso an Bedeutung wie sie selbst zur Forschung avanciert. Choreographie, Improvisation und Exploration erweitern herkömmliche diskursive Methoden der Wissensgenerierung und Wissensvermittlung um aisthetische Dimensionen der Bewegung, des Leiblichen, Sinnlichen und Affektiven. Dieser interdisziplinär angelegte Band eröffnet einen Einblick in die facettenreiche Vielfalt von Forschungsansätzen, die unmittelbar aus der Tanzpraxis hervorgehen oder auf tänzerische Praxen zurückgreifen. Die Beiträge stellen theoretische und methodische Grundlegungen, historische Bezüge sowie Erkenntnisgewinn exemplarisch an künstlerisch-kreativen, pädagogischen, therapeutischen und disziplinenüberschreitenden Projekten vor

     
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    Volltext (kostenfrei)