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  1. The Chernobyl Herbarium: Fragments of an Exploded Consciousness
    Author: Marder, Michael; Tondeur, Anaïs
    Published: 2016
    Publisher:  Open Humanities Press

    We entrust readers with thirty fragments of reflections, meditations, recollections, and images — one for each year that has passed since the explosion that rocked and destroyed a part of the Chernobyl nuclear power station in April 1986. The... more

     

    We entrust readers with thirty fragments of reflections, meditations, recollections, and images — one for each year that has passed since the explosion that rocked and destroyed a part of the Chernobyl nuclear power station in April 1986. The aesthetic visions, thoughts, and experiences that have made their way into this book hover in a grey region between the singular and self-enclosed, on the one hand, and the generally applicable and universal, on the other. Through words and images, we wish to contribute our humble share to a collaborative grappling with the event of Chernobyl. Unthinkable and unrepresentable as it is, we insist on the need to reflect upon, signify, and symbolize it, taking stock of the consciousness it fragmented and, perhaps, cultivating another, more environmentally attuned way of living.

     
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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781785420276
    Other identifier:
    Subjects: The arts; Philosophy; The environment; Climate change
    Other subjects: chernobyl; images; recollections; nuclear radiation; meditations; photograms; reflections; Anapa; Cotton paper; Metaphysics; Radioactive decay; Ukraine
  2. Gilly - Weinbrenner - Schinkel - Baukunst auf Papier zwischen Gotik und Klassizismus
    Contributor: Hilliges, Marion (Publisher); Scholl, Christian (Publisher)
    Published: 2016
    Publisher:  Universitätsverlag Göttingen

    Fünf bedeutende Konvolute von Architekturzeichnungen und –reproduktionen aus den Beständen der Göttinger Universitätskunstsammlung und der Niedersächsischen Staats- und Universitätsbibliothek Göttingen werden in der Ausstellung „Gilly – Weinbrenner –... more

     

    Fünf bedeutende Konvolute von Architekturzeichnungen und –reproduktionen aus den Beständen der Göttinger Universitätskunstsammlung und der Niedersächsischen Staats- und Universitätsbibliothek Göttingen werden in der Ausstellung „Gilly – Weinbrenner – Schinkel“ erstmals gemeinsam gezeigt. Eine besondere Entdeckung bieten dabei Friedrich Gillys Entwürfe für ein Theater in Stettin: Es sind die frühesten überhaupt bekannten, überdies brillant in Szene gesetzten Zeichnungen des früh verstorbenen Lehrers von Karl Friedrich Schinkel. Weitere Einblicke in die Architektenpraxis um 1800 vermittelt eine Mappe mit Zeichnungen für ein Theater in Königsberg, die vermutlich Carl Ferdinand Langhans nach Entwürfen Gillys angefertigt hat. Von der Mittelalter-Faszination dieser Zeit zeugt Friedrich Fricks ebenfalls nach Vorlagen Gillys gedruckte Aquatinta-Serie „Schloss Marienburg in Preußen“. Für einen pragmatischen, aber nicht minder bemerkenswerten Umgang mit mittelalterlicher Bausubstanz stehen Friedrich Weinbrenners Entwürfe für den Umbau der Göttinger Paulinerkirche zur Universitätsbibliothek. Und schließlich belegen Karl Friedrich Schinkels druckgraphisch reproduzierten Entwürfe für einen Königspalast auf der Akropolis in Athen, wie lange man im 19. Jahrhundert an einer schöpferischen Erneuerung des griechischen Altertums arbeitete. Die im Katalog erfassten Zeichnungen und Drucke laden dazu ein, Umbrüche und Leitmotive in der Architekturdarstellung um und nach 1800 nachzuvollziehen. Fünf einleitende Aufsätze eröffnen zusätzliche Forschungsperspektiven. So wird die Möglichkeit geboten, Motive, Funktionen und Wirkungsweisen von Baukunst auf Papier zwischen Klassizismus und Gotikrezeption anhand besonders attraktiver Werke zu verfolgen.

     
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    Source: OAPEN
    Contributor: Hilliges, Marion (Publisher); Scholl, Christian (Publisher)
    Language: German
    Media type: Ebook
    Format: Online
    Other identifier:
    Subjects: The arts
    Other subjects: architecture; architectural drawing; exhibition catalog; Friedrich Gilly; Friedrich Weinbrenner; Karl Friedrich Schinkel
  3. Traumdramaturgie und Selbstreflexion: Bildstrategien romantischer Traumdarstellungen im Spannungsfeld zeitgenössischer Traumtheorie und Ästhetik
    Author: Dieckmann, Lisa
    Published: 2016
    Publisher:  Modern Academic Publishing, Cologne

    The dissertation analyses dream images in romanticist art, with regards to inherent dreamanalogue strategies in consideration of contemporary dream theory and aesthetics, with a focus on the period between 1820 and 1840. The study does not provide a... more

     

    The dissertation analyses dream images in romanticist art, with regards to inherent dreamanalogue strategies in consideration of contemporary dream theory and aesthetics, with a focus on the period between 1820 and 1840. The study does not provide a typological, iconographical or motif-historical collection of samples, but analyses different aspects of selected artworks which represent a wide range in terms of their contextual, formal and topographical heterogeneity, and overcomes the existing stereotypical classification in the context of romanticist art reflection. The study identifies that, beyond the contextual-iconographical dimension, the dream serves as an aesthetical category because it is reflected not only as a motif but also in relation to its dramaturgy. In the romantic awareness of the difficulty of an adequate representation of invisible images, the nonlinear, associative, ciphered, space- and time-simultaneous structure of the dream is adapted as a method, and is staged by varied and differentiated configurations. This is mirrored by comprehensive or formal concepts (genre, technique, media and interdisciplinary), as well as in fragmentary structures (sketches and drawings), in materiality (transparency and colour) or arabesque and combinatory production principles.

    The study contains three chapters: after a general introduction to the subject, the analysis of the current state of research and the demonstration of the methodology in the first chapter, the second chapter focuses on contemporary dream discourses (especially the theories of Gotthilf Heinrich Schubert and Carl Gustav Carus) and the constitutive role of the philosophy of Friedrich Wilhelm Joseph Schelling. By also involving the literary concepts of dreams the romantic awareness of the deficiency of the visible image compared to the invisible, which forces an avoidance of a mimetic art perception, becomes obvious. The third chapter forms the main body of the study. On the basis of selected dream images it analyses the different artistic strategies and conditions of reception.

    The first section of the third chapter focuses on artist dream imagery, namely the Musician’s Dream by Caspar David Friedrich, Raphael’s Dream by Franz and Johannes Riepenhausen and the Dream of Erwin von Steinbach by Moritz von Schwind. The analysis indicates that the dreaming artist serves as mise-en-abyme of the dream-analogue productive and reflexive process, and the artwork itself.

    The second section of chapter three makes landscape spaces accessible as imaginative concepts and projections of emotional states, according to current literature studies. Landscape spaces serve as patterns for reflection processes, which is explored on the basis of The Dreamer by Caspar David Friedrich.

    The third section of the third chapter focuses on a combinatory and arabesque concept as a dream-analogue and self-reflexive strategy – the collage-like compilation, association and transformation of heterogeneous elements which are analysed on the basis of the artworks Dream of Adam by Moritz von Schwind and The Evening by Clemens Brentano. Die Arbeit untersucht Bildstrategien von Traumdarstellungen der deutschen Romantik unter Berücksichtigung der zeitgenössischen Traumtheorie und Ästhetik mit einer Fokussierung auf den Zeitraum zwischen 1820 und 1840. Die Studie geht der Frage nach, ob die Traumdarstellung jenseits ihrer ikonographischen Dimension auch als ästhetisches Konzept fungiert, indem die Dramaturgie des Traumes als Methode eingesetzt wird. Die romantische Präferenz für das Unbewusste – gerade auch hinsichtlich der Kunstproduktion – zeigt sich in der Auseinandersetzung mit der philosophisch-literarischen Frühromantik und kulminiert in einer Ästhetik der inneren Bilder. Diese reflektiert die Darstellbarkeit unsichtbarer Bilder und findet in der alinearen, assoziativen, chiffrierten, raum- und zeitsimultanen Dramaturgie des Traums ihre adäquate Struktur, auch weil sie sich einer homogenen Werkgenese zu widersetzen vermag. Unter Berücksichtigung unterschiedlicher Aspekte analysiert die Arbeit ausgewählte und heterogene Beispiele von Traumdarstellungen, die als Ausdruck dieser (Selbst)reflexion gelesen werden können. Lesen Sie hier die detaillierte English Summary: bit.ly/1yxFcVi

    Lisa Dieckmann promovierte 2013 im Fach Kunstgeschichte an der Universität zu Köln bei Prof. Dr. Susanne Wittekind, ist seit 2005 wissenschaftliche Mitarbeiterin und seit 2008 Geschäftsführerin von prometheus – das verteilte digitale Bildarchiv für Forschung & Lehre am Kunsthistorischen Institut der Universität zu Köln. Sie ist verantwortlich für das DFG-Projekt »Meta-Image – virtuelle Forschungsumgebung für den Bilddiskurs in den Kunst- und Bildwissenschaften«, außerdem Gründungsmitglied des Cologne Center for eHumanties und Sprecherin des Arbeitskreises Digitale Kunstgeschichte.

     
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  4. Harnessing the Bohemian: Artists as innovation partners in rural and remote communities
    Author: Skippington, Peter
    Published: 2016
    Publisher:  ANU Press

    Harnessing the Bohemian takes a fresh and interdisciplinary perspective on the intractable problem of shrinking populations and resources in remote/rural communities. It challenges the conventional wisdom of community development theories and... more

     

    Harnessing the Bohemian takes a fresh and interdisciplinary perspective on the intractable problem of shrinking populations and resources in remote/rural communities. It challenges the conventional wisdom of community development theories and practices and envisages more central roles for the creative disciplines in revitalising futures planning. It argues that the evolution of technologies, the emergence of creative economies, the increasing demand for creative products, and the emergence of new creative talent are continually changing community expectations and opportunities. Consequentially, fresh arguments and new ideas must be developed to stimulate more creative and innovative approaches to community development. Recognising that creativity and innovation exist across all community sectors, this book proposes practical new approaches that harness the creative capital of all community stakeholders.

     
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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    Other identifier:
    Subjects: Australia; The arts; Society & culture: general; Rural communities
    Other subjects: australia; artists; creative capital; community development; rural communities; Case study; Economic development; Social capital
  5. Das zusammengedrängte Gedenken : Leopold Kupelwiesers Freskenzyklus in der niederösterreichischen Statthalterei
    Author: Eyb-Green, Sigrid
    Published: 2016
    Publisher:  Verlag Bibliothek der Provinz GmbH, Weitra

    In 1847, the Austrian painter Leopold Kupelwieser (1796-1862) was commissioned to execute a fresco cycle in the Ceremonial Hall of the Niederösterreichische Statthalterei (Lower Austrian Government Building, Vienna), depicting scenes from Austrian... more

     

    In 1847, the Austrian painter Leopold Kupelwieser (1796-1862) was commissioned to execute a fresco cycle in the Ceremonial Hall of the Niederösterreichische Statthalterei (Lower Austrian Government Building, Vienna), depicting scenes from Austrian history. Iconographic aspects of each painting, using pictorial and literary sources as well as pointing out biographical connections and artistic forebears and influences, are being discussed. The complex interplay between art technology and conceptual statements manifests itself particularly articulate in the focal point of cartoon and fresco; accordingly, this study approaches Kupelwiesers work through the description of the materials he used and the way he processed them. 1847 wurde der niederösterreichische Künstler Leopold Kupelwieser (1796-1862) damit beauftragt, den großen Sitzungssaal im neuen Gebäude der nö. Statthalterei mit einem Freskenzyklus zur Österreichischen Geschichte auszuschmücken. Die vorliegende Arbeit beinhaltet eine Darstellung der Genese des Bildprogramms und eine ikonographische Analyse der einzelnen Bildgegenstände sowie die Deutung des Gesamtkonzepts. Da sich gerade an den Brennpunkten Karton und Freskotechnik die komplexen wechselseitigen Bedingungen von künstlerischer Technik und inhaltlicher Aussage manifestieren, wird auch über eine Beschreibung der Materialien und ihrer Art der Verarbeitung und Verwendung ein Zugang zu Kupelwiesers Werk gesucht.

     
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    Source: OAPEN
    Language: German
    Media type: Ebook
    Format: Online
    Other identifier:
    Subjects: The arts
    Other subjects: Leopold Kupelwieser; frescoe cycle; history painting; artistic process; cartoon; Leopold Kupelwieser; Freskenzyklus; Geschichtsdarstellung; 19. Jahrhundert; Werkprozess; Karton; Fresko; Papier; Wien
    Scope: 1 electronic resource (312 Seiten p.)
  6. Kindbettgeschenke - Untersuchungen zu Ursprung, Form und Funktion von kunstgewerblichen Objekten als Gaben an die Mutter nach der Geburt
    Author: Brüderle, Nicole,
    Published: 2016
    Publisher:  Universitätsverlag Göttingen

    The term childbed presents is understood to mean gifts that were presented to the mothers of new-born babies in childbed. Presents for the new mother given for example during visits by relatives, friends and neighbours, initially consisted of food... more

     

    The term childbed presents is understood to mean gifts that were presented to the mothers of new-born babies in childbed. Presents for the new mother given for example during visits by relatives, friends and neighbours, initially consisted of food and drink. Later they could also include applied art objects. The custom of presenting childbed presents has a long tradition and still partially continues until today. In the present study, applied art objects which can be identified as childbed presents are analyzed and discussed in relation to their art historical development from the early modern period to the early 19th century. In regard to their cultural and historical context, questions about the form, content and function of these gifts will be investigated. In doing so a special field of early modern art and culture becomes accessible for the first time. Unter dem Begriff Kindbettgeschenke werden Gaben verstanden, die der Mutter nach der Geburt ihres Kindes im Wochenbett überreicht wurden. Im Rahmen von Besuchen brachten Verwandte, Freunde, Bekannte oder Nachbarn ein Geschenk für die frisch gewordene Mutter mit, das zunächst aus Speis und Trank bestand, mit der Zeit aber auch kunstgewerbliche Objekte umfassen konnte; auch verehrten Ehemänner ihren Gemahlinnen Kindbettgeschenke. Der Brauch, die Frau im Wochenbett zu beschenken, geht auf eine lange Tradition zurück, die zum Teil noch bis heute anhält. In der vorliegenden Untersuchung werden kunstgewerbliche Objekte als Kindbettgeschenke in ihrer kunstgeschichtlichen Entwicklung von der Frühen Neuzeit bis in das frühe 19. Jahrhundert ausführlich analysiert und kommentiert. Im Kontext ihrer kulturgeschichtlichen Voraussetzungen wird dabei vor allem der Frage nach Form, Inhalt und Funktion der Gaben nachgegangen, womit ein Sondergebiet der frühneuzeitlichen Kunst und Kultur erstmals umfassend erschlossen wird.

     
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    Source: OAPEN
    Language: German
    Media type: Ebook
    Format: Online
    Other identifier:
    Subjects: The arts
    Other subjects: childbed presents; historical development; early modern art; Geburt; Schwangerschaft; Wochenbett
  7. Kindbettgeschenke : Untersuchungen zu Ursprung, Form und Funktion von kunstgewerblichen Objekten als Gaben an die Mutter nach der Geburt
    Author: Brüderle, Nicole
    Published: 2016
    Publisher:  Universitätsverlag Göttingen

    The term childbed presents is understood to mean gifts that were presented to the mothers of new-born babies in childbed. Presents for the new mother given for example during visits by relatives, friends and neighbours, initially consisted of food... more

     

    The term childbed presents is understood to mean gifts that were presented to the mothers of new-born babies in childbed. Presents for the new mother given for example during visits by relatives, friends and neighbours, initially consisted of food and drink. Later they could also include applied art objects. The custom of presenting childbed presents has a long tradition and still partially continues until today. In the present study, applied art objects which can be identified as childbed presents are analyzed and discussed in relation to their art historical development from the early modern period to the early 19th century. In regard to their cultural and historical context, questions about the form, content and function of these gifts will be investigated. In doing so a special field of early modern art and culture becomes accessible for the first time.

     
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    Source: OAPEN
    Language: German
    Media type: Ebook
    Format: Online
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    Subjects: The arts
    Other subjects: childbed presents; historical development; early modern art
  8. Gilly : Weinbrenner - Schinkel - Baukunst auf Papier zwischen Gotik und Klassizismus
    Contributor: Hilliges, Marion (Publisher); Scholl, Christian (Publisher)
    Published: 2016
    Publisher:  Universitätsverlag Göttingen

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    Source: OAPEN
    Contributor: Hilliges, Marion (Publisher); Scholl, Christian (Publisher)
    Language: German
    Media type: Ebook
    Format: Online
    Other identifier:
    Subjects: The arts
    Other subjects: architecture; architectural drawing; exhibition catalog
  9. Computation and the Humanities: Towards an Oral History of Digital Humanities
    Author: Nyhan, Julianne; Flinn, Andrew
    Published: 2016
    Publisher:  Springer Nature, Cham

    user interfaces; human computer interaction; computers and society more

     

    user interfaces; human computer interaction; computers and society

     
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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 978-3-319-20170-2; 9783319201702
    Other identifier:
    Subjects: The arts; Computer science
    Other subjects: user interfaces; human computer interaction; computers and society
    Scope: 1 electronic resource (285 p.)
  10. The Restless Compendium : Interdisciplinary Investigations of Rest and Its Opposites
    Contributor: Callard, Felicity (Publisher); Staines, Kimberley (Publisher); Wilkes, James (Publisher)
    Published: 2016
    Publisher:  Springer Nature, Basingstoke

    This interdisciplinary book contains 22 essays and interventions on rest and restlessness, silence and noise, relaxation and work. It draws together approaches from artists, literary scholars, psychologists, activists, historians, geographers and... more

     

    This interdisciplinary book contains 22 essays and interventions on rest and restlessness, silence and noise, relaxation and work. It draws together approaches from artists, literary scholars, psychologists, activists, historians, geographers and sociologists who challenge assumptions about how rest operates across mind, bodies, and practices. Rest’s presence or absence affects everyone. Nevertheless, defining rest is problematic: both its meaning and what it feels like are affected by many socio-political, economic and cultural factors. The authors open up unexplored corners and experimental pathways into this complex topic, with contributions ranging from investigations of daydreaming and mindwandering, through histories of therapeutic relaxation and laziness, and creative-critical pieces on lullabies and the Sabbath, to experimental methods to measure aircraft noise and track somatic vigilance in urban space. The essays are grouped by scale of enquiry, into mind, body and practice, allowing readers to draw new connections across apparently distinct phenomena. The book will be of interest to students and scholars across a range of disciplines in the social sciences, life sciences, arts and humanities.

     
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    Source: OAPEN
    Contributor: Callard, Felicity (Publisher); Staines, Kimberley (Publisher); Wilkes, James (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 978-3-319-45264-7; 9783319452647
    Other identifier:
    Subjects: The arts; Humanities; Society & social sciences
    Other subjects: Experiment; Interdisciplinarity; Rest; Restless; Rhythm; Silence; Noise; Work; Autonomous sensory meridian response; Creative Commons license; Daydream
    Scope: 1 electronic resource (205 p.)
  11. Theatre and war
    notes from the field
    Author: Dinesh, Nandita
    Published: ©2016
    Publisher:  Open Book Publishers, Cambridge

    "Nandita Dinesh places Kipling's "six honest serving-men" (who, what, when, where, why, how) in productive conversation with her own experiences in conflict zones across the world to offer a theoretical and practical reflection on making theatre in... more

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    "Nandita Dinesh places Kipling's "six honest serving-men" (who, what, when, where, why, how) in productive conversation with her own experiences in conflict zones across the world to offer a theoretical and practical reflection on making theatre in times of war. This timely and important book weaves together Dinesh's personal narrative with the public story of modern conflict, illustrating as it does, the importance of theatre as a force for ethical deliberation and social justice. In it Dinesh asks how theatre might intervene in times and places of conflict and how we might reflect on such interventions. In pursuit of answers, Theatre and War adopts the methods of auto-ethnography, positioning the theatrical practitioner at the heart of conflict zones in northern Uganda, Guatemala, Northern Ireland, Mexico, Rwanda, Kenya, Nagaland, and Kashmir. No longer a detached observer, the researcher and practitioner has to be able to meld theory with practice; to speak to 'doing', without undervaluing the importance of 'thinking about doing'. Each chapter approaches the need for a synthesis of theory and practice by way of a term of inquiry--Why, Where, Who, What, When--and each is equipped with a set of unflinchingly honest field notes that are designed to reveal some of the 'hows' from the author's own repertoire: questions and issues that were encountered during her own theatrical undertakings, along with first hand reflection on the complexities, potential, and challenges that attended her global work in community theatre. Within these notes are strategies that give the reader a practical insight into how the discussion might find its footing on the ground of war. The range and scope of this book make it required reading for those interested in theatre--practitioners, researchers, and students alike--as well as those seeking to understand the applications of the arts for ethics, politics, and education."--Publisher's website

     
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  12. Tanzpraxis in der Forschung - Tanz als Forschungspraxis
    Choreographie, Improvisation, Exploration
    Contributor: Quinten, Susanne (Publisher); Schroedter, Stephanie (Publisher)
    Published: [2016]; ©2016
    Publisher:  transcript-Verlag, Bielefeld

    Dance practice is gaining just as much in importance in research as it is becoming a kind of research in itself. Choreography, improvisation and exploration are expanding conventional discursive methods of knowledge generation and transfer to... more

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    Dance practice is gaining just as much in importance in research as it is becoming a kind of research in itself. Choreography, improvisation and exploration are expanding conventional discursive methods of knowledge generation and transfer to incorporate aesthetic dimensions of movement, corporeality, sensuality and emotion. This volume, with its interdisciplinary structure, provides an insight into the multi-faceted trend of research approaches that have either developed directly from, or refer back to, dance practice. Using projects as concrete examples, the contributions in this volume present theoretical and methodological foundations and historical connections advances in knowledge Tanzpraxis gewinnt in der Forschung ebenso an Bedeutung wie sie selbst zur Forschung avanciert. Choreographie, Improvisation und Exploration erweitern herkömmliche diskursive Methoden der Wissensgenerierung und Wissensvermittlung um aisthetische Dimensionen der Bewegung, des Leiblichen, Sinnlichen und Affektiven. Dieser interdisziplinär angelegte Band eröffnet einen Einblick in die facettenreiche Vielfalt von Forschungsansätzen, die unmittelbar aus der Tanzpraxis hervorgehen oder auf tänzerische Praxen zurückgreifen. Die Beiträge stellen theoretische und methodische Grundlegungen, historische Bezüge sowie Erkenntnisgewinn exemplarisch an künstlerisch-kreativen, pädagogischen, therapeutischen und disziplinenüberschreitenden Projekten vor

     
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  13. The art of the caveman
    the poetry of Paul Durcan
    Author: McDonagh, John
    Published: 2016
    Publisher:  Cambridge Scholars Publishing, Newcastle upon Tyne, UK

    Table of Contents; Acknowledgements; Abbreviations; Introduction; Chapter One; Chapter Two; Chapter Three; Chapter Four; Chapter Five; Chapter Six; Chapter Seven; Conclusion; Bibliography; Index The first monograph on the poetry of Paul Durcan, this... more

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    Table of Contents; Acknowledgements; Abbreviations; Introduction; Chapter One; Chapter Two; Chapter Three; Chapter Four; Chapter Five; Chapter Six; Chapter Seven; Conclusion; Bibliography; Index The first monograph on the poetry of Paul Durcan, this book deals thematically with the dominant concerns evident from his first solo collection, O Westport in the Light of Asia Minor, published in 1975, up to, and including, The Days of Surprise, published in 2015. His work is marked by an unnerving emotional honesty and a recurring desire to undermine the pomposity of an Ireland struggling under the weight of inherited inconsistencies. One of the central arguments here is that Durcan has captured, more than any other poet of his generation, the complexities and contradictions inherent in Ire

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1443816442; 9781443816441
    Subjects: The arts; POETRY ; English, Irish, Scottish, Welsh; Lyrik; Criticism, interpretation, etc
    Other subjects: Durcan, Paul (1944-); Durcan, Paul; Durcan, Paul
    Scope: 1 Online-Ressource (157 pages)
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    Includes bibliographical references and index
  14. Theatre and war
    notes from the field
    Author: Dinesh, Nandita
    Published: ©2016
    Publisher:  Open Book Publishers, Cambridge

    Introduction -- 1. Why -- 2. Where -- 3. Who -- 4. What -- 5. When -- Conclusions -- Bibliography -- Index. "Nandita Dinesh places Kiplings "six honest serving-men" (who, what, when, where, why, how) in productive conversation with her own... more

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    Introduction -- 1. Why -- 2. Where -- 3. Who -- 4. What -- 5. When -- Conclusions -- Bibliography -- Index. "Nandita Dinesh places Kiplings "six honest serving-men" (who, what, when, where, why, how) in productive conversation with her own experiences in conflict zones across the world to offer a theoretical and practical reflection on making theatre in times of war. This timely and important book weaves together Dineshs personal narrative with the public story of modern conflict, illustrating as it does, the importance of theatre as a force for ethical deliberation and social justice. In it Dinesh asks how theatre might intervene in times and places of conflict and how we might reflect on such interventions. In pursuit of answers, Theatre and War adopts the methods of auto-ethnography, positioning the theatrical practitioner at the heart of conflict zones in northern Uganda, Guatemala, Northern Ireland, Mexico, Rwanda, Kenya, Nagaland, and Kashmir. No longer a detached observer, the researcher and practitioner has to be able to meld theory with practice; to speak to doing, without undervaluing the importance of thinking about doing. Each chapter approaches the need for a synthesis of theory and practice by way of a term of inquirуђ́إWhy, Where, Who, What, Whenђ́إand each is equipped with a set of unflinchingly honest field notes that are designed to reveal some of the howsfrom the authors own repertoire: questions and issues that were encountered during her own theatrical undertakings, along with first hand reflection on the complexities, potential, and challenges that attended her global work in community theatre. Within these notes are strategies that give the reader a practical insight into how the discussion might find its footing on the ground of war. The range and scope of this book make it required reading for those interested in theatrеђ́إpractitioners, researchers, and students alikeas well as those seeking to understand the applications of the arts for ethics, politics, and education."--Publisher's website "Nandita Dinesh places Kipling's "six honest serving-men" (who, what, when, where, why, how) in productive conversation with her own experiences in conflict zones across the world to offer a theoretical and practical reflection on making theatre in times of war. This timely and important book weaves together Dinesh's personal narrative with the public story of modern conflict, illustrating as it does, the importance of theatre as a force for ethical deliberation and social justice. In it Dinesh asks how theatre might intervene in times and places of conflict and how we might reflect on such interventions. In pursuit of answers, Theatre and War adopts the methods of auto-ethnography, positioning the theatrical practitioner at the heart of conflict zones in northern Uganda, Guatemala, Northern Ireland, Mexico, Rwanda, Kenya, Nagaland, and Kashmir. No longer a detached observer, the researcher and practitioner has to be able to meld theory with practice; to speak to 'doing', without undervaluing the importance of 'thinking about doing'. Each chapter approaches the need for a synthesis of theory and practice by way of a term of inquiry--Why, Where, Who, What, When--and each is equipped with a set of unflinchingly honest field notes that are designed to reveal some of the 'hows' from the author's own repertoire: questions and issues that were encountered during her own theatrical undertakings, along with first hand reflection on the complexities, potential, and challenges that attended her global work in community theatre. Within these notes are strategies that give the reader a practical insight into how the discussion might find its footing on the ground of war. The range and scope of this book make it required reading for those interested in theatre--practitioners, researchers, and students alike--as well as those seeking to understand the applications of the arts for ethics, politics, and education."--Publisher's website

     
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  15. Theatre and war
    notes from the field
    Author: Dinesh, Nandita
    Published: 2016
    Publisher:  Open Book Publishers, Cambridge ; JSTOR, New York

    "Nandita Dinesh places Kipling's "six honest serving-men" (who, what, when, where, why, how) in productive conversation with her own experiences in conflict zones across the world to offer a theoretical and practical reflection on making theatre in... more

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    "Nandita Dinesh places Kipling's "six honest serving-men" (who, what, when, where, why, how) in productive conversation with her own experiences in conflict zones across the world to offer a theoretical and practical reflection on making theatre in times of war. This timely and important book weaves together Dinesh's personal narrative with the public story of modern conflict, illustrating as it does, the importance of theatre as a force for ethical deliberation and social justice. In it Dinesh asks how theatre might intervene in times and places of conflict and how we might reflect on such interventions. In pursuit of answers, Theatre and War adopts the methods of auto-ethnography, positioning the theatrical practitioner at the heart of conflict zones in northern Uganda, Guatemala, Northern Ireland, Mexico, Rwanda, Kenya, Nagaland, and Kashmir. No longer a detached observer, the researcher and practitioner has to be able to meld theory with practice; to speak to 'doing', without undervaluing the importance of 'thinking about doing'. Each chapter approaches the need for a synthesis of theory and practice by way of a term of inquiry--Why, Where, Who, What, When--and each is equipped with a set of unflinchingly honest field notes that are designed to reveal some of the 'hows' from the author's own repertoire: questions and issues that were encountered during her own theatrical undertakings, along with first hand reflection on the complexities, potential, and challenges that attended her global work in community theatre. Within these notes are strategies that give the reader a practical insight into how the discussion might find its footing on the ground of war. The range and scope of this book make it required reading for those interested in theatre--practitioners, researchers, and students alike--as well as those seeking to understand the applications of the arts for ethics, politics, and education."--Publisher's website.

     
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  16. Keys to play
    music as a ludic medium from Apollo to Nintendo
    Author: Moseley, Roger
    Published: [2016]; ©2016
    Publisher:  University of California Press, Oakland, California

    "How do keyboards make music playable? Drawing on theories of media, systems, and cultural techniques, Keys to play spans Greek myth and contemporary Japanese digital games to chart an archaeology of musical play and its animation via improvisation,... more

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    "How do keyboards make music playable? Drawing on theories of media, systems, and cultural techniques, Keys to play spans Greek myth and contemporary Japanese digital games to chart an archaeology of musical play and its animation via improvisation, performance, and recreation. As a paradigmatic digital interface, the keyboard forms a field of play on which the book's diverse objects of inquiry--from clavichords to PCs and eighteenth-century musical dice games to the latest rhythm-action titles--enter into analogical relations. Remapping the keyboard's topography by way of Mozart and Super Mario, who head an expansive cast of historical and virtual actors, Keys to play invites readers to unlock ludic dimensions of music that are at once old and new."--Provided by publisher. Prelude: press any key to start -- Pt I. Fields and interfaces of musical play -- Key 1 Ludomusicality -- Key 2 Digital analogies -- Pt II. Play by play : improvisation, performance, recreation -- Key 3 The emergence of musical play -- Key 4 High scores: WAM vs. LVB -- Key 5 Play again?

     
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  17. Border crossing
    Russian literature into film
    Contributor: Burry, Alexander (HerausgeberIn); White, Frederick H. (HerausgeberIn)
    Published: 2016
    Publisher:  Edinburgh University Press, Edinburgh

    Examines the ways in which Russian texts are altered in order to suit new cinematic environments. Each time a border is crossed there are cultural, political and social issues to be considered. Applying the metaphor of the 'border crossing' from one... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Examines the ways in which Russian texts are altered in order to suit new cinematic environments. Each time a border is crossed there are cultural, political and social issues to be considered. Applying the metaphor of the 'border crossing' from one temporal or spatial territory into another, Border Crossing: Russian Literature into Film examines the way classic Russian texts have been altered to suit new cinematic environments. In these essays, international scholars examine how political and economic circumstances, from a shifting Soviet political landscape to the perceived demands of American and European markets, have played a crucial role in dictating how filmmakers transpose their cinematic hypertext into a new environment. Rather than focus on the degree of accuracy or fidelity with which these films address their originating texts, this innovative collection explores the role of ideological, political and other cultural pressures that can affect the transformation of literary narratives into cinematic offerings. Contributors. Otto Boele is an Associate Professor of Russian literature at the University of Leiden Alexander Burry is an Associate Professor of Slavic and East European Languages and Cultures at The Ohio State University Olga Peters Hasty is a Professor in the Department of Slavic Languages and Literatures at Princeton University Dennis Ioffe is an Assistant Professor in the Department of Languages and Cultures at Ghent University Thomas Leitch teaches English and directs the Film Studies program at the University of Delaware Yuri Leving is Professor of Russian Literature and Film in the Department of Russian Studies, Dalhousie University, Canada Ronald Meyer teaches the seminar in Russian literary translation at Columbia University Robert Mulcahy is a Lecturer in Slavic at The Ohio State University S. Ceilidh Orr is Lecturer at The Ohio State University Alastair Renfrew is Reader in English and Comparative Literature at Durham University Frederick H. White is Associate Vice President, Academic Affairs, Engaged Learning at Utah Valley University Machine generated contents note : 1. Across the Russian Border /Thomas Leitch --2. Dostoevskii's "White Nights" : The Dreamer Goes Abroad /Ronald Meyer --3. On Not Showing Dostoevskii's Work : Robert Bresson's Pickpocket /Olga Peters Hasty --4. Stealing the Scene : Crime as Confession in Robert Bresson's Pickpocket /S. Ceilidh Orr --5. The Eye-deology of Trauma : Killing Anna Karenina Softly /Yuri Leving --6. "A Vicious Circle" : Karen Shakhnazarov's Ward no. 6 /Alexander Burry --7. A Slap in the Face of American Taste : Transporting He Who Gets Slapped to American Audiences /Frederick H. White --8. Against Adaptation? The Strange Case of (Pod) Poruchik Kizhe /Alastair Renfrew --9. Chasing the Wealth : The Americanization of Il'f and Petrov's The Twelve Chairs /Robert Mulcahy --10. Fassbinder's Nabokov -- From Text to Action : Repressed Homosexuality, Provocative Jewishness, and Anti-German Sentiment /Dennis Ioffe --11. "The Soviet Abroad (That We Lost)" : The Fate of Vasilii Aksenov's Cult Novel A Starry Ticket on Paper and on Screen /Otto Boele.

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Burry, Alexander (HerausgeberIn); White, Frederick H. (HerausgeberIn)
    Language: English
    Media type: Conference proceedings
    Format: Online
    ISBN: 1474411436; 1474411444; 1474411428; 9781474411448; 9781474411424; 9781474411431
    RVK Categories: KH 1060 ; KH 1100 ; AP 47600 ; KK 1035
    Corporations / Congresses: Adaptation: Russian Text into Film (2013, Columbus, Ohio)
    Subjects: Emigration and immigration in literature; Emigration and immigration in motion pictures; Russian literature; Film adaptations; Film theory and criticism; PERFORMING ARTS ; Film ; General; Emigration and immigration in literature; Emigration and immigration in motion pictures; Film adaptations; Russian literature; Russia (Federation); Film adaptations; The arts; Film, TV and radio; Films, cinema
    Scope: 1 Online-Ressource (xi, 298 Seiten)
    Notes:

    Includes bibliographical references and index -- Filmography
  18. Theatre and war
    notes from the field
    Author: Dinesh, Nandita
    Published: ©2016
    Publisher:  Open Book Publishers, Cambridge

    Introduction -- 1. Why -- 2. Where -- 3. Who -- 4. What -- 5. When -- Conclusions -- Bibliography -- Index. "Nandita Dinesh places Kiplings "six honest serving-men" (who, what, when, where, why, how) in productive conversation with her own... more

     

    Introduction -- 1. Why -- 2. Where -- 3. Who -- 4. What -- 5. When -- Conclusions -- Bibliography -- Index. "Nandita Dinesh places Kiplings "six honest serving-men" (who, what, when, where, why, how) in productive conversation with her own experiences in conflict zones across the world to offer a theoretical and practical reflection on making theatre in times of war. This timely and important book weaves together Dineshs personal narrative with the public story of modern conflict, illustrating as it does, the importance of theatre as a force for ethical deliberation and social justice. In it Dinesh asks how theatre might intervene in times and places of conflict and how we might reflect on such interventions. In pursuit of answers, Theatre and War adopts the methods of auto-ethnography, positioning the theatrical practitioner at the heart of conflict zones in northern Uganda, Guatemala, Northern Ireland, Mexico, Rwanda, Kenya, Nagaland, and Kashmir. No longer a detached observer, the researcher and practitioner has to be able to meld theory with practice; to speak to doing, without undervaluing the importance of thinking about doing. Each chapter approaches the need for a synthesis of theory and practice by way of a term of inquirуђ́إWhy, Where, Who, What, Whenђ́إand each is equipped with a set of unflinchingly honest field notes that are designed to reveal some of the howsfrom the authors own repertoire: questions and issues that were encountered during her own theatrical undertakings, along with first hand reflection on the complexities, potential, and challenges that attended her global work in community theatre. Within these notes are strategies that give the reader a practical insight into how the discussion might find its footing on the ground of war. The range and scope of this book make it required reading for those interested in theatrеђ́إpractitioners, researchers, and students alikeas well as those seeking to understand the applications of the arts for ethics, politics, and education."--Publisher's website "Nandita Dinesh places Kipling's "six honest serving-men" (who, what, when, where, why, how) in productive conversation with her own experiences in conflict zones across the world to offer a theoretical and practical reflection on making theatre in times of war. This timely and important book weaves together Dinesh's personal narrative with the public story of modern conflict, illustrating as it does, the importance of theatre as a force for ethical deliberation and social justice. In it Dinesh asks how theatre might intervene in times and places of conflict and how we might reflect on such interventions. In pursuit of answers, Theatre and War adopts the methods of auto-ethnography, positioning the theatrical practitioner at the heart of conflict zones in northern Uganda, Guatemala, Northern Ireland, Mexico, Rwanda, Kenya, Nagaland, and Kashmir. No longer a detached observer, the researcher and practitioner has to be able to meld theory with practice; to speak to 'doing', without undervaluing the importance of 'thinking about doing'. Each chapter approaches the need for a synthesis of theory and practice by way of a term of inquiry--Why, Where, Who, What, When--and each is equipped with a set of unflinchingly honest field notes that are designed to reveal some of the 'hows' from the author's own repertoire: questions and issues that were encountered during her own theatrical undertakings, along with first hand reflection on the complexities, potential, and challenges that attended her global work in community theatre. Within these notes are strategies that give the reader a practical insight into how the discussion might find its footing on the ground of war. The range and scope of this book make it required reading for those interested in theatre--practitioners, researchers, and students alike--as well as those seeking to understand the applications of the arts for ethics, politics, and education."--Publisher's website

     
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  19. Keys to play
    music as a ludic medium from Apollo to Nintendo
    Author: Moseley, Roger
    Published: [2016]; ©2016
    Publisher:  University of California Press, Oakland, California

    "How do keyboards make music playable? Drawing on theories of media, systems, and cultural techniques, Keys to play spans Greek myth and contemporary Japanese digital games to chart an archaeology of musical play and its animation via improvisation,... more

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    "How do keyboards make music playable? Drawing on theories of media, systems, and cultural techniques, Keys to play spans Greek myth and contemporary Japanese digital games to chart an archaeology of musical play and its animation via improvisation, performance, and recreation. As a paradigmatic digital interface, the keyboard forms a field of play on which the book's diverse objects of inquiry--from clavichords to PCs and eighteenth-century musical dice games to the latest rhythm-action titles--enter into analogical relations. Remapping the keyboard's topography by way of Mozart and Super Mario, who head an expansive cast of historical and virtual actors, Keys to play invites readers to unlock ludic dimensions of music that are at once old and new."--Provided by publisher. Prelude: press any key to start -- Pt I. Fields and interfaces of musical play -- Key 1 Ludomusicality -- Key 2 Digital analogies -- Pt II. Play by play : improvisation, performance, recreation -- Key 3 The emergence of musical play -- Key 4 High scores: WAM vs. LVB -- Key 5 Play again?

     
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  20. Border crossing
    Russian literature into film
    Contributor: Burry, Alexander (HerausgeberIn); White, Frederick H. (HerausgeberIn)
    Published: 2016
    Publisher:  Edinburgh University Press, Edinburgh

    Examines the ways in which Russian texts are altered in order to suit new cinematic environments. Each time a border is crossed there are cultural, political and social issues to be considered. Applying the metaphor of the 'border crossing' from one... more

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    Examines the ways in which Russian texts are altered in order to suit new cinematic environments. Each time a border is crossed there are cultural, political and social issues to be considered. Applying the metaphor of the 'border crossing' from one temporal or spatial territory into another, Border Crossing: Russian Literature into Film examines the way classic Russian texts have been altered to suit new cinematic environments. In these essays, international scholars examine how political and economic circumstances, from a shifting Soviet political landscape to the perceived demands of American and European markets, have played a crucial role in dictating how filmmakers transpose their cinematic hypertext into a new environment. Rather than focus on the degree of accuracy or fidelity with which these films address their originating texts, this innovative collection explores the role of ideological, political and other cultural pressures that can affect the transformation of literary narratives into cinematic offerings. Contributors. Otto Boele is an Associate Professor of Russian literature at the University of Leiden Alexander Burry is an Associate Professor of Slavic and East European Languages and Cultures at The Ohio State University Olga Peters Hasty is a Professor in the Department of Slavic Languages and Literatures at Princeton University Dennis Ioffe is an Assistant Professor in the Department of Languages and Cultures at Ghent University Thomas Leitch teaches English and directs the Film Studies program at the University of Delaware Yuri Leving is Professor of Russian Literature and Film in the Department of Russian Studies, Dalhousie University, Canada Ronald Meyer teaches the seminar in Russian literary translation at Columbia University Robert Mulcahy is a Lecturer in Slavic at The Ohio State University S. Ceilidh Orr is Lecturer at The Ohio State University Alastair Renfrew is Reader in English and Comparative Literature at Durham University Frederick H. White is Associate Vice President, Academic Affairs, Engaged Learning at Utah Valley University Machine generated contents note : 1. Across the Russian Border /Thomas Leitch --2. Dostoevskii's "White Nights" : The Dreamer Goes Abroad /Ronald Meyer --3. On Not Showing Dostoevskii's Work : Robert Bresson's Pickpocket /Olga Peters Hasty --4. Stealing the Scene : Crime as Confession in Robert Bresson's Pickpocket /S. Ceilidh Orr --5. The Eye-deology of Trauma : Killing Anna Karenina Softly /Yuri Leving --6. "A Vicious Circle" : Karen Shakhnazarov's Ward no. 6 /Alexander Burry --7. A Slap in the Face of American Taste : Transporting He Who Gets Slapped to American Audiences /Frederick H. White --8. Against Adaptation? The Strange Case of (Pod) Poruchik Kizhe /Alastair Renfrew --9. Chasing the Wealth : The Americanization of Il'f and Petrov's The Twelve Chairs /Robert Mulcahy --10. Fassbinder's Nabokov -- From Text to Action : Repressed Homosexuality, Provocative Jewishness, and Anti-German Sentiment /Dennis Ioffe --11. "The Soviet Abroad (That We Lost)" : The Fate of Vasilii Aksenov's Cult Novel A Starry Ticket on Paper and on Screen /Otto Boele.

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Burry, Alexander (HerausgeberIn); White, Frederick H. (HerausgeberIn)
    Language: English
    Media type: Conference proceedings
    Format: Online
    ISBN: 1474411436; 1474411444; 1474411428; 9781474411448; 9781474411424; 9781474411431
    RVK Categories: KH 1060 ; KH 1100 ; AP 47600 ; KK 1035
    Corporations / Congresses: Adaptation: Russian Text into Film (2013, Columbus, Ohio)
    Subjects: Emigration and immigration in literature; Emigration and immigration in motion pictures; Russian literature; Film adaptations; Film theory and criticism; PERFORMING ARTS ; Film ; General; Emigration and immigration in literature; Emigration and immigration in motion pictures; Film adaptations; Russian literature; Russia (Federation); Film adaptations; The arts; Film, TV and radio; Films, cinema
    Scope: 1 Online-Ressource (xi, 298 Seiten)
    Notes:

    Includes bibliographical references and index -- Filmography