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Displaying results 1 to 13 of 13.

  1. Konzert und Konkurrenz - die Künste und ihre Wissenschaften im 19. Jahrhundert
    Contributor: Scholl, Christian (Publisher); Richter, Sandra (Publisher); Huck, Oliver (Publisher)
    Published: 2010
    Publisher:  Universitätsverlag Göttingen

    Dieser Band nimmt jenen doppelten Wettstreit in den Blick, der für die Kunstwissenschaften (Kunst-, Musik- und Literaturwissenschaft) im 19. Jahrhundert typisch ist: den Wettstreit zwischen den Wissenschaften selbst, der sich aus dem Wettstreit ihrer... more

     

    Dieser Band nimmt jenen doppelten Wettstreit in den Blick, der für die Kunstwissenschaften (Kunst-, Musik- und Literaturwissenschaft) im 19. Jahrhundert typisch ist: den Wettstreit zwischen den Wissenschaften selbst, der sich aus dem Wettstreit ihrer Künste speist. Die jeweilige Kunstwissenschaft, so die zugrunde liegende Hypothese, bezieht ihre Geltung und ihren Rang aus der allgemeinen Wertschätzung ihrer Bezugskunst. Auf diese Weise geraten die Künste und ihre Wissenschaften in eine sich wechselseitig verstärkende Konkurrenz, die ihren Ausdruck in zahlreichen Debatten über die jeweilige Leitkunst findet. Die interdisziplinär hier versammelten Beiträge erschließen aus unterschiedlichen Perspektiven die wissenschaftsgeschichtlichen Ausdifferenzierungs- und Homogenisierungsprozesse, in deren Zusammenhang der Wettstreit der Künste und ihrer Wissenschaften im 19. Jahrhundert stattfand. Die sie verbindende Fragestellung zielt dabei auf die Grundlagen des Kunstverständnisses sowie auf die Grundlagen des Selbstverständnisses der Kunstwissenschaften. Es geht nicht zuletzt auch darum, aufzuzeigen, inwiefern die Prämissen, die zur Begründung der Disziplinen entwickelt wurden, nach wie vor Gültigkeit beanspruchen – direkt durch ihre disziplinäre Kanonisierung und indirekt selbst durch die gebrochene Wirksamkeit jener wissenschaftlichen Meistererzählungen, die sie hervorgebracht haben.

     
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    Source: OAPEN
    Contributor: Scholl, Christian (Publisher); Richter, Sandra (Publisher); Huck, Oliver (Publisher)
    Language: German
    Media type: Ebook
    Format: Online
    Other identifier:
    Subjects: The arts; History of art / art & design styles; History of science
    Other subjects: History of Arts; History of Science; Ästhetik; Berlin; Kunstgeschichte; Philologie
  2. Konzert und Konkurrenz : die Künste und ihre Wissenschaften im 19. Jahrhundert
    Contributor: Scholl, Christian (Publisher); Richter, Sandra (Publisher); Huck, Oliver (Publisher)
    Published: 2010
    Publisher:  Universitätsverlag Göttingen

  3. Asian literary voices
    from marginal to mainstream
    Contributor: Williams, Philip F.
    Published: 2010
    Publisher:  Amsterdam University Press, Amsterdam

    This volume brings together some of the most exciting recent scholarship on Asian literature and culture, spanning all three mainstream cultures of China, Japan, and Korea, along with India. Ranging from Sanskrit poetry of over a thousand years ago... more

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    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
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    This volume brings together some of the most exciting recent scholarship on Asian literature and culture, spanning all three mainstream cultures of China, Japan, and Korea, along with India. Ranging from Sanskrit poetry of over a thousand years ago to contemporary Chinese fiction, the contributors combine original fi ndings of interest to specialists with a clear style of writing that makes the volume accessible and appealing to the general reader. A unifying concern of the contributors is to give voice to a wide range of literary and scholarly figures who were important in their time.

     
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    Source: Union catalogues
    Contributor: Williams, Philip F.
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048508198; 9048508193
    Series: ICAS publication series. Edited volumes ; 12
    Subjects: Literatur; Literaturwissenschaft; Oriental literature; TRAVEL; LITERARY CRITICISM; ART; The arts; History of art; Society and social sciences; Society and culture: general; Literature and literary studies; Literature: history and criticism; Oriental literature
    Other subjects: Historical treatment of fine and decorative arts; Culture and institutions; Kunst en kunstgeschiedenis; Cultuur en instituten
    Scope: 1 Online-Ressource (168 Seiten), Illustrations
    Notes:

    Includes bibliographical references and index
  4. Ostrannenie
    on "strangeness" and the moving image : the history, reception, and relevance of a concept
    Contributor: Oever, Annie van den
    Published: 2010
    Publisher:  Amsterdam University Press, Amsterdam

    Defamiliarisation or ostrannenie, the artistic technique of forcing the audience to see common things in an unfamiliar or strange way, in order to enhance perception of the familiar, ihas become one of the central concept of modern artistic practice,... more

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    Defamiliarisation or ostrannenie, the artistic technique of forcing the audience to see common things in an unfamiliar or strange way, in order to enhance perception of the familiar, ihas become one of the central concept of modern artistic practice, ranging over movements including Dada, postmodernism, epic theatre, and science fiction, as well as our response to arts. Coined by the Soviet literary critic Victor Shklovskii in 1917, ostrannenie has come to resonate deeply in film studies, where it entered into dialogue with the French philosopher Derrida's concept of differance, bordering on 'differing' and 'deferring'. Striking, provocative and incisive, the essays of the distinguished film scholars in this volume recall the range and depth of a concept that since 1917 changed the trajectory of theoretical inquiry.

     
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    Source: Union catalogues
    Contributor: Oever, Annie van den
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048507955; 9048507952
    RVK Categories: AP 50300
    Series: The key debates ; ; 1
    Subjects: Film; Fremdheit <Motiv>; Motion pictures; PERFORMING ARTS; PERFORMING ARTS; The arts; Film, TV and radio; Films, cinema; Film theory and criticism; Motion pictures
    Other subjects: Defamiliarisation; Ostrannenie
    Scope: 1 Online-Ressource (278 Seiten)
    Notes:

    Includes bibliographical references (pages 241-254) and indexes
  5. Asian literary voices
    from marginal to mainstream
    Published: 2010
    Publisher:  Amsterdam University Press, Amsterdam

    This volume brings together some of the most exciting recent scholarship on Asian literature and culture, spanning all three mainstream cultures of China, Japan, and Korea, along with India. Ranging from Sanskrit poetry of over a thousand years ago... more

    Access:
    Verlag (kostenfrei)

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Unlimited inter-library loan, copies and loan

     

    This volume brings together some of the most exciting recent scholarship on Asian literature and culture, spanning all three mainstream cultures of China, Japan, and Korea, along with India. Ranging from Sanskrit poetry of over a thousand years ago to contemporary Chinese fiction, the contributors combine original fi ndings of interest to specialists with a clear style of writing that makes the volume accessible and appealing to the general reader. A unifying concern of the contributors is to give voice to a wide range of literary and scholarly figures who were important in their time 1. Korean and Japanese Portraits of Ideal Lovers -- 2. Yamada Bimyo's "Musashino" and the Development of Early Meiji Historical Fiction -- 3. From Atomized to Networked: Rural-to-Urban Migrants in Twentieth-century Chinese Narrative -- 4. Sex for Sex's Sake?The "Genital Writings" of the Chinese Bad-Girl Writers -- 5. In and Out of Home: Bing Xin Recontextualized -- 6. From Enlightenment to Sinology: Early European Suggestions on How to Learn Chinese, 1770-1840 -- 7. Chinese Avant-garde Theater: New Trends in Chinese Experimental Drama near the Close of the Twentieth Century -- 8. Malraux's Hope: Allegory and the Voices of Silence -- 9. Reception, Reappropriation, and Reinvention: Chinese Vernacular Fiction and Elite Women's Reading Practices in Late Choson Korea -- 10. Some Women Writers and their Works in Classical Sanskrit Literature: A Reinterpretation

     
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  6. Asian literary voices
    from marginal to mainstream
    Published: 2010
    Publisher:  Amsterdam University Press, Amsterdam

    This volume brings together some of the most exciting recent scholarship on Asian literature and culture, spanning all three mainstream cultures of China, Japan, and Korea, along with India. Ranging from Sanskrit poetry of over a thousand years ago... more

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    This volume brings together some of the most exciting recent scholarship on Asian literature and culture, spanning all three mainstream cultures of China, Japan, and Korea, along with India. Ranging from Sanskrit poetry of over a thousand years ago to contemporary Chinese fiction, the contributors combine original fi ndings of interest to specialists with a clear style of writing that makes the volume accessible and appealing to the general reader. A unifying concern of the contributors is to give voice to a wide range of literary and scholarly figures who were important in their time 1. Korean and Japanese Portraits of Ideal Lovers -- 2. Yamada Bimyo's "Musashino" and the Development of Early Meiji Historical Fiction -- 3. From Atomized to Networked: Rural-to-Urban Migrants in Twentieth-century Chinese Narrative -- 4. Sex for Sex's Sake?The "Genital Writings" of the Chinese Bad-Girl Writers -- 5. In and Out of Home: Bing Xin Recontextualized -- 6. From Enlightenment to Sinology: Early European Suggestions on How to Learn Chinese, 1770-1840 -- 7. Chinese Avant-garde Theater: New Trends in Chinese Experimental Drama near the Close of the Twentieth Century -- 8. Malraux's Hope: Allegory and the Voices of Silence -- 9. Reception, Reappropriation, and Reinvention: Chinese Vernacular Fiction and Elite Women's Reading Practices in Late Choson Korea -- 10. Some Women Writers and their Works in Classical Sanskrit Literature: A Reinterpretation

     
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  7. Mapping intermediality in performance
    Published: ©2010
    Publisher:  Amsterdam University Press, Amsterdam

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9048513146; 9089642552; 9789048513147; 9789089642554
    Series: MediaMatters
    Subjects: Fine Arts; PERFORMING ARTS / Theater / History & Criticism; The arts; Film, TV and radio; Theatre studies; PERFORMING ARTS / Film & Video / General; Digital media; Intermediality; Performance art; Toneel; Uitvoerende kunsten; Intermedialiteit; Massamedia; Digitale technieken; Medien; Theater; Intermediality; Digital media; Performance art; Neue Medien; Intermedialität; Schauspielkunst; Performance <Künste>
    Scope: 1 Online-Ressource (304 pages)
    Notes:

    Includes bibliographical references (pages 267-281) and index

    This volume examines afresh the impact upon acting and performance of digital technologies. It is concerned with how digital culture combines the traditional 'liveness' of theatre with media interfaces and internet protocols. The time and space of the 'here and now' are both challenged and adapted, just as barriers between theatre-makers and the 'experiencers' of events are broken down. Today many of us are everyday players performing the interconnectedness of digital culture and a key aim of the book is to unpack the multiple interrelations within the landscape of contemporary performance

    Introduction: prospective mapping and network of terms -- Portal: performativity and corporeal literacy -- Node: modes of experience -- Instances -- Portal: time and space -- Node: dimensions -- Instances -- Portal: digital culture and posthumanism -- Node: actuality-virtuality -- Instances -- Portal: networking -- Node: inter-relations -- Instances -- Portal: pedagogic praxis -- Retrospection: the pre- and proto-digital
  8. Asian literary voices
    from marginal to mainstream
    Published: 2010
    Publisher:  Amsterdam University Press, Amsterdam

    This volume brings together some of the most exciting recent scholarship on Asian literature and culture, spanning all three mainstream cultures of China, Japan, and Korea, along with India. Ranging from Sanskrit poetry of over a thousand years ago... more

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    Hochschule Aalen, Bibliothek
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    This volume brings together some of the most exciting recent scholarship on Asian literature and culture, spanning all three mainstream cultures of China, Japan, and Korea, along with India. Ranging from Sanskrit poetry of over a thousand years ago to contemporary Chinese fiction, the contributors combine original fi ndings of interest to specialists with a clear style of writing that makes the volume accessible and appealing to the general reader. A unifying concern of the contributors is to give voice to a wide range of literary and scholarly fi gures who were important in their time

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048508198; 9048508193
    Series: ICAS publication series. Edited volumes ; 12
    Subjects: Oriental literature; Oriental literature; Literature; TRAVEL ; Special Interest ; Literary; LITERARY CRITICISM ; General; ART ; History ; General; The arts; History of art ; art and design styles; Society and social sciences; Society and culture: general; Literature and literary studies; Literature: history and criticism; Oriental literature; Bellettrie; Conference papers and proceedings; Criticism, interpretation, etc
    Scope: Online Ressource (168 p.), ill.
    Notes:

    Originally presented at biennial conferences of the International Convention of Asia Scholars. - Includes bibliographical references and index. - Description based on print version record
  9. Kerouac Ascending
    Memorabilia of the Decade of On the Road
    Published: 2010
    Publisher:  Cambridge Scholars Pub, Newcastle upon Tyne

    Kerouac Ascending: Memorabilia of the Decade of ON THE ROAD is a memoir written by Elbert Lenrow about his relationship with Jack Kerouac, whom he taught at the New School in NewYork when Jack was emerging as a writer and with Allen Ginsberg, both of... more

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    Kerouac Ascending: Memorabilia of the Decade of ON THE ROAD is a memoir written by Elbert Lenrow about his relationship with Jack Kerouac, whom he taught at the New School in NewYork when Jack was emerging as a writer and with Allen Ginsberg, both of whom Lenrow befriended and encouraged. Lenrow writes with sympathy and charm about both writers and their "beat" friends, revealing Kerouac's seriously academic side by sharing papers he wrote in his course and giving insight about both writers t

     
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  10. Konzert und Konkurrenz - die Künste und ihre Wissenschaften im 19. Jahrhundert
    Contributor: Scholl, Christian (Herausgeber); Richter, Sandra (Herausgeber); Huck, Oliver (Herausgeber)
    Published: 2010
    Publisher:  Universitätsverlag Göttingen, [Erscheinungsort nicht ermittelbar] ; OAPEN FOUNDATION, The Hague

    Dieser Band nimmt jenen doppelten Wettstreit in den Blick, der für die Kunstwissenschaften (Kunst-, Musik- und Literaturwissenschaft) im 19. Jahrhundert typisch ist: den Wettstreit zwischen den Wissenschaften selbst, der sich aus dem Wettstreit ihrer... more

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    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
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    Bibliothek der Frankfurt University of Applied Sciences
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    Dieser Band nimmt jenen doppelten Wettstreit in den Blick, der für die Kunstwissenschaften (Kunst-, Musik- und Literaturwissenschaft) im 19. Jahrhundert typisch ist: den Wettstreit zwischen den Wissenschaften selbst, der sich aus dem Wettstreit ihrer Künste speist. Die jeweilige Kunstwissenschaft, so die zugrunde liegende Hypothese, bezieht ihre Geltung und ihren Rang aus der allgemeinen Wertschätzung ihrer Bezugskunst. Auf diese Weise geraten die Künste und ihre Wissenschaften in eine sich wechselseitig verstärkende Konkurrenz, die ihren Ausdruck in zahlreichen Debatten über die jeweilige Leitkunst findet. Die interdisziplinär hier versammelten Beiträge erschließen aus unterschiedlichen Perspektiven die wissenschaftsgeschichtlichen Ausdifferenzierungs- und Homogenisierungsprozesse, in deren Zusammenhang der Wettstreit der Künste und ihrer Wissenschaften im 19. Jahrhundert stattfand. Die sie verbindende Fragestellung zielt dabei auf die Grundlagen des Kunstverständnisses sowie auf die Grundlagen des Selbstverständnisses der Kunstwissenschaften. Es geht nicht zuletzt auch darum, aufzuzeigen, inwiefern die Prämissen, die zur Begründung der Disziplinen entwickelt wurden, nach wie vor Gültigkeit beanspruchen – direkt durch ihre disziplinäre Kanonisierung und indirekt selbst durch die gebrochene Wirksamkeit jener wissenschaftlichen Meistererzählungen, die sie hervorgebracht haben.

     
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    Source: Union catalogues
    Contributor: Scholl, Christian (Herausgeber); Richter, Sandra (Herausgeber); Huck, Oliver (Herausgeber)
    Language: German
    Media type: Book
    Format: Online
    Subjects: The arts; History of art / art & design styles; History of science
    Other subjects: History of Arts; History of Science; Ästhetik; Berlin; Kunstgeschichte; Philologie
  11. Mapping intermediality in performance
    Published: ©2010
    Publisher:  Amsterdam University Press, Amsterdam

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9048513146; 9089642552; 9789048513147; 9789089642554
    Series: MediaMatters
    Subjects: Fine Arts; PERFORMING ARTS / Theater / History & Criticism; The arts; Film, TV and radio; Theatre studies; PERFORMING ARTS / Film & Video / General; Digital media; Intermediality; Performance art; Toneel; Uitvoerende kunsten; Intermedialiteit; Massamedia; Digitale technieken; Medien; Theater; Intermediality; Digital media; Performance art; Neue Medien; Intermedialität; Schauspielkunst; Performance <Künste>
    Scope: 1 Online-Ressource (304 pages)
    Notes:

    Includes bibliographical references (pages 267-281) and index

    This volume examines afresh the impact upon acting and performance of digital technologies. It is concerned with how digital culture combines the traditional 'liveness' of theatre with media interfaces and internet protocols. The time and space of the 'here and now' are both challenged and adapted, just as barriers between theatre-makers and the 'experiencers' of events are broken down. Today many of us are everyday players performing the interconnectedness of digital culture and a key aim of the book is to unpack the multiple interrelations within the landscape of contemporary performance

    Introduction: prospective mapping and network of terms -- Portal: performativity and corporeal literacy -- Node: modes of experience -- Instances -- Portal: time and space -- Node: dimensions -- Instances -- Portal: digital culture and posthumanism -- Node: actuality-virtuality -- Instances -- Portal: networking -- Node: inter-relations -- Instances -- Portal: pedagogic praxis -- Retrospection: the pre- and proto-digital
  12. City of darkness, city of light
    émigré filmmakers in Paris 1929-1939
    Author: Phillips, Alastair
    Published: 2010
    Publisher:  Amsterdam University Press, Amsterdam

    A ground-breaking study of the cinematic representation of Paris in the films of migr filmmakers who made it their first refuge from Hitler's Germany more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    A ground-breaking study of the cinematic representation of Paris in the films of migr filmmakers who made it their first refuge from Hitler's Germany

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0585498180; 9048505259; 9053566333; 9053566341; 9780585498188; 9789048505258; 9789053566336; 9789053566343
    Series: Film culture in transition
    Subjects: Germans; Motion picture producers and directors; Motion picture producers and directors; Germans; PERFORMING ARTS ; Film & Video ; Reference; The arts; Film, TV and radio; Germans; Motion picture producers and directors; Emigranten; Filmregisseurs; Filmschaffender; Exil; Film; France ; Paris; Paris <Motiv>; Deutsche; Paris; Biographies; History
    Scope: 1 Online-Ressource (253 pages), illustrations, portraits
    Notes:

    Includes bibliographical references (pages 221-241) and index

    Use copy Restrictions unspecified star MiAaHDL

    Electronic reproduction

    1. Introduction. Diversity and Exchange -- Rethinking the National in European Cinema -- Cinema and the City -- Paris and the 1930s -- Paris and French Cinema of the 1930s -- France and the Émigrés -- City of Darkness, City of Light -- 2. The City in Context. An Historical Ambivalence -- Modernity and the City -- National Boundaries and Early European Sound Cinema -- Paris as Staging Ground for the Early Sound Wars -- Berlin as Prestige Model and Place of Work for French Film Industry Professionals -- Patterns of Exile and Emigration in the Pre-Nazi Era: The Russians and their Relationships to Paris and Berlin -- Trade and Economic Emigration from Berlin to Paris before 1933 -- Case Study One: Anatole Litvak -- Case Study Two: Kurt Courant -- The Rise of the Nazis in Berlin and the Politics of Departure -- The Place of Jews in Paris -- Reception: The Émigrés' Arrival in Paris -- Reception: The French Film Industry -- Case Study Three: Erich Pommer -- Case Study Four: Robert Siodmak -- 3. City of Light. Paris as Spectacle -- Paris and the Spectacle of Entertainment -- Parisian Journeys Across Time and Space -- 4. City of Darkness. The Camera Goes Down the Streets: 'The Hidden Spirit Under the Familiar Façade' -- Framing the Urban Decor -- The Émigrés and Poetic Realism -- Spaces of Crime and Pleasure in the City of Darkness -- Parisian Journeys Between the Past and the Present -- 5. Divided City. The Divided City in Context -- Divided Characters, Divided City -- Journeys Across the Divided City -- 6. Conclusion -- Appendices. Tobis In Paris Filmography 1929-1939 -- Osso Filmography 1930-1939 -- Anatole Litvak Filmography 1930-1936 -- Kurt Courant Filmography 1929-1939 -- Erich Pommer French-Language Filmography 1930-1934 -- Robert Siodmak French-Language Filmography 1931-1939 -- Nero Films Filmography 1930-1939 -- La Crise est finie -- La Vie Parisienne -- Mauvaise graine -- Coeur de lilas -- Dans les rues -- Carrefour -- Pièges -- Liliom.
  13. City of darkness, city of light
    émigré filmmakers in Paris 1929-1939
    Author: Phillips, Alastair
    Published: 2010
    Publisher:  Amsterdam University Press, Amsterdam

    A ground-breaking study of the cinematic representation of Paris in the films of migr filmmakers who made it their first refuge from Hitler's Germany more

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    A ground-breaking study of the cinematic representation of Paris in the films of migr filmmakers who made it their first refuge from Hitler's Germany

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0585498180; 9048505259; 9053566333; 9053566341; 9780585498188; 9789048505258; 9789053566336; 9789053566343
    Series: Film culture in transition
    Subjects: Germans; Motion picture producers and directors; Motion picture producers and directors; Germans; PERFORMING ARTS ; Film & Video ; Reference; The arts; Film, TV and radio; Germans; Motion picture producers and directors; Emigranten; Filmregisseurs; Filmschaffender; Exil; Film; France ; Paris; Paris <Motiv>; Deutsche; Paris; Biographies; History
    Scope: 1 Online-Ressource (253 pages), illustrations, portraits
    Notes:

    Includes bibliographical references (pages 221-241) and index

    Use copy Restrictions unspecified star MiAaHDL

    Electronic reproduction

    1. Introduction. Diversity and Exchange -- Rethinking the National in European Cinema -- Cinema and the City -- Paris and the 1930s -- Paris and French Cinema of the 1930s -- France and the Émigrés -- City of Darkness, City of Light -- 2. The City in Context. An Historical Ambivalence -- Modernity and the City -- National Boundaries and Early European Sound Cinema -- Paris as Staging Ground for the Early Sound Wars -- Berlin as Prestige Model and Place of Work for French Film Industry Professionals -- Patterns of Exile and Emigration in the Pre-Nazi Era: The Russians and their Relationships to Paris and Berlin -- Trade and Economic Emigration from Berlin to Paris before 1933 -- Case Study One: Anatole Litvak -- Case Study Two: Kurt Courant -- The Rise of the Nazis in Berlin and the Politics of Departure -- The Place of Jews in Paris -- Reception: The Émigrés' Arrival in Paris -- Reception: The French Film Industry -- Case Study Three: Erich Pommer -- Case Study Four: Robert Siodmak -- 3. City of Light. Paris as Spectacle -- Paris and the Spectacle of Entertainment -- Parisian Journeys Across Time and Space -- 4. City of Darkness. The Camera Goes Down the Streets: 'The Hidden Spirit Under the Familiar Façade' -- Framing the Urban Decor -- The Émigrés and Poetic Realism -- Spaces of Crime and Pleasure in the City of Darkness -- Parisian Journeys Between the Past and the Present -- 5. Divided City. The Divided City in Context -- Divided Characters, Divided City -- Journeys Across the Divided City -- 6. Conclusion -- Appendices. Tobis In Paris Filmography 1929-1939 -- Osso Filmography 1930-1939 -- Anatole Litvak Filmography 1930-1936 -- Kurt Courant Filmography 1929-1939 -- Erich Pommer French-Language Filmography 1930-1934 -- Robert Siodmak French-Language Filmography 1931-1939 -- Nero Films Filmography 1930-1939 -- La Crise est finie -- La Vie Parisienne -- Mauvaise graine -- Coeur de lilas -- Dans les rues -- Carrefour -- Pièges -- Liliom.