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Displaying results 1 to 12 of 12.

  1. Über den Unterschied zwischen einem systematischen und einem nicht-systematischen Verstand
    Lateinisch - Deutsch
    Author: Wolff, Christian
    Published: 2019
    Publisher:  Felix Meiner Verlag, Hamburg

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    https://d-nb.info/1145175201/04 (Inhaltsverzeichnis)
    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Contributor: Albrecht, Michael <1940->
    Language: German; Latin
    Media type: Book
    ISBN: 978-3-7873-3445-2
    Series: Philosophische Bibliothek ; Band 710
    Subjects: Verstand; System; Erkenntnistheorie
    Scope: 90 Seiten
  2. Baroque
    Figures of Excess in Seventeenth-Century European Art and German Literature
    Author: Burgard, Peter J.
    Published: 2019
    Publisher:  Wilhelm Fink Verlag, Paderborn

    What is the Baroque? Where did it come from and where did it go? Why do we have to ask these questions? Because art historians seem largely satisfied with their answers and most scholars of German literature are not satisfied, yet have stopped... more

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    Alice Salomon Hochschule Berlin, Bibliothek
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    What is the Baroque? Where did it come from and where did it go? Why do we have to ask these questions? Because art historians seem largely satisfied with their answers and most scholars of German literature are not satisfied, yet have stopped asking.This book discerns in the Baroque an aesthetic phenomenon that crosses both media and national boundaries in its celebration of excess and its disintegration of system, unity, and identity. The compositional principles and theoretical implications of the Baroque, as it first arose in Italian art, find expression in German poetics, drama, poetry, and narrative - expression accessible only through resolute close reading. Readings of Bernini, Borromini, Velázquez, Rubens, Fracanzano, and de Hooch precipitate readings of Opitz, Gryphius, Fleming, Zesen, Hoffmannswaldau, and Grimmelshausen, demonstrating that seventeenth-century German literature both is Baroque and confirms what the Baroque is

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Staatsbibliothek zu Berlin
    Language: Undetermined
    Media type: Ebook
    Format: Online
    ISBN: 9783846764008
    RVK Categories: GH 1571
    Edition: 1st ed
    Subjects: Aesthetics; Architecture; Architektur; Ästhetik; Drama; Interdisciplinary; interdisziplinär; Lyrik; Malerei; Novel; Painting; Poetics; Poetik; Poetry; Roman; Sculpture; Skulptur; System
    Scope: 1 Online-Ressource (399 Seiten), 73 b&w ills., 20 color ills
    Notes:

    Wilhelm Fink
  3. Baroque
    Figures of Excess in Seventeenth-Century European Art and German Literature
    Author: Burgard, Peter J.
    Published: 2019
    Publisher:  Verlag Wilhelm Fink, Paderborn

  4. Baroque
    figures of excess in seventeenth-century European art and German literature
    Author: Burgard, Peter J.
    Published: [2019]
    Publisher:  Wilhelm Fink, Paderborn

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783770564002; 3770564006
    Other identifier:
    9783770564002
    RVK Categories: GH 1565
    DDC Categories: 830; 700
    Subjects: Deutsch; Literatur; Barock; Exzess <Motiv>; Geschichte 1600-1700;
    Other subjects: Hardcover, Softcover / Sprachwissenschaft, Literaturwissenschaft/Deutsche Sprachwissenschaft, Deutschsprachige Literaturwissenschaft; Aesthetics; Architecture; Architektur; Drama; Interdisciplinary; Lyrik; Malerei; Novel; Painting; Poetics; Poetik; Poetry; Roman; Sculpture; Skulptur; System; interdisziplinär; Ästhetik
    Scope: VIII, 385 Seiten, 16 ungezählte Seiten Tafeln, Illustrationen, 24 cm, 1147 g
    Notes:

    Enthält Literaturverzeichnis auf Seite [361]-378
  5. Teilhabe am Wissen lernen – mit digitalen Interaktions- und Feedback-Systemen
    Author: Berg, Gunhild
    Published: 2019
    Publisher:  Waxmann, Münster

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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Online
    Other identifier:
    Subjects: Rückmeldung; Lernen; Lehren
    Other subjects: Array
    Scope: Online-Ressource
    Notes:

    In: Hafer, Jörg [Hrsg.]; Mauch, Martina [Hrsg.]; Schumann, Marlen [Hrsg.]: Teilhabe in der digitalen Bildungswelt. Münster; New York : Waxmann 2019, S. 96-104. - (Medien in der Wissenschaft; 75). - ISBN 978-3-8309-4006-7
  6. Das Spiel mit der Grenze
    Führung im Spannungsfeld von Formalität und Informalität
    Author: Hillenbrand, Timo
    Published: Oktober 2019

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  7. Das Spiel mit der Grenze - Führung im Spannungsfeld von Formalität und Informalität
    Author: Hillenbrand, Timo
    Published: 2019
    Publisher:  Universität Würzburg, Würzburg

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  8. Baroque
    Figures of Excess in Seventeenth-Century European Art and German Literature
    Author: Burgard, Peter J.
    Published: 2019
    Publisher:  Wilhelm Fink Verlag, Paderborn

    What is the Baroque? Where did it come from and where did it go? Why do we have to ask these questions? Because art historians seem largely satisfied with their answers and most scholars of German literature are not satisfied, yet have stopped... more

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    What is the Baroque? Where did it come from and where did it go? Why do we have to ask these questions? Because art historians seem largely satisfied with their answers and most scholars of German literature are not satisfied, yet have stopped asking.This book discerns in the Baroque an aesthetic phenomenon that crosses both media and national boundaries in its celebration of excess and its disintegration of system, unity, and identity. The compositional principles and theoretical implications of the Baroque, as it first arose in Italian art, find expression in German poetics, drama, poetry, and narrative – expression accessible only through resolute close reading. Readings of Bernini, Borromini, Velázquez, Rubens, Fracanzano, and de Hooch precipitate readings of Opitz, Gryphius, Fleming, Zesen, Hoffmannswaldau, and Grimmelshausen, demonstrating that seventeenth-century German literature both is Baroque and confirms what the Baroque is.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783846764008
    Other identifier:
    9783846764008
    Edition: 2019
    Subjects: Ästhetik; Architektur; Drama; System; Lyrik; interdisziplinär; Architecture; Aesthetics; Poetik; Skulptur; Malerei; Roman; Novel; Poetics; Painting; Poetry; Sculpture; Interdisciplinary
    Scope: 1 Online-Ressource
  9. Baroque
    figures of excess in seventeenth-century European art and German literature
    Author: Burgard, Peter J.
    Published: [2019]
    Publisher:  Wilhelm Fink, Paderborn, Deutschland

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  10. Baroque
    Figures of Excess in Seventeenth-Century European Art and German Literature
    Author: Burgard, Peter J.
    Published: 2019
    Publisher:  Wilhelm Fink Verlag, Paderborn

    What is the Baroque? Where did it come from and where did it go? Why do we have to ask these questions? Because art historians seem largely satisfied with their answers and most scholars of German literature are not satisfied, yet have stopped... more

    Access:
    Verlag (lizenzpflichtig)

    Location:
    Universität Potsdam, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan

     

    What is the Baroque? Where did it come from and where did it go? Why do we have to ask these questions? Because art historians seem largely satisfied with their answers and most scholars of German literature are not satisfied, yet have stopped asking.This book discerns in the Baroque an aesthetic phenomenon that crosses both media and national boundaries in its celebration of excess and its disintegration of system, unity, and identity. The compositional principles and theoretical implications of the Baroque, as it first arose in Italian art, find expression in German poetics, drama, poetry, and narrative – expression accessible only through resolute close reading. Readings of Bernini, Borromini, Velázquez, Rubens, Fracanzano, and de Hooch precipitate readings of Opitz, Gryphius, Fleming, Zesen, Hoffmannswaldau, and Grimmelshausen, demonstrating that seventeenth-century German literature both is Baroque and confirms what the Baroque is.

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783846764008
    Other identifier:
    9783846764008
    Edition: 2019
    Subjects: Ästhetik; Architektur; Drama; System; Lyrik; interdisziplinär; Architecture; Aesthetics; Poetik; Skulptur; Malerei; Roman; Novel; Poetics; Painting; Poetry; Sculpture; Interdisciplinary
    Scope: 1 Online-Ressource
  11. Baroque
    Figures of Excess in Seventeenth-Century European Art and German Literature
    Author: Burgard, Peter J.
    Published: 2019
    Publisher:  Wilhelm Fink Verlag, Paderborn

    What is the Baroque? Where did it come from and where did it go? Why do we have to ask these questions? Because art historians seem largely satisfied with their answers and most scholars of German literature are not satisfied, yet have stopped... more

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    Hochschule Kempten, Hochschulbibliothek
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    What is the Baroque? Where did it come from and where did it go? Why do we have to ask these questions? Because art historians seem largely satisfied with their answers and most scholars of German literature are not satisfied, yet have stopped asking.This book discerns in the Baroque an aesthetic phenomenon that crosses both media and national boundaries in its celebration of excess and its disintegration of system, unity, and identity. The compositional principles and theoretical implications of the Baroque, as it first arose in Italian art, find expression in German poetics, drama, poetry, and narrative - expression accessible only through resolute close reading. Readings of Bernini, Borromini, Velázquez, Rubens, Fracanzano, and de Hooch precipitate readings of Opitz, Gryphius, Fleming, Zesen, Hoffmannswaldau, and Grimmelshausen, demonstrating that seventeenth-century German literature both is Baroque and confirms what the Baroque is

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: Undetermined
    Media type: Ebook
    Format: Online
    ISBN: 9783846764008
    Edition: 1st ed
    Subjects: Aesthetics; Architecture; Architektur; Ästhetik; Drama; Interdisciplinary; interdisziplinär; Lyrik; Malerei; Novel; Painting; Poetics; Poetik; Poetry; Roman; Sculpture; Skulptur; System
    Scope: 1 Online-Ressource (399 Seiten), 73 b&w ills., 20 color ills
    Notes:

    Wilhelm Fink
  12. Restating the architecture of property
    Author: Smith, Henry E.
    Published: 2019
    Publisher:  Harvard Law School, Cambridge, MA

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    ZBW - Leibniz-Informationszentrum Wirtschaft, Standort Kiel
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    Volltext (kostenfrei)
    Volltext (kostenfrei)
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Series: Discussion paper / Harvard John M. Olin Center for Law, Economics, and Business ; no. 990 (02/2019)
    Subjects: Property; Restatement; Complexity; System; Complex Systems; Possession,Trespass; Nuisance
    Scope: 1 Online-Ressource (circa 21 Seiten), Illustrationen
    Notes:

    Forthcoming in Modern Studies in Property Law Ben McFarlane & Sinéad Agnew, eds., Hart Publishing, Vol. 10 (May 2019)