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Displaying results 1 to 7 of 7.

  1. Système des beaux-arts
    Author: Alain
    Published: 1983
    Publisher:  Gallimard, [Paris]

    Location:
    Universitätsbibliothek Trier
    Signature:
    b15380
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    Source: Union catalogues
    Language: Undetermined
    Media type: Book
    ISBN: 2070254240
    Edition: Renouv.
    Series: Collection tel
    Subjects: Ästhetik; Künste; System
    Scope: 374 S.
  2. The possible universe
    Author: Tallet, J. A.
    Published: 1990
    Publisher:  Publitex, Houston, Tex.

    Location:
    Ruhr-Universität Bochum, Institut für Philosophie, Bibliothek
    Signature:
    1955.TAL.E.1990
    Inter-library loan:
    No inter-library loan

    Location:
    Erzbischöfliche Diözesan- und Dombibliothek
    Signature:
    Faa 4380
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    Location:
    Universitätsbibliothek Siegen
    Signature:
    21HLH2305
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    Location:
    Universitätsbibliothek Trier
    Signature:
    b18217
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    Source: Union catalogues
    Language: Undetermined
    Media type: Book
    Series: Philosophy
    Subjects: Logik; Philosophie; Totalität; System; Möglichkeit
    Scope: 336 S.
  3. Estetica nell'organizzazione e nella formazione
    taccuino di appunti
    Author: Callini, Daniele
    Published: 1996
    Publisher:  Angeli, Milano

    Location:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    Signature:
    23A1249
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    Loan of volumes, no copies
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    Content information
    Source: Union catalogues
    Language: Undetermined
    Media type: Book
    ISBN: 8820494493
    RVK Categories: CC 6900
    Series: Sociologia del lavoro : Sezione 2, Teorie e ricerche ; 17
    Subjects: System; Ästhetik
    Scope: 121 S.
  4. Système des beaux-arts
    Author: Alain
    Published: 1926
    Publisher:  Gallimard, Paris

    Location:
    Lehrstuhl für Theoretische Philosophie und Philosophisches Institut, Bibliothek
    Signature:
    601:CC 6700 0024
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    Location:
    Universitäts- und Landesbibliothek Bonn
    Signature:
    83/416 +2
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    Location:
    Universitätsbibliothek Trier
    Signature:
    mt46630
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    Source: Union catalogues
    Language: Undetermined
    Media type: Book
    Edition: Éd. nouv. aves notes
    Subjects: System; Ästhetik; Künste
    Scope: 412 S.
  5. Systematic aesthetics
    Author: Winfield, Richard Dien
    Published: 1995
    Publisher:  Univ. Pr. of Florida, Gainesville, Fla. [u.a.]

    Location:
    Universitätsbibliothek Bielefeld
    Signature:
    BE530 W768
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    Location:
    Universitätsbibliothek Trier
    Signature:
    DG/b19599
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    Source: Union catalogues
    Language: Undetermined
    Media type: Book
    ISBN: 0813013682
    Subjects: Ästhetik; System
    Scope: 241 S.
  6. Baroque
    Figures of Excess in Seventeenth-Century European Art and German Literature
    Author: Burgard, Peter J.
    Published: 2019
    Publisher:  Wilhelm Fink Verlag, Paderborn

    What is the Baroque? Where did it come from and where did it go? Why do we have to ask these questions? Because art historians seem largely satisfied with their answers and most scholars of German literature are not satisfied, yet have stopped... more

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    Location:
    Alice Salomon Hochschule Berlin, Bibliothek
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    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Location:
    Universität Potsdam, Universitätsbibliothek
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    What is the Baroque? Where did it come from and where did it go? Why do we have to ask these questions? Because art historians seem largely satisfied with their answers and most scholars of German literature are not satisfied, yet have stopped asking.This book discerns in the Baroque an aesthetic phenomenon that crosses both media and national boundaries in its celebration of excess and its disintegration of system, unity, and identity. The compositional principles and theoretical implications of the Baroque, as it first arose in Italian art, find expression in German poetics, drama, poetry, and narrative - expression accessible only through resolute close reading. Readings of Bernini, Borromini, Velázquez, Rubens, Fracanzano, and de Hooch precipitate readings of Opitz, Gryphius, Fleming, Zesen, Hoffmannswaldau, and Grimmelshausen, demonstrating that seventeenth-century German literature both is Baroque and confirms what the Baroque is

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Staatsbibliothek zu Berlin
    Language: Undetermined
    Media type: Ebook
    Format: Online
    ISBN: 9783846764008
    RVK Categories: GH 1571
    Edition: 1st ed
    Subjects: Aesthetics; Architecture; Architektur; Ästhetik; Drama; Interdisciplinary; interdisziplinär; Lyrik; Malerei; Novel; Painting; Poetics; Poetik; Poetry; Roman; Sculpture; Skulptur; System
    Scope: 1 Online-Ressource (399 Seiten), 73 b&w ills., 20 color ills
    Notes:

    Wilhelm Fink
  7. Baroque
    Figures of Excess in Seventeenth-Century European Art and German Literature
    Author: Burgard, Peter J.
    Published: 2019
    Publisher:  Wilhelm Fink Verlag, Paderborn

    What is the Baroque? Where did it come from and where did it go? Why do we have to ask these questions? Because art historians seem largely satisfied with their answers and most scholars of German literature are not satisfied, yet have stopped... more

    Location:
    Hochschule Kempten, Hochschulbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Location:
    Evangelische Hochschule Nürnberg, Bibliothek
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    Location:
    Technische Hochschulbibliothek Rosenheim
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

     

    What is the Baroque? Where did it come from and where did it go? Why do we have to ask these questions? Because art historians seem largely satisfied with their answers and most scholars of German literature are not satisfied, yet have stopped asking.This book discerns in the Baroque an aesthetic phenomenon that crosses both media and national boundaries in its celebration of excess and its disintegration of system, unity, and identity. The compositional principles and theoretical implications of the Baroque, as it first arose in Italian art, find expression in German poetics, drama, poetry, and narrative - expression accessible only through resolute close reading. Readings of Bernini, Borromini, Velázquez, Rubens, Fracanzano, and de Hooch precipitate readings of Opitz, Gryphius, Fleming, Zesen, Hoffmannswaldau, and Grimmelshausen, demonstrating that seventeenth-century German literature both is Baroque and confirms what the Baroque is

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: Undetermined
    Media type: Ebook
    Format: Online
    ISBN: 9783846764008
    Edition: 1st ed
    Subjects: Aesthetics; Architecture; Architektur; Ästhetik; Drama; Interdisciplinary; interdisziplinär; Lyrik; Malerei; Novel; Painting; Poetics; Poetik; Poetry; Roman; Sculpture; Skulptur; System
    Scope: 1 Online-Ressource (399 Seiten), 73 b&w ills., 20 color ills
    Notes:

    Wilhelm Fink