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  1. Allegorical Bodies
    Power and Gender in Late Medieval France
    Author: Delogu, Daisy
    Published: [2018]; © 2015
    Publisher:  University of Toronto Press, Toronto

    Allegorical Bodies begins with the paradoxical observation that at the same time as the royal administrators of late fourteenth and early fifteenth-century France excluded women from the royal succession through the codification of Salic law, writers... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Allegorical Bodies begins with the paradoxical observation that at the same time as the royal administrators of late fourteenth and early fifteenth-century France excluded women from the royal succession through the codification of Salic law, writers of the period adopted the female form as the allegorical personification of France itself. Considering the role of female allegorical figures in the works of Eustache Deschamps, Christine de Pizan, and Alain Chartier, as well as in the sermons of Jean Gerson, Daisy Delogu reveals how female allegories of the Kingdom of France and the University of Paris were used to conceptualize, construct, and preserve structures of power during the tumultuous reign of the mad king Charles VI (1380–1422).An impressive examination of the intersection between gender, allegory, and political thought, Delogu’s book highlights the importance of gender to the functioning of allegory and to the construction of late medieval French identity

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442690066
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    Subjects: French literature; Group identity in literature; Symbolism in literature; Women in literature; Politik; Französisch; Motiv; Gruppenidentität; Symbolismus; Literatur; Allegorese; Soziale Situation; Frankreich <Motiv>; Allegorie; Frau <Motiv>; Frau
    Scope: 1 online resource
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jul 2018)
  2. The alchemist in literature
    from Dante to the present
    Author: Ziolkowski, Theodore
    Published: 2015
    Publisher:  Oxford Univ. Press, Oxford

    Introduction, or Materia Prima -- Satirizations, or Nigredo -- Romanticizations, or Cauda Pavonis -- Mid-century adaptations, or Albedo -- Poeticizations, or Fermentatio -- Spiritualizations, or Rubedo -- Popularizations, or Projectio -- Conclusions,... more

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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Herzog August Bibliothek Wolfenbüttel
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    Introduction, or Materia Prima -- Satirizations, or Nigredo -- Romanticizations, or Cauda Pavonis -- Mid-century adaptations, or Albedo -- Poeticizations, or Fermentatio -- Spiritualizations, or Rubedo -- Popularizations, or Projectio -- Conclusions, or Quinta Essentia

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780198746836
    RVK Categories: EC 5410
    Edition: 1. ed.
    Subjects: Alchemy in literature; Symbolism in literature; European literature
    Scope: X, 237 S., Ill.
  3. Austen, actresses and accessories
    much ado about muffs
    Author: Engel, Laura
    Published: 2015
    Publisher:  Palgrave Macmillan, Basingstoke [u.a.]

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    Universitäts- und Landesbibliothek Düsseldorf
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781137427922
    Series: Palgrave Pivot
    Subjects: Symbolism in literature
    Other subjects: Austen, Jane (1775-1817)
    Scope: IX, 84 S., Ill.
  4. The Symbolic Imagination
    Coleridge and the Romantic Tradition
    Author: Barth, John Robert
    Published: 2015; ©2015
    Publisher:  Princeton University Press, Princeton, New Jersey

    Studying the nature of symbol in Coleridge's work, Father Barth shows that it is central to Coleridge's intellectual endeavor in poetry and criticism as well as in philosophy and theology. He finds symbol to be an essentially religious reality for... more

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    Studying the nature of symbol in Coleridge's work, Father Barth shows that it is central to Coleridge's intellectual endeavor in poetry and criticism as well as in philosophy and theology. He finds symbol to be an essentially religious reality for Coleridge, one that partakes of the nature of a sacrament, especially sacrament as an encounter between material and spiritual reality. Father Barth notes that eighteenth-century poetry was by and large a poetry of metaphor rather than of symbol, a poetry of reference rather than of encounter. In close readings of the poetry of Wordsworth and Coleridge, he shows how they practiced and developed the poetry of symbol. Finally, analyzing the symbolic imagination, the author concludes that it is a phenomenon profoundly linked with the experience of Romanticism itself and with a fundamental change in religious sensibility.Originally published in 1977.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400867196
    Other identifier:
    Series: Princeton Essays in Literature
    Princeton Legacy Library
    Subjects: Romanticism; Romantisme; Romanticism; Symbolism in literature; Romanticism; Symbolism; Symbolisme dans la littérature; Romantisme; Romanticism.; Symbolism in literature.
    Scope: Online-Ressource (172 pages)
  5. Allegorical Bodies
    Power and Gender in Late Medieval France
    Author: Delogu, Daisy
    Published: [2018]; © 2015
    Publisher:  University of Toronto Press, Toronto

    Allegorical Bodies begins with the paradoxical observation that at the same time as the royal administrators of late fourteenth and early fifteenth-century France excluded women from the royal succession through the codification of Salic law, writers... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Universitätsbibliothek Passau
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    Allegorical Bodies begins with the paradoxical observation that at the same time as the royal administrators of late fourteenth and early fifteenth-century France excluded women from the royal succession through the codification of Salic law, writers of the period adopted the female form as the allegorical personification of France itself. Considering the role of female allegorical figures in the works of Eustache Deschamps, Christine de Pizan, and Alain Chartier, as well as in the sermons of Jean Gerson, Daisy Delogu reveals how female allegories of the Kingdom of France and the University of Paris were used to conceptualize, construct, and preserve structures of power during the tumultuous reign of the mad king Charles VI (1380–1422).An impressive examination of the intersection between gender, allegory, and political thought, Delogu’s book highlights the importance of gender to the functioning of allegory and to the construction of late medieval French identity

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442690066
    Other identifier:
    Subjects: French literature; Group identity in literature; Symbolism in literature; Women in literature; Politik; Französisch; Motiv; Gruppenidentität; Symbolismus; Literatur; Allegorese; Soziale Situation; Frankreich <Motiv>; Allegorie; Frau <Motiv>; Frau
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jul 2018)
  6. All'ombra del lauro
    allegorie di scrittura nel Pasticciaccio di Gadda
    Author: Vitale, Vincenzo
    Published: 2015
    Publisher:  Carocci, Roma

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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: Italian
    Media type: Book
    ISBN: 9788843074495; 8843074490
    RVK Categories: IV 27681
    Edition: 1a ed.
    Series: Lingue e letterature Carocci ; 181
    Subjects: Symbolism in literature; Allegory
    Other subjects: Gadda, Carlo Emilio / 1893-1973 / Quer pasticciaccio brutto de via Merulana; Gadda, Carlo Emilio (1893-1973): Quer pasticciaccio brutto de Via Merulana
    Scope: 199 S., Ill., 22 cm
    Notes:

    Includes bibliographical references (pages 179-187) and indexes
  7. Allegorical bodies
    power and gender in late medieval France
    Author: Delogu, Daisy
    Published: 2015
    Publisher:  Univ. of Toronto Press, Toronto [u.a.]

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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Bayerische Staatsbibliothek
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    Monumenta Germaniae Historica, Deutsches Institut für Erforschung des Mittelalters, Bibliothek
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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  8. Die ästhetische Schwelle
    a Räume der Allegorie bei Baudelaire und Proust
    Author: Schamel, Alexandra
    Published: 2015
    Publisher:  Wilhelm Fink Verlag, Paderborn

    Preliminary Material -- Einleitung -- Baudelaire: Musen am Gestade des inneren Meeres -- Grenzziehungen -- Entgrenzungen -- Proust: Mnemosyne – die Bleibende – die Fliehende -- Die Zeitkammer -- Zeitatmosphären -- Resümee -- Literaturverzeichnis. Die... more

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    Zentrale Hochschulbibliothek Flensburg
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Preliminary Material -- Einleitung -- Baudelaire: Musen am Gestade des inneren Meeres -- Grenzziehungen -- Entgrenzungen -- Proust: Mnemosyne – die Bleibende – die Fliehende -- Die Zeitkammer -- Zeitatmosphären -- Resümee -- Literaturverzeichnis. Die Schwelle ist ein besonderer Raum. Sie gehört weder zum Innen- noch zum Außenraum. Sie umgrenzt einen Bereich, der nicht zuzuordnen ist und begrifflich undefiniert bleibt. Auf die Besonderheit dieses Raumes deutet die Schwelle des Erkennens, wie sie Zeitgenossen eines Epochenübergangs erfahren. Sie fühlen sich eingeschlossen in einer terra incognita, die aber selbst die Grenzen der bekannten Welt aufsprengt und unauslotbar erscheint. Baudelaire und Proust reflektieren diese paradoxe Erfahrung der frühen und späten Phase der Moderne im Verfahren der Allegorie. Diese erzeugt ästhetische Schwellen im Text. Sie öffnet jenseits der buchstäblich lesbaren Welt diffuse Zonen des Surrealen und Atmosphärischen, Areale einer unerklärlichen Schönheit. In kritischer Auseinandersetzung mit prominenten literaturtheoretischen Ansätzen erkundet der Band die funktionale Spannbreite der Allegorie als textuelles Verfahren

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783846757574
    Other identifier:
    Series: Schöningh and Fink Literature and Culture Studies E-Books, Collection 2013-2017, ISBN: 9783657100064
    Subjects: Symbolism in literature; Allegory
    Scope: 1 Online-Ressource (1 online resource)
  9. On Psychological and Visionary Art
    Notes from C. G. Jung's Lecture on Gérard de Nerval's Aurélia
    Author: Jung, C. G
    Published: [2015]
    Publisher:  Princeton University Press, Princeton, NJ

    Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Permissions -- ONE. Introduction / Stephenson, Craig E. -- TWO. Jung's Abstract on Nerval from The Symbolic Life (Collected Works, Volume 18) -- THREE. Lecture on Gérard de Nerval / Jung,... more

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    Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Permissions -- ONE. Introduction / Stephenson, Craig E. -- TWO. Jung's Abstract on Nerval from The Symbolic Life (Collected Works, Volume 18) -- THREE. Lecture on Gérard de Nerval / Jung, C. G. -- FOUR. Minutes of the discussion following the 1945 Lecture -- FIVE. Jung's Notes to the 1942 Lecture Gérard de Nerval's Aurélia / Jung, C. G. -- SIX. Jung's First Notes on Aurélia, 1942 -- SEVEN. Aurélia, or dream and Life / Nerval, Gérard de -- References -- Index -- Backmatter In 1945, at the end of the Second World War and after a long illness, C. G. Jung delivered a lecture in Zürich on the French Romantic poet Gérard de Nerval. The lecture focused on Nerval's visionary memoir, Aurélia, which the poet wrote in an ambivalent attempt to emerge from madness. Published here for the first time, Jung's lecture is both a cautionary psychological tale and a validation of Nerval's visionary experience as a genuine encounter.Nerval explored the irrational with lucidity and exquisite craft. He privileged the subjective imagination as a way of fathoming the divine to reconnect with what the Romantics called the life principle. During the years of his greatest creativity, he suffered from madness and was institutionalized eight times. Contrasting an orthodox psychoanalytic interpretation with his own synthetic approach to the unconscious, Jung explains why Nerval was unable to make use of his visionary experiences in his own life. At the same time, Jung emphasizes the validity of Nerval's visions, differentiating the psychology of a work of art from the psychology of the artist. The lecture suggests how Jung's own experiments with active imagination influenced his reading of Nerval's Aurélia as a parallel text to his own Red Book.With Craig Stephenson's authoritative introduction, Richard Sieburth's award-winning translation of Aurélia, and Alfred Kubin's haunting illustrations to the text, and featuring Jung's reading marginalia, preliminary notes, and revisions to a 1942 lecture, On Psychological and Visionary Art documents the stages of Jung's creative process as he responds to an essential Romantic text

     
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    Source: Union catalogues
    Contributor: Stephenson, Craig E (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400873470
    Other identifier:
    Edition: Pilot project. eBook available to selected US libraries only
    Series: Philemon Foundation Series ; 12
    Subjects: Literature and mental illness; Psychology in literature; Symbolism (Psychology); Symbolism in literature; PSYCHOLOGY / History
    Scope: 1 Online-Ressource (240 p), 30 halftones. 48 line illus
  10. Austen, actresses and accessories
    much ado about muffs
    Author: Engel, Laura
    Published: 2015
    Publisher:  Palgrave Macmillan, Basingstoke [u.a.]

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    Universitäts- und Landesbibliothek Düsseldorf
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781137427922
    Series: Palgrave Pivot
    Subjects: Symbolism in literature
    Other subjects: Austen, Jane (1775-1817)
    Scope: IX, 84 S. : Ill.
  11. On psychological and visionary art
    notes from C. G. Jung's lecture on Gérard de Nerval's "Aurélia"
    Author: Jung, C. G
    Published: [2015]; © 2015
    Publisher:  Princeton University Press, Princeton

    Introduction to Jung's lecture -- Craig Stephenson -- Jung's abstract on Nerval from Symbolic life (cw 18) -- Jung's lecture on Gerard de Nerval (the Psychology Club, 1945) -- Minutes of the discussion following the lecture -- Jung's lecture --... more

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    Universitäts- und Landesbibliothek Bonn
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    Introduction to Jung's lecture -- Craig Stephenson -- Jung's abstract on Nerval from Symbolic life (cw 18) -- Jung's lecture on Gerard de Nerval (the Psychology Club, 1945) -- Minutes of the discussion following the lecture -- Jung's lecture -- Jung's pages of handwritten notes in response to his reading of Aurelia -- Nerval's Aurelia (1855; translated by Richard Sieburth, 1999)

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780691162478
    Series: Philemon Foundation Series
    Subjects: Literature and mental illness; Symbolism in literature; Symbolism (Psychology); Psychology in literature
    Other subjects: Nerval, Gérard de / 1808-1855 / Aurélia; Nerval, Gérard de / 1808-1855 / Psychology; Nerval, Gérard de / 1808-1855 / Mental health; Jung, C. G / (Carl Gustav) / 1875-1961
    Scope: xii, 207 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

    Introduction to Jung's lecture Craig Stephenson -- Jung's abstract on Nerval from Symbolic life (cw 18) -- Jung's lecture on Gerard de Nerval (the Psychology Club, 1945) -- Minutes of the discussion following the lecture -- Jung's lecture -- Jung's pages of handwritten notes in response to his reading of Aurelia -- Nerval's Aurelia (1855; translated by Richard Sieburth, 1999).
  12. All'ombra del lauro
    allegorie di scrittura nel Pasticciaccio di Gadda
    Author: Vitale, Vincenzo
    Published: 2015
    Publisher:  Carocci, Roma

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Language: Italian
    Media type: Book
    ISBN: 9788843074495; 8843074490
    RVK Categories: IV 27681
    Edition: 1a ed.
    Series: Lingue e letterature Carocci ; 181
    Subjects: Symbolism in literature; Allegory
    Other subjects: Gadda, Carlo Emilio / 1893-1973 / Quer pasticciaccio brutto de via Merulana; Gadda, Carlo Emilio (1893-1973): Quer pasticciaccio brutto de Via Merulana
    Scope: 199 S., Ill., 22 cm
    Notes:

    Includes bibliographical references (pages 179-187) and indexes
  13. Allegorical bodies
    power and gender in late medieval France
    Author: Delogu, Daisy
    Published: 2015
    Publisher:  Univ. of Toronto Press, Toronto [u.a.]

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  14. The perilous hunt
    symbols in Hispanic and European balladry
    Author: Rogers, Edith Randam
    Published: [2015], ©1980
    Publisher:  The University Press of Kentucky, Lexington

    In the symbolic language of ballads, a lady's costly dress tells of the beauty of the body beneath it or of the wearer's happiness; a lost hawk or hound foreshadows the hunter's fate long before the plot reaches a turning point. In her original and... more

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    In the symbolic language of ballads, a lady's costly dress tells of the beauty of the body beneath it or of the wearer's happiness; a lost hawk or hound foreshadows the hunter's fate long before the plot reaches a turning point. In her original and far-reaching study of such familiar narrative elements, Edith Randam Rogers adds much to our understanding of poetic expression in the ballad tradition. In focusing on individual motifs as they appear in different ballads, different languages, and different periods, Rogers proves the existence of a reliable lingua franca of symbolism in European ball

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813164298; 081316429X
    Series: Studies in Romance languages ; 22
    Subjects: Ballads; Ballads, Spanish; Comparative literature; Symbolism in literature; Ballads, Spanish; Ballads; Comparative literature; Comparative literature; Symbolism in literature; Ballads; Ballads, Spanish; BIOGRAPHY & AUTOBIOGRAPHY ; Literary; LITERARY CRITICISM ; Poetry; Ballads; Ballads, Spanish; Comparative literature ; Themes, motives; Symbolism in literature; Criticism, interpretation, etc
    Scope: Online Ressource (188 pages)
    Notes:

    Includes bibliographical references and index. - Print version record

    Cover; Title; Copyrights; Contents; Preface; 1. Introduction; 2. Arcadia and Apocalypse: The Hunt; 3. Measure and Mock-Up: Games; 4. A Symbol for All Seasons: Clothing; 5. A Buffer for a Taboo: Combing; 6. A Case of Vested Interest: Magic Music; 7. Metempsychosis or Miracle: Transformations in Conde Olinos; Notes; Bibliography; Title Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; General Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; X.
  15. The alchemist in literature
    from Dante to the present
    Author: Ziolkowski, Theodore
    Published: 2015
    Publisher:  Oxford University Press, Oxford

    Unlike most other studies of alchemy and literature, which focus on alchemical imagery in poetry of specific periods or writers, this book traces the figure of the alchemist in Western literature from its first appearance in the Eighth Circle of... more

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    Unlike most other studies of alchemy and literature, which focus on alchemical imagery in poetry of specific periods or writers, this book traces the figure of the alchemist in Western literature from its first appearance in the Eighth Circle of Dante's Inferno down to the present. From the beginning alchemy has had two aspects: exoteric or operative (the transmutation of baser metals into gold) and esoteric or speculative (the spiritual transformation of the alchemist himself). From Dante to Ben Jonson, during the centuries when the belief in exoteric alchemy was still strong and exploited by many charlatans to deceive the gullible, writers in major works of many literatures treated alchemists with ridicule in an effort to expose their tricks. From the Renaissance to the Enlightenment, as that belief weakened, the figure of the alchemist disappeared, even though Protestant poets in England and Germany were still fond of alchemical images. But when eighteenth-century science almost wholly undermined alchemy, the figure of the alchemist began to emerge again in literature--now as a humanitarian hero or as a spirit striving for sublimation. Following these esoteric romanticizations, as scholarly interest in alchemy intensified, writers were attracted to the figure of the alchemist and his quest for power. The fin-de-siecle saw a further transformation as poets saw in the alchemist a symbol for the poet per se and others, influenced by the prevailing spiritism, as a manifestation of the religious spirit. During the interwar years, as writers sought surrogates for the widespread loss of religious faith, esoteric alchemy underwent a pronounced revival, and many writers turned to the figure of the alchemist as a spiritual model or, in the case of Paracelsus in Germany, as a national figurehead. This tendency, theorized by C. G. Jung in several major studies, inspired after World War II a vast popularization of the figure in novels--historical, set in the present, or juxtaposing past and present-- in England, France, Germany, Italy, Brazil, and the United States. The inevitable result of this popularization was the trivialization of the figure in advertisements for healing and cooking or in articles about scientists and economists. In sum: the figure of the alchemist in literature provides a seismograph for major shifts in intellectual and cultural history.

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780198746836
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    RVK Categories: EC 5410
    Edition: First edition
    Subjects: Alchemy in literature; Alchemy in literature; Symbolism in literature; European literature
    Scope: x, 237 Seiten, Illustrationen
    Notes:

    Hier auch später erschienene, unveränderte Nachdrucke
  16. "Mnemotechnik des Schönen
    Studien zur poetischen Erinnerung in Romantik und Symbolismus
    Author: Koch, Manfred
    Published: 2015; ©1988
    Publisher:  De Gruyter, s.l.

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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110944129
    Other identifier:
    RVK Categories: GM 1712 ; EC 1880 ; GM 1600 ; GK 1092 ; EC 5184 ; GK 2573
    Series: Studien Zur Deutschen Literatur ; 100
    Studien zur deutschen Literatur
    Subjects: European literature; German literature; Memory in literature; Romanticism; Symbolism in literature; LITERARY CRITICISM / European / German
    Scope: Online-Ressource (304 pages)
  17. Lacan in literature and film
    a closer look at formation of subjectivity in Lacanian epistemology
    Author: Bi̇rli̇k, Nurten; C̦ankaya, Tuǧçe; Aydin, Türkan
    Published: 2015
    Publisher:  Academica Press, Bethesda [u.a.]

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781936320950
    Subjects: Psychoanalysis and motion pictures; Subjectivity in literature; Subjectivity in motion pictures; Psychoanalysis and literature; Symbolism in literature; Symbolism in motion pictures; Subconsciousness in literature; Subconsciousness motion pictures
    Other subjects: Lacan, Jacques (1901-1981)
    Scope: 121 S.
    Notes:

    Includes bibliographical references and index
  18. La Torre, l'Atlantide et l'Inferno
    miti e motivi nella recente letteratura tedesco-orientale
    Author: Aversa, Francesco
    Published: 2015
    Publisher:  Mimesis, Milano [u.a.]

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    Source: Staatsbibliothek zu Berlin
    Language: Italian
    Media type: Book
    Format: Print
    ISBN: 9788857531953
    Series: Il quadrifoglio tedesco ; 30
    Subjects: German literature; German literature; Symbolism in literature
    Scope: 161 S., 21 cm
    Notes:

    Includes bibliographical references (pages 147-155) and index
  19. On psychological and visionary art
    notes from C. G. Jung's lecture on Gérard de Nerval's "Aurélia"
    Author: Jung, C. G.
    Published: 2015
    Publisher:  Princeton University Press, Princeton

    Introduction to Jung's lecture -- Craig Stephenson -- Jung's abstract on Nerval from Symbolic life (cw 18) -- Jung's lecture on Gerard de Nerval (the Psychology Club, 1945) -- Minutes of the discussion following the lecture -- Jung's lecture --... more

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    Introduction to Jung's lecture -- Craig Stephenson -- Jung's abstract on Nerval from Symbolic life (cw 18) -- Jung's lecture on Gerard de Nerval (the Psychology Club, 1945) -- Minutes of the discussion following the lecture -- Jung's lecture -- Jung's pages of handwritten notes in response to his reading of Aurelia -- Nerval's Aurelia (1855; translated by Richard Sieburth, 1999)

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780691162478
    Series: Philemon Foundation Series
    Subjects: Literature and mental illness; Symbolism in literature; Symbolism (Psychology); Psychology in literature; Literature and mental illness; Symbolism in literature; Symbolism (Psychology); Psychology in literature
    Other subjects: Nerval, Gérard de (1808-1855): Aurélia; Nerval, Gérard de (1808-1855); Nerval, Gérard de (1808-1855); Jung, C. G (1875-1961); Nerval, Gérard de; Nerval, Gérard de; Nerval, Gérard de; Jung, C. G; 1808-1855; 1808-1855; 1808-1855; (Carl Gustav); Aurélia; Psychology; Mental health; 1875-1961
    Scope: XII, 207 S., Ill.
    Notes:

    Includes bibliographical references and index

    Introduction to Jung's lectureCraig Stephenson -- Jung's abstract on Nerval from Symbolic life (cw 18) -- Jung's lecture on Gerard de Nerval (the Psychology Club, 1945) -- Minutes of the discussion following the lecture -- Jung's lecture -- Jung's pages of handwritten notes in response to his reading of Aurelia -- Nerval's Aurelia (1855; translated by Richard Sieburth, 1999).
  20. The alchemist in literature
    from Dante to the present
    Author: Ziolkowski, Theodore
    Published: 2015
    Publisher:  Oxford University Press, Oxford

    Unlike most other studies of alchemy and literature, which focus on alchemical imagery in poetry of specific periods or writers, this book traces the figure of the alchemist in Western literature from its first appearance in the Eighth Circle of... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Unlike most other studies of alchemy and literature, which focus on alchemical imagery in poetry of specific periods or writers, this book traces the figure of the alchemist in Western literature from its first appearance in the Eighth Circle of Dante's Inferno down to the present. From the beginning alchemy has had two aspects: exoteric or operative (the transmutation of baser metals into gold) and esoteric or speculative (the spiritual transformation of the alchemist himself). From Dante to Ben Jonson, during the centuries when the belief in exoteric alchemy was still strong and exploited by many charlatans to deceive the gullible, writers in major works of many literatures treated alchemists with ridicule in an effort to expose their tricks. From the Renaissance to the Enlightenment, as that belief weakened, the figure of the alchemist disappeared, even though Protestant poets in England and Germany were still fond of alchemical images. But when eighteenth-century science almost wholly undermined alchemy, the figure of the alchemist began to emerge again in literature--now as a humanitarian hero or as a spirit striving for sublimation. Following these esoteric romanticizations, as scholarly interest in alchemy intensified, writers were attracted to the figure of the alchemist and his quest for power. The fin-de-siecle saw a further transformation as poets saw in the alchemist a symbol for the poet per se and others, influenced by the prevailing spiritism, as a manifestation of the religious spirit. During the interwar years, as writers sought surrogates for the widespread loss of religious faith, esoteric alchemy underwent a pronounced revival, and many writers turned to the figure of the alchemist as a spiritual model or, in the case of Paracelsus in Germany, as a national figurehead. This tendency, theorized by C. G. Jung in several major studies, inspired after World War II a vast popularization of the figure in novels--historical, set in the present, or juxtaposing past and present-- in England, France, Germany, Italy, Brazil, and the United States. The inevitable result of this popularization was the trivialization of the figure in advertisements for healing and cooking or in articles about scientists and economists. In sum: the figure of the alchemist in literature provides a seismograph for major shifts in intellectual and cultural history.

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780198746836
    Other identifier:
    9780198746836
    RVK Categories: EC 5410
    Edition: First edition
    Subjects: Alchemy in literature; Alchemy in literature; Symbolism in literature; European literature
    Scope: x, 237 Seiten, Illustrationen
    Notes:

    Hier auch später erschienene, unveränderte Nachdrucke
  21. La estructura simbólico-imaginaria del "Quijote"
    sistema expresivo y valor poético
    Author: Salazar Quintana, Luis Carlos
    Published: [2015]
    Publisher:  Visor Libros, Madrid

    La crisis del estructuralismo y la necesidad de una poética general de la literatura -- Las estructuras convergentes del Quijote y el dialogismo funcional de la novela -- La imagen del tiempo en el Quijote -- La imagen del espacio del Quijote -- La... more

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    La crisis del estructuralismo y la necesidad de una poética general de la literatura -- Las estructuras convergentes del Quijote y el dialogismo funcional de la novela -- La imagen del tiempo en el Quijote -- La imagen del espacio del Quijote -- La imagen ideológico-afectiva de la narración en el Quijote. This study intends to demonstrate the organic unity of imaginary time in Cervantes' Quixote as the source of its poetic significance, and to show that the fundamental design of the novel is based on a structure of convergences and synthesis that express the narrative's temporality in imaginary forms

     
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    Source: Union catalogues
    Language: Spanish
    Media type: Book
    Format: Online
    Series: Biblioteca Filológica Hispana ; 161
    Subjects: Space and time in literature; Symbolism in literature
    Other subjects: Cervantes Saavedra, Miguel de (1547-1616): Don Quixote
    Scope: 1 Online-Ressource
    Notes:

    Includes bibliographical references
  22. All'ombra del lauro
    allegorie di scrittura nel Pasticciaccio di Gadda
    Author: Vitale, Vincenzo
    Published: gennaio 2015
    Publisher:  Carocci editore, Roma

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    10 A 55853
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    Source: Staatsbibliothek zu Berlin
    Contributor: Terzoli, Maria Antonietta (VerfasserIn eines Vorworts)
    Language: Italian
    Media type: Book
    Format: Print
    ISBN: 9788843074495
    RVK Categories: IV 27681
    Edition: 1a edizione
    Series: Lingue e letterature Carocci ; 181
    Subjects: Symbolism in literature; Allegory
    Other subjects: Gadda, Carlo Emilio (1893-1973): Quer pasticciaccio brutto de via Merulana
    Scope: 199 pages, illustrations (some color), 22 cm
    Notes:

    Includes bibliographical references (pages 179-187) and indexes
  23. Lacan in literature and film
    a closer look at formation of subjectivity in Lacanian epistemology
    Author: Bi̇rli̇k, Nurten; C̦ankaya, Tuǧçe; Aydin, Türkan
    Published: 2015
    Publisher:  Academica Press, Bethesda [u.a.]

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 942537
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781936320950
    Subjects: Psychoanalysis and motion pictures; Subjectivity in literature; Subjectivity in motion pictures; Psychoanalysis and literature; Symbolism in literature; Symbolism in motion pictures; Subconsciousness in literature; Subconsciousness motion pictures
    Other subjects: Lacan, Jacques (1901-1981)
    Scope: 121 S.
    Notes:

    Includes bibliographical references and index
  24. Allegorical bodies: power and gender in late medieval France
    Author: Delogu, Daisy
    Published: 2015
    Publisher:  Univ. of Toronto Press, Toronto [u.a.]

    Includes bibliographical references (pages 235-263) and index more

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    1 A 935221
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    66.3891
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    Includes bibliographical references (pages 235-263) and index

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1442641878; 9781442641877
    RVK Categories: MS 2900 ; NM 9150
    Subjects: Women in literature; Symbolism in literature; Group identity in literature; French literature; Women; Allegory; French literature
    Scope: VIII, 273 S, 24 cm
    Notes:

    Includes bibliographical references (pages 235-263) and index
  25. On psychological and visionary art
    notes from C. G. Jung's lecture on Gérard de Nerval's "Aurélia"
    Author: Jung, C. G.
    Published: 2015
    Publisher:  Princeton University Press, Princeton

    Introduction to Jung's lecture -- Craig Stephenson -- Jung's abstract on Nerval from Symbolic life (cw 18) -- Jung's lecture on Gerard de Nerval (the Psychology Club, 1945) -- Minutes of the discussion following the lecture -- Jung's lecture --... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 953237
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    Introduction to Jung's lecture -- Craig Stephenson -- Jung's abstract on Nerval from Symbolic life (cw 18) -- Jung's lecture on Gerard de Nerval (the Psychology Club, 1945) -- Minutes of the discussion following the lecture -- Jung's lecture -- Jung's pages of handwritten notes in response to his reading of Aurelia -- Nerval's Aurelia (1855; translated by Richard Sieburth, 1999)

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780691162478
    Series: Philemon Foundation Series
    Subjects: Literature and mental illness; Symbolism in literature; Symbolism (Psychology); Psychology in literature; Literature and mental illness; Symbolism in literature; Symbolism (Psychology); Psychology in literature
    Other subjects: Nerval, Gérard de (1808-1855): Aurélia; Nerval, Gérard de (1808-1855); Nerval, Gérard de (1808-1855); Jung, C. G (1875-1961); Nerval, Gérard de; Nerval, Gérard de; Nerval, Gérard de; Jung, C. G; 1808-1855; 1808-1855; 1808-1855; (Carl Gustav); Aurélia; Psychology; Mental health; 1875-1961
    Scope: XII, 207 S., Ill.
    Notes:

    Includes bibliographical references and index

    Introduction to Jung's lectureCraig Stephenson -- Jung's abstract on Nerval from Symbolic life (cw 18) -- Jung's lecture on Gerard de Nerval (the Psychology Club, 1945) -- Minutes of the discussion following the lecture -- Jung's lecture -- Jung's pages of handwritten notes in response to his reading of Aurelia -- Nerval's Aurelia (1855; translated by Richard Sieburth, 1999).