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Displaying results 1 to 15 of 15.

  1. Meaning in the visual arts
    papers in and on art history
    Author: Panofsky, Erwin
    Published: 1955
    Publisher:  Doubleday, Garden City, N.Y.

    Location:
    Universitätsbibliothek Bamberg
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    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Deutsches Museum, Bibliothek
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    Location:
    Hochschule für Philosophie, Bibliothek
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    Location:
    Technische Universität München, Universitätsbibliothek
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    Location:
    Universitätsbibliothek der LMU München
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Location:
    Universitätsbibliothek Regensburg
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    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

    Location:
    Universitätsbibliothek Würzburg
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  2. Meaning in the visual arts
    Author: Panofsky, Erwin
    Published: 1982
    Publisher:  Univ. of Chicago Press, Chicago, Ill.

    Location:
    Universitätsbibliothek Passau
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  3. Meaning in the visual arts
    Papers in and on art history
    Author: Panofsky, Erwin
    Published: 1957
    Publisher:  Doubleday, Garden City, N.Y.

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Location:
    Bayerische Staatsbibliothek
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    Location:
    Universitätsbibliothek der LMU München
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    Location:
    Deutsches Forum für Kunstgeschichte, Bibliothek
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  4. Art as liturgy
    Abbot Suger of Saint-Denis and the question of medieval aesthetics
    Author: Speer, Andreas
    Published: 1998

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: English
    Media type: Book
    Parent title:
    Roma, magistra mundi, 2; Louvain-La-Neuve, 1998; S. 855-875
    Subjects: Ästhetik
    Other subjects: Sugerus Sancti Dionysii (1081-1151)
  5. Medieval allegory and the building of the new Jerusalem
    Author: Meyer, Ann R.
    Published: 2003
    Publisher:  Brewer, Cambridge

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    No loan of volumes, only paper copies will be sent

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0859917967
    RVK Categories: EC 6385 ; LH 83400
    Edition: 1. publ.
    Subjects: Kirchenbau; Himmlisches Jerusalem; Symbolik; Architektur; Kunst
    Other subjects: Plotinus (205-270): Enneades; Augustinus, Aurelius Heiliger (354-430): De civitate dei; Sugerus Sancti Dionysii (1081-1151)
    Scope: X, 214 S., Ill., 25 cm
  6. Medieval allegory and the building of the new Jerusalem
    Author: Meyer, Ann R.
    Published: 2003
    Publisher:  Brewer, Cambridge, UK

    Location:
    Universitätsbibliothek Bamberg
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    Location:
    Bayerische Staatsbibliothek
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    Location:
    Monumenta Germaniae Historica, Deutsches Institut für Erforschung des Mittelalters, Bibliothek
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    Universitätsbibliothek Passau
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    Content information
  7. Colors in medieval art
    theories, matter, and light from Suger to Grosseteste (1100-1250)
    Author: Virdis, Alberto
    Published: 2023
    Publisher:  Viella, Rome ; Masaryk University Press, Brno

    Projected color saturates our world of images and screens, leading to a dissociation of color from material realities through its cultural attachment to light and the efflorescence of optics. Under these conditions, it is difficult to imagine a past... more

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    Projected color saturates our world of images and screens, leading to a dissociation of color from material realities through its cultural attachment to light and the efflorescence of optics. Under these conditions, it is difficult to imagine a past where color was an eminently material, cultural, and social object. This book argues that color is and was a central "cultural object" within art history, a fact first elucidated through an examination of the debates and difficulties of color in language, theology, science, and philosophy. Following this overview of medieval aesthetical debates, the author pursues two pivotal case studies which span the twelfth and thirteenth centuries: the Basilica of Saint-Denis and the Cathedral of Lincoln, respectively connected to the figures of the abbot Suger and the bishop Robert Grosseteste. Prominent thinkers and concepteurs of sacred spaces and images, they both confronted existing theories of color and optics, and the theology of Pseudo-Dionysius the Areopagite. The case studies both center the art of stained glass, a revolutionary medium that blurs the boundaries between color, materiality, and light. Emerging strongly throughout this beautifully illustrated volume are traces of a central Middle Ages in which color played a fundamental yet groundbreaking role at the crossroads of aesthetic, intellectual, and theological issues

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9791254693629; 9788028003296
    RVK Categories: LH 74000 ; LH 74090 ; LM 61840 ; LO 55900
    Edition: 1st edition
    Series: Convivia ; 3
    Subjects: Farbe; Visuelle Wahrnehmung; Mittelalter; Licht; Ästhetik; Spätantike; Kunst; Philosophie
    Other subjects: Grosseteste, Robertus (1168-1253); Sugerus Sancti Dionysii (1081-1151)
    Scope: 396 Seiten, Illustrationen, Plan
    Notes:

    Number of copies: 300
  8. Meaning in the visual arts
    Author: Panofsky, Erwin
    Published: 1983
    Publisher:  Penguin Books, Harmondsworth u. a.

    Location:
    Universitätsbibliothek Bayreuth
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  9. Medieval allegory and the building of the new Jerusalem
    Author: Meyer, Ann R.
    Published: 2003
    Publisher:  Brewer, Cambridge, UK

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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  10. Meaning in the visual arts
    papers in and on art history
    Author: Panofsky, Erwin
    Published: 1957
    Publisher:  Doubleday, Garden City, NY

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Unlimited inter-library loan, copies and loan
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  11. Colors in medieval art
    theories, matter, and light from Suger to Grosseteste (1100-1250)
    Author: Virdis, Alberto
    Published: 2023
    Publisher:  Viella, Rome ; Masaryk University Press, Brno

    Projected color saturates our world of images and screens, leading to a dissociation of color from material realities through its cultural attachment to light and the efflorescence of optics. Under these conditions, it is difficult to imagine a past... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Projected color saturates our world of images and screens, leading to a dissociation of color from material realities through its cultural attachment to light and the efflorescence of optics. Under these conditions, it is difficult to imagine a past where color was an eminently material, cultural, and social object. This book argues that color is and was a central "cultural object" within art history, a fact first elucidated through an examination of the debates and difficulties of color in language, theology, science, and philosophy. Following this overview of medieval aesthetical debates, the author pursues two pivotal case studies which span the twelfth and thirteenth centuries: the Basilica of Saint-Denis and the Cathedral of Lincoln, respectively connected to the figures of the abbot Suger and the bishop Robert Grosseteste. Prominent thinkers and concepteurs of sacred spaces and images, they both confronted existing theories of color and optics, and the theology of Pseudo-Dionysius the Areopagite. The case studies both center the art of stained glass, a revolutionary medium that blurs the boundaries between color, materiality, and light. Emerging strongly throughout this beautifully illustrated volume are traces of a central Middle Ages in which color played a fundamental yet groundbreaking role at the crossroads of aesthetic, intellectual, and theological issues

     
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    Content information
    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9791254693629; 9788028003296
    RVK Categories: LH 74000 ; LH 74090 ; LM 61840 ; LO 55900
    Edition: 1st edition
    Series: Convivia ; 3
    Subjects: Farbe; Visuelle Wahrnehmung; Mittelalter; Licht; Ästhetik; Spätantike; Kunst; Philosophie
    Other subjects: Grosseteste, Robertus (1168-1253); Sugerus Sancti Dionysii (1081-1151)
    Scope: 396 Seiten, Illustrationen, Plan
    Notes:

    Number of copies: 300
  12. Medieval allegory and the building of the new Jerusalem
    Author: Meyer, Ann R.
    Published: 2003
    Publisher:  D. S. Brewer, Cambridge

    Location:
    Universitätsbibliothek Gießen
    Signature:
    000 LH 83400 M612
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0859917967; 9780859917964
    RVK Categories: LH 83400 ; EC 6385
    Subjects: Architektur; Himmlisches Jerusalem; Symbolik; Kirchenbau; Allegorie; Ikonographie; Allegorische Exegese; Liturgie; Kunst
    Other subjects: Sugerus Sancti Dionysii (1081-1151); Augustinus, Aurelius Heiliger (354-430); Augustinus, Aurelius Heiliger (354-430): De civitate dei
    Scope: x, 214 Seiten, Illustrationen, 25cm
    Notes:

    Quellen- und Literaturverzeichnis: Seite 189-202
  13. Meaning in the visual arts
    Author: Panofsky, Erwin
    Published: 1970
    Publisher:  Penguin Books, Harmondsworth u. a.

    Location:
    Deutsches Forum für Kunstgeschichte, Bibliothek
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  14. Meaning in the visual arts
    Author: Panofsky, Erwin
    Published: 1982
    Publisher:  Univ. of Chicago Press, Chicago, Ill.

    Location:
    Europa-Universität Viadrina, Universitätsbibliothek
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  15. Meaning in the visual arts
    papers in and on art history
    Author: Panofsky, Erwin
    Published: 1955
    Publisher:  Doubleday, Garden City, N.Y.

    Location:
    Archiv der Akademie der Künste, Bibliothek
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    Location:
    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
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    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Location:
    TU Berlin, Universitätsbibliothek
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