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By contextualizing August Strindberg against other early modernists, including Kafka, Conrad, Rilke, and Breton, Stenport emphasizes the burgeoning transnationality of literature at the turn of the last century. StenportAnna Westerstahl: Anna Westerstahl Stenportis Associate Professor and Director of Scandinavian Studies at the University of Illinois. She is the author or editor of numerous publications about modern Scandinavian literature, culture, film, media, and drama, including Lukas Moodysson's Show Me Love(2012) and The International Strindberg: New Critical Essays(2012). Stenport examines the importance of location by exploring the prose of Swedish exile August Strindberg (1849-1912), challenging previous studies of the author that have focused on identity and subject formation. Strindberg wrote in both Swedish and French, situating his stories in various places across Europe - from Berlin to the French countryside, the Austrian Alps, and Stockholm - to purposely destabilize concepts of national belonging, language, and literary history. Close readings of Strindberg's prose find that his boundary-challenging narratives redefine and rewrite the meaning of a marginal literary identity. By contextualizing Strindberg against other early modernists, including Kafka, Conrad, Rilke, and Breton, Stenport emphasizes the burgeoning transnationality of literature at the turn of the last century."--BOOK JACKET
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