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Displaying results 76 to 93 of 93.

  1. Shakespeare's soliloquies
    Author: Clemen, Wolfgang
    Published: 1987
    Publisher:  Methuen, London u.a.

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0416058620; 0416304605
    RVK Categories: HI 3381
    Edition: 1. publ.
    Series: University paperbacks ; 964
    Subjects: Soliloquy; Drama; Monolog
    Other subjects: Shakespeare, William <1564-1616> - Criticism and interpretation; Shakespeare, William <1564-1616>; Shakespeare, William (1564-1616)
    Scope: X, 211 S.
  2. Histories of the Devil
    From Marlowe to Mann and the Manichees
    Author: Tambling, Jeremy
    Published: 2016
    Publisher:  Palgrave Macmillan UK, London

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  3. "Manchmal sehr mitreißend"
    über die poetische Erfahrung gesprochener Gedichte
    Author: Utler, Anja
    Published: [2016]
    Publisher:  transcript, Bielefeld

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  4. »manchmal sehr mitreißend«
    Über die poetische Erfahrung gesprochener Gedichte
    Author: Utler, Anja
    Published: 2016
    Publisher:  transcript Verlag, Bielefeld

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  5. "manchmal sehr mitreißend"
    über die poetische Erfahrung gesprochener Gedichte
    Author: Utler, Anja
    Published: [2016]
    Publisher:  transcript, Bielefeld

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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783837633573; 9783839433577; 3837633578
    Other identifier:
    9783837633573
    RVK Categories: EC 4360 ; EC 6058 ; GO 20200 ; EC 2020
    DDC Categories: 800
    Series: Lettre
    Subjects: Lyrik; Autorenlesung; Rezeption; Publikum;
    Other subjects: Aesthetics of Reception; Allgemeine Literaturwissenschaft; General Literature Studies; Klang; Literary Studies; Literatur; Literature; Literaturwissenschaft; Performativity; Performativität; Poetry; Rezeptionsästhetik; Selbstgespräch; Soliloquy; Sound; Sound Studies; Stimme; Voice
    Scope: 214 Seiten, 22.5 cm x 14.8 cm, 345 g
    Notes:

    Literaturverzeichnis: Seite 205-211
  6. To be or not to be
    Author: Bruster, Douglas
    Published: c2007
    Publisher:  Continuum, London [u.a.]

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0826489982; 9780826489982; 0826489974; 9780826489975
    Other identifier:
    9780826489975
    RVK Categories: HI 3423
    Series: Shakespeare now!
    Subjects: Soliloquy; Soliloquy
    Other subjects: Shakespeare, William (1564-1616): Hamlet; Shakespeare
    Scope: IX, 108 S., 20cm
    Notes:

    Formerly CIP

    Includes index. - Formerly CIP
  7. El género del soliloquio en la literatura hispánica (desde San Agustín a Lope de Vega)
    Author: Lezcano Tosca, Hugo
    Published: 2006
    Publisher:  Ed. de la Univ. Autónoma de Madrid, Madrid

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    Content information
    Source: Union catalogues
    Language: Spanish
    Media type: Dissertation
    Format: Print
    ISBN: 8483440237; 9788483440230
    Other identifier:
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    RVK Categories: IN 2656 ; IN 2872
    Series: Colección de estudios ; 111
    Subjects: Spanish drama; Soliloquy
    Scope: 134 S., Ill., 24 cm
    Notes:

    Vollst. zugl.: Madrid, Univ., Diss., 2004 u.d.T.: Lezcano Tosca, Hugo: Los soliloquios de Lope de Vega : paratexto, género, intertextualidad y edición crítica

    Literaturverz. S. 121 - 134
  8. Shakespeare and the history of soliloquies
    Author: Hirsh, James E.
    Published: c2003
    Publisher:  Fairleigh Dickinson University Press, Madison, N.J

    Intro -- Contents -- acknowledgments -- 1 Introduction -- 2 The Representation of Thought and the Representation of Speech -- 3 From Antiquity to the Middle of the Sixteenth Century -- 4 The Late Sixteenth Century and Early Seventeenth Century -- 5... more

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    Intro -- Contents -- acknowledgments -- 1 Introduction -- 2 The Representation of Thought and the Representation of Speech -- 3 From Antiquity to the Middle of the Sixteenth Century -- 4 The Late Sixteenth Century and Early Seventeenth Century -- 5 Shakespeare's Soliloquies: The Representation of Speech -- 6 Shakespeare's Soliloquies: Audience Address and Self-Address -- 7 ''To be, or not to be'' -- 8 From the Late Seventeenth Century to the Twentieth Century -- 9 Shakespeare's Soliloquies Transformed -- 10 ''The Celebrated Soliloquy'' -- Notes -- Works Cited -- Index.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0838639712; 9780838639719
    Subjects: English drama; Speech in literature; Soliloquy; English drama ; History and criticism; Shakespeare, William ; 1564-1616 ; Technique; Soliloquy; Speech in literature; Electronic books
    Other subjects: Shakespeare, William (1564-1616)
    Scope: Online-Ressource (470 p)
    Notes:

    Includes bibliographical references (p. 435-465) and index

    Electronic reproduction; Available via World Wide Web

    The representation of thought and the representation of speech -- From antiquity to the middle of the sixteenth century -- The late sixteenth century and early seventeenth century -- Shakespeare's soliloquies : the representation of speech -- Shakespeare's soliloquies : audience address and self-address -- "To be, or not to be" -- From the late seventeenth century to the twentieth century -- Shakespeare's soliloquies transformed -- "The celebrated soliloquy".
  9. "Manchmal sehr mitreißend"
    über die poetische Erfahrung gesprochener Gedichte
    Author: Utler, Anja
    Published: [2016]
    Publisher:  transcript Verlag, s.l.

    »...manchmal sehr mitreißend...« - so beschreibt eine Hörerin die Wirkung einer Dichterlesung: Das Erlebte lässt sich nicht erzählen. Dennoch können Rezipientenaussagen zeigen, was die Begegnung mit Lyrik ausmacht - und dass diese beim Hören am... more

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    »...manchmal sehr mitreißend...« - so beschreibt eine Hörerin die Wirkung einer Dichterlesung: Das Erlebte lässt sich nicht erzählen. Dennoch können Rezipientenaussagen zeigen, was die Begegnung mit Lyrik ausmacht - und dass diese beim Hören am besten gelingt. Der Band bietet in Auseinandersetzung mit Sprach-, Stimm- und Lyriktheorien sowie durch Gespräche mit vier Dichtern (u.a. Olga Martynova) eine Erklärung dafür. Dabei wird deutlich: Sobald Gedichte gesprochen werden, animieren sie die Hörer zu einer explorativen Selbstansprache, die den Kern poetischer Erfahrung bildet. Ein so erweitertes theoretisches Verständnis von Lyrik ermuntert zu einer selbstbewussteren literarischen Praxis, die der eigenen Interaktion mit dem Gedicht vertraut. »...manchmal sehr mitreißend...« - so beschreibt eine Hörerin die Wirkung einer Dichterlesung: Das Erlebte lässt sich nicht erzählen. Dennoch können Rezipientenaussagen zeigen, was die Begegnung mit Lyrik ausmacht - und dass diese beim Hören am besten gelingt. Der Band bietet in Auseinandersetzung mit Sprach-, Stimm- und Lyriktheorien sowie durch Gespräche mit vier Dichtern (u.a. Olga Martynova) eine Erklärung dafür. Dabei wird deutlich: Sobald Gedichte gesprochen werden, animieren sie die Hörer zu einer explorativen Selbstansprache, die den Kern poetischer Erfahrung bildet. Ein so erweitertes theoretisches Verständnis von Lyrik ermuntert zu einer selbstbewussteren literarischen Praxis, die der eigenen Interaktion mit dem Gedicht vertraut

     
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  10. Shakespeare and the soliloquy in early modern English drama
    Contributor: Cousins, Anthony D. (HerausgeberIn); Derrin, Daniel (HerausgeberIn)
    Published: 2022
    Publisher:  Cambridge University Press, Cambridge, United Kingdom

    "Beginning with an account of paradigmatic precedents in Roman drama (given its prominence in early modern English education), the book then proceeds to discuss the soliloquy's roles in English plays from the later fifteenth to the mid-sixteenth... more

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    "Beginning with an account of paradigmatic precedents in Roman drama (given its prominence in early modern English education), the book then proceeds to discuss the soliloquy's roles in English plays from the later fifteenth to the mid-sixteenth centuries. After those preparatory chapters, the book moves on to study the soliloquy from Marlowe to Davenant. The chapters on playwrights trace variations in theatrical conceptualizing of the soliloquy and in its use to represent individuated characterization (or, versions of selfhood). They also trace how, as indicated by a range of soliloquies, authors revisit and rewrite one another's texts in order to suggest authorial identity (for instance, how Davenant reworks Shakespeare)"-- Introduction A.D. Cousins and Daniel Derrin; 1. Roman soliloquy Joseph A. Smith; 2. Tudor transformations Raphael Falco; 3. Doubtful battle: Marlowe's soliloquies Liam Semler; 4. Shakespeare and the female voice in soliloquy Catherine Bates; 5. Contemplative idiots in soliloquy: rhetorical parody, laughable deformity and the audience Daniel Derrin; 6. Giving voice to history in Shakespeare David Bevington; 7. Hamlet and of truth: humanism and the disingenuous soliloquy A. D. Cousins; 8. Choosing between shame and guilt: Macbeth, Othello, Hamlet and King Lear Patrick Gray; 9. 'Too hot, too hot': the rhetorical poetics of soliloquies in Shakespeare's late plays Kate Aughterson; 10. Ben Jonson's Roman soliloquies James Loxley; 11. Ben Jonson's comic selves Brian Woolland; 12. 'In such a whisp'ring and withdrawing hour': speaking solus in Middleton's The Revenger's Tragedy and the Lady's Tragedy Andrew Hiscock; 13. John Ford's soliloquies: solitude interrupted Huw Griffiths; 14. Davenant's Macbeth: soliloquy, counter-revolution, and restoration Dani Napton and A. D. Cousins; 15. What were soliloquies in plays by Shakespeare and other late Renaissance dramatists? An empirical approach James Hirsh; Select Bibliography; Index "Encompassing nearly a century of drama, this is the first book to provide students and scholars with a truly comprehensive guide to the early modern soliloquy. Considering the antecedents of the form in Roman, late fifteenth and mid-sixteenth century drama, it analyses its diversity, its theatrical functions and its socio-political significances. Containing detailed case-studies of the plays of Marlowe, Shakespeare, Jonson, Ford, Middleton and Davenant, this collection will equip students in their own close-readings of texts, providing them with an indepth knowledge of the verbal and dramaturgical aspects of the form. Informed by rich theatrical and historical understanding, the essays reveal the larger connections between Shakespeare's use of the soliloquy and its deployment by his fellow dramatists"--

     
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    Source: Union catalogues
    Contributor: Cousins, Anthony D. (HerausgeberIn); Derrin, Daniel (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781316623893
    Other identifier:
    9781316623893
    Edition: First paperback edition
    Subjects: English drama; English drama; Soliloquy; Speech in literature; English language; Drama; Soliloquy; Soliloquy; Shakespeare, William 1564-1616
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William 1564-1616
    Scope: x, 278 Seiten
    Notes:

    Literaturverzeichnis: Seite 256-270
  11. Stoic romanticism and the ethics of emotion
    Author: Risinger, Jacob
    Published: [2021]
    Publisher:  Princeton University Press, Princeton, NJ

    An exploration of Stoicism’s central role in British and American writing of the Romantic periodStoic philosophers and Romantic writers might seem to have nothing in common: the ancient Stoics championed the elimination of emotion, and Romantic... more

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    An exploration of Stoicism’s central role in British and American writing of the Romantic periodStoic philosophers and Romantic writers might seem to have nothing in common: the ancient Stoics championed the elimination of emotion, and Romantic writers made a bold new case for expression, adopting “powerful feeling” as the bedrock of poetry. Stoic Romanticism and the Ethics of Emotion refutes this notion by demonstrating that Romantic-era writers devoted a surprising amount of attention to Stoicism and its dispassionate mandate. Jacob Risinger explores the subterranean but vital life of Stoic philosophy in British and American Romanticism, from William Wordsworth to Ralph Waldo Emerson. He shows that the Romantic era—the period most polemically invested in emotion as art’s mainspring—was also captivated by the Stoic idea that aesthetic and ethical judgment demanded the transcendence of emotion.Risinger argues that Stoicism was a central preoccupation in a world destabilized by the French Revolution. Creating a space for the skeptical evaluation of feeling and affect, Stoicism became the subject of poetic reflection, ethical inquiry, and political debate. Risinger examines Wordsworth’s affinity with William Godwin’s evolving philosophy, Samuel Taylor Coleridge’s attempt to embed Stoic reflection within the lyric itself, Lord Byron’s depiction of Stoicism at the level of character, visions of a Stoic future in novels by Mary Shelley and Sarah Scott, and the Stoic foundations of Emerson’s arguments for self-reliance and social reform.Stoic Romanticism and the Ethics of Emotion illustrates how the austerity of ancient philosophy was not inimical to Romantic creativity, but vital to its realization

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780691223117
    Other identifier:
    RVK Categories: HL 1131
    Subjects: English literature; Stoics in literature; Romanticism; English literature-19th century-History and criticism; LITERARY CRITICISM / Ancient & Classical
    Other subjects: A Vindication of the Rights of Men; Aesthetics; Altruism; An Essay on Man; Anacharsis; Anecdote; Antipathy; Antithesis; Apatheia; Apathy; Asceticism; Bellum omnium contra omnes; Byronic hero; Character of the Happy Warrior; Classical language; Confidant; Contingency (philosophy); Cosmopolitanism; Critical and Historical Essays (Macaulay); Criticism; Critique; David Hume; Defamiliarization; Delusion; Descriptive poetry; Disenchantment; Effeminacy; Emotional detachment; Equanimity; Ethics; Expressivism; Falsity; Fatalism; Fears in Solitude; Gentlewoman; Historicism; Houyhnhnm; Hypocrisy; Idealism; Idealization; Impartiality; Inductive reasoning; Indulgence; Intentionality; Invective; Irony; Lord Byron; Lyrical Ballads; Meditations; Modern Moral Philosophy; Moral Landscape; Moral absolutism; Moralia; Morality; Nihil admirari; Noble savage; Nonviolence; Objectivity (philosophy); On Justice; Overreaction; Philosophy; Pity; Poetic diction; Poetry; Pragmatism; Presentism (literary and historical analysis); Psychoanalysis; Radical criticism; Rationality; Relativism; Religiosity; Res publica; Ridicule; Romanticism; Sage (philosophy); Samuel Taylor Coleridge; Satire; Selfishness; Sentimentalism (literature); Sentimentality; Skepticism; Soliloquy; Solipsism; Sophism; Sophistication; State of nature; Stiff upper lip; Stoic physics; Stoicism; Sublime (philosophy); Tabula rasa; The Anatomy of Melancholy; The Dispossessed; The Power of Sympathy; The Theory of Moral Sentiments; Thought; Truth; Utilitarianism; Value (ethics); Weltschmerz
    Scope: 1 Online-Ressource (xiii, 270 Seiten), Illustrationen
  12. To be or not to be
    Author: Bruster, Douglas
    Published: c2007
    Publisher:  Continuum, London

    "Hamlet's "To be or not to be" soliloquy is quoted more often than any other passage in Shakespeare. It is arguably the most famous speech in the Western world - though few of us can remember much about it. This book carefully unpacks the individual... more

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    "Hamlet's "To be or not to be" soliloquy is quoted more often than any other passage in Shakespeare. It is arguably the most famous speech in the Western world - though few of us can remember much about it. This book carefully unpacks the individual words, phrases and sentences of Hamlet's soliloquy in order to reveal how and why it has achieved its remarkable hold on our culture. Hamlet's speech asks us to ask some of the most serious questions there are regarding knowledge and existence. In it, Shakespeare also expands the limits of the English language. Douglas Bruster therefore reads Hamlet's famous speech in "slow motion" to highlight its material, philosophical and cultural meaning and its resonance for generations of actors, playgoers and readers."--Bloomsbury Publishing

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781472555533
    Other identifier:
    Series: Shakespeare now!
    Subjects: Soliloquy
    Other subjects: Shakespeare, William (1564-1616): Hamlet
    Scope: 1 Online-Ressource (ix, 108 p)
    Notes:

    Includes bibliographical references (p. [105]-106) index

    Includes index

    Also issued in print.

    Electronic reproduction; Available via World Wide Web
  13. Reading Shakespeare's Soliloquies
    text, theatre, film
    Author: Corcoran, Neil
    Published: 2018
    Publisher:  Bloomsbury Arden Shakespeare, an imprint of Bloomsbury Publishing Plc, London

    'Now I am alone,' says Hamlet before speaking a soliloquy. But what is a Shakespearean soliloquy? How has it been understood in literary and theatrical history? How does it work in screen versions of Shakespeare? What influence has it had? Neil... more

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    bestellt
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    'Now I am alone,' says Hamlet before speaking a soliloquy. But what is a Shakespearean soliloquy? How has it been understood in literary and theatrical history? How does it work in screen versions of Shakespeare? What influence has it had? Neil Corcoran offers a thorough exploration and explanation of the origin, nature, development and reception of Shakespeare's soliloquies. Divided into four parts, the book supplies the historical, dramatic and theoretical contexts necessary to understanding, offers extensive and insightful close readings of particular soliloquies and includes interviews with eight renowned Shakespearean actors providing details of the practical performance of the soliloquy. A comprehensive study of a key aspect of Shakespeare's dramatic art, this book is ideal for students and theatre-goers keen to understand the complexities and rewards of Shakespeare's unique use of the soliloquy.

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781474253505; 1474253504; 9781474253512; 1474253512
    Other identifier:
    9781474253505
    RVK Categories: HI 3390
    Series: The Arden Shakespeare
    Drama and performance studies
    Subjects: Soliloquy; Livres numériques; Soliloque; Livres numériques; Soliloque; Soliloquy
    Other subjects: Shakespeare, William 1564-1616; Shakespeare, William 1564-1616; Shakespeare, William 1564-1616; Shakespeare, William 1564-1616
    Scope: x, 230 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis: Seite 215-217 und Index
  14. Shakespeare and the soliloquy in early modern English drama
    Contributor: Cousins, Anthony D. (HerausgeberIn); Derrin, Daniel (HerausgeberIn)
    Published: 2018
    Publisher:  Cambridge University Press, Cambridge, United Kingdom

    "Beginning with an account of paradigmatic precedents in Roman drama (given its prominence in early modern English education), the book then proceeds to discuss the soliloquy's roles in English plays from the later fifteenth to the mid-sixteenth... more

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    "Beginning with an account of paradigmatic precedents in Roman drama (given its prominence in early modern English education), the book then proceeds to discuss the soliloquy's roles in English plays from the later fifteenth to the mid-sixteenth centuries. After those preparatory chapters, the book moves on to study the soliloquy from Marlowe to Davenant. The chapters on playwrights trace variations in theatrical conceptualizing of the soliloquy and in its use to represent individuated characterization (or, versions of selfhood). They also trace how, as indicated by a range of soliloquies, authors revisit and rewrite one another's texts in order to suggest authorial identity (for instance, how Davenant reworks Shakespeare)"-- Machine generated contents note: Introduction A.D. Cousins and Daniel Derrin; 1. Roman soliloquy Joseph A. Smith; 2. Tudor transformations Raphael Falco; 3. Doubtful battle: Marlowe's soliloquies Liam Semler; 4. Shakespeare and the female voice in soliloquy Catherine Bates; 5. Contemplative idiots in soliloquy: rhetorical parody, laughable deformity and the audience Daniel Derrin; 6. Giving voice to history in Shakespeare David Bevington; 7. Hamlet and of truth: humanism and the disingenuous soliloquy A. D. Cousins; 8. Choosing between shame and guilt: Macbeth, Othello, Hamlet and King Lear Patrick Gray; 9. 'Too hot, too hot': the rhetorical poetics of soliloquies in Shakespeare's late plays Kate Aughterson; 10. Ben Jonson's Roman soliloquies James Loxley; 11. Ben Jonson's comic selves Brian Woolland; 12. 'In such a whisp'ring and withdrawing hour': speaking solus in Middleton's The Revenger's Tragedy and the Lady's Tragedy Andrew Hiscock; 13. John Ford's soliloquies: solitude interrupted Huw Griffiths; 14. Davenant's Macbeth: soliloquy, counter-revolution, and restoration Dani Napton and A. D. Cousins; 15. What were soliloquies in plays by Shakespeare and other late Renaissance dramatists? An empirical approach James Hirsh; Select Bibliography; Index "Encompassing nearly a century of drama, this is the first book to provide students and scholars with a truly comprehensive guide to the early modern soliloquy. Considering the antecedents of the form in Roman, late fifteenth and mid-sixteenth century drama, it analyses its diversity, its theatrical functions and its socio-political significances. Containing detailed case-studies of the plays of Marlowe, Shakespeare, Jonson, Ford, Middleton and Davenant, this collection will equip students in their own close-readings of texts, providing them with an indepth knowledge of the verbal and dramaturgical aspects of the form. Informed by rich theatrical and historical understanding, the essays reveal the larger connections between Shakespeare's use of the soliloquy and its deployment by his fellow dramatists"--

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Contributor: Cousins, Anthony D. (HerausgeberIn); Derrin, Daniel (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781107172548; 9781316623893
    Other identifier:
    9781107172548
    RVK Categories: HI 1250
    Subjects: English drama; English drama; Soliloquy; Speech in literature; English language; Drama; Soliloquy; Soliloquy; Shakespeare, William 1564-1616
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William 1564-1616
    Scope: x, 278 Seiten, 23 cm
    Notes:

    Literaturverzeichnis: Seite 256 - 270
  15. Genius and monologue
    Author: Frieden, Ken
    Published: 1985
    Publisher:  Cornell University Press, Ithaca [u.a.]

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0801418046
    RVK Categories: HG 210 ; EC 4740
    Edition: 1. publ.
    Subjects: English literature; Monologue; Soliloquy; First person narrative; Stream of consciousness fiction, English; Genius in literature
    Scope: 211 S.
  16. The history of English soliloquy
    Aeschylus to Shakespeare
    Author: Skiffington, Lloyd A.
    Published: 1985
    Publisher:  Univ. Pr. of America, Lanham, Md. [u.a.]

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 081914617X; 0819146188
    RVK Categories: HG 620
    Subjects: Soliloquy; English drama
    Other subjects: Shakespeare, William
    Scope: XI, 139 S.
  17. Modern Hamlets & their soliloquies
    Author: Maher, Mary Zenet
    Published: 1992
    Publisher:  University of Iowa Press, Iowa City

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0877453802
    RVK Categories: HI 3423
    Series: Studies in theatre history and culture
    Subjects: Soliloquy; Acting
    Other subjects: Shakespeare, William (1564-1616): Hamlet; Shakespeare, William (1564-1616); Hamlet (Legendary character)
    Scope: XXXVIII, 218 S., Ill.
    Notes:

    Includes bibliographical references (p. 201-218)
  18. Stages and playgoers
    from guild plays to Shakespeare
    Author: Hill, Janet
    Published: 2002
    Publisher:  McGill-Queen's Univ. Press, Montréal [u.a.]

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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0773522735
    Subjects: English drama; Mysteries and miracle plays, English; English drama; Theater audiences; Theater audiences; Theater audiences; Drama; Soliloquy
    Other subjects: Shakespeare, William; Shakespeare, William
    Scope: 241 S