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Displaying results 1 to 25 of 144.

  1. Titus Andronicus
    critical essays
    Published: 1995
    Publisher:  Garland, New York [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781315724911
    RVK Categories: HI 3421 ; HI 3451
    Series: Garland reference library of the humanities ; 1670
    Shakespeare criticism ; 3
    Subjects: Andronicus, Titus (Legendary character)
    Other subjects: Shakespeare, William <1564-1616>: Titus Andronicus
    Scope: 518 Seiten, Illustrationen
    Notes:

    Die vorliegende Online-Ausgabe basiert auf der [1.] Ausgabe von 1995

    Reihen laut Orginal Impressium: Shakespeare criticism, vol. 12; Garland reference library of the humanities, vol. 1670
  2. The man who was Shakespeare
    a summary of the case unfolded in The mysterious William Shakespeare, the myth and the reality
    Author: Ogburn, Charlton
    Published: 1995
    Publisher:  EPM Publ., McLean, VA

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    Universitätsbibliothek Passau
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0939009900
    RVK Categories: HI 3315
    Subjects: Dramatists, English; Nobility
    Other subjects: Oxford, Edward De Vere <Earl of, 1550-1604>; Shakespeare, William <1564-1616>
    Scope: 94 S.
  3. Negotiations with Hal
    multi-media perceptions of (Shakespeare's) Henry the Fifth
    Published: 1995
    Publisher:  Techn. Univ. Braunschweig, Seminar für Anglistik und Amerikanistik, Braunschweig

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    Bayerische Staatsbibliothek
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    Hochschule für Fernsehen und Film, Bibliothek
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    Universitätsbibliothek der LMU München
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 3000000186
    RVK Categories: HI 3451
    Edition: 1. publ.
    Series: Braunschweiger anglistische Arbeiten ; 11
    Subjects: Film adaptations; Historical drama, English; Geschichte; Film
    Other subjects: Shakespeare, William <1564-1616>: Henry V; Branagh, Kenneth; Henry <V, King of England, 1387-1422>; Olivier, Laurence <1907-1989>; Shakespeare, William <1564-1616>; Shakespeare, William (1564-1616): King Henry V
    Scope: VI, 132 S., Ill., graph. Darst.
  4. Shakespeare
    Author: Ryan, Kiernan
    Published: 1995
    Publisher:  Prentice Hall [u.a.], London ; Munich [u.a.]

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    Universitätsbibliothek Bayreuth
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0133555461
    RVK Categories: HI 3375 ; HI 3390
    Edition: 2. ed.
    Subjects: Engels; Interpretatie; Toneelstukken; Drama; Englisch; Drama
    Other subjects: Shakespeare, William <1564-1616>; Shakespeare, William (1564-1616)
    Scope: X, 165 S.
  5. Shakespeare und das neuzeitliche Heidentum
    Author: Kuckartz, Wilfried
    Published: 1995
    Publisher:  Lang, Frankfurt am Main u.a.

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    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Passau
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  6. Gaining upon certainty
    selected literary criticism
    Author: Fortin, René E.
    Published: 1995
    Publisher:  Providence College Press, Providence, RI

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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0964647907
    Subjects: Literatur; Literature
    Other subjects: Shakespeare, William <1564-1616>; Shakespeare, William (1564-1616)
    Scope: 328 S.
  7. Edmond Malone, Shakespearean scholar
    a literary biography
    Author: Martin, Peter
    Published: 1995
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Edmond Malone (1741-1812) was the greatest early editor of Shakespeare's works, the first historian of early English drama, the biographer of Shakespeare, Dryden and Reynolds, and a relentless exposer of literary fraud and forgery. His dedication to... more

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    Edmond Malone (1741-1812) was the greatest early editor of Shakespeare's works, the first historian of early English drama, the biographer of Shakespeare, Dryden and Reynolds, and a relentless exposer of literary fraud and forgery. His dedication to discovering the facts of literary history through manuscripts and early editions laid the foundations for the scholar's code and the modern study of literature. Yet he was also a gregarious man, attracting many friends - and enemies - among his contemporaries. This first modern full-length biography of Edmond Malone illuminates in a unique way both the intensely private world of the scholar and the highly public world of the late eighteenth-century artistic, intellectual and political elite, including Samuel Johnson, Edmund Burke, Sir Joshua Reynolds, Sarah Siddons and James Boswell.

     
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  8. Charles und Mary Lambs "Tales from Shakespear"
    Author: Christofor-Ganev, Yvonne
    Published: 1995
    Publisher:  Lang, Frankfurt am Main [u.a.]

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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Bayreuth
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    ISBN: 3631492804
    RVK Categories: HL 3465
    Series: Studien zur englischen und amerikanischen Literatur ; 16
    Subjects: Geschichte; Kind; Children; Children's literature, English
    Other subjects: Lamb, Charles <1775-1834>: Tales from Shakespeare; Lamb, Mary <1764-1847>; Shakespeare, William <1564-1616>; Shakespeare, William <1564-1616>; Lamb, Charles (1775-1834): Tales from Shakespeare; Lamb, Mary (1764-1847): Tales from Shakespeare
    Scope: 227 S.
    Notes:

    Zugl.: Bochum, Univ., Diss., 1995
  9. Scholars and gentlemen
    Shakespearian textual criticism and representations of scholarly labour, 1725 - 1765
    Author: Jarvis, Simon
    Published: 1995
    Publisher:  Clarendon Press, Oxford [u.a.]

    Among the earliest editors of Shakespeare were several of the eighteenth century's most powerful writers. Scholars and Gentlemen demonstrates how much was at stake for these writers in the editing of English texts. Simon Jarvis examines not only... more

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    Among the earliest editors of Shakespeare were several of the eighteenth century's most powerful writers. Scholars and Gentlemen demonstrates how much was at stake for these writers in the editing of English texts. Simon Jarvis examines not only eighteenth-century texts of Shakespeare, but also sources as disparate as Pope's Dunciad, eighteenth-century classical and scriptural editing, and Johnson's Dictionary to show the importance of politically contested representations of scholars and scholarship for the formation of British public literary culture. Offering an unprecedentedly detailed account of both editorial theory and philological practice during the period, the book throws new light on a wide variety of issues, from the debates over the possibility of a polite and settled national language to the epistemological and cultural presuppositions of editorial method Scholars and Gentlemen will interest not only students of eighteenth-century English literature, but also readers, editors, and critics of Shakespeare, and all those concerned with the theoretical implications of the reproduction of literary texts today

     
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  10. The re-imagined text
    Shakespeare, adaptation & eighteenth-century literary theory
    Author: Marsden, Jean I.
    Published: 1995
    Publisher:  Univ. Press of Kentucky, Lexington, Ky.

    Shakespeare's plays were not always the inviolable texts they are almost universally considered to be today. The Restoration and eighteenth century committed what many critics view as one of the most subversive acts in literary history - the... more

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    Shakespeare's plays were not always the inviolable texts they are almost universally considered to be today. The Restoration and eighteenth century committed what many critics view as one of the most subversive acts in literary history - the rewriting and restructuring of Shakespeare's plays. Many of us are familiar with Nahum Tate's "audacious" adaptation of King Lear with its resoundingly happy ending, but Tate was only one of a score of playwrights who adapted Shakespeare's plays. Between 1660 and 1777, more than fifty adaptations appeared in print and on the stage, works in which playwrights augmented, substantially cut, or completely rewrote the original plays. The plays were staged with new characters, new scenes, new endings, and, underlying all this novelty, new words. Why did this happen? And why, in the later eighteenth century, did it stop? These questions have serious implications regarding both the aesthetics of the literary text and its treatment, for the adaptations manifest the period's perceptions of Shakespeare. As such, they demonstrate an important evolution in the definition of poetic language, and in the idea of what constitutes a literary work. In The Re-Imagined Text, Jean I. Marsden examines both the adaptations and the network of literary theory that surrounds them thereby exploring the problems of textual sanctity and of the author's relationship to the text. As she demonstrates, Shakespeare's works, and English literature in general, came to be defined by their words rather than by the plots and morality on which the older aesthetic theory focused - a clear step toward our modern concern for the word and its varying levels of signification.

     
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  11. Shakespeare
    a study and research guide
    Author: Bergeron, David Moore; Sousa, Geraldo U. de
    Published: 1995
    Publisher:  Univ. Press of Kansas, Lawrence, Kan.

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    Universitätsbibliothek Bamberg
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0700606920; 0700606939
    RVK Categories: HI 3269 ; HI 3310
    Edition: 3. ed., rev.
    Subjects: Engels; Letterkunde; Englisch; Literatur
    Other subjects: Shakespeare, William <1564-1616> - Bibliographie; Shakespeare, William <1564-1616> - Bibliographie; Shakespeare, William <1564-1616>; Shakespeare, William (1564-1616)
    Scope: VIII, 235 S.
  12. Shakespeare and gender
    a history
    Published: 1995
    Publisher:  Verso, London u.a.

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bayreuth
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  13. Edmond Malone, Shakespearean scholar
    a literary biography
    Author: Martin, Peter
    Published: 1995
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Edmond Malone (1741-1812) was the greatest early editor of Shakespeare's works, the first historian of early English drama, the biographer of Shakespeare, Dryden and Reynolds, and a relentless exposer of literary fraud and forgery. His dedication to... more

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Regensburg
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    Edmond Malone (1741-1812) was the greatest early editor of Shakespeare's works, the first historian of early English drama, the biographer of Shakespeare, Dryden and Reynolds, and a relentless exposer of literary fraud and forgery. His dedication to discovering the facts of literary history through manuscripts and early editions laid the foundations for the scholar's code and the modern study of literature. Yet he was also a gregarious man, attracting many friends - and enemies - among his contemporaries. This first modern full-length biography of Edmond Malone illuminates in a unique way both the intensely private world of the scholar and the highly public world of the late eighteenth-century artistic, intellectual and political elite, including Samuel Johnson, Edmund Burke, Sir Joshua Reynolds, Sarah Siddons and James Boswell.

     
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  14. The first folio of Shakespeare, 1623
    Author: Shakespeare, William
    Published: 1995
    Publisher:  Applause, New York, NY u.a.

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    Universitätsbibliothek Passau
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 1557831858
    RVK Categories: HI 3270
    Edition: 1. Applause print.
    Series: An Applause original
    Other subjects: Shakespeare, William <1564-1616>
    Scope: LIX, 896 S.
  15. To be continued
    four stories and their survival
    Author: Conrad, Peter
    Published: 1995
    Publisher:  Oxford Univ. Press, Oxford [u.a.]

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    Universitätsbibliothek Eichstätt-Ingolstadt
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  16. Inwardness and theater in the English Renaissance
    Author: Maus, Katharine Eisaman
    Published: 1995
    Publisher:  Univ. of Chicago Press, Chicago [u.a.]

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    Universitätsbibliothek Augsburg
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  17. Shakespeare's early tragedies
    a collection of critical essays
    Published: 1995
    Publisher:  Prentice Hall, Englewood Cliffs, NJ

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    Universitätsbibliothek Bayreuth
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0130355445
    RVK Categories: HI 3421
    Series: New century views ; 9
    Subjects: Tragedy
    Other subjects: Shakespeare, William <1564-1616>; Shakespeare, William (1564-1616): Titus Andronicus; Shakespeare, William (1564-1616): Romeo and Juliet; Shakespeare, William (1564-1616): Julius Caesar
    Scope: IV, 272 S.
  18. The shapes of revenge
    victimization, vengeance, and vindictiveness in Shakespeare
    Author: Keyishian, Harry
    Published: 1995
    Publisher:  Humanities Press, Atlantic Highlands

    This study of Shakespeare's treatment of revenge differs from earlier work on the topic by its emphasis on the psychology of revenge and, in particular, the relationship of revenge to the experience of victimization. While much critical writing on... more

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    This study of Shakespeare's treatment of revenge differs from earlier work on the topic by its emphasis on the psychology of revenge and, in particular, the relationship of revenge to the experience of victimization. While much critical writing on the theme has assumed that dramatic revengers reflect mental imbalance and are condemned for moral and civil offenses, this study treats revenge primarily as a strategy (among other strategies) by which victims of malicious injury strive to restore personal integrity and recover from feelings of powerlessness, violation, and injustice. It bases its discussions of Shakespeare's characters on Renaissance theories about the proper and beneficial role of the passions, from Aristotle and Aquinas through to Francis Bacon, Niccolo Machiavelli, Peter de la Primaudaye, Nicholas Coeffeteau, Robert Burton, Thomas Wright, and Edward Reynolds It also identifies Renaissance ideas about vindictiveness, a condition of chronic revengefulness grounded in envy, excessive pride, resentment, and self-hate

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0391038281
    RVK Categories: HI 3385
    Edition: 1. publ.
    Subjects: Vengeance dans la littérature; Revenge in literature; Rache; Rache <Motiv>
    Other subjects: Shakespeare, William <1564-1616> - Critique et interprétation; Shakespeare, William <1564-1616>; Shakespeare, William (1564-1616)
    Scope: IX, 182 S.
  19. Anxious pleasures
    Shakespearean comedy and the nation-state
    Author: Hall, Jonathan
    Published: 1995
    Publisher:  Fairleigh Dickinson Univ. Press [u.a.], Madison, Wis. [u.a.]

    Anxious Pleasures argues for both a historical way of understanding the unconscious and for exploring how the unconscious is constructed as a threatening underside, or "other," of any discursive order. It arose from author Jonathan Hall's... more

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    Anxious Pleasures argues for both a historical way of understanding the unconscious and for exploring how the unconscious is constructed as a threatening underside, or "other," of any discursive order. It arose from author Jonathan Hall's dissatisfaction with the separation of psychoanalytical and historical approaches to literature, as well as from a fascination with the continuing capacity of major Renaissance writers to produce both disturbance and pleasure. It also arose from the author's experience of teaching a multicultural history of comic drama to largely non-Western graduate students. Their probing questions make them the coauthors of this book Taking its point of departure from Freud's theorization of the joke, Hall argues that laughter marks the moment when the subject's own commitments to rationality or any other order are dangerously exposed, even though this risk is immediately covered up to avoid the anxiety which full recognition of that exposure would entail. The book's opening chapter argues that the pleasure offered by comic discourse as a channel of libidinal release or de-repression is always doubled by the unconscious anxiety, or desire for restored order, which the comic discourse also constructs as its condition of possibility. The chapter later goes on to relate the forms of inwardly divided subjectivity required by the emergent nation-state to the strategies of Shakespearean comedy The liberating, expansionist, and anarchic desacralization (or Deleuzian "decoding") of previously stable and authoritative discourse through a play with its signifiers, a desacralization that reveals both the arbitrariness and manipulative power of both verbal and visual signs, is characteristic of early capitalist expansion. And certainly Shakespearean wit, coupled with the psychic mobility of character, contributes greatly to this revolution in language

     
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  20. French essays on Shakespeare and his contemporaries
    "what would France with us ?"
    Published: 1995
    Publisher:  Univ. of Delaware Press u.a., Newark

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    Universitätsbibliothek Bamberg
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  21. "Antike Roman"
    power symbology and the Roman play in early modern England, 1585 - 1635
    Author: Ronan, Clifford
    Published: 1995
    Publisher:  Univ. of Georgia Press, Athens [u.a.]

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    Universitätsbibliothek Bamberg
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  22. Synergetische Sinnkonstitution und das Bild des Macbeth in Friedrich von Schillers Einrichtung der gleichnamigen Tragödie von William Shakespeare am Weimarer Hoftheater am 14. Mai 1800 unter der Leitung von Johann Wolfgang von Goethe
    Author: Gamlin, Gordon Sebastian
    Published: 1995
    Publisher:  Hartung-Gorre, Konstanz

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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  23. The merchant of Venice
    choice, hazard and consequence
    Author: Holmer, Joan O.
    Published: 1995
    Publisher:  St. Martin's Press, New York

    The interpretative problem that haunts The Merchant of Venice, Shakespeare's most performed and currently most controversial comedy, concerns the question of artistic unity: did Shakespeare effectively integrate his multiple plots and apparently... more

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    The interpretative problem that haunts The Merchant of Venice, Shakespeare's most performed and currently most controversial comedy, concerns the question of artistic unity: did Shakespeare effectively integrate his multiple plots and apparently divergent worlds of Venice and Belmont? Joan Ozark Holmer examines Shakespeare's indebted and innovative theatrical choices regarding his comedy's structure, language, ideas, and characters. Discovering a tightly knit interplay of contrarieties and correspondences, she argues for the play's unity of dramatic design through its enactment of choices for or against a complex conception of wise love. Historical contexts - aesthetic, theological, and economic - anchor the play's problems of finance and faith that make or break a variety of secular and spiritual bonds An on-going dialogue with past and present criticism gauges altering perspectives and persuasions in the critics' performance. Because most modern contention centres on the question of anti-Semitism, a consideration of how the play encodes sixteenth-century concepts of Jews illuminates their cultural moment and ours. If Shakespearean drama can be said to be an infinitely varied experience in seeing feelingly, then the play entertains and educates through dilemmas of choice and ironic reversals that expose the human difficulty of knowing and doing well Presenting possible new sources as well as new evidence from recognised sources, Holmer highlights issues usually underestimated in the play's criticism. Examples include the interrelation of wealth and faith with literal and figurative conversions, the importance of usury, biblical allusion and the instrumentality of stage law. Taking the recapitulation of the final act for closure of both play and book, she analyses its incorporative design for summing the circle of the play, concluding with an awareness of how this play fits within Shakespeare's canon and at the same time continues to 'exceed account' in its imaginative reckoning

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0312124112; 0333522648
    RVK Categories: HI 3391
    Edition: 1. publ. in the United States of America
    Subjects: Shakespeare, William;
    Other subjects: Shakespeare, William (1564-1616) / The merchant of Venice; Shakespeare, William <1564-1616>: Merchant of Venice; Shakespeare, William (1564-1616): The merchant of Venice
    Scope: XXI, 369 S., graph. Darst.
  24. The Shakespeare name and place dictionary
    Author: Davis, J. Madison; Frankforter, Albertus Daniel
    Published: 1995
    Publisher:  Fitzroy Dearborn, London u.a.

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    Universitätsbibliothek Augsburg
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 1884964176
    RVK Categories: HI 3375 ; HI 3381
    Subjects: Namen (benamingen); Plaatsnamen; Names, Geographical, in literature; Names, Personal, in literature; Name
    Other subjects: Shakespeare, William <1564-1616> - Dictionaries; Shakespeare, William <1564-1616>; Shakespeare, William (1564-1616)
    Scope: 533 S., Ill.
    Notes:

    Auch u.d.T.: Davis, J. M.: The Shakespeare name dictionary
  25. Titus Andronicus
    critical essays
    Published: 1995
    Publisher:  Garland, New York [u.a.]

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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Bayreuth
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0815311591
    RVK Categories: HI 3421 ; HI 3451
    Series: Garland reference library of the humanities ; 1670
    Shakespeare criticism ; 12
    Subjects: Andronicus, Titus (Legendary character); Generals in literature; Tragedy; Aufführung
    Other subjects: Shakespeare, William <1564-1616>: Titus Andronicus; Shakespeare, William (1564-1616): Titus Andronicus
    Scope: XVI, 518 S., Ill.