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Displaying results 1 to 13 of 13.

  1. Grasping shadows
    the dark side of literature, painting, photography, and film
    Author: Sharpe, William
    Published: [2017]
    Publisher:  Oxford University Press, New York, NY

    "With the shadow's seductive associations to sexuality, mystery, danger, intangible power, and death, the use of shadows as artistic technique saturates both classic and modern art forms, and yet the practice remains almost invisible. As the first... more

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    Kunst- und Museumsbibliothek der Stadt Köln
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    KMB/CLK 2017 A
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    "With the shadow's seductive associations to sexuality, mystery, danger, intangible power, and death, the use of shadows as artistic technique saturates both classic and modern art forms, and yet the practice remains almost invisible. As the first full-length study of art shadows in over a decade, Grasping Shadows ranges from classic works by Rembrandt, Dickens, Picasso, Disney, and Warhol to contemporary street art, popular songs, billboards, and architecture to propose a general theory of how all shadows function in texts and visual media, ultimately offering four main categories. Sharpe explores the diverse ways shadows appear in literature, painting, photography, and film, insisting that literary and visual meanings of shadows cannot be separated, and that art-shadows must be analyzed as part of a cultural field in which words and images continually overlap and reinforce each other's meanings. Beginning with a summary of scholarship to date, the introduction addresses how real-world shadows function, and gives an overview of the strategies involved in representing shadows from the Renaissance onward. The first chapter sets out a theory of how the meanings of shadows are generated. Subsequent chapters, each centered on an influential literary text, explore in detail the four kinds of shadows that visual artists and writers use. The last chapter presents a case study of how shadows have impacted the art of the modern city, from Renoir and Zola to film noir to advanced projection systems capturing the shadows of passers-by on streets around the globe. The book concludes with a philosophical meditation on how living with shadows enriches everyday life. "... "Grasping Shadows is the most comprehensive book to date on the artistic use of cast shadows, the first to offer a general theory of how all shadows function in texts and visual images. Accessibly written, it gives new insight into classic works while also exploring contemporary street art, popular songs, and advertising"...

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780190675271
    Subjects: Shades and shadows in art; Shades and shadows in literature; ART / General; PHILOSOPHY / Aesthetics; Schatten <Motiv>; Künste
    Scope: xvii, 420 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  2. Grasping shadows
    the dark side of literature, painting, photography, and film
    Author: Sharpe, William
    Published: [2017]; © 2017
    Publisher:  Oxford University Press, New York, NY

    "With the shadow's seductive associations to sexuality, mystery, danger, intangible power, and death, the use of shadows as artistic technique saturates both classic and modern art forms, and yet the practice remains almost invisible. As the first... more

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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Deutsches Forum für Kunstgeschichte, Bibliothek

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    "With the shadow's seductive associations to sexuality, mystery, danger, intangible power, and death, the use of shadows as artistic technique saturates both classic and modern art forms, and yet the practice remains almost invisible. As the first full-length study of art shadows in over a decade, Grasping Shadows ranges from classic works by Rembrandt, Dickens, Picasso, Disney, and Warhol to contemporary street art, popular songs, billboards, and architecture to propose a general theory of how all shadows function in texts and visual media, ultimately offering four main categories. Sharpe explores the diverse ways shadows appear in literature, painting, photography, and film, insisting that literary and visual meanings of shadows cannot be separated, and that art-shadows must be analyzed as part of a cultural field in which words and images continually overlap and reinforce each other's meanings. Beginning with a summary of scholarship to date, the introduction addresses how real-world shadows function, and gives an overview of the strategies involved in representing shadows from the Renaissance onward. The first chapter sets out a theory of how the meanings of shadows are generated. Subsequent chapters, each centered on an influential literary text, explore in detail the four kinds of shadows that visual artists and writers use. The last chapter presents a case study of how shadows have impacted the art of the modern city, from Renoir and Zola to film noir to advanced projection systems capturing the shadows of passers-by on streets around the globe. The book concludes with a philosophical meditation on how living with shadows enriches everyday life. "... "Grasping Shadows is the most comprehensive book to date on the artistic use of cast shadows, the first to offer a general theory of how all shadows function in texts and visual images. Accessibly written, it gives new insight into classic works while also exploring contemporary street art, popular songs, and advertising"...

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780190675271
    RVK Categories: EC 5410
    Subjects: ART / General / bisacsh; PHILOSOPHY / Aesthetics / bisacsh; Ästhetik; Shades and shadows in art; Shades and shadows in literature; ART / General; PHILOSOPHY / Aesthetics; Fotografie; Malerei; Film; Schatten <Motiv>; Kunst; Literatur
    Scope: xvii, 420 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  3. Grasping shadows
    the dark side of literature, painting, photography, and film
    Author: Sharpe, William
    Published: [2017]
    Publisher:  Oxford University Press, New York, NY

    "With the shadow's seductive associations to sexuality, mystery, danger, intangible power, and death, the use of shadows as artistic technique saturates both classic and modern art forms, and yet the practice remains almost invisible. As the first... more

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    Kunst- und Museumsbibliothek der Stadt Köln
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "With the shadow's seductive associations to sexuality, mystery, danger, intangible power, and death, the use of shadows as artistic technique saturates both classic and modern art forms, and yet the practice remains almost invisible. As the first full-length study of art shadows in over a decade, Grasping Shadows ranges from classic works by Rembrandt, Dickens, Picasso, Disney, and Warhol to contemporary street art, popular songs, billboards, and architecture to propose a general theory of how all shadows function in texts and visual media, ultimately offering four main categories. Sharpe explores the diverse ways shadows appear in literature, painting, photography, and film, insisting that literary and visual meanings of shadows cannot be separated, and that art-shadows must be analyzed as part of a cultural field in which words and images continually overlap and reinforce each other's meanings. Beginning with a summary of scholarship to date, the introduction addresses how real-world shadows function, and gives an overview of the strategies involved in representing shadows from the Renaissance onward. The first chapter sets out a theory of how the meanings of shadows are generated. Subsequent chapters, each centered on an influential literary text, explore in detail the four kinds of shadows that visual artists and writers use. The last chapter presents a case study of how shadows have impacted the art of the modern city, from Renoir and Zola to film noir to advanced projection systems capturing the shadows of passers-by on streets around the globe. The book concludes with a philosophical meditation on how living with shadows enriches everyday life. ".. "Grasping Shadows is the most comprehensive book to date on the artistic use of cast shadows, the first to offer a general theory of how all shadows function in texts and visual images. Accessibly written, it gives new insight into classic works while also exploring contemporary street art, popular songs, and advertising"..

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780190675271
    Subjects: Shades and shadows in art; Shades and shadows in literature; ART / General; PHILOSOPHY / Aesthetics
    Scope: xvii, 420 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  4. Grasping shadows
    the dark side of literature, painting, photography, and film
    Author: Sharpe, William
    Published: 2017
    Publisher:  Oxford University Press, Oxford, [England]

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780190682255
    RVK Categories: EC 5410
    Subjects: Shades and shadows in art; Shades and shadows in literature; Fotografie; Malerei; Film; Schatten <Motiv>; Kunst; Literatur
    Scope: 1 Online-Ressource (441 pages), illustrations, photographs
    Notes:

    Description based on print version record
  5. Grasping shadows
    the dark side of literature, painting, photography, and film
    Author: Sharpe, William
    Published: [2017]
    Publisher:  Oxford University Press, New York

    "With the shadow's seductive associations to sexuality, mystery, danger, intangible power, and death, the use of shadows as artistic technique saturates both classic and modern art forms, and yet the practice remains almost invisible. As the first... more

     

    "With the shadow's seductive associations to sexuality, mystery, danger, intangible power, and death, the use of shadows as artistic technique saturates both classic and modern art forms, and yet the practice remains almost invisible. As the first full-length study of art shadows in over a decade, Grasping Shadows ranges from classic works by Rembrandt, Dickens, Picasso, Disney, and Warhol to contemporary street art, popular songs, billboards, and architecture to propose a general theory of how all shadows function in texts and visual media, ultimately offering four main categories. Sharpe explores the diverse ways shadows appear in literature, painting, photography, and film, insisting that literary and visual meanings of shadows cannot be separated, and that art-shadows must be analyzed as part of a cultural field in which words and images continually overlap and reinforce each other's meanings. Beginning with a summary of scholarship to date, the introduction addresses how real-world shadows function, and gives an overview of the strategies involved in representing shadows from the Renaissance onward. The first chapter sets out a theory of how the meanings of shadows are generated. Subsequent chapters, each centered on an influential literary text, explore in detail the four kinds of shadows that visual artists and writers use. The last chapter presents a case study of how shadows have impacted the art of the modern city, from Renoir and Zola to film noir to advanced projection systems capturing the shadows of passers-by on streets around the globe. The book concludes with a philosophical meditation on how living with shadows enriches everyday life. "... "Grasping Shadows is the most comprehensive book to date on the artistic use of cast shadows, the first to offer a general theory of how all shadows function in texts and visual images. Accessibly written, it gives new insight into classic works while also exploring contemporary street art, popular songs, and advertising"...

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780190675271
    RVK Categories: EC 5410
    Subjects: ART / General / bisacsh; PHILOSOPHY / Aesthetics / bisacsh; Shades and shadows in art; Shades and shadows in literature; ART / General; PHILOSOPHY / Aesthetics
    Scope: xvii, 420 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis: Seite 395-410
  6. Übertragene Körper
    Diskurse des Schattens im Werk von Hans-Peter Feldmann, W.G. Sebald und William Kentridge
    Author: Breidbach, Angela
    Published: [2017]; © 2017
    Publisher:  Wilhelm Fink, Paderborn

    Preliminary Material -- Dank -- Einleitung -- Transmedialität im Schattenspiel -- Gedächtnis im Künstlerbuch Die Toten 1967-1993 -- Allegorien des Schattens in Die Ringe des Saturn -- Verweisstruktur im Schatten in Austerlitz -- Schatten und... more

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    Universität Potsdam, Universitätsbibliothek
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    Preliminary Material -- Dank -- Einleitung -- Transmedialität im Schattenspiel -- Gedächtnis im Künstlerbuch Die Toten 1967-1993 -- Allegorien des Schattens in Die Ringe des Saturn -- Verweisstruktur im Schatten in Austerlitz -- Schatten und Bildemergenz im Animationsfilm Mine -- The Refusal of Time – Schatten und die Rückkehr des Bildes -- Schluss -- Literaturverzeichnis -- Abbildungsnachweis. Mit ihrer Untersuchung gelingt Angela Breidbach eine grundlegende Neubestimmung des Schattens in der Bildenden Kunst. Exemplarisch und vergleichend analysiert sie das Werk der Künstler Hans-Peter Feldmann und William Kentridge sowie des Autors W.G. Sebald. Schatten, so Breidbach, übertragen Körper in unbestimmte Bilder, die wie von hinten auf sie zurück zeigen. Das macht ihre Form der Erinnerung verwandt. Der Betrachter füllt vage Umrisse mit seinen eigenen Vorstellungen. Erkennen wird zur Annäherung aus dem Negativ. Schattenspiele aktivieren im Betrachter Bildfolgen zwischen Phantasie und Täuschung, in denen die frühere Handhabung der Objekte erhalten bleibt. Die Trennung der Oberflächenprojektion ohne Tiefe vom abgründigen Schattenbild ohne Oberfläche führt Breidbach zu jenen Diskursen von Vermessung und Melancholie, die sie in den Œuvres ihrer drei Protagonisten vorfindet

     
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783846760116
    Other identifier:
    RVK Categories: LH 65020
    Series: Schöningh and Fink Literature and Culture E-Books Online, Collection 2013-2017, ISBN: 9783657100064
    Subjects: Shades and shadows in art
    Other subjects: Feldmann, Hans-Peter (1941-); Sebald, W. G (1944-2001); Kentridge, William (1955-)
    Scope: 1 Online-Ressource (340 Seiten), Illustrationen
    Notes:

    Originally presented as the author's habilitation thesis, Leuphana Universität, Lüneburg, 2016

    Includes bibliographical references (pages 323-340)

    Habilitationsschrift, Leuphana Universität Lüneburg, Kulturwissenschaftliche Fakultät, 2016
  7. Schatten
    zur Malerei im 19. Jahrhundert
    Author: Schöller, Julia
    Published: [2017]; © 2017
    Publisher:  Deutscher Kunstverlag, Berlin

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Verbund der Öffentlichen Bibliotheken Berlins - VÖBB
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: German; English
    Media type: Dissertation
    Format: Print
    ISBN: 9783422074026; 3422074023
    Other identifier:
    9783422074026
    RVK Categories: LH 70390
    Subjects: Shades and shadows in art; Color in art; Painting, European
    Scope: 151 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis: Seite 145-149

    Dissertation, Freien Universität Berlin, 2015

    Einleitung -- Farbtheoretische Erkenntnisse Seit Isaac Newton -- Isaac Newton -- Johann Wolfgang von Goethe -- Hermann von Helmholtz -- Michel Eugène Chevreul und Charles Blanc -- Resümee -- Zum Schatten im 19. Jahrhundert -- Carl Blechen -- Literaturrezeption -- Entwicklung zum farbigen Schatten -- Farbige Schatten -- Resümee -- Eugène Delacroix -- Literaturrezeption -- Farbige Schatten -- Resümee -- Vincent van Gogh -- Literaturrezeption -- Farbige Schatten -- Resümee -- Claude Monet -- Literaturrezeption -- Farbige Schatten -- Resümee -- Paul Signac und Ausblick auf Schatten im 20. Jahrhundert -- Paul Signac -- Ausblick auf Schatten im 20. Jahrhundert -- Schluss -- Anhang -- Literaturverzeichnis -- Zusammenfassung -- Summary.
  8. Grasping shadows
    the dark side of literature, painting, photography, and film
    Author: Sharpe, William
    Published: [2017]; © 2017
    Publisher:  Oxford University Press, New York, NY

    "With the shadow's seductive associations to sexuality, mystery, danger, intangible power, and death, the use of shadows as artistic technique saturates both classic and modern art forms, and yet the practice remains almost invisible. As the first... more

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    Freie Universität Berlin, Universitätsbibliothek
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    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    "With the shadow's seductive associations to sexuality, mystery, danger, intangible power, and death, the use of shadows as artistic technique saturates both classic and modern art forms, and yet the practice remains almost invisible. As the first full-length study of art shadows in over a decade, Grasping Shadows ranges from classic works by Rembrandt, Dickens, Picasso, Disney, and Warhol to contemporary street art, popular songs, billboards, and architecture to propose a general theory of how all shadows function in texts and visual media, ultimately offering four main categories. Sharpe explores the diverse ways shadows appear in literature, painting, photography, and film, insisting that literary and visual meanings of shadows cannot be separated, and that art-shadows must be analyzed as part of a cultural field in which words and images continually overlap and reinforce each other's meanings. Beginning with a summary of scholarship to date, the introduction addresses how real-world shadows function, and gives an overview of the strategies involved in representing shadows from the Renaissance onward. The first chapter sets out a theory of how the meanings of shadows are generated. Subsequent chapters, each centered on an influential literary text, explore in detail the four kinds of shadows that visual artists and writers use. The last chapter presents a case study of how shadows have impacted the art of the modern city, from Renoir and Zola to film noir to advanced projection systems capturing the shadows of passers-by on streets around the globe. The book concludes with a philosophical meditation on how living with shadows enriches everyday life. "... "Grasping Shadows is the most comprehensive book to date on the artistic use of cast shadows, the first to offer a general theory of how all shadows function in texts and visual images. Accessibly written, it gives new insight into classic works while also exploring contemporary street art, popular songs, and advertising"...

     
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    Source: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9780190675271
    RVK Categories: EC 5410
    Subjects: ART / General / bisacsh; PHILOSOPHY / Aesthetics / bisacsh; Ästhetik; Shades and shadows in art; Shades and shadows in literature; ART / General; PHILOSOPHY / Aesthetics; Fotografie; Malerei; Film; Schatten <Motiv>; Kunst; Literatur
    Scope: xvii, 420 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  9. Übertragene Körper
    Diskurse des Schattens im Werk von Hans-Peter Feldmann, W.G. Sebald und William Kentridge
    Author: Breidbach, Angela
    Published: [2017]; © 2017
    Publisher:  Wilhelm Fink, Paderborn

    "Angela Breidbach unternimmt eine Neubestimmung des Schattens in der Bildenden Kunst. Exemplarisch und vergleichend analysiert sie das Werk der Künstler Hans-Peter Feldmann und William Kentridge sowie des Autors W.G. Sebald. Schatten, so Breidbach,... more

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    "Angela Breidbach unternimmt eine Neubestimmung des Schattens in der Bildenden Kunst. Exemplarisch und vergleichend analysiert sie das Werk der Künstler Hans-Peter Feldmann und William Kentridge sowie des Autors W.G. Sebald. Schatten, so Breidbach, übertragen Körper in unbestimmte Bilder, die von hinten auf diese Körper zurückzeigen. Das verbindet sie mit Formen der Erinnerung. Der Betrachter füllt vage Umrisse mit seinen eigenen Vorstellungen. Schattenspiele aktivieren in ihm Bildfolgen zwischen Phantasie und Täuschung, in denen die früheren Objekte erhalten bleiben. Die Unterscheidung zwischen abgründigen Schattenbildern und Oberflächenprojektionen führt Breidbach zu jenen Diskursen der Melancholie und der Vermessung, die sie in den Œuvres ihrer drei Protagonisten analysiert"--Back cover

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 3770560116; 9783770560110
    Other identifier:
    9783770560110
    RVK Categories: LH 65020
    Subjects: Shades and shadows in art
    Other subjects: Feldmann, Hans-Peter (1941-); Sebald, W. G (1944-2001); Kentridge, William (1955-)
    Scope: 340 Seiten, Illustrationen, 24 cm x 16 cm
    Notes:

    Literaturverzeichnis: Seite 323-340

    Habilitationsschrift, Leuphana Universität Lüneburg, Kulturwissenschaftliche Fakultät, 2016
  10. Schatten
    zur Malerei im 19. Jahrhundert
    Author: Schöller, Julia
    Published: [2017]; © 2017
    Publisher:  Deutscher Kunstverlag, Berlin

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Alte Nationalgalerie, Bibliothek
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: German; English
    Media type: Dissertation
    Format: Print
    ISBN: 9783422074026; 3422074023
    Other identifier:
    9783422074026
    RVK Categories: LH 70390
    Subjects: Shades and shadows in art; Color in art; Painting, European
    Scope: 151 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis: Seite 145-149

    Dissertation, Freien Universität Berlin, 2015

    Einleitung -- Farbtheoretische Erkenntnisse Seit Isaac Newton -- Isaac Newton -- Johann Wolfgang von Goethe -- Hermann von Helmholtz -- Michel Eugène Chevreul und Charles Blanc -- Resümee -- Zum Schatten im 19. Jahrhundert -- Carl Blechen -- Literaturrezeption -- Entwicklung zum farbigen Schatten -- Farbige Schatten -- Resümee -- Eugène Delacroix -- Literaturrezeption -- Farbige Schatten -- Resümee -- Vincent van Gogh -- Literaturrezeption -- Farbige Schatten -- Resümee -- Claude Monet -- Literaturrezeption -- Farbige Schatten -- Resümee -- Paul Signac und Ausblick auf Schatten im 20. Jahrhundert -- Paul Signac -- Ausblick auf Schatten im 20. Jahrhundert -- Schluss -- Anhang -- Literaturverzeichnis -- Zusammenfassung -- Summary.
  11. Grasping shadows
    the dark side of literature, painting, photography, and film
    Author: Sharpe, William
    Published: [2017]
    Publisher:  Oxford University Press, New York

    "With the shadow's seductive associations to sexuality, mystery, danger, intangible power, and death, the use of shadows as artistic technique saturates both classic and modern art forms, and yet the practice remains almost invisible. As the first... more

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    "With the shadow's seductive associations to sexuality, mystery, danger, intangible power, and death, the use of shadows as artistic technique saturates both classic and modern art forms, and yet the practice remains almost invisible. As the first full-length study of art shadows in over a decade, Grasping Shadows ranges from classic works by Rembrandt, Dickens, Picasso, Disney, and Warhol to contemporary street art, popular songs, billboards, and architecture to propose a general theory of how all shadows function in texts and visual media, ultimately offering four main categories. Sharpe explores the diverse ways shadows appear in literature, painting, photography, and film, insisting that literary and visual meanings of shadows cannot be separated, and that art-shadows must be analyzed as part of a cultural field in which words and images continually overlap and reinforce each other's meanings. Beginning with a summary of scholarship to date, the introduction addresses how real-world shadows function, and gives an overview of the strategies involved in representing shadows from the Renaissance onward. The first chapter sets out a theory of how the meanings of shadows are generated. Subsequent chapters, each centered on an influential literary text, explore in detail the four kinds of shadows that visual artists and writers use. The last chapter presents a case study of how shadows have impacted the art of the modern city, from Renoir and Zola to film noir to advanced projection systems capturing the shadows of passers-by on streets around the globe. The book concludes with a philosophical meditation on how living with shadows enriches everyday life. "-- "Grasping Shadows is the most comprehensive book to date on the artistic use of cast shadows, the first to offer a general theory of how all shadows function in texts and visual images. Accessibly written, it gives new insight into classic works while also exploring contemporary street art, popular songs, and advertising"-- Machine generated contents note: -- Acknowledgements -- Introduction -- Chapter 1: The Shadow Speaks -- Chapter 2: The Vital Shadow -- Chapter 3: The Look Elsewhere Shadow -- Chapter 4: The Completing Shadow -- Chapter 5: The Independent Shadow -- Chapter 6: City of Shadows -- Epilogue -- Bibliography -- Index

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780190675271
    Subjects: Shades and shadows in art; Shades and shadows in literature
    Scope: xvii, 420 Seiten, Illustrationen, 25 cm
    Notes:

    Includes bibliographical references and index
  12. Übertragene Körper
    Diskurse des Schattens im Werk von Hans-Peter Feldmann, W.G. Sebald und William Kentridge
    Author: Breidbach, Angela
    Published: [2017]; © 2017
    Publisher:  Wilhelm Fink, Paderborn

    Preliminary Material -- Dank -- Einleitung -- Transmedialität im Schattenspiel -- Gedächtnis im Künstlerbuch Die Toten 1967-1993 -- Allegorien des Schattens in Die Ringe des Saturn -- Verweisstruktur im Schatten in Austerlitz -- Schatten und... more

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    Preliminary Material -- Dank -- Einleitung -- Transmedialität im Schattenspiel -- Gedächtnis im Künstlerbuch Die Toten 1967-1993 -- Allegorien des Schattens in Die Ringe des Saturn -- Verweisstruktur im Schatten in Austerlitz -- Schatten und Bildemergenz im Animationsfilm Mine -- The Refusal of Time – Schatten und die Rückkehr des Bildes -- Schluss -- Literaturverzeichnis -- Abbildungsnachweis. Mit ihrer Untersuchung gelingt Angela Breidbach eine grundlegende Neubestimmung des Schattens in der Bildenden Kunst. Exemplarisch und vergleichend analysiert sie das Werk der Künstler Hans-Peter Feldmann und William Kentridge sowie des Autors W.G. Sebald. Schatten, so Breidbach, übertragen Körper in unbestimmte Bilder, die wie von hinten auf sie zurück zeigen. Das macht ihre Form der Erinnerung verwandt. Der Betrachter füllt vage Umrisse mit seinen eigenen Vorstellungen. Erkennen wird zur Annäherung aus dem Negativ. Schattenspiele aktivieren im Betrachter Bildfolgen zwischen Phantasie und Täuschung, in denen die frühere Handhabung der Objekte erhalten bleibt. Die Trennung der Oberflächenprojektion ohne Tiefe vom abgründigen Schattenbild ohne Oberfläche führt Breidbach zu jenen Diskursen von Vermessung und Melancholie, die sie in den Œuvres ihrer drei Protagonisten vorfindet

     
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783846760116
    Other identifier:
    RVK Categories: LH 65020
    Series: Schöningh and Fink Literature and Culture E-Books Online, Collection 2013-2017, ISBN: 9783657100064
    Subjects: Shades and shadows in art
    Other subjects: Feldmann, Hans-Peter (1941-); Sebald, W. G (1944-2001); Kentridge, William (1955-)
    Scope: 1 Online-Ressource (340 Seiten), Illustrationen
    Notes:

    Originally presented as the author's habilitation thesis, Leuphana Universität, Lüneburg, 2016

    Includes bibliographical references (pages 323-340)

    Habilitationsschrift, Leuphana Universität Lüneburg, Kulturwissenschaftliche Fakultät, 2016
  13. Medienästhetik des Schattens
    zur Neubestimmung des Mensch-Technik-Verhältnisses im digitalen Zeitalter
    Author: Tillmanns, Kathrin
    Published: [2017]; © 2017
    Publisher:  transcript, Bielefeld

    Der menschliche Schatten im Zeitalter seiner technischen Reproduzierbarkeit - Grundlage der Untersuchung von Kathrin Tillmanns bildet die artifizielle Präsenz des Schattens in ausgewählten Artefakten der visuellen und performativen Künste des 20. und... more

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    Der menschliche Schatten im Zeitalter seiner technischen Reproduzierbarkeit - Grundlage der Untersuchung von Kathrin Tillmanns bildet die artifizielle Präsenz des Schattens in ausgewählten Artefakten der visuellen und performativen Künste des 20. und 21. Jahrhunderts. Ihr Fokus richtet sich auf künstlerische Formen des Ausdrucks innerhalb der Bereiche Fotografie, Video, Tanz und Relational Architecture. Die Studie zeigt, dass der Schatten des menschlichen Körpers nicht mehr einzig als ästhetische, poetische Erscheinung zu fassen ist, sondern vielmehr als Teil eines Gefüges, welches zwischen medientechnologischen Ästhetisierungen, sozialen Verhaltensweisen und nicht zuletzt der Glaubwürdigkeit möglicher Bilder diffundiert

     
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    Content information
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 3837639266; 9783837639261
    Other identifier:
    9783837639261
    RVK Categories: AP 94800 ; CC 8700 ; CC 6900
    Series: Medien - Kultur - Analyse ; Band 10
    Subjects: Art and technology; Shades and shadows in art
    Scope: 290 Seiten, Illustrationen, 22.5 cm x 14.8 cm, 459 g
    Notes:

    Literaturverzeichnis: Seite 281-290

    Dissertation erschienen unter dem Titel: Schatten Schatten - Untersuchung einer relationalen Erscheinung

    Dissertation, Institut Medien- und Kulturwissenschaften an der Heinrich-Heine-Universität Düsseldorf, 2016