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  1. Remaking gender and the family
    perspectives on contemporary Chinese-language film remakes
    Published: [2018]
    Publisher:  Brill, Leiden ; Boston

    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9789004363298
    Series: Women and gender in China studies ; volume 9
    Subjects: Sex role in motion pictures; Women in motion pictures; Families in motion pictures; Film remakes; Motion pictures; Remake; Geschlecht <Motiv>; Familie <Motiv>
    Scope: VII, 157 Seiten
    Notes:

    Includes bibliographical references and index

  2. Cinema, gender, and everyday space
    comedy, Italian style
    Published: 2015
    Publisher:  Palgrave Macmillan, New York, NY

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781137403575
    Other identifier:
    RVK Categories: AP 52400 ; AP 59439
    Edition: First published
    Series: Screening Spaces
    Subjects: Film; Geschichte; Comedy films; Motion pictures; Sex role in motion pictures; Space in motion pictures; Frau <Motiv>; Geschlechterrolle; Filmkomödie
    Scope: 1 Online-Ressource (x, 260 pages), illustrations
    Notes:

    Introduction: Gender, Space and Comedy, Italian Style ... Contexts. Cinema, Space, Gender ... Comedy, Italian Style ... Spaces. Bodies, Bikinis and Bras: Beaches and Nightclubs in Comedy, Italian Style ... Masculinity at Work: Offices in Comedy, Italian Style ... Driving Passions: Cars in Comedy, Italian Style ... Recipe for Change: Kitchens in Comedy, Italian Style Conclusion. - Includes bibliographical references (pages 233-249) and index. - Includes filmography

  3. Ancient worlds in film and television
    gender and politics
    Contributor: Renger, Almut-Barbara (Publisher); Solomon, Jon (Publisher)
    Published: 2013
    Publisher:  Brill, Leiden ; Boston

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Universitätsbibliothek Augsburg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Volltext (kostenfrei)
    Source: Union catalogues
    Contributor: Renger, Almut-Barbara (Publisher); Solomon, Jon (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004241923; 9004241922; 9004183205
    Other identifier:
    RVK Categories: AP 52600
    Series: Metaforms ; [1]
    Subjects: ART / Film & Video; PERFORMING ARTS / Film & Video / Reference; Civilization, Ancient, in motion pictures; Civilization, Ancient, on television; Historical films; Motion pictures and history; Politics in motion pictures; Sex role in motion pictures; Television and history; Klassieke oudheid; Films; Sekseverschillen; Politieke aspecten; Antike; Film; Geschlechtsunterschied; Politik; Historical films; Civilization, Ancient, in motion pictures; Civilization, Ancient, on television; Sex role in motion pictures; Politics in motion pictures; Motion pictures and history; Television and history; Antike <Motiv>; Geschlecht <Motiv>; Film; Rezeption; Historischer Film; Antike
    Scope: 1 Online-Ressource (vii, 332 Seiten), Illustrationen
    Notes:

    Includes bibliographical references and index

    This volume reinvigorates the field of Classical Reception by investigating present-day culture, society, and politics, particularly gender, gender roles, and filmic constructions of masculinity and femininity which shape and are shaped by interacting economic, political, and ideological practices

  4. Women in war films
    from helpless heroine to G. I. Jane
    Published: 2014
    Publisher:  Rowman & Littlefield, Lanham, MD [u.a.]

    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781442234468; 9781442234475
    Subjects: War films; Women in motion pictures; Sex role in motion pictures; Kriegsfilm; Frau <Motiv>
    Scope: 337 S.
    Notes:

    Includes bibliographical references and index. - Includes filmography

  5. Cinema, theory, and political responsibility in contemporary culture
    Published: ©1997
    Publisher:  Cambridge University Press, Cambridge, U.K.

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 051100592X; 0521581303; 9780511005923
    RVK Categories: AP 45100 ; AP 45500 ; AP 47400
    Series: Literature, culture, theory ; 24
    Subjects: PERFORMING ARTS / Film & Video / History & Criticism; Motion pictures; Motion pictures / Aesthetics; Motion pictures / Philosophy; Sex role; Film; Philosophie; Ästhetik; Motion pictures; Motion pictures; Sex role in motion pictures; Forschung; Politische Verantwortung; Massenkultur; Filmtheorie
    Scope: 1 Online-Ressource (xv, 235 pages)
    Notes:

    Includes bibliographical references (pages 224-231) and index

  6. Gender meets genre in postwar cinemas
    Published: 2012
    Publisher:  University of Illinois Press, Urbana

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0252036611; 0252078314; 0252093666; 1283582813; 9780252036613; 9780252078316; 9780252093661; 9781283582810
    Subjects: ART / Film & Video; PERFORMING ARTS / Film & Video / Reference; PERFORMING ARTS / Film & Video / History & Criticism; Feminism and motion pictures; Film genres; Men; Motion pictures; Motion pictures and women; Sex role; Women; Film; Frau; Sex role in motion pictures; Motion pictures and women; Feminism and motion pictures; Film genres; Women in motion pictures; Men in motion pictures; Geschlecht <Motiv>; Filmgenre
    Scope: 1 Online-Ressource (pages cm)
    Notes:

    Includes bibliographical references and index

    Introduction / Christine Gledhill -- Refiguring genre and gender. The genius of genre and ingenuity of women / Jane Gaines -- No fixed address: the women's picture from outrage to blue steel / Pam Cook -- Circulating emotion: race, gender, and genre in Crash / E. Deidre Pribram -- 100% pure adrenaline: gender and generic surface in Point break / Luke Collins -- Postfeminism and generic re-inventions. Troubling genre/reconstructing gender / E. Ann Kaplan -- Bodies and genres in transition: girlfight and real women have curves / Yvonne Tasker -- Private femininity, public femininity: tactical aesthetics in the costume film / Samiha Matin -- Generic gleaning: Agnès Varda, documentary, and the art of salvage / Lucy Fischer -- Gender aesthetics in "male" genres. It's a Mann's world? / Adam Segal -- Up close and personal: faces and names in Casualties of war / Deborah Thomas -- Gender hyperbole and the uncanny in the horror film: The shining / Katie Model -- Genre and gender transnational. Emotion, subjectivity, and the limits of desire: melodrama and modernity in Bombay cinema, 1940s-50s / Ira Bhaskar -- Woman, generic aesthetics, and the vernacular: Huangmei opera films from China to Hong Kong / Xiangyang Chen -- Homoeroticism contained: gender and sexual translation in John Woo's Migration to Hollywood / Vicente Rodriguez Ortega -- Generic "trans-ings": between genres, genders, and sexualities. Trash comes home: gender/genre subversion in the films of John Waters / Derek Kane-Meddock -- Femme fatale or lesbian femme: bound in sexual différance / Chris Straayer -- "The gay cowboy movie": queer masculinity on Brokeback Mountain / Steven Cohan

    This remarkable collection challenges traditional ways of thinking about the relationship between gender and genre, understanding their meeting as a mutually transformative encounter. Responding to postmodernist conceptions of genre and postfeminist theories of gender and sexuality, these essays move beyond the limits of representation. Testing new thinking about genre, gender, and sexuality against closely analyzed films, they explore generic convention as putting into play what our culture makes of us, while finding in genre's repetitions infinite possibilities of cross-generic, cross-gender, cross-sex permutation. At the same time the aesthetic and emotional dimensions of gender and sexuality emerge as elements fueling the dramatic worlds of film genres, producing in the encounter new gendered perceptions, affects, and effects. _x000B__x000B_Recognizing the intensifying transnational context of film production and responding to postcolonial perspectives, this volume includes essays that explore the transformational transactions between gender and genre in the meeting between world-circulating Hollywood generic practices and American independent, European, Indian, and Hong Kong cinemas. Such revised concepts of genre and gender question taken-for-granted relationships between authorship and genre, between center and periphery, and between feminism and generic filmmaking. They consequently rethink the gendering of genres, filmmakers, and their audiences. _x000B__x000B_Contributors are Ira Bhaskar, Steven Cohan, Luke Collins, Pam Cook, Lucy Fischer, Jane Gaines, Christine Gledhill, Derek Kane-Meddock, E. Ann Kaplan, Samiha Matin, Katie Model, E. Deidre Pribram, Vicente Rodriguez Ortega, Adam Segal, Chris Straayer, Yvonne Tasker, Deborah Thomas, and Xiangyang Chen

  7. Girls will be boys
    cross-dressed women, lesbians, and American cinema, 1908-1934
    Author: Horak, Laura
    Published: [2016]
    Publisher:  Rutgers University Press, New Brunswick, New Jersey ; London

    Bayerische Staatsbibliothek
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    Hochschule für Fernsehen und Film, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780813574837; 9780813574820
    RVK Categories: AP 44981
    Subjects: Film; Geschichte; Motion pictures; Male impersonators in motion pictures; Lesbians in motion pictures; Lesbianism in motion pictures; Sex role in motion pictures; Crossdresser <Motiv>; Lesbe <Motiv>; Film; Geschlecht <Motiv>
    Scope: xii, 311 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

  8. Gender and the nuclear family in twenty-first century horror
    Published: 2016
    Publisher:  Palgrave Macmillan, New York, NY

    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781137536778
    Subjects: Film; Geschichte; Horror films; Motion pictures; Families in motion pictures; Sex role in motion pictures; Geschlechterrolle <Motiv>; Familie <Motiv>; Horrorfilm
    Scope: 218 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

  9. Same-sex desire in Indian culture
    representations in literature and film, 1970-2015
    Author: Ross, Oliver
    Published: 2016
    Publisher:  Palgrave Macmillan, New York

    "This book investigates representations of same-sex desire in Indian literature and film from the 1970s to the present day. Through a detailed analysis of texts by authors like Vikram Seth, and films like Deepa Mehta's Fire, it argues that an... more

    Bayerische Staatsbibliothek
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    "This book investigates representations of same-sex desire in Indian literature and film from the 1970s to the present day. Through a detailed analysis of texts by authors like Vikram Seth, and films like Deepa Mehta's Fire, it argues that an initially Euro-American homosexuality is reinvented as it comes into contact with Indian culture"...

     

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  10. Race, gender, and film censorship in Virginia
    1922 - 1965
    Published: 2015
    Publisher:  Lexington Books, Lanham [u.a.]

    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780739190296; 9780739190302
    Series: New studies in Southern history
    Subjects: Film; Geschichte; Motion pictures; Race in motion pictures; Sex role in motion pictures; Ethnizität <Motiv>; Geschlechterrolle <Motiv>; Filmzensur
    Scope: V, 213 S.
    Notes:

    Includes bibliographical references and index

  11. Masculinity and gender in Greek cinema
    1949-1967
    Published: 2015
    Publisher:  Bloomsbury, New York [u.a.]

    Hochschule für Fernsehen und Film, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781441109385; 9781501307706
    Edition: 1. publ. in pbk.
    Subjects: Masculinity in motion pictures; Sex role in motion pictures; Motion pictures / Greece / History / 20th century; Motion pictures; Sex role in motion pictures; Film; Geschichte; Geschlechterrolle; Mann; Männlichkeit; Mann <Motiv>; Film; Geschlechterrolle <Motiv>
    Scope: viii, 316 pages, Ill., 24 cm
    Notes:

    Includes bibliographical references (pages 297-312) and index

  12. Gender in science fiction films, 1964-1979
    a critical study
    Published: 2015
    Publisher:  McFarland & Company, Inc., Pubishers, Jefferson, North Carolina

    Universitätsbibliothek Augsburg
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780786459742
    RVK Categories: AP 53900
    Subjects: Science fiction films; Sex role in motion pictures; Women in motion pictures; Men in motion pictures; Geschlechterrolle <Motiv>; Frau <Motiv>; Science-Fiction-Film
    Scope: vii, 218 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis Seite 203-206

    Filmographie Seite 161-202

  13. Contemporary black American cinema
    race, gender and sexuality at the movies
    Published: 2014
    Publisher:  Routledge, New York [u.a.]

    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Regensburg
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    Universitätsbibliothek Würzburg
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  14. Gender and the uncanny in films of the Weimar Republic
    Published: 2014
    Publisher:  Wayne State Univ. Press, Detroit

    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780814338940; 0814338941
    RVK Categories: AP 44910
    Series: Contemporary approaches to film and media series
    Subjects: Motion pictures / Germany / History / 20th century; Women in motion pictures; Sex role in motion pictures; Uncanny, The (Psychoanalysis); Film; Geschichte; Erotik <Motiv>; Film; Frau <Motiv>
    Scope: VIII, 302 S., Ill., 23 cm
    Notes:

    Includes bibliographical references (pages 277-296) and index

  15. The dread of difference
    gender and the horror film
    Published: 2015
    Publisher:  Univ. of Texas Press, Austin

    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Regensburg
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    Universitätsbibliothek Würzburg
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780292771376; 9780292772458
    RVK Categories: AP 53900
    Edition: 2. ed.
    Subjects: Horror films / History and criticism; Sex role in motion pictures; Women in motion pictures; Horror films; Sex role in motion pictures; Women in motion pictures; Horrorfilm; Frau; Geschlecht <Motiv>; Geschlechterrolle
    Scope: xv, 539 S., Ill., 24 cm
    Notes:

    Includes bibliographical references and index

  16. Black magic woman and narrative film
    race, sex and afro-religiosity
  17. Gendered frames, embodied cameras
    Varda, Akerman, Cabrera, Calle, and Maïwenn
    Published: 2014
    Publisher:  Fairleigh Dickinson Univ. Press, Madison [u.a.]

    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781611476323; 9781611479607
    RVK Categories: AP 44050 ; AP 45100 ; AP 47950 ; AP 51400 ; AP 59735
    Subjects: Film; Human body in motion pictures; Sex role in motion pictures; Motion pictures; Körper <Motiv>; Film; Regisseurin
    Other subjects: Varda, Agnès, (1928-); Akerman, Chantal; Cabrera, Dominique, (1957-); Calle, Sophie; Le Besco, Maïwenn, (1976-)
    Scope: XII, 233 S., Ill.
    Notes:

    Includes bibliographical references and index

  18. Motherhood in Mexican cinema
    1941 - 1991 ; the transformation of femininity on screen
    Published: 2013
    Publisher:  McFarland, Jefferson, NC

    "How were femininity and motherhood understood in Mexican cinema from the 1940s to the early 1990s? Film analysis, interviews, articles, and reviews are used to answer the question and trace the changes. Images of mothers in films are contrasted with... more

    Bayerische Staatsbibliothek
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    "How were femininity and motherhood understood in Mexican cinema from the 1940s to the early 1990s? Film analysis, interviews, articles, and reviews are used to answer the question and trace the changes. Images of mothers in films are contrasted with those of mothers in Mexican classical films (1935-1950) and in Mexican films from the 1970s and 1980s"..

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780786468041
    Subjects: Film; Geschichte; Mothers in motion pictures; Motion pictures; Motherhood in motion pictures; Sex role in motion pictures; Film; Weiblichkeit <Motiv>; Mutter <Motiv>
    Scope: X, 221 S., Ill.
    Notes:

    Includes bibliographical references and index

  19. From France with love
    gender and identity in French romantic comedy
    Author: Harrod, Mary
    Published: 2015
    Publisher:  Tauris, London [u.a.]

    Bayerische Staatsbibliothek
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    Universitätsbibliothek Regensburg
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781784533588; 1784533580; 9780857739902
    RVK Categories: AP 52400 ; AP 53925 ; AP 59435
    Series: International library of the moving image ; 31
    Subjects: Romantic comedy films / France / History and criticism; Love in motion pictures; Sex role in motion pictures; Identität; Film; Romantische Liebe; Komödie; Geschlechterforschung
    Scope: XII, 264 S., Ill., 22 cm
  20. Screening queer memory
    LGBTQ pasts in contemporary film and television
    Published: 2021
    Publisher:  Bloomsbury Academic, London

    "In Screening Queer Memory, Anamarija Horvat examines how LGBTQ history has been represented on-screen, and interrogates the specificity of queer memory. She poses several questions: How are the pasts of LGBTQ people and communities visualised and... more

    Universitätsbibliothek Bayreuth
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Regensburg
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    "In Screening Queer Memory, Anamarija Horvat examines how LGBTQ history has been represented on-screen, and interrogates the specificity of queer memory. She poses several questions: How are the pasts of LGBTQ people and communities visualised and commemorated on screen? How do these representations comment on the influence of film and television on the construction of queer memory? How do they present the passage of memory from one generation of LGBTQ people to another? Finally, which narratives of the queer past, particularly of the activist past, are being commemorated, and which obscured? Horvat exemplifies how contemporary British and American cinema and television have commented on the specificity of queer memory - how they have reflected aspects of its construction, as well as participated in its creation. In doing so, she adds to an under-examined area of queer film and television research which has privileged concepts of nostalgia, history, temporality and the archive over memory. Films and television shows explored include Cheryl Dunye’s The Watermelon Woman (1996), Todd Haynes’ Velvet Goldmine (1998), Jill Soloway’s Transparent (2014-2019), Matthew Warchus’ Pride (2014) and Tom Rob Smith’s London Spy (2015)."

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781350187689; 9781350187665; 9781350187672
    Other identifier:
    RVK Categories: AP 50300
    Series: Library of gender and popular culture
    Subjects: Homosexuality in motion pictures; Sexual minorities in motion pictures; Homosexuality on television; Sexual minorities on television; Sex role in motion pictures; Sex role on television; Queer theory; Kollektives Gedächtnis; Fernsehfilm; Film; Repräsentation <Soziologie>; LGBT <Motiv>
    Scope: 1 Online-Ressource (xii, 188 Seiten), Illustrationen
  21. Screening queer memory
    LGBTQ pasts in contemporary film and television
    Published: 2021
    Publisher:  Bloomsbury Academic, London ; New York ; Oxford ; New Delhi ; Sydney

    "In Screening Queer Memory, Anamarija Horvat examines how LGBTQ history has been represented on-screen, and interrogates the specificity of queer memory. She poses several questions: How are the pasts of LGBTQ people and communities visualised and... more

    Hochschule für Fernsehen und Film, Bibliothek
    No loan of volumes, only paper copies will be sent
    Universitätsbibliothek der LMU München
    Unlimited inter-library loan, copies and loan

     

    "In Screening Queer Memory, Anamarija Horvat examines how LGBTQ history has been represented on-screen, and interrogates the specificity of queer memory. She poses several questions: How are the pasts of LGBTQ people and communities visualised and commemorated on screen? How do these representations comment on the influence of film and television on the construction of queer memory? How do they present the passage of memory from one generation of LGBTQ people to another? Finally, which narratives of the queer past, particularly of the activist past, are being commemorated, and which obscured? Horvat exemplifies how contemporary British and American cinema and television have commented on the specificity of queer memory - how they have reflected aspects of its construction, as well as participated in its creation. In doing so, she adds to an under-examined area of queer film and television research which has privileged concepts of nostalgia, history, temporality and the archive over memory. Films and television shows explored include Cheryl Dunye's The Watermelon Woman (1996), Todd Haynes' Velvet Goldmine (1998), Jill Soloway's Transparent (2014), Matthew Warchus' Pride (2014) and Tom Rob Smith's London Spy (2015)"--

     

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  22. The Routledge companion to cinema and gender
    Contributor: Hole, Kristin Lené (Publisher); Jelača, Dijana (Publisher); Kaplan, Elizabeth Ann (Publisher); Petro, Patrice (Publisher)
    Published: 2017
    Publisher:  Routledge, Taylor & Francis Group, London ; New York

    Universitätsbibliothek Würzburg
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Hole, Kristin Lené (Publisher); Jelača, Dijana (Publisher); Kaplan, Elizabeth Ann (Publisher); Petro, Patrice (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781315684062
    RVK Categories: AP 45700 ; AP 46700 ; AP 47950 ; MS 2900
    Subjects: Sex role in motion pictures; Film; Frau <Motiv>; Soziale Rolle <Motiv>; Frauenfilm
    Scope: 1 Online-Ressource, Illustrationen
    Notes:

    Includes index

  23. Da dyden gik amok
    seksualitet, køn og kærlighed i dansk film 1910-1980
    Published: 2020
    Publisher:  Syddansk Universitetsforlag, Odense

    Søren Birkvad nytænker den danske filmhistorie med et suverænt overblik. Seksualitetshistorie og kønsdebat, højkultur og lavkultur, Dirch Passer, Malmros og Leth - vi kommer rundt om det hele. Bogen er baseret på et omfattende forskningsarbejde, men... more

    Bayerische Staatsbibliothek
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    Søren Birkvad nytænker den danske filmhistorie med et suverænt overblik. Seksualitetshistorie og kønsdebat, højkultur og lavkultur, Dirch Passer, Malmros og Leth - vi kommer rundt om det hele. Bogen er baseret på et omfattende forskningsarbejde, men er samtidig formidlet med forbilledlig klarhed. Den er velfortalt, skarpsindig og underholdende. Et værk for et stort kulturelt interesseret publikum.« - Peter Schepelern. Danskerne betragter ofte sig selv som et udvalgt folk, når det gælder frisindet. Intet sted er denne idé tydeligere end i den danske filmskat. Umiddelbart ligner den danske filmhistorie en fortælling om frisindets fremkomst: fra stumfilmtidens frivole melodramer over sexkomedierne og de tabunedbrydende ungdomsfilm i 70'erne til de nutidige grænseoverskridelser af Lars von Trier. Da dyden gik amok peger på det ensidige og lettere selvforelskede i denne selvforståelse. Også på filmens område har der gennem tiden udspillet sig en kulturkamp mellem dem, som har dyrket den moderne dyd - frisindet, der frigør mennesket fra samfundets snærende bånd - og dem, som har syntes, at dyden gik amok. De konservative anfægtelser på seksualitetens og kønsidentitetens vegne gennemstrømmer ikke alene de nostalgiske Morten Korch-film eller værkerne af selverklærede dissidenter som Knud Leif Thomsen [...].

     

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    Source: Union catalogues
    Language: Danish
    Media type: Book
    ISBN: 9788740832556
    Series: University of Southern Denmark studies in History and social sciences ; vol. 585
    Subjects: Sexualität; Film; Erotik <Motiv>
    Other subjects: Sex in motion pictures; Sex role in motion pictures; Love in motion pictures; Motion pictures / Denmark / History; Love in motion pictures; Motion pictures; Sex in motion pictures; Sex role in motion pictures; Denmark; History
    Scope: 782 Seiten, Illustrationen
  24. Cinema, gender, and everyday space
    comedy, Italian style
    Published: 2015
    Publisher:  Palgrave Macmillan, New York, NY

    Universitätsbibliothek Regensburg
    Unlimited inter-library loan, copies and loan
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781137403568
    RVK Categories: AP 52400 ; AP 59439
    Edition: First published
    Series: Screening Spaces
    Subjects: Film; Geschichte; Comedy films; Motion pictures; Sex role in motion pictures; Space in motion pictures; Geschlechterrolle; Frau <Motiv>; Filmkomödie
    Scope: x, 260 pages, illustrations, 23 cm
    Notes:

    Introduction: Gender, Space and Comedy, Italian Style ... Contexts. Cinema, Space, Gender ... Comedy, Italian Style ... Spaces. Bodies, Bikinis and Bras: Beaches and Nightclubs in Comedy, Italian Style ... Masculinity at Work: Offices in Comedy, Italian Style ... Driving Passions: Cars in Comedy, Italian Style ... Recipe for Change: Kitchens in Comedy, Italian Style Conclusion. - Includes bibliographical references (pages 233-249) and index. - Includes filmography

  25. Gender and the uncanny in films of the Weimar Republic
    Published: 2014; © 2014
    Publisher:  Wayne State University Press, Detroit, Michigan

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780814338957
    Series: Contemporary approaches to film and media series
    Subjects: Film; Geschichte; Motion pictures; Women in motion pictures; Sex role in motion pictures; Uncanny, The (Psychoanalysis); Erotik <Motiv>; Film; Frau <Motiv>
    Scope: 1 Online-Ressource (x, 302 Seiten), Illustrationen
    Notes:

    Description based on print version record