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Displaying results 1 to 25 of 101.

  1. Early modern tragedy, gender and performance, 1984-2000
    the destined livery
    Author: Barker, Roberta
    Published: 2007
    Publisher:  Palgrave Macmillan, Basingstoke ; ProQuest Ebook Central, New York

    Roberta Barker advances a new model for politically engaged spectatorship of contemporary productions by Shakespeare and his contemporaries more

     

    Roberta Barker advances a new model for politically engaged spectatorship of contemporary productions by Shakespeare and his contemporaries

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780230597488
    Subjects: Sex role in the theater; Feminism and theater; Theater; Sex role in motion pictures; Gender identity in motion pictures; English drama; English drama; Gender identity in the theater; English drama (Tragedy)
    Scope: Online-Ressource (xii, 237 Seiten), Illustrationen, 23 cm
    Notes:

    Includes bibliographical references (p. 208-229) and index

    Cover; Contents; List of Figures; Acknowledgments; List of Abbreviations; Introduction: The Destined Livery? Tragedy, Performance, Subject and Spectator; Part I: Realism and Reinscription; 1 What We Are, But Not What We May Be: The Feminist Ophelia and the (Re)production of Gender; 2 An Actor in the Main of All: Individual and Relational Selves in The Duchess of Malfi; 3 The Natural Father and the Imaginary Daughter: Patriarchy as Realism and Representation in Titus; Part II: Performance and Performativity; 4 'Let Me Forget Myself': What a Queen is Good For in Edward II

    5 Death and the Married Maiden: Gender Reproduction as Destruction in The Broken Heart6 Tricked Like a Bride: A New Traffic in A Woman Killed with Kindness; Conclusion: Cultural Drag; or, Hamlet and Ophelia Redux; Appendix: Casts, Production Teams and Opening Dates of Productions Discussed; Notes; Bibliography; Index
  2. Gender, nationalism, and war
    conflict on the movie screen
    Author: Evangelista, Matthew
    Published: 2011
    Publisher:  Cambridge Univ. Press, Cambridge

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781107001947; 9780521173544
    Edition: 1. publ.
    Subjects: Women in motion pictures; War films / History and criticism; Sex role in motion pictures; Nationalism in motion pictures; Political violence in motion pictures; Men in motion pictures; Women / Political activity; Violence in women
    Scope: XIII, 289 S., Ill.
    Notes:

    Literaturangaben

    Online-Ausg.
  3. Lady Chatterley's Legacy in the Movies
    Sex, Brains, and Body Guys
    Author: Lehman, Peter; Hunt, Susan
    Published: [2010]; © 2010
    Publisher:  Rutgers University Press, New Brunswick, NJ

    Titanic. Two Moon Junction. A Night in Heaven. Sirens. Henry & June. 9 Songs. Lady Chatterley. And more. A new "body guy" genre has emerged in film during the last twenty years-a working-class man of the earth or bohemian artist awakens and fulfills... more

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Inter-library loan:
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    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Titanic. Two Moon Junction. A Night in Heaven. Sirens. Henry & June. 9 Songs. Lady Chatterley. And more. A new "body guy" genre has emerged in film during the last twenty years-a working-class man of the earth or bohemian artist awakens and fulfills the sexuality of a beautiful, intelligent woman frequently married or engaged to a sexually incompetent, educated, upper-class man. This body guy exhibits a masterful athletic, penile-centered sexual performance that enlivens and transforms the previously discontented woman's life. Peter Lehman and Susan Hunt relate a host of wide-ranging films to a literary tradition dating back to D. H. Lawrence's Lady Chatterley's Lover and an emerging body culture of our time. Through an engaging and compelling narrative, they argue that the hero's body, lovemaking style, and penis-revealed through extensive male nudity-celebrate conformity to norms of masculinity and male sexuality. Simultaneously, these films denigrate the vital, creative, erotic world of the mind. Just when women began to successfully compete with men in the workplace, these movies, if you will, unzip the penis as the one thing women do not have but want and need for their fulfillment. But Lehman and Hunt also find signs of a yearning for alternative forms of sexual and erotic pleasure in film, embracing diverse bodies and vibrant minds. Lady Chatterley's Legacy in the Movies shows how filmmakers, spectators, and all of us can be empowered to dethrone the body guy, his privileged body, and preferred style of lovemaking, replacing it with a wide range of alternatives

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813550299
    Other identifier:
    Subjects: PERFORMING ARTS / General; Men in motion pictures; Sex in motion pictures; Sex role in motion pictures; Stereotypes (Social psychology) in motion pictures; Women in motion pictures; Mann <Motiv>; Erotik <Motiv>; Film; Männerbild
    Scope: 1 online resource, 40 illustrations
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)
  4. Phantom Ladies
    Hollywood Horror and the Home Front
    Author: Snelson, Tim
    Published: [2014]; © 2014
    Publisher:  Rutgers University Press, New Brunswick, NJ

    Defying industry logic and gender expectations, women started flocking to see horror films in the early 1940s. The departure of the young male audience and the surprise success of the film Cat People convinced studios that there was an untapped... more

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Defying industry logic and gender expectations, women started flocking to see horror films in the early 1940s. The departure of the young male audience and the surprise success of the film Cat People convinced studios that there was an untapped female audience for horror movies, and they adjusted their production and marketing strategies accordingly. Phantom Ladies reveals the untold story of how the Hollywood horror film changed dramatically in the early 1940s, including both female heroines and female monsters while incorporating elements of "women’s genres" like the gothic mystery. Drawing from a wealth of newly unearthed archival material, from production records to audience surveys, Tim Snelson challenges long-held assumptions about gender and horror film viewership. Examining a wide range of classic horror movies, Snelson offers us a new appreciation of how dynamic this genre could be, as it underwent seismic shifts in a matter of months. Phantom Ladies, therefore, not only includes horror films made in the early 1940s, but also those produced immediately after the war ended, films in which the female monster was replaced by neurotic, psychotic, or hysterical women who could be cured and domesticated. Phantom Ladies is a spine-tingling, eye-opening read about gender and horror, and the complex relationship between industry and audiences in the classical Hollywood era

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813570440
    Other identifier:
    Subjects: PERFORMING ARTS / General; Horror films; Motion pictures and women; Sex role in motion pictures; Women in motion pictures; Frau <Motiv>; Horrorfilm
    Scope: 1 online resource, 16 photographs
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Sep 2019)
  5. Girls Will Be Boys
    Cross-Dressed Women, Lesbians, and American Cinema, 1908-1934
    Author: Horak, Laura
    Published: [2016]; © 2016
    Publisher:  Rutgers University Press, New Brunswick, NJ

    2016 Choice Outstanding Academic Title Finalist for 2016 Richard Wall Memorial Award by the Theatre Library Long listed for the 2017 Kraszna-Krausz Best Photography Book Award from the Kraszna-Krausz Foundation Marlene Dietrich, Greta Garbo, and... more

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    2016 Choice Outstanding Academic Title Finalist for 2016 Richard Wall Memorial Award by the Theatre Library Long listed for the 2017 Kraszna-Krausz Best Photography Book Award from the Kraszna-Krausz Foundation Marlene Dietrich, Greta Garbo, and Katharine Hepburn all made lasting impressions with the cinematic cross-dressing they performed onscreen. What few modern viewers realize, however, is that these seemingly daring performances of the 1930s actually came at the tail end of a long wave of gender-bending films that included more than 400 movies featuring women dressed as men. Laura Horak spent a decade scouring film archives worldwide, looking at American films made between 1908 and 1934, and what she discovered could revolutionize our understanding of gender roles in the early twentieth century. Questioning the assumption that cross-dressing women were automatically viewed as transgressive, she finds that these figures were popularly regarded as wholesome and regularly appeared onscreen in the 1910s, thus lending greater respectability to the fledgling film industry. Horak also explores how and why this perception of cross-dressed women began to change in the 1920s and early 1930s, examining how cinema played a pivotal part in the representation of lesbian identity. Girls Will Be Boys excavates a rich history of gender-bending film roles, enabling readers to appreciate the wide array of masculinities that these actresses performed—from sentimental boyhood to rugged virility to gentlemanly refinement. Taking us on a guided tour through a treasure-trove of vintage images, Girls Will Be Boys helps us view the histories of gender, sexuality, and film through fresh eyes

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813574851
    Other identifier:
    Subjects: PERFORMING ARTS / General; Lesbianism in motion pictures; Lesbians in motion pictures; Male impersonators in motion pictures; Motion pictures; Sex role in motion pictures; Lesbe <Motiv>; Film; Geschlecht <Motiv>; Crossdresser <Motiv>
    Scope: 1 online resource, 40 photographs
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Sep 2019)
  6. Reel Vulnerability
    Power, Pain, and Gender in Contemporary American Film and Television
    Author: Hagelin, Sarah
    Published: [2013]; © 2013
    Publisher:  Rutgers University Press, New Brunswick, NJ

    Wonder women, G.I. Janes, and vampire slayers increasingly populate the American cultural landscape. What do these figures mean in the American cultural imagination? What can they tell us about the female body in action or in pain? Reel Vulnerability... more

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Wonder women, G.I. Janes, and vampire slayers increasingly populate the American cultural landscape. What do these figures mean in the American cultural imagination? What can they tell us about the female body in action or in pain? Reel Vulnerability explores the way American popular culture thinks about vulnerability, arguing that our culture and our scholarship remain stubbornly invested in the myth of the helplessness of the female body. The book examines the shifting constructions of vulnerability in the wake of the cultural upheavals of World War II, the Cold War, and 9/11, placing defenseless male bodies onscreen alongside representations of the female body in the military, in the interrogation room, and on the margins. Sarah Hagelin challenges the ways film theory and cultural studies confuse vulnerability and femaleness. Such films as G.I. Jane and Saving Private Ryan, as well as such post-9/11 television shows as Battlestar Galactica and Deadwood, present vulnerable men who demand our sympathy, abused women who don’t want our pity, and images of the body in pain that do not portray weakness. Hagelin’s intent is to help scholarship catch up to the new iconographies emerging in theaters and in living rooms—images that offer viewers reactions to the suffering body beyond pity, identification with the bleeding body beyond masochism, and feminist images of the female body where we least expect to find them

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813561059
    Other identifier:
    Subjects: SOCIAL SCIENCE / General; Motion pictures; Pain in motion pictures; Power (Social sciences) in motion pictures; Sex role in motion pictures; Vulnerability (Personality trait) in motion pictures; Fernsehsendung; Film; Geschlecht <Motiv>; Verletzung <Motiv>
    Scope: 1 online resource, 24 illustrations
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Sep 2019)
  7. Women Through the Lens
    Gender and Nation in a Century of Chinese Cinema
    Author: Cui, Shuqin
    Published: [2003]; © 2003
    Publisher:  University of Hawaii Press, Honolulu

    Women Through the Lens raises the question of how gender, especially the image of woman, acts as a visual and discursive sign in the creation of the nation-state in twentieth-century China. Tracing the history of Chinese cinema through the last... more

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Women Through the Lens raises the question of how gender, especially the image of woman, acts as a visual and discursive sign in the creation of the nation-state in twentieth-century China. Tracing the history of Chinese cinema through the last hundred years from the perspective of transnational feminism, Shuqin Cui reveals how women have been granted a "privileged visibility" on screen while being denied discursive positions as subjects. In addition, her careful attention to the visual language system of cinema shows how "woman" has served as the site for the narration of nation in the context of China's changing social and political climate. Placing gender and nation in a historical framework, the book first shows how early productions had their roots in shadow plays, a popular form of public entertainment. In examining the "Red Classics" of socialist cinema as a mass cultural form, the book shows how the utopian vision of emancipating the entire proletariat, women included, produced a collective ideology that declared an end to gender difference. Cui then documents and discusses the cinematic spectacle of woman as essential to such widely popular films as Chen Kaige's "Farewell My Concubine" and Zhang Yimou's "Ju Do." Finally, the author brings a feminist perspective to the issues of gender and nation by turning her attention to women directors and their self-representations

     
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    Volltext (URL des Erstveröffentlichers)
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780824865634
    Other identifier:
    Subjects: Motion pictures; Sex role in motion pictures; Women in motion pictures; Geschlechterverhältnis; Nation <Motiv>; Film; Geschlechterrolle <Motiv>
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Nov 2018)
  8. Women in war films
    from helpless heroine to G. I. Jane
    Author: Donald, Ralph; MacDonald, Karen
    Published: 2016
    Publisher:  Rowman&Littlefield, Lanham

    Location:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442234475
    Subjects: War films; Women in motion pictures; Sex role in motion pictures; Frau <Motiv>; Kriegsfilm
    Scope: 1 Online-Ressource (337 Seiten)
    Notes:

    Includes bibliographical references and index. - Includes filmography
  9. Gender meets genre in postwar cinemas
    Contributor: Gledhill, Christine (Herausgeber)
    Published: 2017
    Publisher:  University of Illinois Press, Urbana ; Oxford University Press, Oxford

    This collection challenges traditional ways of thinking about the relationship between genre and gender, understanding their meeting as a mutually transformative encounter. more

    Access:

    Location:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    No inter-library loan

     

    This collection challenges traditional ways of thinking about the relationship between genre and gender, understanding their meeting as a mutually transformative encounter.

     
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    Source: Union catalogues
    Contributor: Gledhill, Christine (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780252093661
    Other identifier:
    RVK Categories: AP 50300 ; AP 47950
    Subjects: Film; Geschlechterrolle <Motiv>; Frau <Motiv>; Feminismus; Filmgenre; Geschlecht <Motiv>; Sex role in motion pictures; Motion pictures and women; Feminism and motion pictures; Film genres; Women in motion pictures; Men in motion pictures
    Scope: 1 Online-Ressource, Illustrations (black and white)
    Notes:

    Previously issued in print: 2012

    Includes bibliographical references and index
  10. Monstrous Possibilities
    The Female Monster in 21st Century Screen Horror
    Author: Howell, Amanda
    Published: 2022
    Publisher:  Springer International Publishing AG, Cham ; ProQuest, Ann Arbor, Michigan

    Location:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Source: Union catalogues
    Contributor: Baker, Lucy
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783031128448
    RVK Categories: HD 300
    Edition: 1st ed.
    Subjects: Fernsehsendung; Horrorfilm; Frau <Motiv>; Geschlechterrolle <Motiv>; Film; Monsters in motion pictures; Sex role in motion pictures; Women in motion pictures
    Scope: 1 Online-Ressource (202 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  11. Gender scripts in medicine and narrative
    Contributor: Block, Marcelline; Laflen, Angela
    Published: 2010
    Publisher:  Cambridge Scholars, Newcastle ; [ProQuest], [Ann Arbor, Michigan]

    Location:
    Universität Frankfurt, Elektronische Ressourcen
    Signature:
    /
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    Location:
    Universitätsbibliothek Gießen
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    Source: Union catalogues
    Contributor: Block, Marcelline; Laflen, Angela
    Language: English
    Media type: Book
    Format: Online
    Subjects: Geschlechterrolle <Motiv>; Medizin <Motiv>; Literatur; Erzählen; Medicine in literature; Medicine in motion pictures; Sex role in literature; Sex role in motion pictures; Social medicine; Sexism in medicine
    Scope: xlix, 437 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  12. Women in war films
    from helpless heroine to G. I. Jane
    Author: Donald, Ralph; MacDonald, Karen
    Published: 2014; © 2014
    Publisher:  Rowman & Littlefield, Lanham, Maryland ; Plymouth, England

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442234475
    Subjects: War films; Women in motion pictures; Sex role in motion pictures; Kriegsfilm; Frau <Motiv>
    Scope: 1 online resource (345 pages)
    Notes:

    Description based on print version record
  13. Gendered frames, embodied cameras
    Varda, Akerman, Cabrera, Calle, and Maiwenn
    Author: McFadden, Cybelle H.
    Published: 2014; © 2014
    Publisher:  Fairleigh Dickinson University Press, Lanham, Maryland ; Plymouth, England

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    No loan of volumes, only paper copies will be sent
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781611476330
    RVK Categories: AP 44050 ; AP 45100 ; AP 47950 ; AP 51400 ; AP 59735
    Subjects: Human body in motion pictures; Sex role in motion pictures; Motion pictures; Regisseurin; Film; Körper <Motiv>
    Other subjects: Varda, Agnès (1928-); Akerman, Chantal; Cabrera, Dominique (1957-); Calle, Sophie; Le Besco, Maïwenn (1976-)
    Scope: 1 online resource (247 pages)
    Notes:

    Description based on print version record
  14. Projecting 9/11
    race, gender, and citizenship in recent Hollywood films
    Author: Bloodsworth-Lugo, Mary K.; Lugo-Lugo, Carmen R.
    Published: 2015; © 2015
    Publisher:  Rowman & Littlefield, Lanham, Maryland

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442218284
    RVK Categories: AP 44983 ; AP 50300
    Series: Perspectives on a Multiracial America Series
    Subjects: September 11 Terrorist Attacks, 2001, in motion pictures; Race in motion pictures; Sex role in motion pictures; Citizenship in motion pictures; Motion pictures; Rasse <Motiv>; Film; Geschlecht <Motiv>; Elfter September <Motiv>
    Scope: 1 online resource (203 pages)
    Notes:

    Description based on print version record
  15. Race, gender, and film censorship in Virginia, 1922-1965
    Author: Ooten, Melissa
    Published: [2015]; © 2015
    Publisher:  Lexington Books, Lanham

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780739190302
    Series: New studies in Southern history
    Subjects: Motion pictures; Race in motion pictures; Sex role in motion pictures; Filmzensur; Ethnizität <Motiv>; Geschlechterrolle <Motiv>
    Scope: 1 online resource (221 pages)
    Notes:

    Description based on print version record
  16. Women Through the Lens
    Gender and Nation in a Century of Chinese Cinema
    Author: Cui, Shuqin
    Published: [2003]; © 2003
    Publisher:  University of Hawaii Press, Honolulu

    Women Through the Lens raises the question of how gender, especially the image of woman, acts as a visual and discursive sign in the creation of the nation-state in twentieth-century China. Tracing the history of Chinese cinema through the last... more

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Technische Hochschule Augsburg
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    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Bamberg
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    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Coburg, Zentralbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Kempten, Hochschulbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Passau
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    Unlimited inter-library loan, copies and loan

     

    Women Through the Lens raises the question of how gender, especially the image of woman, acts as a visual and discursive sign in the creation of the nation-state in twentieth-century China. Tracing the history of Chinese cinema through the last hundred years from the perspective of transnational feminism, Shuqin Cui reveals how women have been granted a "privileged visibility" on screen while being denied discursive positions as subjects. In addition, her careful attention to the visual language system of cinema shows how "woman" has served as the site for the narration of nation in the context of China's changing social and political climate. Placing gender and nation in a historical framework, the book first shows how early productions had their roots in shadow plays, a popular form of public entertainment. In examining the "Red Classics" of socialist cinema as a mass cultural form, the book shows how the utopian vision of emancipating the entire proletariat, women included, produced a collective ideology that declared an end to gender difference. Cui then documents and discusses the cinematic spectacle of woman as essential to such widely popular films as Chen Kaige's "Farewell My Concubine" and Zhang Yimou's "Ju Do." Finally, the author brings a feminist perspective to the issues of gender and nation by turning her attention to women directors and their self-representations

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780824865634
    Other identifier:
    Subjects: Motion pictures; Sex role in motion pictures; Women in motion pictures; Film; Geschlechterrolle <Motiv>; Geschlechterverhältnis; Nation <Motiv>
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Nov 2018)
  17. Girls Will Be Boys
    Cross-Dressed Women, Lesbians, and American Cinema, 1908-1934
    Author: Horak, Laura
    Published: [2016]; © 2016
    Publisher:  Rutgers University Press, New Brunswick, NJ

    2016 Choice Outstanding Academic Title Finalist for 2016 Richard Wall Memorial Award by the Theatre Library Long listed for the 2017 Kraszna-Krausz Best Photography Book Award from the Kraszna-Krausz Foundation Marlene Dietrich, Greta Garbo, and... more

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Technische Hochschule Augsburg
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    Location:
    Universitätsbibliothek Bamberg
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    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Coburg, Zentralbibliothek
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    Location:
    Hochschule Kempten, Hochschulbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Passau
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    2016 Choice Outstanding Academic Title Finalist for 2016 Richard Wall Memorial Award by the Theatre Library Long listed for the 2017 Kraszna-Krausz Best Photography Book Award from the Kraszna-Krausz Foundation Marlene Dietrich, Greta Garbo, and Katharine Hepburn all made lasting impressions with the cinematic cross-dressing they performed onscreen. What few modern viewers realize, however, is that these seemingly daring performances of the 1930s actually came at the tail end of a long wave of gender-bending films that included more than 400 movies featuring women dressed as men. Laura Horak spent a decade scouring film archives worldwide, looking at American films made between 1908 and 1934, and what she discovered could revolutionize our understanding of gender roles in the early twentieth century. Questioning the assumption that cross-dressing women were automatically viewed as transgressive, she finds that these figures were popularly regarded as wholesome and regularly appeared onscreen in the 1910s, thus lending greater respectability to the fledgling film industry. Horak also explores how and why this perception of cross-dressed women began to change in the 1920s and early 1930s, examining how cinema played a pivotal part in the representation of lesbian identity. Girls Will Be Boys excavates a rich history of gender-bending film roles, enabling readers to appreciate the wide array of masculinities that these actresses performed—from sentimental boyhood to rugged virility to gentlemanly refinement. Taking us on a guided tour through a treasure-trove of vintage images, Girls Will Be Boys helps us view the histories of gender, sexuality, and film through fresh eyes

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813574851
    Other identifier:
    Subjects: PERFORMING ARTS / General; Lesbianism in motion pictures; Lesbians in motion pictures; Male impersonators in motion pictures; Motion pictures; Sex role in motion pictures; Lesbe <Motiv>; Film; Geschlecht <Motiv>; Crossdresser <Motiv>
    Scope: 1 online resource, 40 photographs
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Sep 2019)
  18. Reel Vulnerability
    Power, Pain, and Gender in Contemporary American Film and Television
    Author: Hagelin, Sarah
    Published: [2013]; © 2013
    Publisher:  Rutgers University Press, New Brunswick, NJ

    Wonder women, G.I. Janes, and vampire slayers increasingly populate the American cultural landscape. What do these figures mean in the American cultural imagination? What can they tell us about the female body in action or in pain? Reel Vulnerability... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Wonder women, G.I. Janes, and vampire slayers increasingly populate the American cultural landscape. What do these figures mean in the American cultural imagination? What can they tell us about the female body in action or in pain? Reel Vulnerability explores the way American popular culture thinks about vulnerability, arguing that our culture and our scholarship remain stubbornly invested in the myth of the helplessness of the female body. The book examines the shifting constructions of vulnerability in the wake of the cultural upheavals of World War II, the Cold War, and 9/11, placing defenseless male bodies onscreen alongside representations of the female body in the military, in the interrogation room, and on the margins. Sarah Hagelin challenges the ways film theory and cultural studies confuse vulnerability and femaleness. Such films as G.I. Jane and Saving Private Ryan, as well as such post-9/11 television shows as Battlestar Galactica and Deadwood, present vulnerable men who demand our sympathy, abused women who don’t want our pity, and images of the body in pain that do not portray weakness. Hagelin’s intent is to help scholarship catch up to the new iconographies emerging in theaters and in living rooms—images that offer viewers reactions to the suffering body beyond pity, identification with the bleeding body beyond masochism, and feminist images of the female body where we least expect to find them

     
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    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813561059
    Other identifier:
    Subjects: SOCIAL SCIENCE / General; Motion pictures; Pain in motion pictures; Power (Social sciences) in motion pictures; Sex role in motion pictures; Vulnerability (Personality trait) in motion pictures; Fernsehsendung; Film; Geschlecht <Motiv>; Verletzung <Motiv>
    Scope: 1 online resource, 24 illustrations
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Sep 2019)
  19. Phantom Ladies
    Hollywood Horror and the Home Front
    Author: Snelson, Tim
    Published: [2014]; © 2014
    Publisher:  Rutgers University Press, New Brunswick, NJ

    Defying industry logic and gender expectations, women started flocking to see horror films in the early 1940s. The departure of the young male audience and the surprise success of the film Cat People convinced studios that there was an untapped... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Defying industry logic and gender expectations, women started flocking to see horror films in the early 1940s. The departure of the young male audience and the surprise success of the film Cat People convinced studios that there was an untapped female audience for horror movies, and they adjusted their production and marketing strategies accordingly. Phantom Ladies reveals the untold story of how the Hollywood horror film changed dramatically in the early 1940s, including both female heroines and female monsters while incorporating elements of "women’s genres" like the gothic mystery. Drawing from a wealth of newly unearthed archival material, from production records to audience surveys, Tim Snelson challenges long-held assumptions about gender and horror film viewership. Examining a wide range of classic horror movies, Snelson offers us a new appreciation of how dynamic this genre could be, as it underwent seismic shifts in a matter of months. Phantom Ladies, therefore, not only includes horror films made in the early 1940s, but also those produced immediately after the war ended, films in which the female monster was replaced by neurotic, psychotic, or hysterical women who could be cured and domesticated. Phantom Ladies is a spine-tingling, eye-opening read about gender and horror, and the complex relationship between industry and audiences in the classical Hollywood era

     
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    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813570440
    Other identifier:
    Subjects: PERFORMING ARTS / General; Horror films; Motion pictures and women; Sex role in motion pictures; Women in motion pictures; Frau <Motiv>; Horrorfilm
    Scope: 1 online resource, 16 photographs
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Sep 2019)
  20. Cinema, gender, and everyday space
    comedy, Italian style
    Author: Fullwood, Natalie
    Published: 2015
    Publisher:  Palgrave Macmillan, New York, NY

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781137403575
    Other identifier:
    RVK Categories: AP 52400 ; AP 59439
    Edition: First published
    Series: Screening Spaces
    Subjects: Film; Geschichte; Comedy films; Motion pictures; Sex role in motion pictures; Space in motion pictures; Frau <Motiv>; Geschlechterrolle; Filmkomödie
    Scope: 1 Online-Ressource (x, 260 pages), illustrations
    Notes:

    Introduction: Gender, Space and Comedy, Italian Style ... Contexts. Cinema, Space, Gender ... Comedy, Italian Style ... Spaces. Bodies, Bikinis and Bras: Beaches and Nightclubs in Comedy, Italian Style ... Masculinity at Work: Offices in Comedy, Italian Style ... Driving Passions: Cars in Comedy, Italian Style ... Recipe for Change: Kitchens in Comedy, Italian Style Conclusion. - Includes bibliographical references (pages 233-249) and index. - Includes filmography
  21. Ancient worlds in film and television
    gender and politics
    Contributor: Renger, Almut-Barbara (Publisher); Solomon, Jon (Publisher)
    Published: 2013
    Publisher:  Brill, Leiden ; Boston

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Universitätsbibliothek Augsburg
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    Source: Union catalogues
    Contributor: Renger, Almut-Barbara (Publisher); Solomon, Jon (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004241923; 9004241922; 9004183205
    Other identifier:
    RVK Categories: AP 52600
    Series: Metaforms ; [1]
    Subjects: ART / Film & Video; PERFORMING ARTS / Film & Video / Reference; Civilization, Ancient, in motion pictures; Civilization, Ancient, on television; Historical films; Motion pictures and history; Politics in motion pictures; Sex role in motion pictures; Television and history; Klassieke oudheid; Films; Sekseverschillen; Politieke aspecten; Antike; Film; Geschlechtsunterschied; Politik; Historical films; Civilization, Ancient, in motion pictures; Civilization, Ancient, on television; Sex role in motion pictures; Politics in motion pictures; Motion pictures and history; Television and history; Antike <Motiv>; Geschlecht <Motiv>; Film; Rezeption; Historischer Film; Antike
    Scope: 1 Online-Ressource (vii, 332 Seiten), Illustrationen
    Notes:

    Includes bibliographical references and index

    This volume reinvigorates the field of Classical Reception by investigating present-day culture, society, and politics, particularly gender, gender roles, and filmic constructions of masculinity and femininity which shape and are shaped by interacting economic, political, and ideological practices
  22. Cinema, theory, and political responsibility in contemporary culture
    Author: McGee, Patrick
    Published: ©1997
    Publisher:  Cambridge University Press, Cambridge, U.K.

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 051100592X; 0521581303; 9780511005923
    RVK Categories: AP 45100 ; AP 45500 ; AP 47400
    Series: Literature, culture, theory ; 24
    Subjects: PERFORMING ARTS / Film & Video / History & Criticism; Motion pictures; Motion pictures / Aesthetics; Motion pictures / Philosophy; Sex role; Film; Philosophie; Ästhetik; Motion pictures; Motion pictures; Sex role in motion pictures; Forschung; Politische Verantwortung; Massenkultur; Filmtheorie
    Scope: 1 Online-Ressource (xv, 235 pages)
    Notes:

    Includes bibliographical references (pages 224-231) and index
  23. Gender meets genre in postwar cinemas
    Published: 2012
    Publisher:  University of Illinois Press, Urbana

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0252036611; 0252078314; 0252093666; 1283582813; 9780252036613; 9780252078316; 9780252093661; 9781283582810
    Subjects: ART / Film & Video; PERFORMING ARTS / Film & Video / Reference; PERFORMING ARTS / Film & Video / History & Criticism; Feminism and motion pictures; Film genres; Men; Motion pictures; Motion pictures and women; Sex role; Women; Film; Frau; Sex role in motion pictures; Motion pictures and women; Feminism and motion pictures; Film genres; Women in motion pictures; Men in motion pictures; Geschlecht <Motiv>; Filmgenre
    Scope: 1 Online-Ressource (pages cm)
    Notes:

    Includes bibliographical references and index

    Introduction / Christine Gledhill -- Refiguring genre and gender. The genius of genre and ingenuity of women / Jane Gaines -- No fixed address: the women's picture from outrage to blue steel / Pam Cook -- Circulating emotion: race, gender, and genre in Crash / E. Deidre Pribram -- 100% pure adrenaline: gender and generic surface in Point break / Luke Collins -- Postfeminism and generic re-inventions. Troubling genre/reconstructing gender / E. Ann Kaplan -- Bodies and genres in transition: girlfight and real women have curves / Yvonne Tasker -- Private femininity, public femininity: tactical aesthetics in the costume film / Samiha Matin -- Generic gleaning: Agnès Varda, documentary, and the art of salvage / Lucy Fischer -- Gender aesthetics in "male" genres. It's a Mann's world? / Adam Segal -- Up close and personal: faces and names in Casualties of war / Deborah Thomas -- Gender hyperbole and the uncanny in the horror film: The shining / Katie Model -- Genre and gender transnational. Emotion, subjectivity, and the limits of desire: melodrama and modernity in Bombay cinema, 1940s-50s / Ira Bhaskar -- Woman, generic aesthetics, and the vernacular: Huangmei opera films from China to Hong Kong / Xiangyang Chen -- Homoeroticism contained: gender and sexual translation in John Woo's Migration to Hollywood / Vicente Rodriguez Ortega -- Generic "trans-ings": between genres, genders, and sexualities. Trash comes home: gender/genre subversion in the films of John Waters / Derek Kane-Meddock -- Femme fatale or lesbian femme: bound in sexual différance / Chris Straayer -- "The gay cowboy movie": queer masculinity on Brokeback Mountain / Steven Cohan

    This remarkable collection challenges traditional ways of thinking about the relationship between gender and genre, understanding their meeting as a mutually transformative encounter. Responding to postmodernist conceptions of genre and postfeminist theories of gender and sexuality, these essays move beyond the limits of representation. Testing new thinking about genre, gender, and sexuality against closely analyzed films, they explore generic convention as putting into play what our culture makes of us, while finding in genre's repetitions infinite possibilities of cross-generic, cross-gender, cross-sex permutation. At the same time the aesthetic and emotional dimensions of gender and sexuality emerge as elements fueling the dramatic worlds of film genres, producing in the encounter new gendered perceptions, affects, and effects. _x000B__x000B_Recognizing the intensifying transnational context of film production and responding to postcolonial perspectives, this volume includes essays that explore the transformational transactions between gender and genre in the meeting between world-circulating Hollywood generic practices and American independent, European, Indian, and Hong Kong cinemas. Such revised concepts of genre and gender question taken-for-granted relationships between authorship and genre, between center and periphery, and between feminism and generic filmmaking. They consequently rethink the gendering of genres, filmmakers, and their audiences. _x000B__x000B_Contributors are Ira Bhaskar, Steven Cohan, Luke Collins, Pam Cook, Lucy Fischer, Jane Gaines, Christine Gledhill, Derek Kane-Meddock, E. Ann Kaplan, Samiha Matin, Katie Model, E. Deidre Pribram, Vicente Rodriguez Ortega, Adam Segal, Chris Straayer, Yvonne Tasker, Deborah Thomas, and Xiangyang Chen
  24. Screening queer memory
    LGBTQ pasts in contemporary film and television
    Author: Horvat, Anamarija
    Published: 2021
    Publisher:  Bloomsbury Academic, London

    "In Screening Queer Memory, Anamarija Horvat examines how LGBTQ history has been represented on-screen, and interrogates the specificity of queer memory. She poses several questions: How are the pasts of LGBTQ people and communities visualised and... more

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    Universitätsbibliothek Bayreuth
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    "In Screening Queer Memory, Anamarija Horvat examines how LGBTQ history has been represented on-screen, and interrogates the specificity of queer memory. She poses several questions: How are the pasts of LGBTQ people and communities visualised and commemorated on screen? How do these representations comment on the influence of film and television on the construction of queer memory? How do they present the passage of memory from one generation of LGBTQ people to another? Finally, which narratives of the queer past, particularly of the activist past, are being commemorated, and which obscured? Horvat exemplifies how contemporary British and American cinema and television have commented on the specificity of queer memory - how they have reflected aspects of its construction, as well as participated in its creation. In doing so, she adds to an under-examined area of queer film and television research which has privileged concepts of nostalgia, history, temporality and the archive over memory. Films and television shows explored include Cheryl Dunye’s The Watermelon Woman (1996), Todd Haynes’ Velvet Goldmine (1998), Jill Soloway’s Transparent (2014-2019), Matthew Warchus’ Pride (2014) and Tom Rob Smith’s London Spy (2015)."

     
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    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781350187689; 9781350187665; 9781350187672
    Other identifier:
    RVK Categories: AP 50300
    Series: Library of gender and popular culture
    Subjects: Homosexuality in motion pictures; Sexual minorities in motion pictures; Homosexuality on television; Sexual minorities on television; Sex role in motion pictures; Sex role on television; Queer theory; Kollektives Gedächtnis; Fernsehfilm; Film; Repräsentation <Soziologie>; LGBT <Motiv>
    Scope: 1 Online-Ressource (xii, 188 Seiten), Illustrationen
  25. The Routledge companion to cinema and gender
    Contributor: Hole, Kristin Lené (Publisher); Jelača, Dijana (Publisher); Kaplan, Elizabeth Ann (Publisher); Petro, Patrice (Publisher)
    Published: 2017
    Publisher:  Routledge, Taylor & Francis Group, London ; New York

    Location:
    Universitätsbibliothek Würzburg
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    Source: Union catalogues
    Contributor: Hole, Kristin Lené (Publisher); Jelača, Dijana (Publisher); Kaplan, Elizabeth Ann (Publisher); Petro, Patrice (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781315684062
    RVK Categories: AP 45700 ; AP 46700 ; AP 47950 ; MS 2900
    Subjects: Sex role in motion pictures; Film; Frau <Motiv>; Soziale Rolle <Motiv>; Frauenfilm
    Scope: 1 Online-Ressource, Illustrationen
    Notes:

    Includes index