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Displaying results 26 to 45 of 45.

  1. Natural magic
    Emily Dickinson, Charles Darwin, and the dawn of modern science
    Published: 2024
    Publisher:  Princeton University Press, Princeton

    "A captivating portrait of the poet and the scientist who shared an enchanted view of natureEmily Dickinson and Charles Darwin were born at a time when the science of studying the natural world was known as natural philosophy, a pastime for poets,... more

    Universitätsbibliothek Heidelberg
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    "A captivating portrait of the poet and the scientist who shared an enchanted view of natureEmily Dickinson and Charles Darwin were born at a time when the science of studying the natural world was known as natural philosophy, a pastime for poets, priests, and schoolgirls. The world began to change in the 1830s, while Darwin was exploring the Pacific aboard the Beagle and Dickinson was a student in Amherst, Massachusetts. Poetry and science started to grow apart, and modern thinkers challenged the old orthodoxies, offering thrilling new perspectives that suddenly felt radical-and too dangerous for women.Natural Magic intertwines the stories of these two luminary nineteenth-century minds whose thought and writings captured the awesome possibilities of the new sciences and at the same time strove to preserve the magic of nature. Just as Darwin's work was informed by his roots in natural philosophy and his belief in the interconnectedness of all life, Dickinson's poetry was shaped by her education in botany, astronomy, and chemistry, and by her fascination with the enchanting possibilities of Darwinian science. Casting their two very different careers in an entirely fresh light, Renée Bergland brings to life a time when ideas about science were rapidly evolving, reshaped by poets, scientists, philosophers, and theologians alike. She paints a colorful portrait of a remarkable century that transformed how we see the natural world.Illuminating and insightful, Natural Magic explores how Dickinson and Darwin refused to accept the separation of art and science. Today, more than ever, we need to reclaim their shared sense of ecological wonder"--

     

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  2. Manipulating the sun
    picturing astronomical miracles from the Bible in the early Modern Era
    Contributor: Ellinghaus, Julia (HerausgeberIn); Remmert, Volker R. (HerausgeberIn)
    Published: [2024]
    Publisher:  Brill, Leiden

    The first interdisciplinary approach to the multi-faceted role of the prominent biblical miracles of the Sun reversing its course in II Kings 20:8-11/Isaiah 38:8 (Horologium Ahas) and the Sun standing still in Joshua 10:12 in Early Modern exegesis,... more

    Universitätsbibliothek Heidelberg
    2024 C 771
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    The first interdisciplinary approach to the multi-faceted role of the prominent biblical miracles of the Sun reversing its course in II Kings 20:8-11/Isaiah 38:8 (Horologium Ahas) and the Sun standing still in Joshua 10:12 in Early Modern exegesis, arts and sciences

     

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  3. Painting, Science, and the Perception of Coloured Shadows
    'The Most Beautiful Blue'
    Author: Smith, Paul
    Published: 2021
    Publisher:  Routledge, Taylor & Francis Group,, New York

    The science -- Light and dark -- Physics -- Contrast -- Constancy -- The criterion -- Aesthetic value. more

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    The science -- Light and dark -- Physics -- Contrast -- Constancy -- The criterion -- Aesthetic value.

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781351042000; 1351042009; 9781351042017; 1351042017; 9781351042024; 1351042025; 9781351041997; 1351041991
    Other identifier:
    Edition: 1st.
    Series: Science and the Arts since 1750
    Subjects: Color (Philosophy); Shades and shadows; Painting; Shades and shadows in art; ART / Color Theory; PHILOSOPHY / Aesthetics; SCIENCE / History
    Scope: 1 online resource (176 pages, 40 illustrations).
  4. Birth Figures
    Early Modern Prints and the Pregnant Body
    Published: 2023
    Publisher:  University of Chicago Press, Chicago

    Introduction: picturing pregnancy -- Part I: Early printed birth figures (1540-1672). Using images in midwifery practice; Pluralistic images and the early modern body -- Part II: Birth figures as agents of change (1672-1751). Visual experiments;... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Introduction: picturing pregnancy -- Part I: Early printed birth figures (1540-1672). Using images in midwifery practice; Pluralistic images and the early modern body -- Part II: Birth figures as agents of change (1672-1751). Visual experiments; Visualizing touch and defining a professional persona -- Part III: The birth figure persists (1751-1774). Challenging the Hunterian hegemony -- Conclusion.

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226823133
    Subjects: Obstetrics; Midwifery; Childbirth in art; Pregnancy in art; Fetus in art; Medical illustration; Illustration of books; Illustration of books; Illustration of books; Medicine and art; SCIENCE / History; ART / Subjects & Themes / Human Figure
    Scope: 1 Online-Ressource (309 Seiten)
    Notes:

    Description based upon print version of record

  5. Birth figures
    early modern prints and the pregnant body
    Published: [2023]; © 2023
    Publisher:  The University of Chicago Press, Chicago

    Introduction: picturing pregnancy -- Part I: Early printed birth figures (1540-1672). Using images in midwifery practice; Pluralistic images and the early modern body -- Part II: Birth figures as agents of change (1672-1751). Visual experiments;... more

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Introduction: picturing pregnancy -- Part I: Early printed birth figures (1540-1672). Using images in midwifery practice; Pluralistic images and the early modern body -- Part II: Birth figures as agents of change (1672-1751). Visual experiments; Visualizing touch and defining a professional persona -- Part III: The birth figure persists (1751-1774). Challenging the Hunterian hegemony -- Conclusion. "The first full study of "birth figures," a set of illustrations which were widely reproduced in early modern books on childbirth and midwifery. Birth figures are printed images of the pregnant uterus, always shown in series, that depict the variety of ways in which a fetus can present for birth. Historian Rebecca Whiteley coined the term and here offers the first systematic analysis of the images' creation, use, and impact. Whiteley reveals their origins in ancient medicine and explores their inclusion in many medieval gynecological manuscripts, focusing on their explosion in printed midwifery and surgical books from the mid-sixteenth to the mid-eighteenth century in Western Europe. During this period, birth figures formed a key part of the visual culture of medicine and midwifery and were widely produced. They reflected and shaped how the pregnant body was known and treated. And by providing crucial bodily knowledge to midwives and surgeons, birth figures were also deeply entangled with wider cultural preoccupations with generation and creativity, female power and agency, knowledge and its dissemination, and even the condition of the human in the universe. Birth Figures studies how different kinds of people understood childbirth and engaged with midwifery manuals, from learned physicians to midwives to illiterate listeners. Rich and detailed, this vital history reveals the importance of birth figures in how midwifery was practiced and in how people, both medical professionals and lay readers, envisioned and understood the mysterious state of pregnancy. "--

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780226823126
    Subjects: Obstetrics; Midwifery; Childbirth in art; Pregnancy in art; Fetus in art; Medical illustration; Illustration of books; Illustration of books; Illustration of books; Medicine and art; SCIENCE / History; ART / Subjects & Themes / Human Figure
    Scope: xiv, 288 Seiten, 4 ungezählte Seiten Tafeln, Illustrationen
    Notes:

    Literaturverzeichnis: Seite 259-280

  6. Code
    From Information Theory to French Theory
    Published: [2022]; ©2022
    Publisher:  Duke University Press, Durham

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781478023630
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    Series: Sign, Storage, Transmission : 27
    Subjects: Cybernetics; Cybernetics; Digital humanities; Digital humanities; Digital media; Digital media; Humanities; Information society; Technology and civilization; SCIENCE / History
    Scope: 1 online resource (272 p.)
  7. Ancient Jewish sciences and the history of knowledge in Second Temple literature
    Contributor: Ben-Dov, Jonathan (Publisher); Sanders, Seth L. (Publisher)
    Published: 2014
    Publisher:  New York University Press, [New York]

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Contributor: Ben-Dov, Jonathan (Publisher); Sanders, Seth L. (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 147982304X; 147986398X; 1479873977; 9781479823048; 9781479863983; 9781479873975
    Subjects: SCIENCE / History; Geschichte; Judentum; Religion; Science, Ancient; Astronomy, Ancient; Astrology, Hebrew; Judaism and science; Physiognomy; Frühjudentum; Geschichtsschreibung; Apokalyptik
    Scope: 1 online resource (275 pages)
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    Print version record

    Until very recently, the idea of ancient Jewish sciences would have been considered unacceptable. Since the 1990's, Early Modern and Medieval Science in Jewish sources has been actively studied, but the consensus was that no real scientific themes could be found in earlier Judaism. This work points them out in detail, and posits a new field of research: the scientific activity evident in the Dead Sea Scrolls and Early Jewish Pseudepigrapha. The publication of new texts and new analyses of older ones reveals crucial elements that are best illuminated by the history of science, and may have inte

  8. Code
    from information theory to French theory
    Published: [2022]; © 2022
    Publisher:  Duke University Press, Durham

    In Code Bernard Dionysius Geoghegan reconstructs how Progressive Era technocracy as well as crises of industrial democracy and colonialism shaped early accounts of cybernetics and digital media by theorists including Norbert Wiener, Warren Weaver,... more

    Technische Hochschule Augsburg
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    In Code Bernard Dionysius Geoghegan reconstructs how Progressive Era technocracy as well as crises of industrial democracy and colonialism shaped early accounts of cybernetics and digital media by theorists including Norbert Wiener, Warren Weaver, Margaret Mead, Gregory Bateson, Claude Lévi-Strauss, Roman Jakobson, Jacques Lacan, Roland Barthes, and Luce Irigaray. His analysis casts light on how media-practical research forged common epistemic cause in programs that stretched from 1930s interwar computing at MIT and eugenics to the proliferation of seminars and laboratories in 1960s Paris. This mobilization ushered forth new fields of study such as structural anthropology, family therapy, and literary semiology while forming enduring intellectual affinities between the humanities and informatics. With Code, Geoghegan offers a new history of French theory and the digital humanities as transcontinental and political endeavors linking interwar colonial ethnography in Dutch Bali to French sciences in the throes of Cold War-era decolonization and modernization

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781478023630
    Other identifier:
    Series: Sign, Storage, Transmission : 27
    Subjects: SCIENCE / History; Cybernetics; Cybernetics; Digital humanities; Digital humanities; Digital media; Digital media; Humanities; Information society; Technology and civilization
    Scope: 1 Online-Ressource (270 Seiten)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 05. Dez 2022)

  9. Manipulating the sun
    picturing astronomical miracles from the Bible in the early modern era
    Contributor: Ellinghaus, Julia (Herausgeber); Remmert, Volker R (Herausgeber)
    Published: [2024]; © 2024
    Publisher:  Brill, Leiden ; Boston

    The first interdisciplinary approach to the multi-faceted role of the prominent biblical miracles of the Sun reversing its course in II Kings 20:8-11/Isaiah 38:8 (Horologium Ahas) and the Sun standing still in Joshua 10:12 in Early Modern exegesis,... more

    Universitätsbibliothek Wuppertal
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    The first interdisciplinary approach to the multi-faceted role of the prominent biblical miracles of the Sun reversing its course in II Kings 20:8-11/Isaiah 38:8 (Horologium Ahas) and the Sun standing still in Joshua 10:12 in Early Modern exegesis, arts and sciences

     

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  10. Tierbilder aus dem ersten Jahrhundert
    Ein zoologischer Kommentar zum Artemidor-Papyrus
    Published: 2009
    Publisher:  Walter de Gruyter, Berlin, New York

    Die Rückseite des im frühen ersten Jh. n. Chr. in Alexandria entstandenen Artemidor-Papyrus zeigt 41 Zeichnungen von einer Hand, davon 38 Tierdarstellungen: Vierfüßer des Landes, Vögel, Fische und Wale. Die Darstellung steht in einer hellenistischen... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Die Rückseite des im frühen ersten Jh. n. Chr. in Alexandria entstandenen Artemidor-Papyrus zeigt 41 Zeichnungen von einer Hand, davon 38 Tierdarstellungen: Vierfüßer des Landes, Vögel, Fische und Wale. Die Darstellung steht in einer hellenistischen Tradition von Tierbildern. The Artemidorus papyrus, originating from Alexandria at the beginning of the 1st century A.D., contains on its verso 41 drawings by one hand, thereof 38 sketches of animals (some comprising two species each,thus resulting in 44 species), most of them labelled withtheir Greek names. As visible fromthe ?title' on the papyrus itself, it presents terrestrial tetrapods as well asbirds, fish, and whales. The workstands inthe tradition of Hellenistic animal pictures, beginning with Aristotle,developed furtherby the forerunners of the Nile Mosaic of Praeneste (Palestrina), and continued in Hellenistic

     

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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110225815
    Other identifier:
    RVK Categories: NH 5250 ; AM 40100
    Series: Archiv für Papyrusforschung und verwandte Gebiete - Beihefte ; 28
    Subjects: Animals in art; Animals in art; Antiquity; SCIENCE / History
    Other subjects: Animal Representations; Antiquity; Artmidorus Papyrus
    Scope: Online-Ressource
    Notes:

    Includes bibliographical references and index

    Frontmatter; Inhaltsverzeichnis; 1. Einleitung; 2. Der Artemidor-Papyrus; 3. Die Tierzeichnungen des Verso: Ziele und Methoden; 4. Kommentare zu den Arten; 5. Konzept und Zeichner; 6. Schlussfolgerungen; 7. Zusammenfassung; 8. Abstract; Backmatter;

  11. The perversity of things
    Hugo Gernsback on media, tinkering, and scientifiction
    Published: [2016]
    Publisher:  University of Minnesota Press, Minneapolis ; London

    "In 1905, a young Jewish immigrant from Luxembourg founded an electrical supply shop in New York. This inventor, writer, and publisher Hugo Gernsback would later become famous for launching the first science fiction magazine, Amazing Stories, in... more

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    "In 1905, a young Jewish immigrant from Luxembourg founded an electrical supply shop in New York. This inventor, writer, and publisher Hugo Gernsback would later become famous for launching the first science fiction magazine, Amazing Stories, in 1926. But while science fiction's annual Hugo Awards were named in his honor, there has been surprisingly little understanding of how the genre began among a community of tinkerers all drawn to Gernsback's vision of comprehending the future of media through making. In The Perversity of Things, Grant Wythoff makes available texts by Hugo Gernsback that were foundational both for science fiction and the emergence of media studies. Wythoff argues that Gernsback developed a means of describing and assessing the cultural impact of emerging media long before media studies became an academic discipline. From editorials and blueprints to media histories, critical essays, and short fiction, Wythoff has collected a wide range of Gernsback's writings that have been out of print since their magazine debut in the early 1900s. These articles cover such topics as television; the regulation of wireless/radio; war and technology; speculative futures; media-archaeological curiosities like the dynamophone and hypnobioscope; and more. All together, this collection shows how Gernsback's publications evolved from an electrical parts catalog to a full-fledged literary genre. The Perversity of Things aims to reverse the widespread misunderstanding of Gernsback within the history of science fiction criticism. Through painstaking research and extensive annotations and commentary, Wythoff reintroduces us to Gernsback and the origins of science fiction"...

     

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    Source: Union catalogues
    Contributor: Wythoff, Grant (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781517900847; 9781517900854
    RVK Categories: AP 53900 ; HG 672
    Series: Electronic mediations ; 52
    Subjects: LITERARY CRITICISM / Science Fiction & Fantasy / bisacsh; LITERARY COLLECTIONS / Essays / bisacsh; SCIENCE / History / bisacsh; LITERARY CRITICISM / Science Fiction & Fantasy; LITERARY COLLECTIONS / Essays; SCIENCE / History
    Scope: xvi, 359 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

  12. Inferior
    how science got women wrong and the new research that's rewriting the story
    Published: [2017]; © 2017
    Publisher:  Beacon Press, Boston

    "What science has gotten so shamefully wrong about women, and the fight, by both female and male scientists, to rewrite what we thought we knew For hundreds of years it was common sense: women were the inferior sex. Their bodies were weaker, their... more

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    "What science has gotten so shamefully wrong about women, and the fight, by both female and male scientists, to rewrite what we thought we knew For hundreds of years it was common sense: women were the inferior sex. Their bodies were weaker, their minds feebler, their role subservient. No less a scientist than Charles Darwin asserted that women were at a lower stage of evolution, and for decades, scientists...primarily men...claimed to find evidence to support this. From intelligence to emotion, cognition to behavior, science has continued to tell us that men and women are fundamentally different. Biologists claim that women are better suited to raising families or, more gently, uniquely empathetic. Men, on the other hand, continue to be described as excelling at tasks that require logic, spatial reasoning, and motor skills. But a huge wave of research is now revealing an alternative version of what we thought we knew. The new woman revealed by this scientific data is as strong, powerful, strategic, and smart as anyone else. In Inferior, acclaimed science writer Angela Saini weaves together a fascinating...and sorely necessary...new science of women. She takes readers on a journey to uncover science's failure to understand women and to show how women's bodies and minds are finally being rediscovered. Saini tells this alternate story of science with personal stories, controversial research, and an investigation into the gender wars in biology, psychology, and anthropology"...

     

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  13. Corpus Paracelsisticum
    Dokumente frühneuzeitlicher Naturphilosophie in Deutschland, Band III, Der Frühparacelsismus / Teil 3
    Published: [2013]; ©2013
    Publisher:  De Gruyter, Berlin ; Boston

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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110296471
    Other identifier:
    Series: Frühe Neuzeit ; 170
    Subjects: Early Modern Age; History of science; Literary studies; Literaturwissenschaft; Neuzeit / i.d.Literatur; Paracelsus; Wissenschaftsgeschichte; SCIENCE / History
    Scope: 1 online resource (1367 p.)
  14. The Lost Art of Finding Our Way
    Published: 2013; ©2013.
    Publisher:  The @Belknap Press of Harvard Univ. Press, Cambridge, Mass. [u.a.]

    Main description: Long before GPS and Google Earth, humans traveled vast distances using environmental clues and simple instruments. What else is lost when technology substitutes for our innate capacity to find our way? Illustrated with 200 drawings,... more

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    Main description: Long before GPS and Google Earth, humans traveled vast distances using environmental clues and simple instruments. What else is lost when technology substitutes for our innate capacity to find our way? Illustrated with 200 drawings, this narrative—part treatise, part travelogue, and part navigational history—brings our own world into sharper view. Long before GPS and Google Earth, humans traveled vast distances using environmental clues and simple instruments. What else is lost when technology substitutes for our innate capacity to find our way? Illustrated with 200 drawings, this narrative—part treatise, part travelogue, and part navigational history—brings our own world into sharper view. Main description: Long before GPS, Google Earth, and global transit, humans traveled vast distances using only environmental clues and simple instruments. John Huth asks what is lost when modern technology substitutes for our innate capacity to find our way. Encyclopedic in breadth, weaving together astronomy, meteorology, oceanography, and ethnography, The Lost Art of Finding Our Way puts us in the shoes, ships, and sleds of early navigators for whom paying close attention to the environment around them was, quite literally, a matter of life and death. Haunted by the fate of two young kayakers lost in a fogbank off Nantucket, Huth shows us how to navigate using natural phenomena—the way the Vikings used the sunstone to detect polarization of sunlight, and Arab traders learned to sail into the wind, and Pacific Islanders used underwater lightning and “read” waves to guide their explorations. Huth reminds us that we are all navigators capable of learning techniques ranging from the simplest to the most sophisticated skills of direction-finding. Even today, careful observation of the sun and moon, tides and ocean currents, weather and atmospheric effects can be all we need to find our way. Lavishly illustrated with nearly 200 specially prepared drawings, Huth’s compelling account of the cultures of navigation will engross readers in a narrative that is part scientific treatise, part personal travelogue, and part vivid re-creation of navigational history. Seeing through the eyes of past voyagers, we bring our own world into sharper view.

     

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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674074811
    Other identifier:
    9780674074811
    RVK Categories: EC 5410 ; ZO 6655
    Edition: [Elektronische Ressource]
    Subjects: Naval art and science; Ingenieurwissenschaften und Maschinenbau; Navigation; Navigation; Naval art and science; Naval art and science; Navigation; Naval art and science; Navigation; SCIENCE / History
    Other subjects: Array; Array
    Scope: Online-Ressource (PDF-Dateien: 528 S.)
    Notes:

    Differences between the printed and electronic version of the document are possible

    Unterschiede zwischen dem gedruckten Dokument und der elektronischen Ressource können nicht ausgeschlossen werden

    Before the bubble -- Maps in the mind -- On being lost -- Dead reckoning -- Urban myths of navigation -- Maps and compasses -- Stars -- The sun and the moon -- Where heaven meets earth -- Latitude and longitude -- Red sky at night -- Reading the waves -- Soundings and tides -- Currents and gyres -- Speed and stability of hulls -- Against the wind -- Fellow wanderers -- Baintabu's story

    Includes bibliographical references and index

  15. Birth figures
    early modern prints and the pregnant body
    Published: [2023]; © 2023
    Publisher:  The University of Chicago Press, Chicago

    Introduction: picturing pregnancy -- Part I: Early printed birth figures (1540-1672). Using images in midwifery practice; Pluralistic images and the early modern body -- Part II: Birth figures as agents of change (1672-1751). Visual experiments;... more

    Max-Planck-Institut für Wissenschaftsgeschichte, Bibliothek
    618 W594b
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    ::8:2023:3180:
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    Gyn.32.2023
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    20/8 23.404
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    2023 C 1967
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    Gyn Y 26
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    6270-589 3
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    Universitätsbibliothek der Eberhard Karls Universität
    64 A 1747
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    Herzog August Bibliothek Wolfenbüttel
    73.1787
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    Introduction: picturing pregnancy -- Part I: Early printed birth figures (1540-1672). Using images in midwifery practice; Pluralistic images and the early modern body -- Part II: Birth figures as agents of change (1672-1751). Visual experiments; Visualizing touch and defining a professional persona -- Part III: The birth figure persists (1751-1774). Challenging the Hunterian hegemony -- Conclusion. "The first full study of "birth figures," a set of illustrations which were widely reproduced in early modern books on childbirth and midwifery. Birth figures are printed images of the pregnant uterus, always shown in series, that depict the variety of ways in which a fetus can present for birth. Historian Rebecca Whiteley coined the term and here offers the first systematic analysis of the images' creation, use, and impact. Whiteley reveals their origins in ancient medicine and explores their inclusion in many medieval gynecological manuscripts, focusing on their explosion in printed midwifery and surgical books from the mid-sixteenth to the mid-eighteenth century in Western Europe. During this period, birth figures formed a key part of the visual culture of medicine and midwifery and were widely produced. They reflected and shaped how the pregnant body was known and treated. And by providing crucial bodily knowledge to midwives and surgeons, birth figures were also deeply entangled with wider cultural preoccupations with generation and creativity, female power and agency, knowledge and its dissemination, and even the condition of the human in the universe. Birth Figures studies how different kinds of people understood childbirth and engaged with midwifery manuals, from learned physicians to midwives to illiterate listeners. Rich and detailed, this vital history reveals the importance of birth figures in how midwifery was practiced and in how people, both medical professionals and lay readers, envisioned and understood the mysterious state of pregnancy. "--

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780226823126
    Subjects: Obstetrics; Midwifery; Childbirth in art; Pregnancy in art; Fetus in art; Medical illustration; Illustration of books; Illustration of books; Illustration of books; Medicine and art; SCIENCE / History; ART / Subjects & Themes / Human Figure
    Scope: xiv, 288 Seiten, 4 ungezählte Seiten Tafeln, Illustrationen
    Notes:

    Literaturverzeichnis: Seite 259-280

  16. Code
    from information theory to French theory
    Published: 2022; ©2022
    Publisher:  Duke University Press, Durham

    In Code Bernard Dionysius Geoghegan reconstructs how Progressive Era technocracy as well as crises of industrial democracy and colonialism shaped early accounts of cybernetics and digital media by theorists including Norbert Wiener, Warren Weaver,... more

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    Max-Planck-Institut für Wissenschaftsgeschichte, Bibliothek
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    In Code Bernard Dionysius Geoghegan reconstructs how Progressive Era technocracy as well as crises of industrial democracy and colonialism shaped early accounts of cybernetics and digital media by theorists including Norbert Wiener, Warren Weaver, Margaret Mead, Gregory Bateson, Claude Lévi-Strauss, Roman Jakobson, Jacques Lacan, Roland Barthes, and Luce Irigaray. His analysis casts light on how media-practical research forged common epistemic cause in programs that stretched from 1930s interwar computing at MIT and eugenics to the proliferation of seminars and laboratories in 1960s Paris. This mobilization ushered forth new fields of study such as structural anthropology, family therapy, and literary semiology while forming enduring intellectual affinities between the humanities and informatics. With Code, Geoghegan offers a new history of French theory and the digital humanities as transcontinental and political endeavors linking interwar colonial ethnography in Dutch Bali to French sciences in the throes of Cold War-era decolonization and modernization

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781478023630
    Other identifier:
    Series: Array
    Subjects: Cybernetics; Cybernetics; Digital humanities; Digital humanities; Digital media; Digital media; Humanities; Information society; Technology and civilization; SCIENCE / History
    Scope: 1 Online-Ressource (270 p.)
  17. Painting, Science, and the Perception of Coloured Shadows
    'The Most Beautiful Blue'
    Author: Smith, Paul
    Published: 2021
    Publisher:  Routledge, Taylor & Francis Group,, New York

    The science -- Light and dark -- Physics -- Contrast -- Constancy -- The criterion -- Aesthetic value. more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    The science -- Light and dark -- Physics -- Contrast -- Constancy -- The criterion -- Aesthetic value.

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781351042000; 1351042009; 9781351042017; 1351042017; 9781351042024; 1351042025; 9781351041997; 1351041991
    Other identifier:
    Edition: 1st.
    Series: Science and the Arts since 1750
    Subjects: Color (Philosophy); Shades and shadows; Painting; Shades and shadows in art; ART / Color Theory; PHILOSOPHY / Aesthetics; SCIENCE / History
    Scope: 1 online resource (176 pages, 40 illustrations).
  18. Collected Wisdom of the Early Modern Scholar
    Essays in Honor of Mordechai Feingold
    Contributor: Manning, Gideon (HerausgeberIn); Roos, Anna Marie (HerausgeberIn)
    Published: 2024
    Publisher:  Springer International Publishing AG, Cham

    This book brings together leading scholars in the history of science, history of universities, intellectual history, and the history of the Royal Society, to honor Professor Mordechai Feingold. The essays collected here reflect the impact Feingold's... more

     

    This book brings together leading scholars in the history of science, history of universities, intellectual history, and the history of the Royal Society, to honor Professor Mordechai Feingold. The essays collected here reflect the impact Feingold's scholarship has had on a range of fields and address several topics, including: the dynamic pedagogical techniques employed in early modern universities, networks of communication through which scientific knowledge was shared, experimental techniques and knowledge production, the life and times of Isaac Newton, Newton's reception, and the scientific culture of the Royal Society. Modeling the interdisciplinary approaches championed by Feingold as well as the essential role of archival studies, the volume attests to the enduring value of his scholarship and sets a benchmark for future work in the history of science and its allied fields

     

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    Cover (lizenzpflichtig)
    Source: Union catalogues
    Contributor: Manning, Gideon (HerausgeberIn); Roos, Anna Marie (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783031097249
    Edition: 1st ed. 2023
    Series: Archimedes
    Subjects: ART / General; Biographie, Literatur und Literaturwissenschaft; Geschichte; Geschichte der Naturwissenschaften; Geschichtsschreibung, Historiographie; HISTORY / General; History of science; History: specific events & topics; Kunst, allgemein; LITERARY CRITICISM / General; SCIENCE / History; The arts: general issues
    Scope: 390 Seiten
    Notes:

    Chapter1 Introduction.- Part I History of Universities.- Part II Intellectual History.- Part III Newton.- Part IV Royal Society Luminaries.- Publications of Mordechai Feingold.- index.

  19. Rudolf Virchow: Sämtliche Werke
    Abt. IV - Briefe. Band 68.4: Korrespondenzen um Troja in historisch-kritischer Erstedition in vier Bänden
  20. Soziologie als künftige Philosophie der Gesellschaft
    zum Philosophieverständnis der frühen Vertreter deutschsprachiger Soziologie (1883-1909)
    Published: 2024
    Publisher:  Mohr Siebeck, Tübingen

    David G. Kristinsson legt eine Geschichte der Grenze zwischen Soziologie und Philosophie vor. Darin befasst er sich mit deutschsprachigen Soziologen der ersten Stunde. Er betrachtet die entstehende Disziplin Soziologie in ihrer Absetzungsbewegung zur... more

    Max-Planck-Institut zur Erforschung von Kriminalität, Sicherheit und Recht, Bibliothek
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    David G. Kristinsson legt eine Geschichte der Grenze zwischen Soziologie und Philosophie vor. Darin befasst er sich mit deutschsprachigen Soziologen der ersten Stunde. Er betrachtet die entstehende Disziplin Soziologie in ihrer Absetzungsbewegung zur Philosophie. Mittels intensiver Lektüre bestimmter Werke (u.a. Tönnies' und Simmels) untersucht er, welche Aufgaben die Soziologen ihrer neuen Disziplin in Abgrenzung zu denen einer künftigen Philosophie zuwiesen. Da Soziologen zu dieser Zeit noch kaum auf statistischer, sondern vor allem auf Grundlage historischer Kenntnisse und Alltagsbeobachtungen arbeiteten, analysiert der Autor die Abweichungen von der Gesellschaftsanalyse der herrschenden Universitätsphilosophie. Denn ihre induktive Metaphysik der Gesellschaft unterschied sie zwar klar von der spekulativen, kaum aber von der wissenschaftlichen Philosophie

     

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