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  1. Popular tropes of identity in contemporary Russian television and film
    Author: Souch, Irina
    Published: 2017
    Publisher:  Bloomsbury Academic, New York ; London ; Oxford ; New Delhi ; Sydney

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Regensburg
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  2. Popular tropes of identity in contemporary Russian television and film
    Author: Souch, Irina
    Published: 2017
    Publisher:  Bloomsbury Academic, New York ; London ; Oxford ; New Delhi ; Sydney

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Universitätsbibliothek Regensburg
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    Universitätsbibliothek Würzburg
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  3. Popular tropes of identity in contemporary Russian television and film
    Author: Souch, Irina
    Published: 2017
    Publisher:  Bloomsbury Academic, an imprint of Bloomsbury Publishing, Inc, New York ; Bloomsbury Publishing, London

    List of Figures -- Note on Transliteration and Translation -- Introduction: Popular Tropes of Identity in Contemporary Russian Television and Film: An Introduction -- One: From paternal authority to brotherhood: Soviet identity myths in transition --... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Universitätsbibliothek Leipzig
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    Universität Potsdam, Universitätsbibliothek
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    List of Figures -- Note on Transliteration and Translation -- Introduction: Popular Tropes of Identity in Contemporary Russian Television and Film: An Introduction -- One: From paternal authority to brotherhood: Soviet identity myths in transition -- Two: Us versus them: fantasies of otherness in the construction of post-Soviet identity -- Three: Double thinking: negotiating adjustment to societal change -- Four: The waning family: gender and generations in post-Soviet society -- Five: Towards new forms of sociality: laughter as a socially productive force -- Afterword -- Notes -- References -- Index This book is an exploration of the changes in Russian cultural identity in the twenty years after the fall of the Soviet state. Through close readings of a select number of contemporary Russian films and television series, Irina Souch investigates how a variety of popular cultural tropes ranging from the patriarchal family to the country idyll survived the demise of Communism and maintained their power to inform the Russian people's self-image. She shows how these tropes continue to define attitudes towards political authority, economic disparity, ethnic and cultural difference, generational relations and gender. The author also introduces theories of identity developed in Russia at the same time, enabling these works to act as sites of productive dialogue with the more familiar discourses of Western scholarship

     
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  4. Popular tropes of identity in contemporary Russian television and film
    Author: Souch, Irina
    Published: 2017
    Publisher:  Bloomsbury Academic, New York ; London ; Oxford ; New Delhi ; Sydney

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    Resolving-System (lizenzpflichtig)

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität Potsdam, Universitätsbibliothek
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  5. Popular tropes of identity in contemporary Russian television and film
    Author: Souch, Irina
    Published: [2017]
    Publisher:  Bloomsbury Academic, an imprint of Bloomsbury Publishing, Inc, New York

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    Staats- und Universitätsbibliothek Bremen
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    a puz 424.1 4 rd/254
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    Universitätsbibliothek Freiburg
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    GE 2019/145
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  6. Popular tropes of identity in contemporary Russian television and film
    Author: Souch, Irina
    Published: 2017
    Publisher:  Bloomsbury Academic & Professional, New York

    Cover page -- Halftitle page -- Title page -- Copyright page -- Contents -- List of Figures -- Note on Transliteration and Translation -- Introduction -- Post-Soviet identities -- National identity and the other -- Family fantasies -- Popular... more

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    Hochschulbibliothek Friedensau
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    Online-Ressource
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    Cover page -- Halftitle page -- Title page -- Copyright page -- Contents -- List of Figures -- Note on Transliteration and Translation -- Introduction -- Post-Soviet identities -- National identity and the other -- Family fantasies -- Popular imaginations -- From traditional family to the new forms of communal identity -- 1 From paternal authority to brotherhood: Soviet identity myths in transition -- Introduction -- The subject's (self-)recognition and the role of the affirmative look -- In the absence of true fathers -- Brotherhood reconsidered -- Finding identity: individual quest versus collective preoccupation -- Soviet identity myths in transition -- 2 Us versus them: fantasies of otherness in the construction of post-Soviet identity -- Introduction -- Self-assigned superiority and Russian "truth" -- The other in a disaffected society -- The cultural specificity of otherness -- Uneasy dialogue with the other -- Fantasies of otherness in the construction of post-Soviet identity -- 3 Double thinking: negotiating adjustment to societal change -- Introduction -- Double thinking as a communal practice -- Unexpected coercion and negative adjustment -- Negative adjustment and hysteresis -- Post-Soviet subjectivity as a site of conflicting discourses -- Negotiating adjustment to societal change -- 4 The waning family: gender and generations in post-Soviet society -- Introduction -- Dissolving the patriarchal myth -- Death and the affirmation of gender roles -- The shortcomings of "natural" expectations -- Intergenerational clashes and the assertion of individual identities -- Gender and generations in post-Soviet society -- 5 Towards new forms of sociality: laughter as a socially productive force -- Introduction -- The play of the jolly and the witty: RLL and genre resignification -- Social critique and the healing quality of stereotypes Envisaging social alternatives -- Laughter as a socially productive force -- Afterword -- The bell tower of happiness -- Kiss Them All! -- Notes -- References -- Index

     
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