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Displaying results 176 to 200 of 219.

  1. Edmund Burke's aesthetic ideology
    language, gender, and political economy in revolution
    Author: Furniss, Tom
    Published: 1993
    Publisher:  Cambridge University Press, Cambridge

    This study develops a detailed reading of the interrelations between aesthetics, ideology, language, gender and political economy in two highly influential works by Edmund Burke: his Philosophical Enquiry into the Origin of our Ideas of the Sublime... more

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    This study develops a detailed reading of the interrelations between aesthetics, ideology, language, gender and political economy in two highly influential works by Edmund Burke: his Philosophical Enquiry into the Origin of our Ideas of the Sublime and the Beautiful (1757), and the Reflections on the Revolution in France (1790). Tom Furniss's close attention to the rhetorical labyrinths of these texts is combined with an attempt to locate them within the larger discursive networks of the period, including texts by Locke, Hume and Smith. This process reveals that Burke's contradictions and inconsistencies are symptomatic of a strenuous engagement with the ideological problems endemic to the period. Burke's dilemma in this respect makes the Reflections an audacious compromise which simultaneously defends the ancien régime, contributes towards the articulation of radical thought, and makes possible the revolution which we call English Romanticism

     
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  2. Idleness, contemplation and the aesthetic, 1750-1830
    Author: Adelman, Richard
    Published: 2011
    Publisher:  Cambridge University Press, Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; São Paulo ; Delhi ; Tokyo ; Mexico City

    Reconstructing the literary and philosophical reaction to Adam Smith's dictum that man is a labouring animal above and before all else, this study explores the many ways in which Romantic writers presented idle contemplation as the central activity... more

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    Reconstructing the literary and philosophical reaction to Adam Smith's dictum that man is a labouring animal above and before all else, this study explores the many ways in which Romantic writers presented idle contemplation as the central activity in human life. By contrasting the British response to Smith's political economy with that of contemporary German Idealists, Richard Adelman also uses this consideration of the importance of idleness to Romantic aesthetics to chart the development of a distinctly British idealism in the last decades of the eighteenth century. Exploring the work of Adam Smith, Jeremy Bentham, Friedrich Schiller, William Cowper, Samuel Taylor Coleridge, Mary Wollstonecraft and many of their contemporaries, this study pinpoints a debate over human activity and capability taking place between 1750 and 1830, and considers its social and political consequences for the cultural theory of the early nineteenth century

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511675706
    Other identifier:
    RVK Categories: HL 1091 ; HL 1131
    Series: Cambridge studies in romanticism ; 89
    Subjects: English literature / 18th century / History and criticism; English literature / 19th century / History and criticism; Romanticism / Great Britain; Aesthetics, British / 18th century; Aesthetics, British / 19th century; Solitude in literature; Labor in literature; Idealism in literature; Ästhetik; Englisch; Kontemplation; Romantik; Literatur
    Scope: 1 Online-Ressource (viii, 203 Seiten)
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    Introduction -- 1. The division of labour -- 2. Utilitarian education and aesthetic education -- 3. Cowper, Coleridge and Wollstonecraft -- 4. Coleridge's pantisocracy, biographia and Church and state -- Conclusion -- Epilogue: Wordsworth and Kingsley
  3. Advertising and satirical culture in the Romantic period
    Author: Strachan, John
    Published: 2007
    Publisher:  Cambridge University Press, Cambridge

    Advertising, which developed in the late eighteenth century as an increasingly sophisticated and widespread form of brand marketing, would seem a separate world from that of the 'literature' of its time. Yet satirists and parodists were influenced by... more

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    Advertising, which developed in the late eighteenth century as an increasingly sophisticated and widespread form of brand marketing, would seem a separate world from that of the 'literature' of its time. Yet satirists and parodists were influenced by and responded to advertising, while copywriters borrowed from the wider literary culture, especially through poetical advertisements and comic imitation. This 2007 study to pays sustained attention to the cultural resonance and literary influences of advertising in the late eighteenth and early nineteenth centuries. John Strachan addresses the many ways in which literary figures including George Crabbe, Lord Byron and Charles Dickens responded to the commercial culture around them. With its many fascinating examples of contemporary advertisements read against literary texts, this study combines an intriguing approach to the literary culture of the day with an examination of the cultural impact of its commercial language

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511484520
    Other identifier:
    RVK Categories: HG 702 ; HL 1131 ; HL 1397
    Series: Cambridge studies in Romanticism ; 74
    Subjects: Geschichte; Advertising copy / Great Britain / History / 18th century; Advertising copy / Great Britain / History / 19th century; Romanticism / Great Britain; English literature / 18th century / History and criticism; English literature / 19th century / History and criticism; English literature / Themes, motives; Satire; Werbegrafik; Englisch; Literatur
    Scope: 1 online resource (xii, 353 pages)
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    A 'department of literature': advertising in the Romantic period -- 'Humbug and Co.': satirical engagements with advertising 1770-1840 -- 'We keep a poet': shoe blacking and the commercial aesthetic -- 'Publicity to a lottery is certainly necessary': Thomas Bish and the culture of gambling -- 'Barber or perfumer': incomparable oils and crinicultural satire -- 'The poetry of hair-cutting': J.R.D. Huggins, the emperor of barbers -- 'Thought on puffs, patrons and other matters': commodifying the book
  4. Romanticism and animal rights
    Author: Perkins, David
    Published: 2003
    Publisher:  Cambridge University Press, Cambridge

    In England in the second half of the eighteenth century an unprecedented amount of writing urged kindness to animals. This theme was carried in many genres, from sermons to encyclopedias, from scientific works to literature for children, and in the... more

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    In England in the second half of the eighteenth century an unprecedented amount of writing urged kindness to animals. This theme was carried in many genres, from sermons to encyclopedias, from scientific works to literature for children, and in the poetry of Cowper, Wordsworth, Coleridge, Clare and others. Romanticism and Animal Rights discusses the arguments writers used, and the particular meanings of these arguments in a social and economic context so different from the present. After introductory chapters, the material is divided according to specific practices that particularly influenced feeling or aroused protest: pet keeping, hunting, baiting, working animals, eating them, and the various harms inflicted on wild birds. The book shows how extensively English Romantic writing took up issues of what we now call animal rights. In this respect it joins the growing number of studies that seek precedents or affinities in English Romanticism for our own ecological concerns

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511484421
    Other identifier:
    RVK Categories: HL 1131
    Series: Cambridge studies in Romanticism ; 58
    Subjects: Geschichte; English literature / 19th century / History and criticism; Animals in literature; English literature / 18th century / History and criticism; Animal welfare / Great Britain / History / 18th century; Animal welfare / Great Britain / History / 19th century; Animal rights / Great Britain / History / 18th century; Animal rights / Great Britain / History / 19th century; Human-animal relationships in literature; Romanticism / Great Britain; Englisch; Literatur; Romantik; Tierschutz
    Scope: 1 online resource (xvi, 190 pages)
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    In the beginning of animal rights -- Grounds for argument -- Keeping pets: William Cowper and his hares -- Barbarian pleasures: against hunting -- Savage amusements of the poor: John Clare's badger sonnets -- Work animals, slaves, servants: Coleridge's young ass -- The slaughterhouse and the kitchen: Charles Lamb's 'Dissertation upon Roast Pig' -- Caged birds and wild
  5. Romantic tragedies
    the dark employments of Wordsworth, Coleridge, and Shelley
    Author: Parker, Reeve
    Published: 2011
    Publisher:  Cambridge University Press, Cambridge

    Troubled politically and personally, Wordsworth and Coleridge turned in 1797 to the London stage. Their tragedies, The Borderers and Osorio, were set in medieval Britain and early modern Spain to avoid the Lord Chamberlain's censorship. Drury Lane... more

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    Troubled politically and personally, Wordsworth and Coleridge turned in 1797 to the London stage. Their tragedies, The Borderers and Osorio, were set in medieval Britain and early modern Spain to avoid the Lord Chamberlain's censorship. Drury Lane rejected both, but fifteen years later Coleridge's revision, Remorse, had spectacular success there, inspiring Shelley's 1819 Roman tragedy, The Cenci, aimed for Covent Garden. Reeve Parker makes a striking case for the power of these intertwined works, written against British hostility to French republican liberties and Regency repression of home-grown agitation. Covertly, Remorse and The Cenci also turn against Wordsworth. Stressing the significance of subtly repeated imagery and resonances with Virgil, Shakespeare, Racine, Jean-François Ducis and Schiller, Parker's close readings, which are boldly imaginative and decidedly untoward, argue that at the heart of these tragedies lie powerful dramatic uncertainties driven by unstable passions - what he calls, adapting Coleridge's phrase for sorcery, 'dark employments'

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511975011
    Other identifier:
    RVK Categories: HL 1223
    Series: Cambridge studies in Romanticism ; 87
    Subjects: Verse drama, English / History and criticism; English drama (Tragedy) / History and criticism; English drama / 18th century / History and criticism; English drama / 19th century / History and criticism; Romanticism / Great Britain; Englisch; Verstragödie; Romantik
    Other subjects: Wordsworth, William / 1770-1850 / Dramatic works; Coleridge, Samuel Taylor / 1772-1834 / Dramatic works; Shelley, Percy Bysshe / 1792-1822 / Dramatic works; Shelley, Percy Bysshe (1792-1822); Wordsworth, William (1770-1850): The borderers; Coleridge, Samuel Taylor (1772-1834)
    Scope: 1 online resource (x, 300 pages)
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    Introduction: "Prowling out for dark employments" -- Part I. Wordsworth: 1. Reading Wordsworth's power: narrative and usurpation in The Borderers; 2. Cradling French Macbeth: managing the art of second-hand Shakespeare; 3. 'In some sort seeing with my proper eyes': Wordsworth and the spectacles of Paris; 4. Drinking up whole rivers: facing Wordsworth's watery discourse -- Part II. Coleridge and Shelley: 5. Osorio's dark employments: tricking out Coleridgean tragedy; 6. Listening to remorse: assuming man's infirmities; 7. Reading Shelley's delicacy
  6. The Orient and the Young Romantics
    Author: Warren, Andrew
    Published: 2014
    Publisher:  Cambridge University Press, Cambridge

    Through close readings of major poems, this book examines why the second-generation Romantic poets - Byron, Shelley, and Keats - stage so much of their poetry in Eastern or Orientalized settings. It argues that they do so not only to interrogate... more

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    Through close readings of major poems, this book examines why the second-generation Romantic poets - Byron, Shelley, and Keats - stage so much of their poetry in Eastern or Orientalized settings. It argues that they do so not only to interrogate their own imaginations, but also as a way of criticizing Europe's growing imperialism. For them the Orient is a projection of Europe's own fears and desires. It is therefore a charged setting in which to explore and contest the limits of the age's aesthetics, politics and culture. Being nearly always self-conscious and ironic, the poets' treatment of the Orient becomes itself a twinned criticism of 'Romantic' egotism and the Orientalism practised by earlier generations. The book goes further to claim that poems like Shelley's Revolt of Islam, Byron's 'Eastern' Tales, or even Keats's Lamia anticipate key issues at stake in postcolonial studies more generally

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781107786141
    Other identifier:
    RVK Categories: HL 1091 ; HL 1131 ; HL 1191
    Series: Cambridge studies in Romanticism ; 109
    Subjects: English poetry / 19th century / History and criticism; English literature / Asian influences; Civilization, Oriental, in literature; Romanticism / Great Britain; East and West in literature; Orient <Motiv>; Englisch; Lyrik; Romantik
    Scope: 1 online resource (vii, 279 pages)
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    Introduction. From solipsism to Orientalism -- 1. "The Book of Fate" and "The Vice of the East": Robert Southey's Thalaba the Destroyer (1801) and high romantic Orientalism -- Interchapter I. Montesquieu: nature and the Oriental despot -- 2. Byron's lament: Lara (1814) and the specter of Orientalism -- 3. The spirit of Oriental solitude: Shelley's Alastor (1816) and Epipsychidion (1821) -- Interchapter II. Rousseau's foreigners -- 4. "The great sandy desert of politics": the Orient and solitude in The Revolt of Islam (1818) -- 5. 'Unperplexing bliss': the Orient in Keats's Poetics -- Bibliography -- Index
  7. Anger, revolution, and romanticism
    Author: Stauffer, Andrew M.
    Published: 2005
    Publisher:  Cambridge University Press, Cambridge

    The Romantic age was one of anger and its consequences: revolution and reaction, terror and war. Andrew M. Stauffer explores the changing place of anger in the literature and culture of the period, as English men and women rethought their... more

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    The Romantic age was one of anger and its consequences: revolution and reaction, terror and war. Andrew M. Stauffer explores the changing place of anger in the literature and culture of the period, as English men and women rethought their relationship to the aggressive passions in the wake of the French Revolution. Drawing on diverse fields and discourses such as aesthetics, politics, medicine and the law and tracing the classical legacy the Romantics inherited, Stauffer charts the period's struggle to define the relationship of anger to justice and the creative self. In their poetry and prose, Romantic authors including Blake, Coleridge, Godwin, Shelley and Byron negotiate the meanings of indignation and rage amidst a clamourous debate over the place of anger in art and in civil society. This innovative book has much to contribute to the understanding of Romantic literature and the cultural history of the emotions

     
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    Media type: Ebook
    Format: Online
    ISBN: 9780511484506
    Other identifier:
    RVK Categories: HL 1131
    Series: Cambridge studies in Romanticism ; 62
    Subjects: Geschichte; English literature / 19th century / History and criticism; English literature / French influences; Romanticism / Great Britain; Revolutions in literature; Anger in literature; Englisch; Romantik; Literatur; Zorn <Motiv>; Französische Revolution <Motiv>
    Scope: 1 online resource (x, 221 pages)
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  8. Fatal women of Romanticism
    Author: Craciun, Adriana
    Published: 2003
    Publisher:  Cambridge University Press, Cambridge

    Incarnations of fatal women, or femmes fatales, recur throughout the works of women writers in the Romantic period. Adriana Craciun demonstrates how portrayals of femmes fatales or fatal women played an important role in the development of Romantic... more

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    Incarnations of fatal women, or femmes fatales, recur throughout the works of women writers in the Romantic period. Adriana Craciun demonstrates how portrayals of femmes fatales or fatal women played an important role in the development of Romantic women's poetic identities and informed their exploration of issues surrounding the body, sexuality and politics. Craciun covers a wide range of writers and genres from the 1790s through the 1830s. She discusses the work of well-known figures including Mary Wollstonecraft, as well as lesser-known writers like Anne Bannerman. By examining women writers' fatal women in historical, political and medical contexts, Craciun uncovers a far-ranging debate on sexual difference. She also engages with current research on the history of the body and sexuality, providing an important historical precedent for modern feminist theory's ongoing dilemma regarding the status of 'woman' as a sex

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511484155
    Other identifier:
    RVK Categories: HL 1021
    Series: Cambridge studies in Romanticism ; 54
    Subjects: Geschichte; English literature / Women authors / History and criticism; Women and literature / Great Britain / History / 19th century; English literature / 19th century / History and criticism; Femmes fatales in literature; Romanticism / Great Britain; Women in literature; Frauenliteratur; Romantik; Femme fatale; Englisch; Literatur; Schriftstellerin
    Scope: 1 online resource (xviii, 328 pages)
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    The subject of violence: Mary Lamb, femme fatale -- Violence against difference: Mary Wollstonecraft, Mary Robinson and women's strength -- "The aristocracy of genius": Mary Robinson and Marie Antoinette -- Unnatural, unsexed, undead: Charlotte Dacre's Gothic bodies -- "In seraph strains, unpitying, to destroy": Anne Bannerman's femmes fatales -- "Life has one vast stern likeness in its gloom": Letitia Landon's philosophy of decomposition
  9. Rousseau, Robespierre, and English Romanticism
    Author: Dart, Gregory
    Published: 1999
    Publisher:  Cambridge University Press, Cambridge

    This book re-opens the question of Rousseau's influence on the French Revolution and on English Romanticism, by examining the relationship between his confessional writings and his political theory. Gregory Dart argues that by looking at the way in... more

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    This book re-opens the question of Rousseau's influence on the French Revolution and on English Romanticism, by examining the relationship between his confessional writings and his political theory. Gregory Dart argues that by looking at the way in which Rousseau's writings were mediated by the speeches and actions of the French Jacobin statesman Maximilien Robespierre, we can gain a clearer and more concrete sense of the legacy he left to English writers. He shows how the writings of William Godwin, Mary Wollstonecraft, William Wordsworth and William Hazlitt rehearse and reflect upon the Jacobin tradition in the aftermath of the French revolutionary Terror

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511484162
    Other identifier:
    RVK Categories: HL 1131
    Series: Cambridge studies in Romanticism ; 32
    Subjects: Geschichte; English literature / 19th century / History and criticism; Politics and literature / Great Britain / History / 19th century; Politics and literature / Great Britain / History / 18th century; English literature / 18th century / History and criticism; English literature / French influences; Romanticism / Great Britain; Rezeption; Schriftsteller; Literatur; Französische Revolution; Romantik; Englisch
    Other subjects: Robespierre, Maximilien / 1758-1794 / Influence; Rousseau, Jean-Jacques / 1712-1778 / Influence; Robespierre, Maximilien de (1758-1794); Rousseau, Jean-Jacques (1712-1778)
    Scope: 1 online resource (xi, 288 pages)
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    1. Despotism of liberty: Robespierre and the illusion of politics. -- 2. The politics of confession in Rousseau and Robespierre. -- 3. Chivalry, justice and the law in William Godwin's Caleb Williams. -- 4. 'The Prometheus of Sentiment': Rousseau, Wollstonecraft and aesthetic education. -- 5. Strangling the infant Hercules: Malthus and the population controversy. -- 6. 'The virtue of one paramount mind': Wordsworth and the politics of the mountain. -- 7. 'Sour Jacobinism': WIlliam Hazlitt and the resistance to reform
  10. The anti-Jacobin novel
    British conservatism and the French Revolution
    Author: Grenby, M. O.
    Published: 2001
    Publisher:  Cambridge University Press, Cambridge

    The French Revolution sparked an ideological debate which also brought Britain to the brink of revolution in the 1790s. Just as radicals wrote 'Jacobin' fiction, so the fear of rebellion prompted conservatives to respond with novels of their own;... more

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    The French Revolution sparked an ideological debate which also brought Britain to the brink of revolution in the 1790s. Just as radicals wrote 'Jacobin' fiction, so the fear of rebellion prompted conservatives to respond with novels of their own; indeed, these soon outnumbered the Jacobin novels. This was the first survey of the full range of conservative novels produced in Britain during the 1790s and early 1800s. M. O. Grenby examines the strategies used by conservatives in their fiction, thus shedding new light on how the anti-Jacobin campaign was understood and organised in Britain. Chapters cover the representation of revolution and rebellion, the attack on the 'new philosophy' of radicals such as Godwin and Wollstonecraft, and the way in which hierarchy is defended in these novels. Grenby's book offers an insight into the society which produced and consumed anti-Jacobin novels, and presents a case for reexamining these neglected texts

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511484278
    Other identifier:
    RVK Categories: HL 1091 ; HL 1301
    Series: Cambridge studies in Romanticism ; 48
    Subjects: Geschichte; English fiction / 18th century / History and criticism; English fiction / 19th century / History and criticism; Conservatism / Great Britain / History / 18th century; Conservatism / Great Britain / History / 19th century; Political fiction, English / History and criticism; English fiction / French influences; Romanticism / Great Britain; Conservatism in literature; Jacobins in literature; Jakobiner; Roman; Englisch; Französische Revolution; Konservativismus
    Scope: 1 online resource (xiii, 271 pages)
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    1. Novels reproved and reprieved -- 2. Representing revolution -- 3. The new philosophy -- 4. The vaurien and the hierarchy of Jacobinism -- 5. Levellers, nabobs and the manners of the great: the novel's defence of hierarchy -- 6. The creation of orthodoxy: constructing the anti-Jacobin novel -- 7. Conclusion
  11. Romantic imperialism
    universal empire and the culture of modernity
    Author: Makdisi, Saree
    Published: 1998
    Publisher:  Cambridge University Press, Cambridge

    The years between 1790 and 1830 saw over a hundred and fifty million people brought under British imperial control, and one of the most momentous outbursts of British literary and artistic production, announcing a new world of social and individual... more

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    The years between 1790 and 1830 saw over a hundred and fifty million people brought under British imperial control, and one of the most momentous outbursts of British literary and artistic production, announcing a new world of social and individual traumas and possibilities. This book traces the emergence of new forms of imperialism and capitalism as part of a culture of modernisation in the late eighteenth and early nineteenth century, and looks at the ways in which they were identified with and contested in Romanticism. Saree Makdisi argues that this process has to be understood in global terms, beyond the British and European viewpoint, and that developments in India, Africa, and the Arab world (up to and including our own time) enable us to understand more fully the texts and contexts of British Romanticism. New and original readings of texts by Wordsworth, Blake, Byron, Shelley, and Scott emerge in the course of this searching analysis of the cultural process of globalisation. Choice Outstanding Academic Book of 1998

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511549779
    Other identifier:
    RVK Categories: HL 1031 ; HL 1131 ; HL 1136
    Series: Cambridge studies in Romanticism ; 27
    Subjects: Geschichte; Kolonie; English literature / 19th century / History and criticism; Imperialism in literature; Literature and society / Great Britain; Modernism (Literature) / Great Britain; Romanticism / Great Britain; Colonies in literature; Imperialismus; Romantik; Imperialismus <Motiv>; Englisch; Literatur
    Scope: 1 online resource (xv, 248 pages)
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    Introduction: Universal Empire -- Home imperial: Wordsworth's London and the spot of time -- Wordsworth and the image of Nature -- Waverley and the cultural politics of dispossession -- Domesticating exoticism: transformations of Britain's Orient, 1785-1835 -- Beyond the realm of dreams: Bryon, Shelley, and the East -- William Blake and the Universal Empire -- Conclusions
  12. Romanticism and childhood
    the infantilization of British literary culture
    Author: Wierda Rowland, Ann
    Published: 2012
    Publisher:  Cambridge University Press, Cambridge

    How and why childhood became so important to such a wide range of Romantic writers has long been one of the central questions of literary historical studies. Ann Wierda Rowland discovers new answers to this question in the rise of a vernacular... more

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    How and why childhood became so important to such a wide range of Romantic writers has long been one of the central questions of literary historical studies. Ann Wierda Rowland discovers new answers to this question in the rise of a vernacular literary tradition. In the Romantic period the child came fully into its own as the object of increasing social concern and cultural investment; at the same time, modern literary culture consolidated itself along vernacular, national lines. Romanticism and Childhood is the first study to examine the intersections of these historical developments and the first study to demonstrate that a rhetoric of infancy and childhood - the metaphors, images, figures and phrases repeatedly used to represent and conceptualize childhood - enabled Romantic writers to construct a national literary history and culture capable of embracing a wider range of literary forms

     
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    ISBN: 9781139024075
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    Series: Cambridge studies in Romanticism ; 93
    Subjects: English literature / 19th century / History and criticism; Romanticism / Great Britain; Children in literature; Englisch; Kind <Motiv>; Romantik; Literatur
    Scope: 1 Online-Ressource (vii, 305 Seiten)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Introduction: the infantilization of British literary culture -- Part I. History of an Analogy: 'For the Savage is to Ages What the Child is to Years': -- 1. The child is father of the man -- 2. Infancy, poetry and the origins of language -- 3. Becoming human: animal, infant and developmental literary culture in the Romantic period -- Part II. Prattle and Trifles: -- 4. Retentive ears and prattling mouths: popular antiquarianism and childhood memory -- 5. One child's trifle is another man's relic: popular antiquarianism and childhood -- 6. The layers and forms of the child's mind: Scott, Wordsworth and antiquarianism
  13. Romanticism and the emotions
    Contributor: Faflak, Joel (Publisher); Sha, Richard C. (Publisher)
    Published: 2014
    Publisher:  Cambridge University Press, Cambridge

    There has recently been a resurgence of interest in the importance of the emotions in Romantic literature and thought. This collection, the first to stress the centrality of the emotions to Romanticism, addresses a complex range of issues including... more

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    There has recently been a resurgence of interest in the importance of the emotions in Romantic literature and thought. This collection, the first to stress the centrality of the emotions to Romanticism, addresses a complex range of issues including the relation of affect to figuration and knowing, emotions and the discipline of knowledge, the motivational powers of emotion, and emotions as a shared ground of meaning. Contributors offer significant new insights on the ways in which a wide range of Romantic writers, including Jane Austen, William Wordsworth, Immanuel Kant, Lord Byron, Mary and Percy Bysshe Shelley, Thomas De Quincey and Adam Smith, worried about the emotions as a register of human experience. Though varied in scope, the essays are united by the argument that the current affective and emotional turn in the humanities benefits from a Romantic scepticism about the relations between language, emotion and agency

     
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    Source: Union catalogues
    Contributor: Faflak, Joel (Publisher); Sha, Richard C. (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781107280564
    Other identifier:
    RVK Categories: HL 1131
    Subjects: Romanticism / Great Britain; Emotions in literature; English literature / 18th century / History and criticism; Gefühl; Literatur; Romantik; Englisch
    Scope: 1 online resource (x, 264 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Machine generated contents note: Introduction: feeling Romanticism Joel Faflak and Richard C. Sha; 1. The motion behind Romantic emotion: towards a chemistry and physics of feeling Richard C. Sha; 2. 'A certain mediocrity': Adam Smith's moral behaviourism Thomas Pfau; 3. Like love: the feel of Shelley's similes Julie Carlson; 4. Jane Austen and the persuasion of happiness Joel Faflak; 5. The general fast and humiliation: tracking feeling in wartime Mary A. Favret; 6. A peculiar community: Mary Shelley, Godwin, and the abyss of emotion Tilottama Rajan; 7. Emotion without content: primary affect and pure potentiality in Wordsworth David Collings; 8. Kant's peace, Wordsworth's slumber Jacques Khalip; 9. Living a ruined life: De Quincey's damage Rei Terada
  14. British Romanticism and peace
    Author: Bugg, John
    Published: 2022
    Publisher:  Oxford University Press, Oxford

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    Ruhr-Universität Bochum, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780191875496
    Other identifier:
    RVK Categories: HL 1131
    Edition: First edition
    Subjects: Romantik; Literatur; Englisch; Friede <Motiv>;
    Other subjects: Romanticism / Great Britain; English literature / 18th century / History and criticism; English literature / 19th century / History and criticism; Peace in literature; English literature; Romanticism; Great Britain; 1700-1899; Criticism, interpretation, etc
    Scope: 1 Online-Ressource (viii, 216 Seiten), Illustrationen
  15. Transatlantic transformations of Romanticism
    aesthetics, subjectivity and the environment
    Author: Sandy, Mark
    Published: [2021]
    Publisher:  Edinburgh University Press, Edinburgh

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    Universitätsbibliothek Paderborn
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  16. Brokering culture in Britain's Empire and the historical novel
    Author: Salyer, Matthew Carey
    Published: [2022]
    Publisher:  Lexington Books, Lanham ; Boulder ; New York ; London

    "Brokering Culture in Britain's Empire and the Historical Novel radically recontextualizes conventional views of the relationship between the British Empire and the emergence of the nineteenth-century historical novel. The author focuses on how... more

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    "Brokering Culture in Britain's Empire and the Historical Novel radically recontextualizes conventional views of the relationship between the British Empire and the emergence of the nineteenth-century historical novel. The author focuses on how literary translations of eighteenth-century experiences of empire established the genre as a site of critique for nationalism and historical progress"--

     
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  17. Living as an author in the Romantic period
    Author: Sangster, Matthew
    Published: [2021]; © 2021
    Publisher:  Palgrave Macmillan, Cham, Switzerland

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    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
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  18. Transatlantic transformations of romanticism
    aesthetics, subjectivity and the environment
    Author: Sandy, Mark
    Published: [2021]
    Publisher:  Edinburgh University Press, Edinburgh

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    Universitäts- und Landesbibliothek Düsseldorf
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  19. The Romantic rhetoric of accumulation
    Author: Hanson, Lenora
    Published: [2023]
    Publisher:  Stanford University Press, Stanford, California

    "The Romantic Rhetoric of Accumulation provides an account of the long arc of dispossession from the British Romantic period to today. Lenora Hanson glimpses histories of subsistence (such as reproductive labor, vagrancy and criminality, and unwaged... more

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    "The Romantic Rhetoric of Accumulation provides an account of the long arc of dispossession from the British Romantic period to today. Lenora Hanson glimpses histories of subsistence (such as reproductive labor, vagrancy and criminality, and unwaged labor) as figural ways of living that are superfluous--simultaneously more than enough to live and less than what is necessary for capitalism. Hanson treats rhetorical language as an archive of capital's accumulation through dispossession, in works by S.T. Coleridge, Edmund Burke, Mary Robinson, William Wordsworth, Benjamin Moseley, Joseph Priestley, and Alexander von Humboldt, as well as in contemporary film and critical theory. Reading riots through apostrophe, enclosure through anachronism, superstition and witchcraft through tautology, and the paradoxical coincidence of subsistence living with industrialization, Hanson shows the figural to be a material record of the survival of non-capitalist forms of life within capitalism. But this survival is not always-already resistant to capitalism, nor are the origins of capital accumulation confined to the Romantic past. Hanson reveals rhetorical figure as entwined in deeply ambivalent ways with the circuitous, ongoing process of dispossession. Reading both historically and rhetorically, Hanson argues that rhetorical language records histories of dispossession and the racialized, gendered distribution of the labor of subsistence. Romanticism, they show, is more contemporary than ever"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781503632714; 9781503633940
    RVK Categories: HL 1131
    Subjects: Kapitalismus <Motiv>; Englisch; Literatur; Romantik
    Other subjects: English literature / 18th century / History and criticism; Capitalism in literature; Discourse analysis, Literary; Romanticism / Great Britain
    Scope: x, 288 Seiten
    Notes:

    Includes bibliographical references and index
  20. Wild romanticism
    Contributor: Poetzsch, Markus (Publisher); Falke, Cassandra (Publisher)
    Published: 2021
    Publisher:  Routledge, Taylor & Francis Group, London ; New York

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    Bayerische Staatsbibliothek
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    Contributor: Poetzsch, Markus (Publisher); Falke, Cassandra (Publisher)
    Language: English
    Media type: Book
    ISBN: 9780367496722; 9780367753511
    RVK Categories: HL 1131
    Series: Routledge environmental literature, culture and media
    Subjects: Literatur; Wildnis <Motiv>
    Other subjects: European literature / History and criticism / 19th century; English literature / History and criticism / 19th century; Romanticism / Great Britain; Romanticism / Europe; Nature in literature; LITERARY CRITICISM / General ; bisacsh; NATURE / Ecology ; bisacsh
    Scope: xii, 211 Seiten, Illustrationen
    Notes:

    "Earthscan from Routledge" -- Titelseite
  21. The Cambridge companion to British romanticism and religion
    Contributor: Barbeau, Jeffrey W. (Publisher)
    Published: 2021
    Publisher:  Cambridge University Press, Cambridge, United Kingdom

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    Universitätsbibliothek Augsburg
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  22. The Cambridge companion to British romanticism and religion
    Contributor: Barbeau, Jeffrey W. (Publisher)
    Published: 2021
    Publisher:  Cambridge University Press, Cambridge, United Kingdom

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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  23. Lessons of Romanticism
    a critical companion
    Contributor: Pfau, Thomas (Publisher); Gleckner, Robert F. (Publisher)
    Published: 1998
    Publisher:  Duke University Press, Durham, NC

    Introduction. Reading beyond Redemption: Historicism, Irony, and the Lessons of Romanticism / Thomas Pfau -- Romanticism, Bildung, and the Literary Absolute / Marc Redfield -- The Inhibitions of Democracy on Romantic Political Thought: Thoreau's... more

     

    Introduction. Reading beyond Redemption: Historicism, Irony, and the Lessons of Romanticism / Thomas Pfau -- Romanticism, Bildung, and the Literary Absolute / Marc Redfield -- The Inhibitions of Democracy on Romantic Political Thought: Thoreau's Democratic Individualism / Nancy L. Rosenblum -- Between Irony and Radicalism: The Other Way of a Romantic Education / Karen A. Weisman -- Friendly Instruction: Coleridge and the Discipline of Sociology / Regina Hewitt -- Keats and the Aesthetics of Critical Knowledge; or, The Ideology of Studying Romanticism at the Present Time / David S. Ferris -- Reading Habits: Scenes of Romantic Miseducation and the Challenge of Eco-Literacy / Marlon B. Ross -- Postmodernism, Romanticism, and John Clare / Theresa M. Kelley -- The Lessons of Swedenborg; or, The Origin of William Blake's The Marriage of Heaven and Hell / Joseph Viscomi -- Coleridge's Lessons in Transition: The "Logic" of the "Wildest Odes" / H. J. Jackson -- Some Romantic Images in Beethoven / Maynard Solomon -- "Lorenzo's" Liverpool and "Corinne's" Coppet: The Italianate Salon and Romantic Education / Nanora Sweet -- Liberty, Connection, and Tyranny: The Novels of Jane Austen and the Aesthetic Movement of the Picturesque / Jill Heydt-Stevenson -- The Royal Academy and the Annual Exhibition of the Viewing Public / C. S. Matheson -- Romantic Psychoanalysis: Keats, Identity, and "(The Fall of) Hyperion" / Joel Faflak -- "Their terrors came upon me tenfold": Literacy and Ghosts in John Clare's Autobiography / Richard G. Swartz -- A Lesson in Romanticism: Gendering the Soul / Susan J. Wolfson -- What Happens When Jane Austen and Frances Burney Enter the Romantic Canon? / William Galperin -- Domesticating Gothic: Jane Austen, Ann Radcliffe, and National Romance / Miranda J. Burgess -- Learning What Hurts: Romanticism, Pedagogy, Violence / Adela Pinch -- Reforming Byron's Narcissism / Steven Bruhm -- "This Horrid Theatre of Human Sufferings": Gendering the Stages of History in Catharine Macaulay and Percy Bysshe Shelley / Greg Kucich

     
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    Source: Union catalogues
    Contributor: Pfau, Thomas (Publisher); Gleckner, Robert F. (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822399100; 0822399105
    Other identifier:
    RVK Categories: HL 1131
    Subjects: English literature / History and criticism / 19th century; English literature / History and criticism / 18th century; Romanticism / Great Britain; Romanticism; Literatur; Englisch
    Scope: 1 Online-Ressource (vii, 475 pages), illustrations
    Notes:

    Includes bibliographical references and index. - Description based on print version record
  24. The Italian idea
    Anglo-Italian radical literary culture, 1815-1823
    Author: Bowers, Will
    Published: 2022
    Publisher:  Cambridge University Press, Cambridge, United Kingdom

    "From 1815 to 1823 the Italian influence on English literature was at its zenith. While English tourists flocked to Italy, a pervasive Italianism coloured many facets of London life, including poetry, periodicals, translation, and even the Queen's... more

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    "From 1815 to 1823 the Italian influence on English literature was at its zenith. While English tourists flocked to Italy, a pervasive Italianism coloured many facets of London life, including poetry, periodicals, translation, and even the Queen's trial of 1820. In this engaging study Will Bowers considers this radical interaction by pursuing two interrelated analyses. The first examines the Italian literary and political ideas absorbed by Romantic poets, particularly Lord Byron, Leigh Hunt, and Percy Bysshe Shelley. The second uncovers the ambassadorial role played in London by Italians, such as Serafino Buonaiuti and Ugo Foscolo, who promoted a revolutionary idea of their homeland and its literature, particularly Dante's Commedia. This dual-perspective study reveals that radical poetic engagement with Italy operated alongside the writings of Italian literary exiles in London to form a cosmopolitan challenge to Regency mores."

     
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  25. Jane Austen's men
    rewriting masculinity in the romantic era
    Author: Ailwood, Sarah
    Published: 2021
    Publisher:  Routledge, Taylor & Francis Group, New York ; London

    "This book illuminates Jane Austen's exploration of masculinity through the courtship romance genre in the socially, politically and culturally turbulent Romantic era. Austen scrutinises, satirises, censures and ultimately rewrites dominant modes of... more

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    "This book illuminates Jane Austen's exploration of masculinity through the courtship romance genre in the socially, politically and culturally turbulent Romantic era. Austen scrutinises, satirises, censures and ultimately rewrites dominant modes of masculinity through the courtship romance plot between her heroines and male protagonists. This book reveals that Austen pioneers and celebrates a new vision of masculinity that could complement the Romantic desire for agency, individualism and selfhood embodied in her heroines. Rewriting desirable masculinity as an internalised, psychologically complex and authentic gender identity - a model of manhood that drives the ongoing appeal and cultural power of her men in the twenty-first century - Austen explores both the challenges and the opportunities for male selfhood, romantic love and feminine agency. Jane Austen's Men is among the first full-length works to explore Austen's male protagonists as textual constructions of masculinity. Sarah Ailwood reveals the depth of Austen's engagement with her predecessors and contemporaries, including Mary Wollstonecraft, Jane West and Jane Porter, on critical questions of masculinity and its relationship to femininity and narrative form. This book illuminates in new ways Jane Austen's ambitions for the novel, and the political power of the courtship romance genre in the Romantic era." --

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781032240589
    RVK Categories: HL 1685
    Edition: First issued in paperback
    Series: Routledge studies in romanticism ; 30
    Subjects: Roman; Brautwerbung <Motiv>; Mann <Motiv>
    Other subjects: Austen, Jane (1775-1817); Austen, Jane / 1775-1817 / Characters; Austen, Jane / 1775-1817 / Criticism and interpretation; Austen, Jane / 1775-1817; Men in literature; Masculinity in literature; Courtship in literature; Romanticism / Great Britain; Characters and characteristics; Courtship in literature; Masculinity in literature; Men in literature; Romanticism; Great Britain; Criticism, interpretation, etc
    Scope: x, 153 Seiten
    Notes:

    Chapter One . The men of "real Life": Educating the Reader in Sense and Sensibility -- Chapter Two. "I will prove myself a man": Northanger Abbey -- Chapter Three. "A man violently in love": Pride and Prejudice -- Chapter Four. "You will make him everything": Masculine Redemption in Mansfield Park -- Chapter Five. "A disgrace to the name of man": Emma, the National Tale and the Historical Novel -- Chapter Six. "Feelings glad to burst their usual restraints": Persuasion -- Conclusion: Sanditon, Unfinished Work and New Directions