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Displaying results 1 to 9 of 9.

  1. Science, form, and the problem of induction in British romanticism
    Author: Porter, Dahlia
    Published: 2018
    Publisher:  Cambridge University Press, Cambridge

    Exploring a topic at the intersection of science, philosophy and literature in the late eighteenth century Dahlia Porter traces the history of induction as a writerly practice - as a procedure for manipulating textual evidence by selective quotation... more

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    Exploring a topic at the intersection of science, philosophy and literature in the late eighteenth century Dahlia Porter traces the history of induction as a writerly practice - as a procedure for manipulating textual evidence by selective quotation - from its roots in Francis Bacon's experimental philosophy to its pervasiveness across Enlightenment moral philosophy, aesthetics, literary criticism, and literature itself. Porter brings this history to bear on an omnipresent feature of Romantic-era literature, its mixtures of verse and prose. Combining analyses of printed books and manuscripts with recent scholarship in the history of science, she elucidates the compositional practices and formal dilemmas of Erasmus Darwin, Robert Southey, Charlotte Smith, Maria Edgeworth, and Samuel Taylor Coleridge. In doing so she re-examines the relationship between Romantic literature and eighteenth-century empiricist science, philosophy, and forms of art and explores how Romantic writers engaged with the ideas of Enlightenment empiricism in their work.

     
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  2. The poetics of decline in British romanticism
    Author: Sachs, Jonathan
    Published: 2018
    Publisher:  Cambridge University Press, Cambridge, United Kingdom

    Location:
    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Universitätsbibliothek Würzburg
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781108420310
    RVK Categories: HL 1131
    Series: Cambridge studies in Romanticism ; 118
    Subjects: Literatur; Niedergang; Romantik; Englisch
    Other subjects: Romanticism / Great Britain; Regression (Civilization) in literature
    Scope: xiv, 226 Seiten, Illustrationen, 23 cm
  3. Science, form, and the problem of induction in British romanticism
    Author: Porter, Dahlia
    Published: 2018
    Publisher:  Cambridge University Press, Cambridge

    "Exploring a topic at the intersection of science, philosophy and literature in the late eighteenth century Dahlia Porter traces the history of induction as a writerly practice - as a procedure for manipulating textual evidence by selective quotation... more

    Location:
    Universitätsbibliothek Passau
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    Universitätsbibliothek Regensburg
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    "Exploring a topic at the intersection of science, philosophy and literature in the late eighteenth century Dahlia Porter traces the history of induction as a writerly practice - as a procedure for manipulating textual evidence by selective quotation - from its roots in Francis Bacon's experimental philosophy to its pervasiveness across Enlightenment moral philosophy, aesthetics, literary criticism, and literature itself. Porter brings this history to bear on an omnipresent feature of Romantic-era literature, its mixtures of verse and prose. Combining analyses of printed books and manuscripts with recent scholarship in the history of science, she elucidates the compositional practices and formal dilemmas of Erasmus Darwin, Robert Southey, Charlotte Smith, Maria Edgeworth, and Samuel Taylor Coleridge. In doing so she re-examines the relationship between Romantic literature and eighteenth-century empiricist science, philosophy, and forms of art and explores how Romantic writers engaged with the ideas of Enlightenment empiricism in their work."

     
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  4. Romanticism and theatrical experience
    Kean, Hazlitt and Keats in the age of theatrical news
    Author: Mulrooney, Jonathan
    Published: 2018
    Publisher:  Cambridge University Press, Cambridge, UK ; New York, NY

    "Writing to his friend and mentor Charles Cowden Clarke in March of 1817, John Keats asked 'When shall we see each other again? In Heaven or in Hell, or in deep Places? In crooked Lane are we to meet or on Salisbury Plain? Or jumbled together at... more

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    "Writing to his friend and mentor Charles Cowden Clarke in March of 1817, John Keats asked 'When shall we see each other again? In Heaven or in Hell, or in deep Places? In crooked Lane are we to meet or on Salisbury Plain? Or jumbled together at Drury Lane door?' (Letters 1.126). By way of Macbeth, Keats's joke encompasses a universe of experience-heaven, hell, London's crooked streets, the mythical English countryside, the textual Shakespeare, the performed Shakespeare-all held together conceptually by the notion of the theater. An intrepid playgoer, Keats knew what it was to visit the street carnival of the theater district, to be 'jumbled up' with the crowds making their way down clogged byways to see Edmund Kean's latest impersonation of Shylock or Richard III. There, Keats implies, the metaphysical and the apocalyptic meet the bodily and the everyday on the threshold of the playhouse where his favorite actor reigns. Yet in a sense the letter imagines two Keatses at once: he is an actor parodying Shakespeare's lines even as he is a would-be audience member off to meet a friend. Both aspects give us a glimpse of how vital theatrical experience was to Keats's sense of himself as a social being"--

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781316874905
    Other identifier:
    RVK Categories: AP 64930 ; HL 1131
    Series: Cambridge studies in Romanticism ; 124
    Subjects: Romantik; Englisch; Theaterkritik; Presse; Theater; Literatur
    Other subjects: Keats, John (1795-1821); Hazlitt, William (1778-1830); Kean, Edmund (1787-1833); Theater / Great Britain / 19th century / History; Romanticism / Great Britain; Theater / Press coverage / Great Britain / 19th century / History; Romanticism; Theater; Great Britain; 1800-1899; Electronic books; History
    Scope: 1 Online-Ressource
    Notes:

    Theater and the daily news -- Britain's theatrical press 1800-1830 -- Edmund Kean's controversy -- Hazlitt's romantic occasionalism -- Keats, Kean, and the poetics of interruption
  5. The dissolution of character in late romanticism, 1820-1839
    Author: Cope, Jonas
    Published: [2018]; © 2018
    Publisher:  Edinburgh University Press, Edinburgh

    The Dissolution of Character in Late Romanticism studies texts written by contemporary poets, novelists, essayists, journalists, philosophers, phrenologists, sociologists, gossip-mongers and anonymous correspondents more

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    The Dissolution of Character in Late Romanticism studies texts written by contemporary poets, novelists, essayists, journalists, philosophers, phrenologists, sociologists, gossip-mongers and anonymous correspondents

     
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  6. Science, form, and the problem of induction in British Romanticism
    Author: Porter, Dahlia
    Published: 2018
    Publisher:  Cambridge University Press, Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore

    Location:
    Englisches Seminar der Universität, Bibliothek
    Signature:
    LIT CN 2018:3
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  7. Science, form, and the problem of induction in British romanticism
    Author: Porter, Dahlia
    Published: 2018
    Publisher:  Cambridge University Press, Cambridge

    "Exploring a topic at the intersection of science, philosophy and literature in the late eighteenth century Dahlia Porter traces the history of induction as a writerly practice - as a procedure for manipulating textual evidence by selective quotation... more

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    "Exploring a topic at the intersection of science, philosophy and literature in the late eighteenth century Dahlia Porter traces the history of induction as a writerly practice - as a procedure for manipulating textual evidence by selective quotation - from its roots in Francis Bacon's experimental philosophy to its pervasiveness across Enlightenment moral philosophy, aesthetics, literary criticism, and literature itself. Porter brings this history to bear on an omnipresent feature of Romantic-era literature, its mixtures of verse and prose. Combining analyses of printed books and manuscripts with recent scholarship in the history of science, she elucidates the compositional practices and formal dilemmas of Erasmus Darwin, Robert Southey, Charlotte Smith, Maria Edgeworth, and Samuel Taylor Coleridge. In doing so she re-examines the relationship between Romantic literature and eighteenth-century empiricist science, philosophy, and forms of art and explores how Romantic writers engaged with the ideas of Enlightenment empiricism in their work."

     
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  8. Science, form, and the problem of induction in British Romanticism
    Author: Porter, Dahlia
    Published: 2018
    Publisher:  Cambridge University Press, Port Melbourne

    Location:
    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
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  9. The romantic poetry handbook
    Author: O'Neill, Michael; Callaghan, Madeleine
    Published: 2018
    Publisher:  Wiley Blackwell, Oxford

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 9781118308721; 9781118308738
    RVK Categories: HL 1160
    Series: Wiley Blackwell literature handbooks
    Subjects: Romantik; Englisch; Lyrik
    Other subjects: English poetry / History and criticism / 19th century; English poetry / History and criticism / 18th century; Romanticism / Great Britain
    Scope: vii, 344 Seiten
    Notes:

    Includes bibliographical references and index