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Displaying results 1 to 12 of 12.

  1. Recognizing the romantic novel
    new histories of British fiction, 1780-1830
    Contributor: Heydt-Stevenson, Jillian (Publisher); Sussman, Charlotte (Publisher)
    Published: 2010
    Publisher:  Liverpool University Press, Liverpool

    The British Romantic era was a vibrant and exciting time in the history of the novel. Yet, aside from a few iconic books —Pride and Prejudice, Frankenstein—it has been ignored or dismissed by later readers and critics. Bringing this rich but... more

    Location:
    Universitätsbibliothek Bamberg
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    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
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    Unlimited inter-library loan, copies and loan

     

    The British Romantic era was a vibrant and exciting time in the history of the novel. Yet, aside from a few iconic books —Pride and Prejudice, Frankenstein—it has been ignored or dismissed by later readers and critics. Bringing this rich but neglected body of works to the fore, Recognizing the Romantic Novel: New Histories of British Fiction, 1780-1830 challenges us to rethink our ideas of the novel as a genre, as well as our long-held assumptions about the literary movement of Romanticism. Ranging from pre-Revolution to post-Waterloo, this volume celebrates the experimental drive and revisionary spirit of the Romantic novel. With essays on authors ranging from Burney to Austen to Hogg, it argues that the Romantic-era novel can be understood as a field, not simply a heterogeneous mass of fictional forms—a field, furthermore, that can hold its own against more widely read eighteenth-century and Victorian novels. Eleven essays by prominent scholars in the field demonstrate that previously unexplored contexts can help us recognize even familiar Romantic-era novels in new and fuller ways. These essays thoughtfully explore such varied concerns as the critique of Enlightenment ideals, the close affiliation between poetry and prose, a fraught engagement with politico-ethical issues, the limits of our access to and understanding of the past, and a rethinking of communities outside the conventions of the marriage plot

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Heydt-Stevenson, Jillian (Publisher); Sussman, Charlotte (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781846315633
    Edition: Paperback edition
    Subjects: English fiction / 18th century / History and criticism; English fiction / 19th century / History and criticism; Romanticism / Great Britain; Romantik; Englisch; Roman
    Scope: 1 online resource (xii, 345 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Array: Array
  2. Recognizing the romantic novel
    new histories of British fiction, 1780-1830
    Contributor: Heydt-Stevenson, Jillian (Publisher); Sussman, Charlotte (Publisher)
    Published: 2010
    Publisher:  Liverpool University Press, Liverpool

    The British Romantic era was a vibrant and exciting time in the history of the novel. Yet, aside from a few iconic books —Pride and Prejudice, Frankenstein—it has been ignored or dismissed by later readers and critics. Bringing this rich but... more

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    The British Romantic era was a vibrant and exciting time in the history of the novel. Yet, aside from a few iconic books —Pride and Prejudice, Frankenstein—it has been ignored or dismissed by later readers and critics. Bringing this rich but neglected body of works to the fore, Recognizing the Romantic Novel: New Histories of British Fiction, 1780-1830 challenges us to rethink our ideas of the novel as a genre, as well as our long-held assumptions about the literary movement of Romanticism. Ranging from pre-Revolution to post-Waterloo, this volume celebrates the experimental drive and revisionary spirit of the Romantic novel. With essays on authors ranging from Burney to Austen to Hogg, it argues that the Romantic-era novel can be understood as a field, not simply a heterogeneous mass of fictional forms—a field, furthermore, that can hold its own against more widely read eighteenth-century and Victorian novels. Eleven essays by prominent scholars in the field demonstrate that previously unexplored contexts can help us recognize even familiar Romantic-era novels in new and fuller ways. These essays thoughtfully explore such varied concerns as the critique of Enlightenment ideals, the close affiliation between poetry and prose, a fraught engagement with politico-ethical issues, the limits of our access to and understanding of the past, and a rethinking of communities outside the conventions of the marriage plot

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Heydt-Stevenson, Jillian (Publisher); Sussman, Charlotte (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781846315633
    Edition: Paperback edition
    Subjects: English fiction / 18th century / History and criticism; English fiction / 19th century / History and criticism; Romanticism / Great Britain; Romantik; Englisch; Roman
    Scope: 1 online resource (xii, 345 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Array: Array
  3. Romantics and modernists in British cinema
    Author: Orr, John
    Published: 2010
    Publisher:  Edinburgh Univ. Press, Edinburgh

    Location:
    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Location:
    Hochschule für Fernsehen und Film, Bibliothek
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    No loan of volumes, only paper copies will be sent

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    Universitätsbibliothek Regensburg
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  4. The Cambridge introduction to William Wordsworth
    Author: Mason, Emma
    Published: 2010
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Würzburg
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780521721479; 9780521896689
    RVK Categories: HL 4905
    Edition: 1. publ.
    Series: Cambridge introductions to literature
    Subjects: Romanticism / Great Britain
    Other subjects: Wordsworth, William / 1770-1850 / Criticism and interpretation; Wordsworth, William / 1770-1850; Wordsworth, William (1770-1850)
    Scope: XIV, 134 S.
  5. Recognizing the romantic novel
    new histories of British fiction, 1780 - 1830
    Published: 2010
    Publisher:  Liverpool Univ. Press, Liverpool

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Passau
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781846315022
    RVK Categories: HL 1131
    Edition: Paperback ed.
    Series: Liverpool English texts and studies ; 53
    Subjects: Romanticism / Great Britain; English fiction / 18th century / History and criticism; English fiction / 19th century / History and criticism; Roman; Romantik; Englisch
    Scope: XII, 345 S., Ill.
  6. Recognizing the romantic novel
    new histories of British fiction, 1780 - 1830
    Published: 2010
    Publisher:  Liverpool Univ. Press, Liverpool

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781846315022
    RVK Categories: HL 1131
    Edition: Paperback ed.
    Series: Liverpool English texts and studies ; 53
    Subjects: Romanticism / Great Britain; English fiction / 18th century / History and criticism; English fiction / 19th century / History and criticism; Roman; Romantik; Englisch
    Scope: XII, 345 S., Ill.
  7. The Cambridge introduction to William Wordsworth
    Author: Mason, Emma
    Published: 2010
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780521721479; 9780521896689
    RVK Categories: HL 4905
    Edition: 1. publ.
    Series: Cambridge introductions to literature
    Subjects: Romanticism / Great Britain
    Other subjects: Wordsworth, William / 1770-1850 / Criticism and interpretation; Wordsworth, William / 1770-1850; Wordsworth, William (1770-1850)
    Scope: XIV, 134 S.
  8. Romantics and modernists in British cinema
    Author: Orr, John
    Published: 2010
    Publisher:  Edinburgh Univ. Press, Edinburgh

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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  9. Romantics and modernists in British cinema
    Author: Orr, John
    Published: 2010
    Publisher:  Edinburgh University Press, Edinburgh

    In a fresh and invigorating look at British cinema that considers film as an art form among other arts, John Orr takes a critical look at the intriguing relationship between romanticism and modernism that has been much neglected in the study of UK... more

    Location:
    Universitätsbibliothek Bamberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    In a fresh and invigorating look at British cinema that considers film as an art form among other arts, John Orr takes a critical look at the intriguing relationship between romanticism and modernism that has been much neglected in the study of UK cinema and downplayed in the development of Western cinema. Encompassing a broad selection of films, film-makers and debates, this book brings a fresh perspective to how scholars might understand and interrogate the major traditions that have shaped British cinema history. Covering the period between 1929 and the present, this book examines outstanding directors such as Alfred Hitchcock, David Lean, Carol Reed, Nicholas Roeg, Terence Davies and Bill Douglas, and articulates two genres vital to British cinema - the fugitive film and the trauma film - which bridge the gap between romantic and modern forms. Two detailed chapters also assess the powerful impact of major expatriate directors like Losey, Antonioni, Polanski, Kubrick and Skolimowski on modernism in the 1960s and 1970s. Detailed critical readings explore Blackmail, The Lady Vanishes, Black Narcissus, Odd Man Out, The Passionate Friends, The Innocents, Lawrence of Arabia, The Servant, Blow-Up, A Clockwork Orange, Don't Look Now, The Wicker Man, Moonlighting, the Bill Douglas trilogy and The Long Day Closes. The book concludes with an analysis of the persistence of romantic and modernist forms in the 21st century in two recent prize-winning features, Control and Hunger

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748642304
    RVK Categories: AP 59730
    Subjects: Film; Geschichte; Ästhetik; Motion pictures / Great Britain / History; Art and motion pictures / Great Britain; Romanticism / Great Britain; Modernism (Aesthetics) / Great Britain; Motion pictures / Aesthetics; Film
    Scope: 1 online resource (vi, 195 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Romantics versus modernists? -- 1929 : romantics and modernists on the cusp of sound -- Running man : Hitchcock's fugitives and The Bourne ultimatum -- Running man 2 : Carol Reed and his contemporaries -- David Lean : the troubled romantic and the end of empire -- Trauma film from romantic to modern : A matter of life and death to Don't look now -- Joseph Losey and Michelangelo Antonioni : the expatriate eye and the parallax view -- Expatriate eye 2: Stanley Kubrick and Jerzy Skolimowski -- Terence Davies and Bill Douglas : the poetics of memory -- Into the new country
  10. Romantics and modernists in British cinema
    Author: Orr, John
    Published: 2010
    Publisher:  Edinburgh University Press, Edinburgh

    In a fresh and invigorating look at British cinema that considers film as an art form among other arts, John Orr takes a critical look at the intriguing relationship between romanticism and modernism that has been much neglected in the study of UK... more

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    In a fresh and invigorating look at British cinema that considers film as an art form among other arts, John Orr takes a critical look at the intriguing relationship between romanticism and modernism that has been much neglected in the study of UK cinema and downplayed in the development of Western cinema. Encompassing a broad selection of films, film-makers and debates, this book brings a fresh perspective to how scholars might understand and interrogate the major traditions that have shaped British cinema history. Covering the period between 1929 and the present, this book examines outstanding directors such as Alfred Hitchcock, David Lean, Carol Reed, Nicholas Roeg, Terence Davies and Bill Douglas, and articulates two genres vital to British cinema - the fugitive film and the trauma film - which bridge the gap between romantic and modern forms. Two detailed chapters also assess the powerful impact of major expatriate directors like Losey, Antonioni, Polanski, Kubrick and Skolimowski on modernism in the 1960s and 1970s. Detailed critical readings explore Blackmail, The Lady Vanishes, Black Narcissus, Odd Man Out, The Passionate Friends, The Innocents, Lawrence of Arabia, The Servant, Blow-Up, A Clockwork Orange, Don't Look Now, The Wicker Man, Moonlighting, the Bill Douglas trilogy and The Long Day Closes. The book concludes with an analysis of the persistence of romantic and modernist forms in the 21st century in two recent prize-winning features, Control and Hunger

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748642304
    RVK Categories: AP 59730
    Subjects: Film; Geschichte; Ästhetik; Motion pictures / Great Britain / History; Art and motion pictures / Great Britain; Romanticism / Great Britain; Modernism (Aesthetics) / Great Britain; Motion pictures / Aesthetics; Film
    Scope: 1 online resource (vi, 195 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Romantics versus modernists? -- 1929 : romantics and modernists on the cusp of sound -- Running man : Hitchcock's fugitives and The Bourne ultimatum -- Running man 2 : Carol Reed and his contemporaries -- David Lean : the troubled romantic and the end of empire -- Trauma film from romantic to modern : A matter of life and death to Don't look now -- Joseph Losey and Michelangelo Antonioni : the expatriate eye and the parallax view -- Expatriate eye 2: Stanley Kubrick and Jerzy Skolimowski -- Terence Davies and Bill Douglas : the poetics of memory -- Into the new country
  11. Real and imagined women in British romanticism
    Author: Narayan, Gaura Shankar
    Published: c2010
    Publisher:  Peter Lang, New York

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1453903968; 9781453903964
    Series: Studies in nineteenth-century British literature ; v. 27
    Subjects: English literature / 19th century / History and criticism / Theory, etc; Women in literature; Women and literature / Great Britain / History; Romanticism / Great Britain; Sex role in literature; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
    Scope: 1 online resource (206 p.)
    Notes:

    Includes bibliographical references (p. [181]-194) and index

    Wordsworth, Keats, the possibility of the female voice -- The problem of gender in reason, feeling and sentiment: Mary Wollstonecraft and Edmund Burke -- The problem of gender in beauty, sublimity, and the imagination: Mary Wollstonecraft and Edmund Burke -- Gender and the poet's identity in some of the Lyrical ballads: William Wordsworth -- Gender and history in The prelude: William Wordsworth -- Gender and imagination in "Lamia" and "La belle dame sans merci": John Keats
  12. <<The>> Cambridge introduction to William Wordsworth
    Author: Mason, Emma
    Published: 2010
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780521896689; 0521896681; 9780521721479; 0521721474
    RVK Categories: HL 4905
    Edition: 1. publ.
    Series: Cambridge introductions to literature
    Subjects: Wordsworth, William, 1770-1850 / Criticism and interpretation; Wordsworth, William, 1770-1850; Romanticism / Great Britain
    Scope: XIV, 134 S., 23 cm
    Notes:

    Literaturverz. S. 121 - 130