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Displaying results 1 to 3 of 3.

  1. Racine
    from ancient myth to tragic modernity
    Author: Greenberg, Mitchell
    Published: 2010
    Publisher:  Univ. of Minnesota Press [u.a.], Minneapolis, Minn. [u.a.]

    Location:
    Universitätsbibliothek Augsburg
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  2. Le mythe de l'authenticité
    lectures, interprétations, dramaturgies de Britannicus de Jean Racine en France (1669 - 2004)
    Author: Vanhaesebrouck, Karel
    Published: 2009
    Publisher:  Rodopi, Amsterdam [u.a.]

    Location:
    Universitätsbibliothek Augsburg
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    Source: Union catalogues
    Language: French
    Media type: Ebook
    Format: Online
    ISBN: 9789042026506; 9789042026513
    RVK Categories: IF 8455
    Series: Faux titre ; 334
    Subjects: French drama; Rezeption
    Other subjects: Racine, Jean <1639-1699>: Britannicus; Racine, Jean <1639-1699>; Racine, Jean (1639-1699): Britannicus
    Scope: 1 Online-Ressource (448 S.), 22 cm
    Notes:

    Literaturverz. S. [417] - 448
  3. In the grip of Minos
    confessional discourse in Dante, Corneille, and Racine
    Published: 1994
    Publisher:  Ohio State Univ. Press, Columbus

    Tracing the history of confession from the Desert Fathers through the Lateran decree (1215) and the Council of Trent (1543-63), Matthew Senior examines the significance of these events and the role of confessional discourse in works by Dante,... more

    Location:
    Universitätsbibliothek Augsburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Würzburg
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    Unlimited inter-library loan, copies and loan

     

    Tracing the history of confession from the Desert Fathers through the Lateran decree (1215) and the Council of Trent (1543-63), Matthew Senior examines the significance of these events and the role of confessional discourse in works by Dante, Corneille, and Racine Using a multidisciplinary approach, Senior focuses his study on Minos, the legendary king of Crete and judge of both Homer's and Virgil's underworlds. Dante transforms Minos into a demon who forces the souls of the damned to confess as they enter the underworld; likewise, the ritual of confession opens the gates of Purgatory. Dante's afterlife, according to Senior, is an extrapolation of the Lateran decree, a total vision of humanity governed and punished by its own verity Following Trent, a new mode of confession makes its appearance, a baroque discourse in which "the heart speaks to the heart." Senior argues that Corneille similarly creates a new kind of hero who distinguishes himself as much by the confessional trial of self-statement as by his military exploits. In the work of Racine, Senior notes, Minos appears again, tormenting the conscience of Phedre

     
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