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Displaying results 201 to 225 of 239.

  1. Traum und Trauma in Schwarz-Weiß
    ethnische Grenzgänge im amerikanischen Film
    Author: Gotto, Lisa
    Published: 2006
    Publisher:  UVK Verl.-Ges., Konstanz

    Klappentext: Seit seinen Anfängen hat sich das amerikanische Kino auf eine spezifische Weise mit der Konstellation von Identität und Differenz auseinander geSetzt - in Form einer Thematisierung von Schwarz und Weiß als ethnischen Konzepten. Lisa... more

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    Klappentext: Seit seinen Anfängen hat sich das amerikanische Kino auf eine spezifische Weise mit der Konstellation von Identität und Differenz auseinander geSetzt - in Form einer Thematisierung von Schwarz und Weiß als ethnischen Konzepten. Lisa Gotto untersucht unter anderem an Filmen von Griffith, Sirk und Benton die Frage nach einer Grenzüberschreitung, die sich über und mit ethnischer Transgression auch auf die visuelle Wahrnehmung überträgt. Das Wahrnehmen des Anderen wird dabei als anderes Wahrnehmen verstanden, als eine Bewegung um ein Dazwischen, das sich eindeutigen Identifizierungen entzieht.

     
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 3896696661; 9783896696663
    Other identifier:
    9783896696663
    RVK Categories: AP 44983 ; AP 59783
    Series: Kommunikation audiovisuell ; 38
    Subjects: Motion pictures; Passing (Identity) in motion pictures; Race in motion pictures; Racism in motion pictures
    Scope: 372 S., graph. Darst., 21 cm
    Notes:

    Leseprobe im Internet abrufbar

    Zugl.: Weimar, Univ., Diss., 2006
  2. Dames in the driver's seat
    rereading film noir
    Author: Wager, Jans B.
    Published: c2005
    Publisher:  University of Texas Press, Austin

    Intro -- CONTENTS -- ACKNOWLEDGMENTS -- INTRODUCTION: DAMES AND DRIVING -- PART 1: CONTENTS AND CONTEXTS -- CHAPTER 1: MANNING THE POSTS: CLASSIC NOIR, POSTCLASSIC NOIR, AND POSTMODERNISM -- CHAPTER 2: SEXING THE PARADIGM: WOMEN AND MEN IN NOIR --... more

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    Intro -- CONTENTS -- ACKNOWLEDGMENTS -- INTRODUCTION: DAMES AND DRIVING -- PART 1: CONTENTS AND CONTEXTS -- CHAPTER 1: MANNING THE POSTS: CLASSIC NOIR, POSTCLASSIC NOIR, AND POSTMODERNISM -- CHAPTER 2: SEXING THE PARADIGM: WOMEN AND MEN IN NOIR -- CHAPTER 3: RACING THE PARADIGM: THE WHITENESS OF FILM NOIR -- PART 2: PROTOTYPES IN CLASSIC NOIR -- CHAPTER 4: THE KILLERS (1946): QUINTESSENTIAL NOIR? -- CHAPTER 5: OUT OF THE PAST (1947): PASSIVE MASCULINITY AND ACTIVE FEMININITIES -- CHAPTER 6: KISS ME DEADLY (1955): APOCALYPTIC FEMMES -- PART 3: RETURN OF THE REPRESSED IN RETRO-NOIR -- CHAPTER 7: L.A. CONFIDENTIAL (1997) AND CASABLANCA (1942): DOES ANYTHING CHANGE AS TIME GOES BY? -- CHAPTER 8: MULHOLLAND FALLS (1996): NUCLEAR NOIR AS NUMBSKULL NOIR -- CHAPTER 9: FIGHT CLUB (1999): RETRO-NOIR MASQUERADES AS NEO-NOIR -- PART 4: REVISION OF THE REPRESSED IN NEO-NOIR -- CHAPTER 10: TWILIGHT (1998): AGE, BEAUTY, AND STAR POWER-SURVIVAL OF THE FITTEST -- CHAPTER 11: FARGO (1996): A WOMAN WHO IS NOT HERSELF MEAN-SNOW-SWEPT HIGHWAYS AND MARGIE -- CHAPTER 12: JACKIE BROWN (1997): GENDER, RACE, CLASS, AND GENRE -- CONCLUSION: DOING IT FOR bell: CULTURAL CRITICISM AND SOCIAL CHANGE -- NOTES -- WORKS CITED -- INDEX.

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780292706941; 0292706944; 0292709668
    Edition: 1. ed.
    Subjects: Film noir; Race in motion pictures; Social classes in motion pictures; Sex role in motion pictures; Film noir ; History and criticism; Race in motion pictures; Sex role in motion pictures; Social classes in motion pictures; Electronic books
    Scope: IX, 190 S., Ill.
    Notes:

    Includes bibliographical references and index

    Electronic reproduction; Available via World Wide Web

    ""CONTENTS""; ""ACKNOWLEDGMENTS""; ""INTRODUCTION: DAMES AND DRIVING""; ""PART 1: CONTENTS AND CONTEXTS""; ""CHAPTER 1: MANNING THE POSTS: CLASSIC NOIR, POSTCLASSIC NOIR, AND POSTMODERNISM""; ""CHAPTER 2: SEXING THE PARADIGM: WOMEN AND MEN IN NOIR""; ""CHAPTER 3: RACING THE PARADIGM: THE WHITENESS OF FILM NOIR""; ""PART 2: PROTOTYPES IN CLASSIC NOIR""; ""CHAPTER 4: THE KILLERS (1946): QUINTESSENTIAL NOIR?""; ""CHAPTER 5: OUT OF THE PAST (1947): PASSIVE MASCULINITY AND ACTIVE FEMININITIES""; ""CHAPTER 6: KISS ME DEADLY (1955): APOCALYPTIC FEMMES""

    ""PART 3: RETURN OF THE REPRESSED IN RETRO-NOIR""""CHAPTER 7: L.A. CONFIDENTIAL (1997) AND CASABLANCA (1942): DOES ANYTHING CHANGE AS TIME GOES BY?""; ""CHAPTER 8: MULHOLLAND FALLS (1996): NUCLEAR NOIR AS NUMBSKULL NOIR""; ""CHAPTER 9: FIGHT CLUB (1999): RETRO-NOIR MASQUERADES AS NEO-NOIR""; ""PART 4: REVISION OF THE REPRESSED IN NEO-NOIR""; ""CHAPTER 10: TWILIGHT (1998): AGE, BEAUTY, AND STAR POWER-SURVIVAL OF THE FITTEST""; ""CHAPTER 11: FARGO (1996): A WOMAN WHO IS NOT HERSELF MEAN-SNOW-SWEPT HIGHWAYS AND MARGIE""; ""CHAPTER 12: JACKIE BROWN (1997): GENDER, RACE, CLASS, AND GENRE""

    ""CONCLUSION: DOING IT FOR bell: CULTURAL CRITICISM AND SOCIAL CHANGE""""NOTES""; ""WORKS CITED""; ""INDEX""
  3. Horror noire
    blacks in American horror films ; from to 1890s to present
    Author: Means Coleman, Robin R.
    Published: 2011
    Publisher:  Routledge, New York [u.a.]

    Introduction : studying blacks and horror films -- The birth of the black boogeyman: pre-1930s -- Jungle fever: a horror romance: 1930s -- Horrifying goons and minstrel coons: 1940s -- Black invisibility, white science, and a night with Ben:... more

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    Introduction : studying blacks and horror films -- The birth of the black boogeyman: pre-1930s -- Jungle fever: a horror romance: 1930s -- Horrifying goons and minstrel coons: 1940s -- Black invisibility, white science, and a night with Ben: 1950s-1960s -- Scream, whitey, scream: retribution, enduring women and carnality: 1970s -- We always die first: invisibility, racial red-lining, and self-sacrifice: 1980s -- Black is back! retribution and the urban terrain: 1990s -- Conclusion: catching some zzzzz's: blackz and horror in the 21st century

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780415880206; 9780415880190; 9780203847671
    RVK Categories: AP 53600
    Edition: 1. publ.
    Subjects: Horror films; African Americans in motion pictures; Race in motion pictures; USA; Schwarze; Horrorfilm
    Scope: XXII, 272 S., Ill.
    Notes:

    Includes bibliographical references and index

    Introduction : studying blacks and horror films -- The birth of the black boogeyman: pre-1930s -- Jungle fever: a horror romance: 1930s -- Horrifying goons and minstrel coons: 1940s -- Black invisibility, white science, and a night with Ben: 1950s-1960s -- Scream, whitey, scream: retribution, enduring women and carnality: 1970s -- We always die first: invisibility, racial red-lining, and self-sacrifice: 1980s -- Black is back! retribution and the urban terrain: 1990s -- Conclusion: catching some zzzzz's: blackz and horror in the 21st century.
  4. Race under reconstruction in German cinema
    Robert Stemmle's Toxi
    Author: Fenner, Angelica
    Published: 2011
    Publisher:  Univ. of Toronto Press, Toronto [u.a.]

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1442640081; 9781442640085
    RVK Categories: AP 50300 ; AP 59410
    Series: German and European studies
    Subjects: Blacks in motion pictures; Race in motion pictures; Race relations in motion pictures; Motion pictures
    Scope: X, 283 S., Ill.
    Notes:

    Literaturverz. S. {239] - 254
  5. White Gypsies
    race and stardom in Spanish musical films
    Author: Woods Peiró, Eva
    Published: 2012
    Publisher:  University of Minnesota Press, Minneapolis [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780816645848; 9780816645855
    RVK Categories: LR 57727
    Subjects: Romanies in motion pictures; Musical films; Race in motion pictures; Ethnicity in motion pictures; Stereotypes (Social psychology) in motion pictures; Romanies
    Scope: XII, 337 S., Ill., 23 cm
    Notes:

    Includes bibliographical references and index

    Introduction : modernity, race, and visibility -- Time, racial otherness, and digressions in silent films of the 1920s -- Female spectacle in the display case of the roaring Twenties -- Racing for modernity : from black jazz to white Gypsy folklore -- The gypsy "problem" : law and spatial assimilation -- The Spanish solution : the folklorica and the fuehrer -- Recycling folkloricas : a queer Spain.
  6. Afro-Cuban identity in post-revolutionary novel and film
    inclusion, loss, and cultural resistance
    Author: Morris, Andrea E.; Morris, Andrea Easly
    Published: c2012
    Publisher:  Bucknell Univ. Press, Lanham, Md

    Introduction -- Contradictory approaches to race, from independence to revolution. Representing difference in colonial and republican settings -- Slave rebellion and cultural resistance -- Performing the mulata rumbera -- Fragmented Cubanness by way... more

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    Introduction -- Contradictory approaches to race, from independence to revolution. Representing difference in colonial and republican settings -- Slave rebellion and cultural resistance -- Performing the mulata rumbera -- Fragmented Cubanness by way of détour -- Post-revolutionary identities in conflict. Black masculinity in crisis -- Race, place, and marginality -- Conclusion -- Epilogue: the 1980s and beyond

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781611484236; 1611484227; 9781611484229
    Other identifier:
    9781611484229
    RVK Categories: IQ 00477
    Subjects: Cuban literature; Blacks in literature; Race in literature; Identity (Philosophical concept) in literature; Motion pictures; Blacks in motion pictures; Race in motion pictures; Blacks; Cuban literature; Blacks in literature; Race in literature; Identity (Philosophical concept) in literature; Motion pictures; Blacks in motion pictures; Race in motion pictures; Blacks
    Scope: XXV, 177 S., 24 cm
    Notes:

    Includes bibliographical references and index

    Introduction -- Contradictory approaches to race, from independence to revolution. Representing difference in colonial and republican settings -- Slave rebellion and cultural resistance -- Performing the mulata rumbera -- Fragmented Cubanness by way of détour -- Post-revolutionary identities in conflict. Black masculinity in crisis -- Race, place, and marginality -- Conclusion -- Epilogue: the 1980s and beyond.
  7. The Chinese diaspora on American screens
    race, sex, and cinema
    Author: Marchetti, Gina
    Published: 2012
    Publisher:  Temple Univ. Press, Philadelphia, Pa.

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781592135189; 9781592135202
    RVK Categories: AP 59484
    Subjects: Chinese in motion pictures; Race in motion pictures; Sex role in motion pictures; Motion pictures; USA; Chinesen; Filmwirtschaft; Film; Chinesen; Ethnische Identität; Geschlechtsidentität; Geschlechterrolle; Geschichte 1995-2012; Chinesen <Motiv>; USA; Film; Chinesen; Ethnische Identität <Motiv>; Film; USA
    Scope: XII, 242 S., Ill.
    Notes:

    Includes bibliographical references (p. [227]-238) and index

    Introduction: race, sex, and the Chinese diaspora in American film -- In the black Pacific. Jackie Chan's black connections -- Interview: Jeff Yang -- Interracial romance in action: Romeo must die -- Black in the Chinese diaspora: double-consciousness in Yvonne Welbon's Remembering Wei Yi-Fang, remembering myself -- Interview: Yvonne Welbon -- Sexuality, gender and generation in diaspora. Queering the patriarchy: The wedding banquet, Toc storee, and Dirty laundry -- Interview: Richard Fung -- Guests at the wedding banquet: The Joy Luck Club, Double happiness, Siao Yu and Shopping for fangs -- Interview: Wayne Wang -- In pursuit of video hapa-ness: Banana split and Kip Fulbeck's Boyhood among ghosts -- Interview: Kip Fulbeck -- Conclusion: screening the Chinese diaspora in the new millennium.
  8. The persistence of whiteness
    race and contemporary Hollywood cinema
    Contributor: Bernardi, Daniel (HerausgeberIn)
    Published: 2008
    Publisher:  Routledge, London [u.a.]

    Manifest myth-making: Texas history in the movies / Charles Ramirez Berg -- Mapping the beach: beach movies, exploitation film and geographies of whiteness / Josh Stenger -- Boyz, boyz, boyz: new Black cinema and Black masculinity / Keith M. Harris... more

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    Manifest myth-making: Texas history in the movies / Charles Ramirez Berg -- Mapping the beach: beach movies, exploitation film and geographies of whiteness / Josh Stenger -- Boyz, boyz, boyz: new Black cinema and Black masculinity / Keith M. Harris -- Star Wars episodes I-VI: Coyote and the force of white narrative / Gabriel S. Estrada (Nahuatl) -- The whiteness of the rings / Sean Redmond -- Neo abolitionists, colorblind epistemologies and Black politics: the Matrix trilogy / Tani Dianca Sanchez -- Vampires of color and the performance of multicultural whiteness / Dale Hudson -- The naked and the dead: the Jewish male body and masculinity in Sunshine and Enemy at the gates / Peter Lehman and Susan Hunt -- Framing Jennifer Lopez: mobilizing race from the wide shot to the close-up / Priscilla Pena Ovalle -- Guess who's coming to dinner with Eldridge Cleaver & the Supreme Court, or reforming popular racial memory with Hepburn and Tracy / Susan Courtney -- Master-slave sex acts: Mandingo and the race/sex paradox / Celine Parrenas Shimizu -- The tragedy of whiteness and neo-liberalism in Brad Kaaya's 'O'/Othello / Deborah Elizabeth Whaley -- Romeo must die: interracial romance in action / Gina Marchetti -- The dark side of whiteness: Sweetback and John Dollard's idea of the gains of the lower class negroes / Thomas Cripps -- Black like him: Steven Spielberg's The Color Purple / Lester D. Friedman -- Crossover diva: Whoopi Goldberg and persona politics / Bambi L. Haggins -- Surviving In living color with some White chicks: whiteness in the Wayans' (Black) minds / Beretta E. Smith-Shomade

     
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    Source: Union catalogues
    Contributor: Bernardi, Daniel (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0415774128; 0415774136; 0203939743; 9780415774123; 9780415774130; 9780203939741
    RVK Categories: AP 44983 ; AP 59783 ; AP 59784
    Subjects: Minorities in motion pictures; Race in motion pictures; Motion pictures
    Scope: XXVI, 390 Seiten, graph. Darst
    Notes:

    Includes bibliographical references
  9. Exotisch Hollywood
    de verbeelding van andere culturen in recente succesfilms
    Author: Ginneken, Jaap van
    Published: c2006
    Publisher:  Boom, Amsterdam

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 A 713071
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    DFF - Deutsches Filminstitut & Filmmuseum, Bibliothek
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    Thomas Elsaesser 160
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    Source: Staatsbibliothek zu Berlin
    Language: Dutch
    Media type: Book
    Format: Print
    ISBN: 908506080X
    Subjects: Exoticism in motion pictures; Race in motion pictures; Motion pictures
    Scope: 286 p, ill, 24 cm
    Notes:

    "Ontdek de verborgen boodschappen in: Aladdin, Anna and the king, Godzilla, Indiana Jones, James Bond, King Kong, The lion king, Mulan, The passion of the Christ, Pocahontas, The prince of Egypt, Star trek, Star wars, Tarzan, Zorro en vele andere megahits."

    Includes bibliographical references (p. [275]-281) and index
  10. Race, class, and gender in "medieval" cinema
    Contributor: Ramey, Lynn Tarte (Hrsg.)
    Published: 2007
    Publisher:  Palgrave Macmillan, New York [u.a.]

    Once, present, and future kings: kingdom of heaven and the multitemporality of medieval film / Arthur Lindley -- Chahine's destiny: prophetic nostalgia and the other middle classes / Don Hoffman -- Reversing the crusades: hegemony, orientalism, and... more

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    Staats- und Universitätsbibliothek Bremen
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    Universitätsbibliothek Freiburg
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    Bx 4211
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    Once, present, and future kings: kingdom of heaven and the multitemporality of medieval film / Arthur Lindley -- Chahine's destiny: prophetic nostalgia and the other middle classes / Don Hoffman -- Reversing the crusades: hegemony, orientalism, and film language in Youssef Chahine's Saladin / John M. Ganim -- Samurai on shifting ground: negotiating the Medieval and the modern in Seven Samurai and Yojimbo / Randy P. Schiff -- Vikings through the eyes of an Arab ethnographer: constructions of the other in The 13th warrior / Lynn Shutters -- Mission historical, or "[T]here were a hell of a lot of knights": ethnicity and alterity in Jerry Bruckheimer's King Arthur / Carolin Jewers -- Inner-city chivalry in Gil Junger's Black knight: a South Central Yankee in King Leo's court / Laurie A. Finke and Martin B. Shichtman --Queering the Medieval dead: history, horror, and masculinity in Sam Raimi's Evil dead trilogy / Tison Pugh -- In praise of troubadourism: creating community in occupied France, 1942-43 / Lynn T. Ramey -- Sexing warrior women in China's martial arts world: King Hu's A touch of Zen / Peter Lorge -- The hawk, the wolf, and the mouse: tracing the gendered other in Richard Donner's Ladyhawke / Angela Jane Weisl -- Chaucer's man show: anachronistic authority in Brian Helgeland's A knight's tale / Holly A. Crocker -- The "other" women of Sherwood: the construction of difference and gender in cinematic treatments of the Robin Hood legend / Lorrain K. Stock and Candace Gregory-Abbott

     
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    Content information
    Source: Union catalogues
    Contributor: Ramey, Lynn Tarte (Hrsg.)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781403974273; 1403974276
    RVK Categories: AP 52600
    Edition: 1. ed.
    Series: The new middle ages
    Subjects: Middle Ages in motion pictures; Race in motion pictures; Social classes in motion pictures; Sex role in motion pictures; Middle Ages in motion pictures; Race in motion pictures; Social classes in motion pictures; Sex role in motion pictures
    Scope: VIII, 228 S., Ill., 24cm
    Notes:

    Hier auch später erschienene, unveränderte Nachdrucke

    Includes bibliographical references and index
  11. Race, philosophy, and film
    Contributor: Bloodsworth-Lugo, Mary K. (Hrsg.); Flory, Dan (Hrsg.)
    Published: 2013
    Publisher:  Routledge, New York [u.a.]

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    Source: Staatsbibliothek zu Berlin
    Contributor: Bloodsworth-Lugo, Mary K. (Hrsg.); Flory, Dan (Hrsg.)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780415624459; 9780203104637
    RVK Categories: LC 95000 ; AP 46700
    Series: Routledge studies in contemporary philosophy ; 50
    Subjects: Minorities in motion pictures; Race in motion pictures; Race
    Other subjects: Minorities in motion pictures; Race in motion pictures; Array
    Scope: X, 235 S, Ill.
    Notes:

    Includes bibliographical references and index
  12. "Other people's diasporas"
    negotiating race in contemporary Irish and Irish American culture
    Author: Moynihan, Sinéad
    Published: 2013
    Publisher:  Syracuse University Press, Syracuse, N.Y.

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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    2013 A 16936
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    Signature:
    2013 A 2058
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780815633105
    Other identifier:
    9780815633105
    RVK Categories: HG 290
    Edition: 1. ed.
    Series: Irish studies
    Subjects: Irish Americans; Race in literature; Race in motion pictures; Immigrants in literature; Immigrants in motion pictures; Whites; Blacks; Irish Americans; African Americans
    Scope: VIII, 242 S., 24 cm
    Notes:

    Includes bibliographical references (pages 213-236) and index
  13. The cinema and its shadow
    race and technology in early cinema
    Author: Maurice, Alice
    Published: c 2013
    Publisher:  Univ. of Minnesota Press, Minneapolis, Minn. [u.a.]

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    Universitätsbibliothek Freiburg
    Signature:
    GE 2013/5438
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    UB Weimar
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    Lf 2100/30
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780816678044; 9780816678051; 0816678049; 0816678057
    RVK Categories: AP 44983
    Subjects: Minorities in motion pictures; Race in motion pictures; Motion picture industry
    Other subjects: Minorities in motion pictures; Race in motion pictures; Array
    Scope: XI, 268 S., Ill., 23 cm
    Notes:

    Includes bibliographical references and index. - Introduction: embodying cinema -- Performing body, performing image: race and the boundaries of early cinematic narrative -- Face, race, and screen: close-ups and the transition to the feature film -- Recasting shadows: race, image, and audience -- "Cinema at its source": synchronizing race and sound in the early talkies -- Conclusion: red, white, and blue: digital cinema, race, and avatar

    Introduction: embodying cinemaPerforming body, performing image: race and the boundaries of early cinematic narrative -- Face, race, and screen: close-ups and the transition to the feature film -- Recasting shadows: race, image, and audience -- "Cinema at its source": synchronizing race and sound in the early talkies -- Conclusion: red, white, and blue: digital cinema, race, and avatar.
  14. The white savior film
    content, critics, and consumption
    Author: Hughey, Matthew W.
    Published: 2014
    Publisher:  Temple University Press, Philadelphia

    The cinematic trope of the white savior film-think of Sandra Bullock in The Blind Side, Kevin Costner in Dances with Wolves, or Tom Cruise in The Last Samurai--features messianic characters in unfamiliar or hostile settings discovering something... more

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    Staats- und Universitätsbibliothek Bremen
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    Hochschulbibliothek Friedensau
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    Hochschule für Wirtschaft und Umwelt Nürtingen-Geislingen, Bibliothek Nürtingen
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    The cinematic trope of the white savior film-think of Sandra Bullock in The Blind Side, Kevin Costner in Dances with Wolves, or Tom Cruise in The Last Samurai--features messianic characters in unfamiliar or hostile settings discovering something about themselves and their culture in the process of saving members of other races from terrible fates. In The White Savior Film, Matthew Hughey provides a cogent, multipronged analysis of this subgenre of films to investigate the underpinnings of the Hollywood-constructed images of idealized (and often idealistic) white Americans. Hughey considers the

     
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    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781439910009
    RVK Categories: AP 59783
    Subjects: Whites in motion pictures; Race in motion pictures; Motion pictures -- Social aspects -- United States; Electronic books
    Scope: 1 Online-Ressource (x, 219 Seiten)
    Notes:

    Description based upon print version of record

    Contents; Acknowledgments; 1. The Savior Trope and the Modern: Meanings of Whiteness; 2. White Savior Films: The Content of Their Character; 3. Reviewing Whiteness: Critics and Their Commentary; 4. Watching Whiteness: Audience Consumption and Community; 5. The Significance of White Saviors in a "Postracial" World; Appendix A: Data and Methodology for Content Analysis of Film; Appendix B: Data and Methodology for Film Reviews; Appendix C: Data and Methodology for Film Audiences; References; Index
  15. The white savior film
    content, critics, and consumption
    Author: Hughey, Matthew W.
    Published: 2014
    Publisher:  Temple University Press, Philadelphia

    "The cinematic trope of the white savior film-think of Sandra Bullock in The Blind Side, Kevin Costner in Dances with Wolves, or Tom Cruise in The Last Samurai--features messianic characters in unfamiliar or hostile settings discovering something... more

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    Staats- und Universitätsbibliothek Bremen
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    a tea 876.6/765
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    AP 50300 F869 H8
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    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
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    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
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    Universitätsbibliothek Leipzig
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Universitätsbibliothek Mannheim
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    Württembergische Landesbibliothek
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    "The cinematic trope of the white savior film-think of Sandra Bullock in The Blind Side, Kevin Costner in Dances with Wolves, or Tom Cruise in The Last Samurai--features messianic characters in unfamiliar or hostile settings discovering something about themselves and their culture in the process of saving members of other races from terrible fates. In The White Savior Film, Matthew Hughey provides a cogent, multipronged analysis of this subgenre of films to investigate the underpinnings of the Hollywood-constructed images of idealized (and often idealistic) white Americans. Hughey considers the production, distribution, and consumption of white savior films to show how the dominant messages of sacrifice, suffering, and redemption are perceived by both critics and audiences. Examining the content of fifty films, nearly 3,000 reviews, and interviews with viewer focus groups, he accounts for the popularity of this subgenre and its portrayal of "racial progress." The White Savior Film shows how we as a society create and understand these films and how they reflect the political and cultural contexts of their time. "--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781439910009; 9781439910016; 1439910014; 1439910006
    Other identifier:
    9781439910016
    RVK Categories: AP 59783
    Subjects: Whites in motion pictures; Race in motion pictures; Motion pictures; Whites in motion pictures; Race in motion pictures; Motion pictures; Motion pictures; Race in motion pictures; Whites in motion pictures
    Scope: x, 219 Seiten, Diagramme, 23 cm
    Notes:

    Literaturverzeichnis: Seiten 193-210
  16. Queer representation, visibility, and race in American film and television
    screening the closet
    Author: Kohnen, Melanie E.S.; Kohnen, Melanie E. S.
    Published: 2016
    Publisher:  Routledge Taylor & Francis Group, New York

    "This book examines the proliferation of gay, lesbian, and queer representations in mainstream American media over the past forty years. Kohnen argues that queer media visibility has become a narrowly defined category that upholds normative ideas... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 979127
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    Staats- und Universitätsbibliothek Bremen
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    a puz 530.7/761
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    Technische Universität Chemnitz, Universitätsbibliothek
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    "This book examines the proliferation of gay, lesbian, and queer representations in mainstream American media over the past forty years. Kohnen argues that queer media visibility has become a narrowly defined category that upholds normative ideas about sexuality, race, and the American nation. She examines how and why this limited and limiting concept of queer visibility has become the embodiment of progressive and liberatory LGBT media representations and traces the uneven history of queer media visibility through crucial turning points including the early gay liberation movement of the late 1960s/70s, the AIDS crisis of the 80s, the so-called explosion of gay visibility of the 90s and the reimagination of queer citizenship after the events of 9/11. Further, Kohnen reveals how queer visibility shapes and reflects not only media representations, but the real and imagined geographies, histories, and peoples of the American nation"--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780415894142; 041589414X
    Other identifier:
    9780415894142
    Series: Routledge research in cultural and media studies ; 36
    Subjects: Sexual minorities in mass media; Sexual minorities in motion pictures; Sexual minorities on television; Mass media; Motion pictures; Television programs; Gays in popular culture; Gays in motion pictures; Homosexuality on television; Race in motion pictures
    Scope: xiv, 182 Seiten, Illustrationen, 24 cm
    Notes:

    Includes bibliographical references and index
  17. Passing interest
    racial passing in US novels, memoirs, television, and film, 1990 - 2010
    Contributor: Nerad, Julie Cary (Hrsg.)
    Published: 2014
    Publisher:  Suny Press, State University of New York Press, Albany

    Introduction: The (not so) new face of America / Julie Cary Nerad -- On the margins of a movement: passing in three contemporary memoirs / Irina Negrea -- "A cousin to blackness": race and identity in Bliss Broyard's One drop: My father's hidden life... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 927932
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    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    2015 A 12219
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    HU 1728 124
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    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
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    Introduction: The (not so) new face of America / Julie Cary Nerad -- On the margins of a movement: passing in three contemporary memoirs / Irina Negrea -- "A cousin to blackness": race and identity in Bliss Broyard's One drop: My father's hidden life / Lynn Washington and Julie Cary Nerad -- Can one really choose?: passing and self-identification at the turn of the 21st century / Jené Schoenfeld -- Passing in blackface: the intimate drama of post-racialism on Black.White. / Eden Osucha -- Broke right in half: racial passing of/in Alice Randall's The wind done gone / Julie Cary Nerad -- Passing for Chicano, passing for White: negotiating Filipino American identity in Brian Ascalon Roley's American son / Amanda Page -- Race in the Marketplace: Postmodern Passing and Ali G / Ana Mendes -- Passing for Black, White, and Jewish: mixed race identity in Rebecca Walker and Danzy Senna / Lori Harrison-Kahan -- Smiling faces: Chameleon Street, racial passing/performativity, and film blackness / Michael B. Gillespie -- Consuming performances: race, media, and the failure of the cultural mulatto in Bamboozled and Erasure / Meredith McCarroll

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Nerad, Julie Cary (Hrsg.)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781438452272; 9781438452289
    RVK Categories: HU 1728 ; HU 1691
    Series: SUNY series in multiethnic literature
    Subjects: American literature; American literature; Passing (Identity); Passing (Identity); Passing (Identity) in literature; Passing (Identity) in motion pictures; Race in literature; Race in motion pictures
    Scope: XII, 348 S.
    Notes:

    Includes bibliographical references and index

    Julie Cary NeradOn the margins of a movement: passing in three contemporary memoirs / Irina Negrea: Introduction: The (not so) new face of America

    Lynn Washington and Julie Cary Nerad: "A cousin to blackness": race and identity in Bliss Broyard's One drop: My father's hidden life

    Jené Schoenfeld: Can one really choose?: passing and self-identification at the turn of the 21st century

    Eden Osucha: Passing in blackface: the intimate drama of post-racialism on Black.White.

    Julie Cary Nerad: Broke right in half: racial passing of/in Alice Randall's The wind done gone

    Amanda Page: Passing for Chicano, passing for White: negotiating Filipino American identity in Brian Ascalon Roley's American son

    Ana Mendes: Race in the Marketplace: Postmodern Passing and Ali G

    Lori Harrison-Kahan: Passing for Black, White, and Jewish: mixed race identity in Rebecca Walker and Danzy Senna

    Michael B. Gillespie: Smiling faces: Chameleon Street, racial passing/performativity, and film blackness

    Meredith McCarroll.: Consuming performances: race, media, and the failure of the cultural mulatto in Bamboozled and Erasure
  18. Passing interest
    racial passing in US novels, memoirs, television, and film, 1990-2010
    Published: [2014]
    Publisher:  SUNY Press, Albany, NY

    Location:
    Hochschulbibliothek Friedensau
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    Online-Ressource
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1438452292; 9781438452296
    Series: SUNY series in multiethnic literature
    Subjects: Passing (Identity) in motion pictures; Race in literature; Race in motion pictures; Passing (Identity); Passing (Identity) in literature; American literature; Passing (Identity); American literature
    Scope: Online-Ressource (xii, 348 pages)
    Notes:

    Includes bibliographical references and index

    Introduction: The (not so) new face of America / Julie Cary NeradOn the margins of a movement: passing in three contemporary memoirs / Irina Negrea -- "A cousin to blackness": race and identity in Bliss Broyard's One drop: My father's hidden life / Lynn Washington and Julie Cary Nerad -- Can one really choose?: passing and self-identification at the turn of the 21st century / Jené Schoenfeld -- Passing in blackface: the intimate drama of post-racialism on Black.White. / Eden Osucha -- Broke right in half: racial passing of/in Alice Randall's The wind done gone / Julie Cary Nerad -- Passing for Chicano, passing for White: negotiating Filipino American identity in Brian Ascalon Roley's American son / Amanda Page -- Race in the Marketplace: Postmodern Passing and Ali G / Ana Mendes -- Passing for Black, White, and Jewish: mixed race identity in Rebecca Walker and Danzy Senna / Lori Harrison-Kahan -- Smiling faces: Chameleon Street, racial passing/performativity, and film blackness / Michael B. Gillespie -- Consuming performances: race, media, and the failure of the cultural mulatto in Bamboozled and Erasure / Meredith McCarroll.
  19. Jazz and cocktails
    rethinking race and the sound of film noir
    Author: Wager, Jans B.
    Published: 2017; © 2017
    Publisher:  University of Texas Press, Austin

    Introduction: nostalgia for the Lush Life -- Pie eye's juke joint : jazz and its interpretations -- The porters and waiters club : jazz, movies, and Ogden -- Studio jazz from Harlem to Acapulco -- The Blue Gardenia, Club Pigalle, and Daniel's :... more

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    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
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    3.2.6.WAG
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    DFF - Deutsches Filminstitut & Filmmuseum, Bibliothek
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    Film 1110
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    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
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    VG/400/855
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    Introduction: nostalgia for the Lush Life -- Pie eye's juke joint : jazz and its interpretations -- The porters and waiters club : jazz, movies, and Ogden -- Studio jazz from Harlem to Acapulco -- The Blue Gardenia, Club Pigalle, and Daniel's : charting the alienation effect in film noir -- From Elysium to Robards, from real to reel -- A Paris bar where miles innovates -- "All the very gay places" : Ellington and Strayhorn swing in northern Michigan -- Cannoy's club : "All men are evil" -- "Jeep's blues" and jazz today

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781477312261; 9781477312278
    RVK Categories: AP 59483
    Edition: First edition
    Subjects: Jazz in motion pictures; Film noir; Race in motion pictures; Sound in motion pictures; Motion pictures and music; Jazz in motion pictures; Film noir; Race in motion pictures; Sound in motion pictures; Motion pictures and music
    Scope: X, 163 Seiten, Illustrationen
    Notes:

    Includes bibliographical references (S. 149 - 154) and index
  20. Projecting 9/11
    race, gender, and citizenship in recent Hollywood films
    Author: Bloodsworth-Lugo, Mary K.
    Published: 2015
    Publisher:  Rowman & Littlefield, Lanham, Md. [u.a.]

    White masculinity and the (in)security of 9/11 -- War and sexualized/racialized threats -- Narratives of threat and 9/11 monsters -- 9/11 transnationalism and gendered citizenship -- Animated 9/11 raciality conceptions of progress -- The great... more

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    UB Weimar
    Signature:
    Lh 6300/25
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    White masculinity and the (in)security of 9/11 -- War and sexualized/racialized threats -- Narratives of threat and 9/11 monsters -- 9/11 transnationalism and gendered citizenship -- Animated 9/11 raciality conceptions of progress -- The great recession and white masculine (in)security again -- 9/11 end of days Hollywood -- Bibliography -- Filmography

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781442218260
    RVK Categories: AP 44983 ; AP 50300
    Series: Perspectives on a multiracial America series
    Subjects: September 11 Terrorist Attacks, 2001, in motion pictures; Race in motion pictures; Sex role in motion pictures; Citizenship in motion pictures; Motion pictures
    Scope: VII, 193 S.
    Notes:

    Includes bibliographical references and index

    White masculinity and the (in)security of 9/11War and sexualized/racialized threats -- Narratives of threat and 9/11 monsters -- 9/11 transnationalism and gendered citizenship -- Animated 9/11 raciality conceptions of progress -- The great recession and white masculine (in)security again -- 9/11 end of days Hollywood -- Bibliography -- Filmography.
  21. Screening difference
    how Hollywood's blockbuster films imagine race, ethnicity, and culture
    Author: Ginneken, Jaap van
    Published: c2007
    Publisher:  Rowman & Littlefield, Lanham, Md. [u.a.]

    Location:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    16 : ID 1440.3 Gin
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    AP 44983 G492
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    Universität Potsdam, Universitätsbibliothek
    Signature:
    AP 59783 GIN
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780742555839; 0742555836; 0742555844; 9780742555846
    Other identifier:
    9780742555846
    2007011064
    RVK Categories: AP 46700 ; AP 59783
    Subjects: Exoticism in motion pictures; Race in motion pictures; Motion pictures; Exoticism in motion pictures; Race in motion pictures; Motion pictures
    Scope: XII, 281 S., 24cm
    Notes:

    Text translated into English. - Includes bibliographical references (p. 257-268) and index. - Translation of: Exotisch Hollywood : de verbeelding van andere culturen in recente succesfilms
  22. The witch's flight
    the cinematic, the Black femme, and the image of common sense
    Author: Keeling, Kara
    Published: 2007
    Publisher:  Duke University Press, Durham

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    Institute for Cultural Inquiry- Kulturlabor, Bibliothek
    Signature:
    PN1995.9.L48 K44 2007
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    Staats- und Universitätsbibliothek Bremen
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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    703582
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780822340133; 0822340135; 9780822340256; 0822340259
    RVK Categories: AP 44983 ; AP 45700 ; AP 46700
    Series: Perverse modernities
    Subjects: Sex role in motion pictures; Sex in motion pictures; Race in motion pictures; Queer theory; Butch and femme (Lesbian culture) in motion pictures
    Scope: xii, 209 Seiten, 1 Illustration, 23 cm
    Notes:

    Literaturverzeichnis: Seiten 195-202
  23. Race, gender, and sexuality in post-apocalyptic TV and film
    Contributor: Gurr, Barbara (HerausgeberIn)
    Published: [2015]
    Publisher:  Palgrave Macmillan, Basingstoke, Hampshire [u.a.]

    "This multidisciplinary collection examines post-apocalyptic TV and film for the ways in which these narratives reveal, reproduce, and occasionally resist twenty-first century anxieties and desires around race, gender, and sexuality. Contributors... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 965845
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    Universitätsbibliothek Braunschweig
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    2943-5203
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    Staats- und Universitätsbibliothek Bremen
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    a puz 534.6/656
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    AP 50300 G325 G9
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    Universitätsbibliothek Hildesheim
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    "This multidisciplinary collection examines post-apocalyptic TV and film for the ways in which these narratives reveal, reproduce, and occasionally resist twenty-first century anxieties and desires around race, gender, and sexuality. Contributors consider the complex interplay between popular culture, social fears and desires, hope and horror through readings of the post-apocalypse in The Walking Dead, True Blood, Falling Skies, Resident Evil, and others"--

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Gurr, Barbara (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781137501509
    RVK Categories: AP 50300 ; AP 44983 ; AP 46700 ; AP 47950 ; AP 41800 ; AP 53900
    Subjects: Apocalyptic television programs; Apocalyptic films; Sex role on television; Sex role in motion pictures; Race in motion pictures; Race on television; Television programs; Motion pictures
    Scope: X, 183 Seiten
    Notes:

    Includes bibliographical references and index

    Machine generated contents note:Introduction: After the World Ends, Again; Barbara Gurr -- PART I: THE MORE THINGS CHANGE, THE MORE THEY STAY THE SAME... -- 1. Organisms and Human Bodies as Contagions in the Post-Apocalyptic State; Robert Booth -- 2. Masculinity, Race, and the (Re?)Imagined American Frontier; Barbara Gurr -- 3. Harbinger of Death: Starbuck and the Future of Woman in the Post-Apocalyptic Universe of Battlestar Galactica;Tracey Raney and Michelle Meagher -- 4. The Visibility and Invisibility of Class, Race, Gender, and Sexuality in The Hunger GameS; Mary Burke and Maura Kelly -- 5. Post-Apocalyptic Inequalities: Race, Class, Gender, and Sexuality in Firefly; J. Edward Sumerau and Sarah L. Jirek -- PART II: THE FUTURE IN FLUX -- 6. Queer Resistance in an Imperfect Allegory: The Politics of Sexuality in True Blood; Stacy Missari -- 7. Woman as Evolution: The Feminist Promise of the Resident Evil Film Series; Andrea Harris -- 8. Cops and Zombies: Hierarchy and Social Location in The Walking Dead; Melissa Lavin and Brian Lowe -- 9. 'We don't do history': Constructing Masculinity in a World of Blood; Amanda Hobson -- 10. The Apocalypse Is No-Thing To Wish For: Revisioning Traumatic Masculinities in John Hillcoat's The Road; Brent Strang -- 11. Propagation and Procreation: the Zombie and the ChildL; James Berger -- Afterward; Barbara Gurr.
  24. Il colore della nazione
    Contributor: Giuliani, Gaia (Hrsg.)
    Published: ottobre 2015
    Publisher:  Le Monnier università, Firenze

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    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    AP 59739 115
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    Universitätsbibliothek Mannheim
    Signature:
    2020 A 2335
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    Deutsches Historisches Institut in Rom, Bibliothek
    Signature:
    La 751 p
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    Source: Union catalogues
    Contributor: Giuliani, Gaia (Hrsg.)
    Language: Italian
    Media type: Book
    Format: Print
    ISBN: 9788800747011
    RVK Categories: AP 59739
    Edition: Prima edizione Le Monnier università
    Subjects: Italians; Ethnicity; Racism; Ethnicity in motion pictures; Race in motion pictures
    Scope: VI, 274 Seiten, Illustrationen, 24 cm
    Notes:

    Hier auch später erschienene, unveränderte Nachdrucke

    Includes bibliographical references (pages 229-264) and index
  25. Screening difference
    how Hollywood's blockbuster films imagine race, ethnicity, and culture
    Published: 2010
    Publisher:  Rowman & Littlefield, Lanham

    "Screening Difference takes us on a fascinating voyage through major movie blockbusters that deal with the encounter between "us"--Mainstream white Hollywood - and "them"--the filmic representations of other races, ethnicities, and cultures. Looking... more

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    Hochschule Aalen, Bibliothek
    Signature:
    E-Book EBSCO
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    Hochschule Esslingen, Bibliothek
    Signature:
    E-Book Ebsco
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    "Screening Difference takes us on a fascinating voyage through major movie blockbusters that deal with the encounter between "us"--Mainstream white Hollywood - and "them"--the filmic representations of other races, ethnicities, and cultures. Looking at subtle orientations in casting and makeup, sets and props, lighting and camera movements, and music and language, this lively book follows the best-known genres and sub-genres - from animated cartoons and wilderness films to romantic movies and colonial adventures. Screening Difference tracks the stories back to their origins and patiently dissects the hidden messages that have crept into them."--Jacket

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781461643296; 1461643295
    Subjects: Motion pictures; Exoticism in motion pictures; Race in motion pictures; Motion pictures; Motion pictures; Exoticism in motion pictures; Race in motion pictures; Motion pictures; PERFORMING ARTS ; Reference; Ethnizität <Motiv>; Film; Exotik
    Scope: Online Ressource (xii, 281 pages)
    Notes:

    Translation of: Exotisch Hollywood : de verbeelding van andere culturen in recente succesfilms. - Includes bibliographical references (pages 257-268) and index. - Text translated into English. - Print version record

    Includes bibliographical references (pages 257-268) and index

    Text translated into English

    Print version record

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Online-Ausg. [S.l.] : HathiTrust Digital Library