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Displaying results 1 to 11 of 11.

  1. Postfeminist whiteness
    problematising melancholic burden in contemporary Hollywood
    Author: Marston, Kendra
    Published: [2018]
    Publisher:  Edinburgh University Press, Edinburgh

    The world is her oyster: negotiating contemporary white womanhood in Hollywood's tourist spaces --'Hoist the colours!' Framing feminism through charismatic white leadership in the fantasy blockbuster --Neoliberalism, female agency and conspicuous... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    The world is her oyster: negotiating contemporary white womanhood in Hollywood's tourist spaces --'Hoist the colours!' Framing feminism through charismatic white leadership in the fantasy blockbuster --Neoliberalism, female agency and conspicuous consumption as tragic flaw in Woody Allen's Blue Jasmine --Paranoid attachments to suburban dreams: pathological feminitity in Gone Girl and The Girl on the Train --Aristocratic whiteness, body trauma and the market logic of melancholia in Black Swan --Sofia Coppola's melancholic aesthetic: vanishing femininity in an object-oriented world --Conclusion: melancholic white femininity, cultural resonance and the shifting politics of representation.

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1474430295; 9781474430296
    Subjects: Feminism and motion pictures; Women, White, in motion pictures; Melancholy in motion pictures; Race in motion pictures; Feminism and motion pictures; Melancholy in motion pictures; Race in motion pictures; Women, White, in motion pictures; Film; Melancholie; Weibliche Weiße; USA
    Scope: ix, 221 pages, illustrations, 25 cm
    Notes:

    Includes bibliographical references (pages 198-209), filmography (pages 210-214), and index
  2. American obscurantism
    history and the visual in U.S. literature and film
    Author: Lurie, Peter
    Published: [2018]
    Publisher:  Oxford University Press, New York, NY

    Location:
    Universitätsbibliothek Eichstätt-Ingolstadt
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule für Fernsehen und Film, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Universitätsbibliothek Würzburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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  3. I Am Legend as American myth
    race and masculinity in the novel and its film adaptations
    Author: Ransom, Amy J.
    Published: 2018
    Publisher:  McFarland & Company, Inc., Publishers, Jefferson, North Carolina

    "Richard Matheson's 1954 novel I Am Legend has spawned a series of horror and science fiction films. This reexamination of Matheson's novel situates the tale of one man's attitude about killing racialized "others" within its orginal post-World War II... more

    Location:
    Universitätsbibliothek Würzburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Richard Matheson's 1954 novel I Am Legend has spawned a series of horror and science fiction films. This reexamination of Matheson's novel situates the tale of one man's attitude about killing racialized "others" within its orginal post-World War II context. The author analyzes several film adaptations, with a focus on the casting and interpretations protagonist Robert Neville"-- Introduction: I am legends: adapting Richard Matheson's last man novel to the screen -- Richard Matheson's I am legend: the trauma of World War II and the decline of western "right" -- Visualizing apocalypse through compromised masculinity: Vincent Price as the last man on Earth -- The last white man on earth: Charlton Heston in The omega man -- The color of the new hero: Will Smith in I am legend -- Conclusion: I am legend as American myth

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781476668338
    RVK Categories: HU 9800
    Subjects: Matheson, Richard;
    Other subjects: Matheson, Richard (1926-2013): I am legend; Matheson, Richard / I am legend; Matheson, Richard / Film adaptations; I am legend (Motion picture); Race in literature; Masculinity in literature; Race in motion pictures; Masculinity in motion pictures
    Scope: vii, 223 Seiten, Illustrationen, 23 cm
    Notes:

    Includes bibliographical references (pages 198-213) and index
  4. I am legend as American myth
    race and masculinity in the novel and its film adaptations
    Author: Ransom, Amy J.
    Published: [2018]; © 2018
    Publisher:  McFarland & Company, Inc., Publishers, Jefferson

    "Richard Matheson's 1954 novel I Am Legend has spawned a series of horror and science fiction films. This reexamination of Matheson's novel situates the tale of one man's attitude about killing racialized "others" within its orginal post-World War II... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    10 A 84673
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staats- und Universitätsbibliothek Bremen
    Signature:
    a ang 957 math 7/979
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signature:
    2019 A 3974
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    Unlimited inter-library loan, copies and loan

    Location:
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    Signature:
    19-10492
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Richard Matheson's 1954 novel I Am Legend has spawned a series of horror and science fiction films. This reexamination of Matheson's novel situates the tale of one man's attitude about killing racialized "others" within its orginal post-World War II context. The author analyzes several film adaptations, with a focus on the casting and interpretations protagonist Robert Neville"-- Introduction: I am legends: adapting Richard Matheson's last man novel to the screen -- Richard Matheson's I am legend: the trauma of World War II and the decline of western "right" -- Visualizing apocalypse through compromised masculinity: Vincent Price as the last man on Earth -- The last white man on earth: Charlton Heston in The omega man -- The color of the new hero: Will Smith in I am legend -- Conclusion: I am legend as American myth

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781476668338
    Subjects: Race in literature; Masculinity in literature; Race in motion pictures; Masculinity in motion pictures
    Other subjects: Matheson, Richard: I am legend; Matheson, Richard
    Scope: vii, 223 Seiten, Illustrationen, 23 cm
    Notes:

    Literaturverzeichnis: Seite 198-213
  5. American obscurantism
    history and the visual in U.S. literature and film
    Author: Lurie, Peter
    Published: [2018]
    Publisher:  Oxford University Press, New York

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  6. Postfeminist whiteness
    problematising melancholic burden in contemporary Hollywood
    Author: Marston, Kendra
    Published: [2018]
    Publisher:  Edinburgh University Press, Edinburgh

    The world is her oyster: negotiating contemporary white womanhood in Hollywood's tourist spaces --'Hoist the colours!' Framing feminism through charismatic white leadership in the fantasy blockbuster --Neoliberalism, female agency and conspicuous... more

    Location:
    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
    Signature:
    E
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    10 A 74775
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    The world is her oyster: negotiating contemporary white womanhood in Hollywood's tourist spaces --'Hoist the colours!' Framing feminism through charismatic white leadership in the fantasy blockbuster --Neoliberalism, female agency and conspicuous consumption as tragic flaw in Woody Allen's Blue Jasmine --Paranoid attachments to suburban dreams: pathological feminitity in Gone Girl and The Girl on the Train --Aristocratic whiteness, body trauma and the market logic of melancholia in Black Swan --Sofia Coppola's melancholic aesthetic: vanishing femininity in an object-oriented world --Conclusion: melancholic white femininity, cultural resonance and the shifting politics of representation.

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1474430295; 9781474430296
    Subjects: Feminism and motion pictures; Women, White, in motion pictures; Melancholy in motion pictures; Race in motion pictures; Feminism and motion pictures; Melancholy in motion pictures; Race in motion pictures; Women, White, in motion pictures; Film; Melancholie; Weibliche Weiße; USA
    Scope: ix, 221 pages, illustrations, 25 cm
    Notes:

    Includes bibliographical references (pages 198-209), filmography (pages 210-214), and index
  7. Postfeminist whiteness
    problematising melancholic burden in contemporary Hollywood
    Author: Marston, Kendra
    Published: [2018]
    Publisher:  Edinburgh University Press, Edinburgh

    The world is her oyster: negotiating contemporary white womanhood in Hollywood's tourist spaces --'Hoist the colours!' Framing feminism through charismatic white leadership in the fantasy blockbuster --Neoliberalism, female agency and conspicuous... more

    Access:
    Verlag (kostenfrei)
    Verlag (kostenfrei)
    Resolving-System (kostenfrei)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    The world is her oyster: negotiating contemporary white womanhood in Hollywood's tourist spaces --'Hoist the colours!' Framing feminism through charismatic white leadership in the fantasy blockbuster --Neoliberalism, female agency and conspicuous consumption as tragic flaw in Woody Allen's Blue Jasmine --Paranoid attachments to suburban dreams: pathological feminitity in Gone Girl and The Girl on the Train --Aristocratic whiteness, body trauma and the market logic of melancholia in Black Swan --Sofia Coppola's melancholic aesthetic: vanishing femininity in an object-oriented world --Conclusion: melancholic white femininity, cultural resonance and the shifting politics of representation.

     
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    Content information
    Cover (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474430319; 9781474430326
    Subjects: Feminism and motion pictures; Women, White, in motion pictures; Melancholy in motion pictures; Race in motion pictures; Feminism and motion pictures; Melancholy in motion pictures; Race in motion pictures; Women, White, in motion pictures; Film; Melancholie; Weibliche Weiße; USA
    Scope: 1 Online-Ressource (ix, 221 pages), illustrations
    Notes:

    Includes bibliographical references (pages 198-209), filmography (pages 210-214), and index
  8. I Am Legend as American myth
    race and masculinity in the novel and its film adaptations
    Author: Ransom, Amy J.
    Published: 2018
    Publisher:  McFarland & Company, Inc., Publishers, Jefferson, North Carolina

    "Richard Matheson's 1954 novel I Am Legend has spawned a series of horror and science fiction films. This reexamination of Matheson's novel situates the tale of one man's attitude about killing racialized "others" within its orginal post-World War II... more

    Location:
    Universitätsbibliothek Würzburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Richard Matheson's 1954 novel I Am Legend has spawned a series of horror and science fiction films. This reexamination of Matheson's novel situates the tale of one man's attitude about killing racialized "others" within its orginal post-World War II context. The author analyzes several film adaptations, with a focus on the casting and interpretations protagonist Robert Neville"-- Introduction: I am legends: adapting Richard Matheson's last man novel to the screen -- Richard Matheson's I am legend: the trauma of World War II and the decline of western "right" -- Visualizing apocalypse through compromised masculinity: Vincent Price as the last man on Earth -- The last white man on earth: Charlton Heston in The omega man -- The color of the new hero: Will Smith in I am legend -- Conclusion: I am legend as American myth

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781476632674
    RVK Categories: HU 9800
    Subjects: Matheson, Richard;
    Other subjects: Matheson, Richard (1926-2013): I am legend; Matheson, Richard / I am legend; Matheson, Richard / Film adaptations; I am legend (Motion picture); Race in literature; Masculinity in literature; Race in motion pictures; Masculinity in motion pictures
    Scope: 1 Online-Ressource (vii, 223 Seiten), Illustrationen
    Notes:

    Includes bibliographical references (pages 198-213) and index
  9. I am legend as American myth
    race and masculinity in the novel and its film adaptations
    Author: Ransom, Amy J.
    Published: [2018]; © 2018
    Publisher:  McFarland & Company, Inc., Publishers, Jefferson

    "Richard Matheson's 1954 novel I Am Legend has spawned a series of horror and science fiction films. This reexamination of Matheson's novel situates the tale of one man's attitude about killing racialized "others" within its orginal post-World War II... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Richard Matheson's 1954 novel I Am Legend has spawned a series of horror and science fiction films. This reexamination of Matheson's novel situates the tale of one man's attitude about killing racialized "others" within its orginal post-World War II context. The author analyzes several film adaptations, with a focus on the casting and interpretations protagonist Robert Neville"-- Introduction: I am legends: adapting Richard Matheson's last man novel to the screen -- Richard Matheson's I am legend: the trauma of World War II and the decline of western "right" -- Visualizing apocalypse through compromised masculinity: Vincent Price as the last man on Earth -- The last white man on earth: Charlton Heston in The omega man -- The color of the new hero: Will Smith in I am legend -- Conclusion: I am legend as American myth

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781476668338
    Subjects: Race in literature; Masculinity in literature; Race in motion pictures; Masculinity in motion pictures
    Other subjects: Matheson, Richard: I am legend; Matheson, Richard
    Scope: vii, 223 Seiten, Illustrationen, 23 cm
    Notes:

    Literaturverzeichnis: Seite 198-213
  10. American obscurantism
    history and the visual in U.S. literature and film
    Author: Lurie, Peter
    Published: [2018]
    Publisher:  Oxford University Press, New York, NY

    Location:
    Freie Universität Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
  11. Postfeminist whiteness
    problematising melancholic burden in contemporary Hollywood
    Author: Marston, Kendra
    Published: [2018]
    Publisher:  Edinburgh University Press, Edinburgh

    The world is her oyster: negotiating contemporary white womanhood in Hollywood's tourist spaces --'Hoist the colours!' Framing feminism through charismatic white leadership in the fantasy blockbuster --Neoliberalism, female agency and conspicuous... more

    Access:
    Verlag (kostenfrei)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Clausthal
    Inter-library loan:
    No inter-library loan

    Location:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Inter-library loan:
    No inter-library loan

    Location:
    Max-Planck-Institut für ethnologische Forschung, Bibliothek
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    No inter-library loan

    Location:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    No inter-library loan

    Location:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    No inter-library loan

    Location:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    No inter-library loan

    Location:
    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Inter-library loan:
    No inter-library loan

     

    The world is her oyster: negotiating contemporary white womanhood in Hollywood's tourist spaces --'Hoist the colours!' Framing feminism through charismatic white leadership in the fantasy blockbuster --Neoliberalism, female agency and conspicuous consumption as tragic flaw in Woody Allen's Blue Jasmine --Paranoid attachments to suburban dreams: pathological feminitity in Gone Girl and The Girl on the Train --Aristocratic whiteness, body trauma and the market logic of melancholia in Black Swan --Sofia Coppola's melancholic aesthetic: vanishing femininity in an object-oriented world --Conclusion: melancholic white femininity, cultural resonance and the shifting politics of representation.

     
    Export to reference management software   RIS file
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474430319; 9781474430326
    Subjects: Feminism and motion pictures; Women, White, in motion pictures; Melancholy in motion pictures; Race in motion pictures; Feminism and motion pictures; Melancholy in motion pictures; Race in motion pictures; Women, White, in motion pictures; Film; Melancholie; Weibliche Weiße; USA
    Scope: 1 Online-Ressource (ix, 221 pages), illustrations
    Notes:

    Includes bibliographical references (pages 198-209), filmography (pages 210-214), and index