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  1. Пушкин в кругу современников = Pushkin among his contemporaries
    Contributor: Leibov, Roman (Publisher); Okhotin, Nikita (Publisher)
    Published: 2019
    Publisher:  University of Tartu Press, Tartu

    Acta Slavica Estonica is an international series of publications on current issues of Russian and other Slavic languages, literatures and cultures. This volume continues the long tradition of Tartu Pushkin studies, which began in the 19th century,... more

     

    Acta Slavica Estonica is an international series of publications on current issues of Russian and other Slavic languages, literatures and cultures. This volume continues the long tradition of Tartu Pushkin studies, which began in the 19th century, but became truly influential in the era when Yu. M. Lotman headed the Department of Russian Literature. This tradition has continued over the past decades. The volume includes contributions by scholars from St. Petersburg, Moscow, Tartu, Oxford, Madison, Milwaukee. There are commentaries on specific texts of Pushkin, as well as general observations on the literary processes of the early 19th century.

     

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    Source: OAPEN
    Contributor: Leibov, Roman (Publisher); Okhotin, Nikita (Publisher)
    Language: Russian
    Media type: Ebook
    Format: Online
    ISBN: 9789949032440
    Subjects: Literature & literary studies; Russian; c 1800 to c 1900
    Other subjects: Pushkin; 19th-century literature; Russian literature; literary criticism
    Scope: 1 electronic resource (388 p.)
  2. Pushkin’s Monument and Allusion
    Poem, Statue, Performance
    Published: [2019]; © 2019
    Publisher:  University of Toronto Press, Toronto

    In August of 1836 Alexander Pushkin wrote a poem now popularly known simply as "Monument." He died a few months later in January of 1837. In the decades following his death, the poem "Monument" was transformed into a statue in central Moscow: the... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Universität Potsdam, Universitätsbibliothek
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    In August of 1836 Alexander Pushkin wrote a poem now popularly known simply as "Monument." He died a few months later in January of 1837. In the decades following his death, the poem "Monument" was transformed into a statue in central Moscow: the Pushkin Monument. At its dedication in 1880, the interaction between the verbal text and the visual monument established a creative dynamic that subsequent generations of artists and thinkers amplified through the use of allusion, the aesthetic device by which writers reference select elements of cultural history to enrich the meaning of their new creation and invite their reader into the shared experience of a tradition. The history of the Pushkin Monument reveals how allusive practice becomes more complex over time. By the twentieth century, both writers and readers negotiated increasingly complex allusions not only to Pushkin’s poem, but to its statuesque form in Moscow and the many performances that took place around it. As the population of newly literate Russians grew throughout the twentieth century, images of the future poet and the naive reader became crucial signifiers of the most meaningful allusions to the Pushkin Monument. Because of this, the story of Pushkin’s Monument is also the story of cultural memory and the aesthetic problems that accompany a cultural history that grows ever longer as it moves into the future

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487532239
    Other identifier:
    Subjects: Bulgakov; Pushkin; Russia; Russian sculpture; allusion; cultural history; cultural memory; history of reading; lifelike statue; monuments; LITERARY CRITICISM / European / Eastern (see also Russian & Former Soviet Union); Lyrik; Denkmal; Anspielung
    Other subjects: Puškin, Aleksandr Sergeevič (1799-1837)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Sep 2019)

  3. Pushkin’s Monument and Allusion
    Poem, Statue, Performance
    Published: [2019]; © 2019
    Publisher:  University of Toronto Press, Toronto

    In August of 1836 Alexander Pushkin wrote a poem now popularly known simply as "Monument." He died a few months later in January of 1837. In the decades following his death, the poem "Monument" was transformed into a statue in central Moscow: the... more

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    Universitätsbibliothek Passau
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    In August of 1836 Alexander Pushkin wrote a poem now popularly known simply as "Monument." He died a few months later in January of 1837. In the decades following his death, the poem "Monument" was transformed into a statue in central Moscow: the Pushkin Monument. At its dedication in 1880, the interaction between the verbal text and the visual monument established a creative dynamic that subsequent generations of artists and thinkers amplified through the use of allusion, the aesthetic device by which writers reference select elements of cultural history to enrich the meaning of their new creation and invite their reader into the shared experience of a tradition. The history of the Pushkin Monument reveals how allusive practice becomes more complex over time. By the twentieth century, both writers and readers negotiated increasingly complex allusions not only to Pushkin’s poem, but to its statuesque form in Moscow and the many performances that took place around it. As the population of newly literate Russians grew throughout the twentieth century, images of the future poet and the naive reader became crucial signifiers of the most meaningful allusions to the Pushkin Monument. Because of this, the story of Pushkin’s Monument is also the story of cultural memory and the aesthetic problems that accompany a cultural history that grows ever longer as it moves into the future

     

    Export to reference management software   RIS file
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    Content information
    Volltext (URL des Erstveröffentlichers)