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  1. "Do You Have a Band?
    Poetry and Punk Rock in New York City
    Author: Kane, Daniel
    Published: 2017; ©2017
    Publisher:  Columbia University Press, New York, NY

    During the late 1960s, throughout the 1970s, and into the 1980s, New York City poets and musicians played together, published each other, and inspired one another to create groundbreaking art. In "Do You Have a Band?", Daniel Kane reads deeply across... more

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    Hochschule für Gesundheit, Hochschulbibliothek
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    During the late 1960s, throughout the 1970s, and into the 1980s, New York City poets and musicians played together, published each other, and inspired one another to create groundbreaking art. In "Do You Have a Band?", Daniel Kane reads deeply across poetry and punk music to capture this compelling exchange and its challenge to the status of the visionary artist, the cultural capital of poetry, and the lines dividing sung lyric from page-bound poem.Kane reveals how the new sounds of proto-punk and punk music found their way into the poetry of the 1960s and 1970s downtown scene, enabling writers to develop fresh ideas for their own poetics and performance styles. Likewise, groups like The Fugs and the Velvet Underground drew on writers as varied as William Blake and Delmore Schwartz for their lyrics. Drawing on a range of archival materials and oral interviews, Kane also shows how and why punk musicians drew on and resisted French Symbolist writing, the vatic resonance of the Beat chant, and, most surprisingly and complexly, the New York Schools of poetry. In bringing together the music and writing of Richard Hell, Patti Smith, and Jim Carroll with readings of poetry by Anne Waldman, Eileen Myles, Ted Berrigan, John Giorno, and Dennis Cooper, Kane provides a fascinating history of this crucial period in postwar American culture and the cultural life of New York City.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780231544603
    Other identifier:
    Subjects: American poetry; American poetry; Punk rock music; Punk culture; American poetry.; American poetry.; Punk culture.; Punk rock music.
    Scope: 1 Online-Ressource, 11 b&w photographs
  2. Hardcore, punk, and other junk
    aggressive sounds in contemporary music
    Contributor: Abbey, Eric James (Publisher); Helb, Colin (Publisher)
    Published: 2014; © 2014
    Publisher:  Lexington Books, Lanham, Maryland ; Plymouth, England

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Contributor: Abbey, Eric James (Publisher); Helb, Colin (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780739176061
    Subjects: Gesellschaft; Hardcore (Music); Punk rock music; Heavy metal (Music); Noise music; Popular music; Popular music; Hardcore; Rockmusik; Punk Rock; Aggression <Motiv>; Heavy Metal
    Scope: 1 online resource (229 pages), illustrations, music
    Notes:

    Description based on print version record
  3. "Do you have a band?"
    poetry and punk rock in New York City
    Author: Kane, Daniel
    Published: [2017]
    Publisher:  Columbia University Press, New York

    During the late 1960s, throughout the 1970s, and into the 1980s, New York City poets and musicians played together, published each other, and inspired one another to create groundbreaking art. In "Do You Have a Band?", Daniel Kane reads deeply across... more

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    Hochschule Aalen, Bibliothek
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    Hochschule Esslingen, Bibliothek
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    During the late 1960s, throughout the 1970s, and into the 1980s, New York City poets and musicians played together, published each other, and inspired one another to create groundbreaking art. In "Do You Have a Band?", Daniel Kane reads deeply across poetry and punk music to capture this compelling exchange and its challenge to the status of the visionary artist, the cultural capital of poetry, and the lines dividing sung lyric from page-bound poem. Kane reveals how the new sounds of proto-punk and punk music found their way into the poetry of the 1960s and 1970s downtown scene, enabling writers to develop fresh ideas for their own poetics and performance styles. Likewise, groups like The Fugs and the Velvet Underground drew on writers as varied as William Blake and Delmore Schwartz for their lyrics. Drawing on a range of archival materials and oral interviews, Kane also shows how and why punk musicians drew on and resisted French Symbolist writing, the vatic resonance of the Beat chant, and, most surprisingly and complexly, the New York Schools of poetry. In bringing together the music and writing of Richard Hell, Patti Smith, and Jim Carroll with readings of poetry by Anne Waldman, Eileen Myles, Ted Berrigan, John Giorno, and Dennis Cooper, Kane provides a fascinating history of this crucial period in postwar American culture and the cultural life of New York City The Fugs are coming -- Lou Reed: "In the beginning was the word" -- Proto-punk and poetry on St. Mark's Place -- Richard Hell, Genesis: grasp, and the making of the blank generation -- "I just got different theories": Patti Smith and the New York School of poetry -- Giorno poetry systems -- Eileen Myles and the International Fuck Frank O'Hara movement -- "Sit on my face!": Dennis Cooper, the first punk poet -- Afterword: people who died.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 023154460X; 9780231544603
    Subjects: American poetry; Punk rock music; Punk culture; American poetry; MUSIC ; Genres & Styles ; Punk; American poetry; Intellectual life; Punk culture; Punk rock music; New York (State) ; New York; Criticism, interpretation, etc; History
    Scope: 1 Online-Ressource (1 online resource)
    Notes:

    Includes bibliographical references and index
  4. Holocaust impiety in literature, popular music and film
    Author: Boswell, Matthew
    Published: [2012]; © 2012
    Publisher:  Palgrave Macmillan, Basingstoke

    Surveying irreverent and controversial representations of the Holocaust - from Sylvia Plath and the Sex Pistols to Quentin Tarantino and Holocaust comedy - Matthew Boswell considers how they might play an important role in shaping our understanding... more

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    Universitätsbibliothek Leipzig
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    Surveying irreverent and controversial representations of the Holocaust - from Sylvia Plath and the Sex Pistols to Quentin Tarantino and Holocaust comedy - Matthew Boswell considers how they might play an important role in shaping our understanding of the Nazi genocide and what it means to be human

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780230358690
    RVK Categories: EC 5410
    Subjects: Punk rock music; Holocaust, Jewish (1939-1945), in motion pictures; National socialism and music; Holocaust, Jewish (1939-1945), in literature; Holocaust, Jewish (1939-1945), and the arts; Holocaust, Jewish (1939-1945)
    Scope: Online-Ressource (viii, 211 p.)
    Notes:

    Includes bibliographical references (p. 202-206) and index
  5. The poetry of punk
    the meaning behind punk rock and hardcore lyrics
    Author: Ambrosch, Gerfried
    Published: 2018
    Publisher:  Routledge, Milton

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    Universitätsbibliothek Mannheim
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    Hochschulbibliothek Friedensau
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781351384452
    RVK Categories: HN 1161
    Subjects: Punk culture; Punk rock music
    Scope: 1 Online-Ressource (x, 186 Seiten), Illustrationen
  6. The poetry of Punk
    the meaning behind Punk rock and hardcore lyrics
    Author: Ambrosch, Gerfried
    Published: 2018
    Publisher:  Routledge, an imprint of Taylor and Francis,, Boca Raton, FL

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Palucca-Hochschule für Tanz Dresden, Bibliothek
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  7. Anyone Can Do It
    Empowerment, Tradition and the Punk Underground
    Author: Dale, Pete
    Published: 2012
    Publisher:  Ashgate Pub., Farnham

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781409444336; 1409444333; 9781409444329
    Series: Ashgate popular and folk music series
    Subjects: Punk rock music; Fine Arts; MUSIC / Genres & Styles / Heavy Metal; MUSIC / Genres & Styles / Punk; MUSIC / Genres & Styles / Rock; Politik; Punk rock music; Punk rock music; Anarchie <Motiv>; Punk Rock; Widerstand <Motiv>; Subkultur
    Scope: 257 pages
    Notes:

    Cover; Contents; List of Musical Examples; General Editor's Preface; Acknowledgements; Introduction; Part I: Anyone Can Do -- What?; 1 What is Punk?; 2 The Folk 'Us'; 3 Punk as Folk; Conclusion to Part I; Part II: Can Any One Do 'It'?; 4 Punk, Avant-gardism and Novelty; 5 Marxism, Anarchism and the Issue of Universality; 6 Justice to Come and the Micromatic Recoil; Conclusion to Part II; Part III: The Beginning of a Continuation; Interlude 1: An Original Rebirth?; 7 There is no Authority, But ... ; 8 Indie Pop Ain't Noise Pollution; Conclusion to Part III; Part IV: The Continuation of a Beginning

    Interlude 2: Still Birth?9 The Arrival of a New, Renegade, Girl-Boy Hyper-Nation; 10 Delivering the Groceries at 138 Beats per Minute; Conclusion to Part IV; Conclusion; Bibliography; Index

    The punk underground has repeatedly insisted that 'anyone can do it', grounding itself in a politics of empowerment that claims to be anarchistic in character. How valid is punk's faith in anarchistic empowerment? Anyone Can Do It explores the cultural history and politics of the punk underground. Detailed case studies show the continuities and differences between four micro-traditions of punk

    Includes bibliographical references (pages 225-234) and index
  8. The poetry of Punk
    the meaning behind Punk rock and hardcore lyrics
    Author: Ambrosch, Gerfried
    Published: 2018
    Publisher:  Routledge, an imprint of Taylor and Francis,, Boca Raton, FL

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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  9. The year's work in the punk bookshelf, or, lusty scripts
    Author: Schill, Brian James
    Published: 2017
    Publisher:  Indiana University Press, Bloomington, Indiana

    Cover -- THE YEAR'S WORK IN THE PUNK BOOKSHELF OR, LUSTY SCRIPTS -- Title -- Copyright -- Dedication -- CONTENTS -- ACKNOWLEDGMENTS -- PROLOGUE -- 1 Nietzsche's Lisp -- 2 "I Could've Been Raskolnikov": Punk Reads Dostoevsky -- 3 Departure in New... more

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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Bibliothek LIV HN Sontheim
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    Bibliothek LIV HN Sontheim
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Duale Hochschule Baden-Württemberg Lörrach, Zentralbibliothek
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    Cover -- THE YEAR'S WORK IN THE PUNK BOOKSHELF OR, LUSTY SCRIPTS -- Title -- Copyright -- Dedication -- CONTENTS -- ACKNOWLEDGMENTS -- PROLOGUE -- 1 Nietzsche's Lisp -- 2 "I Could've Been Raskolnikov": Punk Reads Dostoevsky -- 3 Departure in New Noise: Punk Poetry -- 4 "On Play Patterns": Punk's Theater of Cruelty and Alienation Effect -- 5 Love Will Tear Us Apart, Or, Henry and June Meet Sid and Nancy -- 6 The Dismemberment Plan: Burroughs, Dick, and the Portmanteaux -- 7 "A Report to an Academy": Punk Fiction -- EPILOGUE: The Loveliest of Passions -- BIBLIOGRAPHY -- INDEX.

     
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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780253029447
    RVK Categories: HU 1811
    Series: The Year's Work Ser
    Year's Work: Studies in Fan Culture and Cultural Theory
    The Year's Work: Studies in Fan Culture and Cultural Theory Ser
    Subjects: Subculture; Punk culture; Punk rock music; Influence (Literary, artistic, etc.); Reading interests; Reading interests; Youth; Subculture; Electronic books
    Scope: 1 online resource (396 pages)
  10. "Do you have a band?"
    poetry and punk rock in New York City
    Author: Kane, Daniel
    Published: [2017]
    Publisher:  Columbia University Press, New York, NY

    During the late 1960s and throughout the 1970s, New York City poets and musicians played together, published each other, and inspired one another to create groundbreaking art. In "Do You Have a Band?", Daniel Kane captures this sometimes turbulent... more

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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Wilhelmshaven, Bibliothek
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    During the late 1960s and throughout the 1970s, New York City poets and musicians played together, published each other, and inspired one another to create groundbreaking art. In "Do You Have a Band?", Daniel Kane captures this sometimes turbulent exchange and its challenge to the status of the visionary artist, the cultural capital of poetry, and the lines dividing sung lyric from page-bound poem.Kane demonstrates the ways in which musicians borrowed from each other's forms. Performers such as Lou Reed looked to poetry to give their music a more literary quality while the poets Ed Sanders and Dennis Cooper were drawn to the immediacy and energy of rock and punk music. Kane conducts rich studies of such proto-punk bands as The Fugs and the Velvet Underground. He reads the music and writing of Richard Hell, Lydia Lunch, and Patti Smith against the poetry of Anne Waldman, Eileen Myles, Bruce Andrews, Kathy Acker, Ted Berrigan, Ron Padgett, and Andrew Wiley. Kane shows how and why punk musicians drew on French symbolist writing, the vatic resonance of the Beat chant, and the New York School of poetry. As punk music found its way into the poetry of the 1960s and 1970s downtown scene, writers developed fresh ideas for their own poetics and related performance styles.

     
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  11. Holocaust impiety in literature, popular music and film
    Author: Boswell, Matthew
    Published: 2012
    Publisher:  Palgrave Macmillan, New York

    Introduction -- Poetry. Sylvia Plath, Ariel (1965) and other poems -- W.D. Snodgrass, The fuehrer bunker (1995) -- Popular music. American punk: Ramones, Ramones (1976) -- English punk: Sex pistols, Never mind the bollocks, Here's The sex pistols... more

    Location:
    Saarländische Universitäts- und Landesbibliothek
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    Introduction -- Poetry. Sylvia Plath, Ariel (1965) and other poems -- W.D. Snodgrass, The fuehrer bunker (1995) -- Popular music. American punk: Ramones, Ramones (1976) -- English punk: Sex pistols, Never mind the bollocks, Here's The sex pistols (1977) and The great rock 'n' roll swindle (1979) -- Post-punk: Joy division, Closer (1980) -- Post-punk rock: Manic Street preachers, The holy Bible (1994) -- Film. Night and fog (Alain Resnais, 1955) -- Shoah (Claude Lanzmann, 1985) -- The grey zone (Tim Blake Nelson, 2001) -- Inglourious basterds (Quentin Tarantino, 2009)

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780230358690
    RVK Categories: EC 5410
    Edition: Online-Ausg.
    Subjects: Holocaust, Jewish (1939-1945), in literature; National socialism and music; Punk rock music; Holocaust, Jewish (1939-1945), in motion pictures
    Other subjects: Holocaust, Jewish (1939-1945), and the arts; Array
    Scope: Online-Ressource (VIII, 211 S.), Ill.
    Notes:

    Includes bibliographical references and index. - Electronic reproduction; Palo Alto, Calif; ebrary; 2012; Available via World Wide Web; Access may be limited to ebrary affiliated libraries
  12. Holocaust impiety in literature, popular music and film
    Author: Boswell, Matthew
    Published: [2012]; © 2012
    Publisher:  Palgrave Macmillan, Basingstoke

    Surveying irreverent and controversial representations of the Holocaust - from Sylvia Plath and the Sex Pistols to Quentin Tarantino and Holocaust comedy - Matthew Boswell considers how they might play an important role in shaping our understanding... more

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    Universitätsbibliothek Leipzig
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    Location:
    Hochschulbibliothek Friedensau
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    Online-Ressource
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    Hochschule für Wirtschaft und Umwelt Nürtingen-Geislingen, Bibliothek Nürtingen
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    Surveying irreverent and controversial representations of the Holocaust - from Sylvia Plath and the Sex Pistols to Quentin Tarantino and Holocaust comedy - Matthew Boswell considers how they might play an important role in shaping our understanding of the Nazi genocide and what it means to be human

     
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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780230358690
    RVK Categories: EC 5410
    Subjects: Punk rock music; Holocaust, Jewish (1939-1945), in motion pictures; National socialism and music; Holocaust, Jewish (1939-1945), in literature; Punk rock music; Holocaust, Jewish (1939-1945), in motion pictures; National socialism and music; Holocaust, Jewish (1939-1945), in literature; European literature; Electronic books
    Other subjects: Holocaust, Jewish (1939-1945), and the arts; Array
    Scope: 1 Online-Ressource (viii, 211 p.)
    Notes:

    Includes bibliographical references (p. 202-206) and index

    IntroductionPoetry. Sylvia Plath, Ariel (1965) and other poems -- W.D. Snodgrass, The fuehrer bunker (1995) -- Popular music. American punk: Ramones, Ramones (1976) -- English punk: Sex pistols, Never mind the bollocks, Here's The sex pistols (1977) and The great rock 'n' roll swindle (1979) -- Post-punk: Joy division, Closer (1980) -- Post-punk rock: Manic Street preachers, The holy Bible (1994) -- Film. Night and fog (Alain Resnais, 1955) -- Shoah (Claude Lanzmann, 1985) -- The grey zone (Tim Blake Nelson, 2001) -- Inglourious basterds (Quentin Tarantino, 2009).