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  1. Contested communities
    communication, narration, imagination
    Contributor: Mühleisen, Susanne (HerausgeberIn)
    Published: [2017]
    Publisher:  Brill, Leiden

    This interdisciplinary volume critically investigates the value and topicality of the concept of community in postcolonial language situations as well as in postcolonial texts and media. Both in actual and in imagined communities, membership is... more

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    Staats- und Universitätsbibliothek Bremen
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    2017 A 9132
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    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
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    EG/700/190
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    Anglistisches Seminar der Universität, Bibliothek
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    F ES 1953
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    Universitätsbibliothek Mannheim
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    This interdisciplinary volume critically investigates the value and topicality of the concept of community in postcolonial language situations as well as in postcolonial texts and media. Both in actual and in imagined communities, membership is constructed on an assumption of shared features - be it common values, linguistic codes, geographical origin, gender, sexual identity, ethnicity, religion, professional group or joint interests and practices. But how is membership in such communities achieved, manifested, tested or contested? What new forms of community have developed in the wake of globalisation, translocation and digital media communication? Eighteen contributions by scholars in linguistics, literary and cultural studies explore the role of communication, narratives, memory and trauma in processes of belonging or unbelonging in postcolonial contexts

     
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    Source: Union catalogues
    Contributor: Mühleisen, Susanne (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9789004335264
    RVK Categories: HP 1130
    Series: Cross/Cultures ; 190
    Asnel Papers ; 21
    Subjects: Sociolinguistics; Language and culture; Group identity; Language and languages; Postcolonialism; Postcolonialism in literature; Music and language; Postcolonialism and music
    Scope: xlii, 319 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  2. Creolized aurality
    Guadeloupean gwoka and postcolonial politics
    Author: Camal, Jerome
    Published: 2020
    Publisher:  The University of Chicago Press, Chicago ; Oxford University Press, Oxford

    From colonialism to anticolonialism, from nationalism to postnationalism, this text explores how gwoka participates in five auralities, fields of sonic relations that make audible multiple - and often seemingly contradictory - cultural belongings and... more

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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    From colonialism to anticolonialism, from nationalism to postnationalism, this text explores how gwoka participates in five auralities, fields of sonic relations that make audible multiple - and often seemingly contradictory - cultural belongings and political longings. Drawing from Edouard Glissant's poetics of relation and re-interpreting creolization as a double play of resistance and accommodation, 'Creolized Aurality' moves away from narratives of anticolonial rupture and overcoming to elucidate (post)coloniality as an unstable relational matrix from which emerges a politics caught in the tension between a struggle for sovereignty and demands for full citizenship.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226631806
    Other identifier:
    RVK Categories: LC 87640 ; LS 48700
    Series: Chicago studies in ethnomusicology
    Chicago scholarship online
    Subjects: Antikolonialismus; Postkolonialismus; Volksmusik; Gwoka; Popular music; Popular music; Postcolonialism and music
    Scope: 1 Online-Ressource, Illustrations (black and white).
    Notes:

    Previously issued in print: 2019

    Includes bibliographical references, discography and index
  3. Creolized aurality
    Guadeloupean gwoka and postcolonial politics
    Author: Camal, Jerome
    Published: 2019
    Publisher:  The University of Chicago Press, Chicago ; London

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Würzburg
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780226631776; 9780226631639
    RVK Categories: LC 87640 ; LS 48700
    Series: Chicago studies in ethnomusicology
    Subjects: Volksmusik; Antikolonialismus; Gwoka; Postkolonialismus
    Other subjects: Popular music / Guadeloupe / History and criticism; Popular music / Political aspects / Guadeloupe; Postcolonialism and music / Guadeloupe; Popular music; Popular music / Political aspects; Postcolonialism and music; Guadeloupe; Criticism, interpretation, etc
    Scope: X, 234 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Introduction. Listening for (post)colonial entanglements -- The poetics of colonial aurality -- Building an anticolonial aurality: gwoka modènn as counterpoetics -- Discrepant creolizations: music and the limits of hospitality -- Diasporic or creole aurality: aesthetics and politics across the abyss -- Postnational aurality: institutional detour and the creolization of sovereignty -- Coda. Bigidi
  4. Creolized aurality
    Guadeloupean gwoka and postcolonial politics
    Author: Camal, Jerome
    Published: 2019; © 2019
    Publisher:  The University of Chicago Press, Chicago

    Introduction. Listening for (post)colonial entanglements -- The poetics of colonial aurality -- Building an anticolonial aurality: gwoka modènn as counterpoetics -- Discrepant creolizations: music and the limits of hospitality -- Diasporic or creole... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Ethnologisches Museum, Bibliothek
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    bestellt
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    SG Am 2019/1
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    Popakademie Baden-Württemberg, Bibliothek
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    Introduction. Listening for (post)colonial entanglements -- The poetics of colonial aurality -- Building an anticolonial aurality: gwoka modènn as counterpoetics -- Discrepant creolizations: music and the limits of hospitality -- Diasporic or creole aurality: aesthetics and politics across the abyss -- Postnational aurality: institutional detour and the creolization of sovereignty -- Coda. Bigidi.

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780226631639; 9780226631776
    Series: Chicago studies in ethnomusicology
    Subjects: Popular music; Popular music; Postcolonialism and music
    Scope: 234 Seiten
  5. Creolized aurality
    Guadeloupean gwoka and postcolonial politics
    Author: Camal, Jerome
    Published: [2019]
    Publisher:  University of Chicago Press, Chicago

    In the Caribbean island of Guadeloupe, the complex interplay between anticolonial resistance and accommodation resounds in its music. Guadeloupean gwoka music—a secular, drum-based tradition—captures the entangled histories of French colonization,... more

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    Universität Potsdam, Universitätsbibliothek
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    In the Caribbean island of Guadeloupe, the complex interplay between anticolonial resistance and accommodation resounds in its music. Guadeloupean gwoka music—a secular, drum-based tradition—captures the entangled histories of French colonization, movements against it, and the uneasy process of the island’s decolonization as an overseas territory of France. In Creolized Aurality, Jérôme Camal demonstrates that musical sounds and practices express the multiple—and often seemingly contradictory—cultural belongings and political longings that characterize postcoloniality. While gwoka has been associated with anti-colonial activism since the 1960s, in more recent years it has provided a platform for a cohort of younger musicians to express pan-Caribbean and diasporic solidarities. This generation of musicians even worked through the French state to gain UNESCO heritage status for their art. These gwoka practices, Camal argues, are “creolized auralities”—expressions of a culture both of and against French coloniality and postcoloniality Frontmatter -- Contents -- List of Online Resources -- Introduction / Listening for (Post)colonial Entanglements -- One / The Poetics of Colonial Aurality -- Two / Building an Anticolonial Aurality: Gwoka modènn as Counterpoetics -- Three / Discrepant Creolizations: Music and the Limits of Hospitality -- Four / Diasporic or Creole Aurality? Aesthetics and Politics across the Abyss -- Five / Postnational Aurality: Institutional Detour and the Creolization of Sovereignty -- Coda / Bigidi -- Acknowledgments -- Basic Gwoka Rhythms -- Notes -- Discography -- Bibliography -- Index

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226631806
    Other identifier:
    Series: Chicago studies in ethnomusicology
    Subjects: Popular music; Popular music; Postcolonialism and music; MUSIC / General
    Scope: 1 Online-Ressource (x, 234 Seiten), Illustrationen, Noten
    Notes:

    restricted access online access with authorization star
  6. Creolized aurality
    Guadeloupean gwoka and postcolonial politics
    Author: Camal, Jerome
    Published: [2019]
    Publisher:  University of Chicago Press, Chicago

    In the Caribbean island of Guadeloupe, the complex interplay between anticolonial resistance and accommodation resounds in its music. Guadeloupean gwoka music—a secular, drum-based tradition—captures the entangled histories of French colonization,... more

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    Verlag (lizenzpflichtig)

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    Universität Potsdam, Universitätsbibliothek
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    In the Caribbean island of Guadeloupe, the complex interplay between anticolonial resistance and accommodation resounds in its music. Guadeloupean gwoka music—a secular, drum-based tradition—captures the entangled histories of French colonization, movements against it, and the uneasy process of the island’s decolonization as an overseas territory of France. In Creolized Aurality, Jérôme Camal demonstrates that musical sounds and practices express the multiple—and often seemingly contradictory—cultural belongings and political longings that characterize postcoloniality. While gwoka has been associated with anti-colonial activism since the 1960s, in more recent years it has provided a platform for a cohort of younger musicians to express pan-Caribbean and diasporic solidarities. This generation of musicians even worked through the French state to gain UNESCO heritage status for their art. These gwoka practices, Camal argues, are “creolized auralities”—expressions of a culture both of and against French coloniality and postcoloniality Frontmatter -- Contents -- List of Online Resources -- Introduction / Listening for (Post)colonial Entanglements -- One / The Poetics of Colonial Aurality -- Two / Building an Anticolonial Aurality: Gwoka modènn as Counterpoetics -- Three / Discrepant Creolizations: Music and the Limits of Hospitality -- Four / Diasporic or Creole Aurality? Aesthetics and Politics across the Abyss -- Five / Postnational Aurality: Institutional Detour and the Creolization of Sovereignty -- Coda / Bigidi -- Acknowledgments -- Basic Gwoka Rhythms -- Notes -- Discography -- Bibliography -- Index

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226631806
    Other identifier:
    Series: Chicago studies in ethnomusicology
    Subjects: Popular music; Popular music; Postcolonialism and music; MUSIC / General
    Scope: 1 Online-Ressource (x, 234 Seiten), Illustrationen, Noten
    Notes:

    restricted access online access with authorization star
  7. Creolized aurality
    Guadeloupean gwoka and postcolonial politics
    Author: Camal, Jerome
    Published: 2019
    Publisher:  The University of Chicago Press, Chicago ; London

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780226631776; 9780226631639
    RVK Categories: LC 87640 ; LS 48700
    Series: Chicago studies in ethnomusicology
    Subjects: Volksmusik; Antikolonialismus; Gwoka; Postkolonialismus
    Other subjects: Popular music / Guadeloupe / History and criticism; Popular music / Political aspects / Guadeloupe; Postcolonialism and music / Guadeloupe; Popular music; Popular music / Political aspects; Postcolonialism and music; Guadeloupe; Criticism, interpretation, etc
    Scope: X, 234 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Introduction. Listening for (post)colonial entanglements -- The poetics of colonial aurality -- Building an anticolonial aurality: gwoka modènn as counterpoetics -- Discrepant creolizations: music and the limits of hospitality -- Diasporic or creole aurality: aesthetics and politics across the abyss -- Postnational aurality: institutional detour and the creolization of sovereignty -- Coda. Bigidi
  8. Flip the script
    European Hip Hop and the politics of postcoloniality
    Author: Rollefson, J. Griffith
    Published: 2017
    Publisher:  The University of Chicago Press, Chicago ; London

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Würzburg
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780226496184; 022649618X; 9780226496214; 022649621X
    RVK Categories: LS 48650
    Series: Chicago studies in ethnomusicology
    Subjects: Musik; Postkolonialismus; Hip-Hop
    Other subjects: Hip-hop / Europe, Western; Postcolonialism and music; Music / Europe, Western / African American influences; Hip-hop; Music / African American influences; Postcolonialism and music; Europe, Western
    Scope: X, 295 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Introduction: hip hop as postcolonial art and practice -- "J'accuse": hip hop's postcolonial politics in Paris -- Nostalgia "en noir et blanc": Black music and postcoloniality from Sefyu's Paris to Buddy Bolden's New Orleans -- Musical (African) Americanization: strategic essentialism, hybridity, and commerce in Aggro Berlin -- Heisse Waren: hot commodities, "der Neger bonus," and the commercial authentic -- M.I.A..'s "terrorist chic": Black Atlantic music and South Asian postcolonial politics in London -- Marché noir: the hip hop hustle in the City of Light -- "Wherever we go": UKhip hop and the deformation of mastery -- "Straight outta B.C.": differance, defness, and Juice Aleem's precolonial Afrofuturist critique -- Conclusion: hip hop studies and/as postcolonial studies
  9. Flip the script
    European Hip Hop and the politics of postcoloniality
    Author: Rollefson, J. Griffith
    Published: [2017]
    Publisher:  The University of Chicago Press, Chicago ; London

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780226496184; 022649618X; 9780226496214; 022649621X
    RVK Categories: LS 48650
    Series: Chicago studies in ethnomusicology
    Subjects: Musik
    Other subjects: Hip-hop / Europe, Western; Postcolonialism and music; Music / Europe, Western / African American influences; Hip-hop; Music / African American influences; Postcolonialism and music; Europe, Western
    Scope: X, 295 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Enthält Literaturverzeichnis Seite [267]-280 und Diskograhie und Videographie Seite [281]-282

    Introduction: hip hop as postcolonial art and practice -- "J'accuse": hip hop's postcolonial politics in Paris -- Nostalgia "en noir et blanc": Black music and postcoloniality from Sefyu's Paris to Buddy Bolden's New Orleans -- Musical (African) Americanization: strategic essentialism, hybridity, and commerce in Aggro Berlin -- Heisse Waren: hot commodities, "der Neger bonus," and the commercial authentic -- M.I.A..'s "terrorist chic": Black Atlantic music and South Asian postcolonial politics in London -- Marché noir: the hip hop hustle in the City of Light -- "Wherever we go": UKhip hop and the deformation of mastery -- "Straight outta B.C.": differance, defness, and Juice Aleem's precolonial Afrofuturist critique -- Conclusion: hip hop studies and/as postcolonial studies
  10. Flip the script
    European Hip Hop and the politics of postcoloniality
    Author: Rollefson, J. Griffith
    Published: [2017]; © 2017
    Publisher:  University of Chicago Press, Chicago

    Intro -- Contents -- Acknowledgments -- Introduction: Hip Hop as Postcolonial Art and Practice -- 1. "J'accuse": Hip Hop's Postcolonial Politics in Paris -- 2. Nostalgia "En noir et blanc": Black Music and Postcoloniality from Sefyu's Paris to Buddy... more

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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Hochschulbibliothek Friedensau
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    Hochschule für Wirtschaft und Umwelt Nürtingen-Geislingen, Bibliothek Nürtingen
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    Intro -- Contents -- Acknowledgments -- Introduction: Hip Hop as Postcolonial Art and Practice -- 1. "J'accuse": Hip Hop's Postcolonial Politics in Paris -- 2. Nostalgia "En noir et blanc": Black Music and Postcoloniality from Sefyu's Paris to Buddy Bolden's New Orleans -- 3. Musical (African) Americanization: Strategic Essentialism, Hybridity, and Commerce in Aggro Berlin -- 4. Heiße Waren: Hot Commodities, "Der Neger Bonus," and the Commercial Authentic -- 5. M.I.A.'s "Terrorist Chic": Black Atlantic Music and South Asian Postcolonial Politics in London -- 6. Marché Noir: The Hip Hop Hustle in the City of Light -- 7. "Wherever We Go": UK Hip Hop and the Deformation of Mastery -- 8. "Straight Outta B.C.": Différance, Defness, and Juice Aleem's Precolonial Afrofuturist Critique -- Conclusion: Hip Hop Studies and/as Postcolonial Studies -- Notes -- Bibliography -- Discography and Videography -- Index.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226496351
    RVK Categories: LS 48650
    Series: Chicago Studies in Ethnomusicology
    Subjects: Hip-hop-Europe, Western; Postcolonialism and music; Music-Europe, Western-African American influences; Electronic books; Hip-hop; Music; Postcolonialism and music; Europe, Western
    Scope: 1 Online-Ressource (295 Seiten)
    Notes:

    Description based on publisher supplied metadata and other sources
  11. Flip the script
    European Hip Hop and the politics of postcoloniality
    Author: Rollefson, J. Griffith
    Published: 2017
    Publisher:  The University of Chicago Press, Chicago ; London

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780226496184; 022649618X; 9780226496214; 022649621X
    RVK Categories: LS 48650
    Series: Chicago studies in ethnomusicology
    Subjects: Musik; Postkolonialismus; Hip-Hop
    Other subjects: Hip-hop / Europe, Western; Postcolonialism and music; Music / Europe, Western / African American influences; Hip-hop; Music / African American influences; Postcolonialism and music; Europe, Western
    Scope: X, 295 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Introduction: hip hop as postcolonial art and practice -- "J'accuse": hip hop's postcolonial politics in Paris -- Nostalgia "en noir et blanc": Black music and postcoloniality from Sefyu's Paris to Buddy Bolden's New Orleans -- Musical (African) Americanization: strategic essentialism, hybridity, and commerce in Aggro Berlin -- Heisse Waren: hot commodities, "der Neger bonus," and the commercial authentic -- M.I.A..'s "terrorist chic": Black Atlantic music and South Asian postcolonial politics in London -- Marché noir: the hip hop hustle in the City of Light -- "Wherever we go": UKhip hop and the deformation of mastery -- "Straight outta B.C.": differance, defness, and Juice Aleem's precolonial Afrofuturist critique -- Conclusion: hip hop studies and/as postcolonial studies
  12. Flip the script
    European hip hop and the politics of postcoloniality
    Author: Rollefson, J. Griffith
    Publisher:  The University of Chicago Press, Chicago ; De Gruyter, London

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226496351
    Other identifier:
    Series: Chicago studies in ethnomusicology
    Subjects: Hip-hop; Postcolonialism and music; Music
    Scope: 1 Online-Ressource (x, 295 Seiten), Illustrationen, Notenbeispiele
    Notes:

    Enthält Literaturverzeichnis auf Seite 267-282
  13. Flip the script
    European hip hop and the politics of postcoloniality
    Author: Rollefson, J. Griffith
    Published: 2017
    Publisher:  The University of Chicago Press, Chicago ; ProQuest Ebook Central, London

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226496351
    Series: Chicago studies in ethnomusicology
    Subjects: Hip-hop; Postcolonialism and music; Music
    Scope: 1 Online-Ressource (x, 295 Seiten), Illustrationen, Notenbeispiele
    Notes:

    Enthält Literaturverzeichnis auf Seite 267-282
  14. Flip the script
    European hip hop and the politics of postcoloniality
    Author: Rollefson, J. Griffith
    Published: [2017]
    Publisher:  The University of Chicago Press, Chicago

    Introduction: hip hop as postcolonial art and practice -- "J'accuse": hip hop's postcolonial politics in Paris -- Nostalgia "en noir et blanc": Black music and postcoloniality from Sefyu's Paris to Buddy Bolden's New Orleans -- Musical (African)... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Ethnologisches Museum, Bibliothek
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    LS 48650 2017 005
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    Universitätsbibliothek Braunschweig
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    HM-J 385
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    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
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    RL 375 85
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    Universitätsbibliothek Heidelberg
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    2018 A 242
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    Center for World Music, Bibliothek
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    HA 162
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    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    Introduction: hip hop as postcolonial art and practice -- "J'accuse": hip hop's postcolonial politics in Paris -- Nostalgia "en noir et blanc": Black music and postcoloniality from Sefyu's Paris to Buddy Bolden's New Orleans -- Musical (African) Americanization: strategic essentialism, hybridity, and commerce in Aggro Berlin -- Heisse Waren: hot commodities, "der Neger bonus," and the commercial authentic -- M.I.A..'s "terrorist chic": Black Atlantic music and South Asian postcolonial politics in London -- Marché noir: the hip hop hustle in the City of Light -- "Wherever we go": UKhip hop and the deformation of mastery -- "Straight outta B.C.": differance, defness, and Juice Aleem's precolonial Afrofuturist critique -- Conclusion: hip hop studies and/as postcolonial studies

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780226496184; 9780226496214
    Other identifier:
    9780226496214
    RVK Categories: LS 48650
    Series: Chicago studies in ethnomusicology
    Subjects: Hip-hop; Postcolonialism and music; Music; Hip-hop; Hip-hop; Music; Music; Postcolonialism and music; Postcolonialism and music; Europe, Western
    Scope: x, 295 Seiten, Illustrationen, 23 cm
    Notes:

    Literaturverzeichnis: Seiten 267-280
  15. Global perspectives on orchestras
    collective creativity and social agency
    Contributor: Ramnarine, Tina K. (Publisher)
    Published: [2017]; © 2017
    Publisher:  Oxford University Press, New York

    Location:
    Bayerische Staatsbibliothek
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    Hochschule für Musik Nürnberg, Bibliothek
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    Source: Union catalogues
    Contributor: Ramnarine, Tina K. (Publisher)
    Language: English
    Media type: Book
    ISBN: 9780199352227
    RVK Categories: LR 12746
    Series: Studies in musical performance as creative practice ; volume 4
    Subjects: Interkulturalität; Kulturleben; Postkolonialismus; Globalisierung; Kreativität; Orchester
    Other subjects: Orchestra / Social aspects; Music in intercultural communication; Postcolonialism and music
    Scope: xvi, 404 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  16. Global perspectives on orchestras
    collective creativity and social agency
    Contributor: Ramnarine, Tina K. (Publisher)
    Published: [2017]
    Publisher:  Oxford University Press, New York

    Location:
    Bayerische Staatsbibliothek
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Ramnarine, Tina K. (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780199352258
    Other identifier:
    RVK Categories: LR 12746
    Series: Studies in musical performance as creative practice ; volume 4
    Subjects: Kreativität; Orchester; Postkolonialismus; Kulturleben; Interkulturalität; Globalisierung
    Other subjects: Orchestra / Social aspects; Music in intercultural communication; Postcolonialism and music
    Scope: 1 Online-Ressource, Illustrationen
    Notes:

    Includes bibliographical references and index
  17. Global perspectives on orchestras
    collective creativity and social agency
    Contributor: Ramnarine, Tina K. (HerausgeberIn)
    Published: 2018
    Publisher:  Oxford University Press, New York, NY

    This work adopts global perspectives on orchestras. It draws on ethnographic, historical and comparative approaches to analyze a variety of orchestral traditions (such as symphony, steel, Indonesian gamelan, Indian film and Vietnamese court). It... more

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    This work adopts global perspectives on orchestras. It draws on ethnographic, historical and comparative approaches to analyze a variety of orchestral traditions (such as symphony, steel, Indonesian gamelan, Indian film and Vietnamese court). It discusses how orchestras are embedded in socio-historical and economic contexts, and highlights intercultural, compositional and rehearsal processes.

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Ramnarine, Tina K. (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780199352258
    Other identifier:
    RVK Categories: LR 12746
    Series: Studies in musical performance as creative practice ; volume 4
    Subjects: Orchestra; Music in intercultural communication; Postcolonialism and music
    Scope: 1 online resource, illustrations (black and white).
    Notes:

    Previously issued in print: 2018. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on December 6, 2017)
  18. Global perspectives on orchestras
    collective creativity and social agency
    Contributor: Ramnarine, Tina K. (HerausgeberIn)
    Published: [2017]
    Publisher:  Oxford University Press, New York

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    Hochschule für Musik Freiburg, Bibliothek
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    Sbh 9 Glob
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    Hochschule für Musik, Theater und Medien Hannover, Bibliothek
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    Sg 90
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    2018 A 2994
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    Cb 7101
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    Source: Union catalogues
    Contributor: Ramnarine, Tina K. (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780199352227
    Series: Studies in musical performance as creative practice ; Volume 4
    Studies in musical performance as creative practice
    Subjects: Orchestra; Music in intercultural communication; Postcolonialism and music
    Scope: XVI, 404 Seiten, Illustrationen, 24 cm
    Notes:

    Includes bibliographical references and index
  19. Global perspectives on orchestras
    collective creativity and social agency
    Contributor: Ramnarine, Tina K. (HerausgeberIn)
    Published: 2018
    Publisher:  Oxford University Press, New York, NY

    This work adopts global perspectives on orchestras. It draws on ethnographic, historical and comparative approaches to analyze a variety of orchestral traditions (such as symphony, steel, Indonesian gamelan, Indian film and Vietnamese court). It... more

    Access:
    Resolving-System (lizenzpflichtig)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    This work adopts global perspectives on orchestras. It draws on ethnographic, historical and comparative approaches to analyze a variety of orchestral traditions (such as symphony, steel, Indonesian gamelan, Indian film and Vietnamese court). It discusses how orchestras are embedded in socio-historical and economic contexts, and highlights intercultural, compositional and rehearsal processes.

     
    Export to reference management software   RIS file
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    Source: Staatsbibliothek zu Berlin
    Contributor: Ramnarine, Tina K. (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780199352258
    Other identifier:
    RVK Categories: LR 12746
    Series: Studies in musical performance as creative practice ; volume 4
    Subjects: Orchestra; Music in intercultural communication; Postcolonialism and music
    Scope: 1 online resource, illustrations (black and white).
    Notes:

    Previously issued in print: 2018. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on December 6, 2017)
  20. Global perspectives on orchestras
    collective creativity and social agency
    Contributor: Ramnarine, Tina K. (Publisher)
    Published: [2017]; © 2017
    Publisher:  Oxford University Press, New York

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Universität der Künste Berlin, Universitätsbibliothek
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    Source: Union catalogues
    Contributor: Ramnarine, Tina K. (Publisher)
    Language: English
    Media type: Book
    ISBN: 9780199352227
    RVK Categories: LR 12746
    Series: Studies in musical performance as creative practice ; volume 4
    Subjects: Interkulturalität; Kulturleben; Postkolonialismus; Globalisierung; Kreativität; Orchester
    Other subjects: Orchestra / Social aspects; Music in intercultural communication; Postcolonialism and music
    Scope: xvi, 404 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  21. Global perspectives on orchestras
    collective creativity and social agency
    Contributor: Ramnarine, Tina K. (HerausgeberIn)
    Published: [2017]; © 2017
    Publisher:  Oxford University Press, New York, NY

    Location:
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    Signature:
    Mus 810.005
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    Source: Union catalogues
    Contributor: Ramnarine, Tina K. (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780199352227; 9780199352258
    Series: Studies in musical performance as creative practice ; Volume 4
    Subjects: Orchestra; Music in intercultural communication; Postcolonialism and music; Music in intercultural communication; Orchestra; Postcolonialism and music
    Scope: xvi, 404 Seiten, Illustrationen, 25 cm
    Notes:

    Includes bibliographical references and index
  22. Music scenes and migrations
    space and transnationalism in Brazil, Portugal and the Atlantic
    Contributor: Treece, David (Publisher)
    Published: 2020
    Publisher:  Anthem Press, London

    Location:
    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Contributor: Treece, David (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781785273841
    RVK Categories: LS 19000
    Series: Anthem Brazilian studies
    Subjects: Interkulturalität; Postkolonialismus; Migration; Musik
    Other subjects: Music and transnationalism; Ethnomusicology; Music and race; Postcolonialism and music; Music / Portuguese-speaking countries; Musicians / Portuguese-speaking countries; Music; Portuguese-speaking countries; Criticism, interpretation, etc
    Scope: vi, 241 Seiten, Illustrationen, Portraits
  23. Music scenes and migrations
    space and transnationalism in Brazil, Portugal and the Atlantic
    Contributor: Treece, David (Publisher)
    Published: 2020
    Publisher:  Anthem Press, London

    <i>Music Scenes and Migrations</i> brings together new work from Brazilian and European scholars around the themes of musical place and transnationalism across the Atlantic triangle connecting Brazil, Africa and Europe. Moving beyond now-contested... more

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    Universitätsbibliothek Bamberg
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    Music Scenes and Migrations brings together new work from Brazilian and European scholars around the themes of musical place and transnationalism across the Atlantic triangle connecting Brazil, Africa and Europe. Moving beyond now-contested models for conceptualizing international musical relations and hierarchies of powers and influence, such as global/local or centre/periphery, the volume draws attention instead to the role of the city, and in particular, in producing, signifying and mediating music-making in the colonial and post-colonial Portuguese-speaking world. In considering the roles played by cities as hubs of cultural intersection, socialization, exchange and transformation; as sites of political intervention and contestation; and as homes to large concentrations of consumers, technologies and media, Rio de Janeiro necessarily figures prominently, given its historical importance as an international port at the centre of the Lusophone Atlantic world. The volume also gives attention to other urban centres, within Brazil and abroad, towards which musicians and musical traditions have migrated and converged - such as São Paulo, Lisbon and Madrid - where they have reinvented themselves; where notions of Brazilian and Lusophone identity have been reconfigured; and where independent, peripheral and underground scenes have contested the hegemony of the musical 'mainstream'.

    The contributions to the volume are grouped according to three key thematic areas: Colonial and post-Colonial transnationalisms, migrations and diasporas; relocating Rio de Janeiro; and demetropolitanizing the musical city: other scenes, industries, technologies

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Treece, David (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781785273858
    RVK Categories: LS 19000
    Subjects: Music and transnationalism; Ethnomusicology; Music and race; Postcolonialism and music; Music / Portuguese-speaking countries; Musicians / Portuguese-speaking countries; Musik; Interkulturalität; Postkolonialismus; Migration
    Scope: 1 Online-Ressource (vi, 241 Seiten)
    Notes:

    Title from publisher's bibliographic system (viewed on 20 Jan 2022)
  24. Music scenes and migrations
    space and transnationalism in Brazil, Portugal and the Atlantic
    Contributor: Treece, David (Publisher)
    Published: 2020
    Publisher:  Anthem Press, London

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Union catalogues
    Contributor: Treece, David (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781785273841
    RVK Categories: LS 19000
    Series: Anthem Brazilian studies
    Subjects: Interkulturalität; Postkolonialismus; Migration; Musik
    Other subjects: Music and transnationalism; Ethnomusicology; Music and race; Postcolonialism and music; Music / Portuguese-speaking countries; Musicians / Portuguese-speaking countries; Music; Portuguese-speaking countries; Criticism, interpretation, etc
    Scope: vi, 241 Seiten, Illustrationen, Portraits
  25. Transforming Vòdún
    musical change and postcolonial healing in Benin's jazz and brass band music
    Author: Politz, Sarah
    Published: 2023
    Publisher:  University of Michigan Press, Ann Arbor

    "Transforming Vòdún examines how musicians from the West African Republic of Benin transform Benin's cultural traditions, especially the ancestral spiritual practice of vòdún and its musical repertoires, as part of the process of healing postcolonial... more

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    Bayerische Staatsbibliothek
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    "Transforming Vòdún examines how musicians from the West African Republic of Benin transform Benin's cultural traditions, especially the ancestral spiritual practice of vòdún and its musical repertoires, as part of the process of healing postcolonial trauma through music and ritual. Based on fieldwork in Benin, France, and New York City, Sarah Politz uses historical ethnography, music analysis, and participant observation to examine three case studies of brass band and jazz musicians from Benin. The multi-sited nature of this study highlights the importance of mobility, and diasporic connections in musicians' professional lives, while grounding these connections in the particularities of the African continent, its histories, its people, and its present."

     
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