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Displaying results 1 to 5 of 5.

  1. Creolized aurality
    Guadeloupean gwoka and postcolonial politics
    Author: Camal, Jerome
    Published: 2019
    Publisher:  The University of Chicago Press, Chicago ; London

    Location:
    Bayerische Staatsbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Würzburg
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780226631776; 9780226631639
    RVK Categories: LC 87640 ; LS 48700
    Series: Chicago studies in ethnomusicology
    Subjects: Volksmusik; Antikolonialismus; Gwoka; Postkolonialismus
    Other subjects: Popular music / Guadeloupe / History and criticism; Popular music / Political aspects / Guadeloupe; Postcolonialism and music / Guadeloupe; Popular music; Popular music / Political aspects; Postcolonialism and music; Guadeloupe; Criticism, interpretation, etc
    Scope: X, 234 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Introduction. Listening for (post)colonial entanglements -- The poetics of colonial aurality -- Building an anticolonial aurality: gwoka modènn as counterpoetics -- Discrepant creolizations: music and the limits of hospitality -- Diasporic or creole aurality: aesthetics and politics across the abyss -- Postnational aurality: institutional detour and the creolization of sovereignty -- Coda. Bigidi
  2. Creolized aurality
    Guadeloupean gwoka and postcolonial politics
    Author: Camal, Jerome
    Published: 2019; © 2019
    Publisher:  The University of Chicago Press, Chicago

    Introduction. Listening for (post)colonial entanglements -- The poetics of colonial aurality -- Building an anticolonial aurality: gwoka modènn as counterpoetics -- Discrepant creolizations: music and the limits of hospitality -- Diasporic or creole... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Ethnologisches Museum, Bibliothek
    Signature:
    bestellt
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    Location:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Signature:
    SG Am 2019/1
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    Unlimited inter-library loan, copies and loan

    Location:
    Popakademie Baden-Württemberg, Bibliothek
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    No inter-library loan

     

    Introduction. Listening for (post)colonial entanglements -- The poetics of colonial aurality -- Building an anticolonial aurality: gwoka modènn as counterpoetics -- Discrepant creolizations: music and the limits of hospitality -- Diasporic or creole aurality: aesthetics and politics across the abyss -- Postnational aurality: institutional detour and the creolization of sovereignty -- Coda. Bigidi.

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780226631639; 9780226631776
    Series: Chicago studies in ethnomusicology
    Subjects: Popular music; Popular music; Postcolonialism and music
    Scope: 234 Seiten
  3. Creolized aurality
    Guadeloupean gwoka and postcolonial politics
    Author: Camal, Jerome
    Published: [2019]
    Publisher:  University of Chicago Press, Chicago

    In the Caribbean island of Guadeloupe, the complex interplay between anticolonial resistance and accommodation resounds in its music. Guadeloupean gwoka music—a secular, drum-based tradition—captures the entangled histories of French colonization,... more

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    Verlag (lizenzpflichtig)

    Location:
    Universität Potsdam, Universitätsbibliothek
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    In the Caribbean island of Guadeloupe, the complex interplay between anticolonial resistance and accommodation resounds in its music. Guadeloupean gwoka music—a secular, drum-based tradition—captures the entangled histories of French colonization, movements against it, and the uneasy process of the island’s decolonization as an overseas territory of France. In Creolized Aurality, Jérôme Camal demonstrates that musical sounds and practices express the multiple—and often seemingly contradictory—cultural belongings and political longings that characterize postcoloniality. While gwoka has been associated with anti-colonial activism since the 1960s, in more recent years it has provided a platform for a cohort of younger musicians to express pan-Caribbean and diasporic solidarities. This generation of musicians even worked through the French state to gain UNESCO heritage status for their art. These gwoka practices, Camal argues, are “creolized auralities”—expressions of a culture both of and against French coloniality and postcoloniality Frontmatter -- Contents -- List of Online Resources -- Introduction / Listening for (Post)colonial Entanglements -- One / The Poetics of Colonial Aurality -- Two / Building an Anticolonial Aurality: Gwoka modènn as Counterpoetics -- Three / Discrepant Creolizations: Music and the Limits of Hospitality -- Four / Diasporic or Creole Aurality? Aesthetics and Politics across the Abyss -- Five / Postnational Aurality: Institutional Detour and the Creolization of Sovereignty -- Coda / Bigidi -- Acknowledgments -- Basic Gwoka Rhythms -- Notes -- Discography -- Bibliography -- Index

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226631806
    Other identifier:
    Series: Chicago studies in ethnomusicology
    Subjects: Popular music; Popular music; Postcolonialism and music; MUSIC / General
    Scope: 1 Online-Ressource (x, 234 Seiten), Illustrationen, Noten
    Notes:

    restricted access online access with authorization star
  4. Creolized aurality
    Guadeloupean gwoka and postcolonial politics
    Author: Camal, Jerome
    Published: [2019]
    Publisher:  University of Chicago Press, Chicago

    In the Caribbean island of Guadeloupe, the complex interplay between anticolonial resistance and accommodation resounds in its music. Guadeloupean gwoka music—a secular, drum-based tradition—captures the entangled histories of French colonization,... more

    Access:
    Verlag (lizenzpflichtig)

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    In the Caribbean island of Guadeloupe, the complex interplay between anticolonial resistance and accommodation resounds in its music. Guadeloupean gwoka music—a secular, drum-based tradition—captures the entangled histories of French colonization, movements against it, and the uneasy process of the island’s decolonization as an overseas territory of France. In Creolized Aurality, Jérôme Camal demonstrates that musical sounds and practices express the multiple—and often seemingly contradictory—cultural belongings and political longings that characterize postcoloniality. While gwoka has been associated with anti-colonial activism since the 1960s, in more recent years it has provided a platform for a cohort of younger musicians to express pan-Caribbean and diasporic solidarities. This generation of musicians even worked through the French state to gain UNESCO heritage status for their art. These gwoka practices, Camal argues, are “creolized auralities”—expressions of a culture both of and against French coloniality and postcoloniality Frontmatter -- Contents -- List of Online Resources -- Introduction / Listening for (Post)colonial Entanglements -- One / The Poetics of Colonial Aurality -- Two / Building an Anticolonial Aurality: Gwoka modènn as Counterpoetics -- Three / Discrepant Creolizations: Music and the Limits of Hospitality -- Four / Diasporic or Creole Aurality? Aesthetics and Politics across the Abyss -- Five / Postnational Aurality: Institutional Detour and the Creolization of Sovereignty -- Coda / Bigidi -- Acknowledgments -- Basic Gwoka Rhythms -- Notes -- Discography -- Bibliography -- Index

     
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226631806
    Other identifier:
    Series: Chicago studies in ethnomusicology
    Subjects: Popular music; Popular music; Postcolonialism and music; MUSIC / General
    Scope: 1 Online-Ressource (x, 234 Seiten), Illustrationen, Noten
    Notes:

    restricted access online access with authorization star
  5. Creolized aurality
    Guadeloupean gwoka and postcolonial politics
    Author: Camal, Jerome
    Published: 2019
    Publisher:  The University of Chicago Press, Chicago ; London

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780226631776; 9780226631639
    RVK Categories: LC 87640 ; LS 48700
    Series: Chicago studies in ethnomusicology
    Subjects: Volksmusik; Antikolonialismus; Gwoka; Postkolonialismus
    Other subjects: Popular music / Guadeloupe / History and criticism; Popular music / Political aspects / Guadeloupe; Postcolonialism and music / Guadeloupe; Popular music; Popular music / Political aspects; Postcolonialism and music; Guadeloupe; Criticism, interpretation, etc
    Scope: X, 234 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Introduction. Listening for (post)colonial entanglements -- The poetics of colonial aurality -- Building an anticolonial aurality: gwoka modènn as counterpoetics -- Discrepant creolizations: music and the limits of hospitality -- Diasporic or creole aurality: aesthetics and politics across the abyss -- Postnational aurality: institutional detour and the creolization of sovereignty -- Coda. Bigidi