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Displaying results 1 to 19 of 19.

  1. Global perspectives on orchestras
    collective creativity and social agency
    Contributor: Ramnarine, Tina K. (Publisher)
    Published: [2017]; © 2017
    Publisher:  Oxford University Press, New York

    Location:
    Bayerische Staatsbibliothek
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    Location:
    Hochschule für Musik Nürnberg, Bibliothek
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    Source: Union catalogues
    Contributor: Ramnarine, Tina K. (Publisher)
    Language: English
    Media type: Book
    ISBN: 9780199352227
    RVK Categories: LR 12746
    Series: Studies in musical performance as creative practice ; volume 4
    Subjects: Interkulturalität; Kulturleben; Postkolonialismus; Globalisierung; Kreativität; Orchester
    Other subjects: Orchestra / Social aspects; Music in intercultural communication; Postcolonialism and music
    Scope: xvi, 404 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  2. Creolized aurality
    Guadeloupean gwoka and postcolonial politics
    Author: Camal, Jerome
    Published: 2019
    Publisher:  The University of Chicago Press, Chicago ; London

    Location:
    Bayerische Staatsbibliothek
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    Location:
    Universitätsbibliothek Würzburg
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780226631776; 9780226631639
    RVK Categories: LC 87640 ; LS 48700
    Series: Chicago studies in ethnomusicology
    Subjects: Volksmusik; Antikolonialismus; Gwoka; Postkolonialismus
    Other subjects: Popular music / Guadeloupe / History and criticism; Popular music / Political aspects / Guadeloupe; Postcolonialism and music / Guadeloupe; Popular music; Popular music / Political aspects; Postcolonialism and music; Guadeloupe; Criticism, interpretation, etc
    Scope: X, 234 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Introduction. Listening for (post)colonial entanglements -- The poetics of colonial aurality -- Building an anticolonial aurality: gwoka modènn as counterpoetics -- Discrepant creolizations: music and the limits of hospitality -- Diasporic or creole aurality: aesthetics and politics across the abyss -- Postnational aurality: institutional detour and the creolization of sovereignty -- Coda. Bigidi
  3. Music scenes and migrations
    space and transnationalism in Brazil, Portugal and the Atlantic
    Contributor: Treece, David (Publisher)
    Published: 2020
    Publisher:  Anthem Press, London

    Location:
    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Contributor: Treece, David (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781785273841
    RVK Categories: LS 19000
    Series: Anthem Brazilian studies
    Subjects: Interkulturalität; Postkolonialismus; Migration; Musik
    Other subjects: Music and transnationalism; Ethnomusicology; Music and race; Postcolonialism and music; Music / Portuguese-speaking countries; Musicians / Portuguese-speaking countries; Music; Portuguese-speaking countries; Criticism, interpretation, etc
    Scope: vi, 241 Seiten, Illustrationen, Portraits
  4. Flip the script
    European Hip Hop and the politics of postcoloniality
    Author: Rollefson, J. Griffith
    Published: 2017
    Publisher:  The University of Chicago Press, Chicago ; London

    Location:
    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Würzburg
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780226496184; 022649618X; 9780226496214; 022649621X
    RVK Categories: LS 48650
    Series: Chicago studies in ethnomusicology
    Subjects: Musik; Postkolonialismus; Hip-Hop
    Other subjects: Hip-hop / Europe, Western; Postcolonialism and music; Music / Europe, Western / African American influences; Hip-hop; Music / African American influences; Postcolonialism and music; Europe, Western
    Scope: X, 295 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Introduction: hip hop as postcolonial art and practice -- "J'accuse": hip hop's postcolonial politics in Paris -- Nostalgia "en noir et blanc": Black music and postcoloniality from Sefyu's Paris to Buddy Bolden's New Orleans -- Musical (African) Americanization: strategic essentialism, hybridity, and commerce in Aggro Berlin -- Heisse Waren: hot commodities, "der Neger bonus," and the commercial authentic -- M.I.A..'s "terrorist chic": Black Atlantic music and South Asian postcolonial politics in London -- Marché noir: the hip hop hustle in the City of Light -- "Wherever we go": UKhip hop and the deformation of mastery -- "Straight outta B.C.": differance, defness, and Juice Aleem's precolonial Afrofuturist critique -- Conclusion: hip hop studies and/as postcolonial studies
  5. White musical mythologies
    sonic presence in modernism
    Author: Mendelssohn, Edmund
    Published: [2023]; © 2023
    Publisher:  Stanford University Press, Stanford, California

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Location:
    Bayerische Staatsbibliothek
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781503636637
    Series: Sensing Media: Aesthetics, Philosophy, and Cultures of Media
    Subjects: bicssc / History of ideas; bicssc / Media studies; bisacsh / MUSIC / Philosophy & Social Aspects; bisacsh / SOCIAL SCIENCE / Media Studies; Modernism Music - History - 20th century; Avant-garde Music - History - 20th century - France; Modernism Aesthetics - History - 20th century - France; Music - Foreign influences - Western countries; Music - Philosophy and aesthetics; Philosophy, French - 20th century; Postcolonialism and music; Postkolonialismus; Musikästhetik; Experimentelle Musik; Neue Musik
    Scope: xiii, 287 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Prelude: A Silence Filled with Speech; 1. The Ontology of the Ineffable: Satie and Bergson; 2. Ontological Machines: Varese and Bataille; 3. Ontological Appropriation: Boulez and Artaud; 4. The Written Being of Sound: Cage and Derrida; Postlude: A Simulacrum of a Presence
  6. Transforming Vòdún
    musical change and postcolonial healing in Benin's jazz and brass band music
    Author: Politz, Sarah
    Published: 2023
    Publisher:  University of Michigan Press, Ann Arbor

    "Transforming Vòdún examines how musicians from the West African Republic of Benin transform Benin's cultural traditions, especially the ancestral spiritual practice of vòdún and its musical repertoires, as part of the process of healing postcolonial... more

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    Bayerische Staatsbibliothek
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    "Transforming Vòdún examines how musicians from the West African Republic of Benin transform Benin's cultural traditions, especially the ancestral spiritual practice of vòdún and its musical repertoires, as part of the process of healing postcolonial trauma through music and ritual. Based on fieldwork in Benin, France, and New York City, Sarah Politz uses historical ethnography, music analysis, and participant observation to examine three case studies of brass band and jazz musicians from Benin. The multi-sited nature of this study highlights the importance of mobility, and diasporic connections in musicians' professional lives, while grounding these connections in the particularities of the African continent, its histories, its people, and its present."

     
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  7. Flip the script
    European Hip Hop and the politics of postcoloniality
    Author: Rollefson, J. Griffith
    Published: [2017]
    Publisher:  The University of Chicago Press, Chicago ; London

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780226496184; 022649618X; 9780226496214; 022649621X
    RVK Categories: LS 48650
    Series: Chicago studies in ethnomusicology
    Subjects: Musik
    Other subjects: Hip-hop / Europe, Western; Postcolonialism and music; Music / Europe, Western / African American influences; Hip-hop; Music / African American influences; Postcolonialism and music; Europe, Western
    Scope: X, 295 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Enthält Literaturverzeichnis Seite [267]-280 und Diskograhie und Videographie Seite [281]-282

    Introduction: hip hop as postcolonial art and practice -- "J'accuse": hip hop's postcolonial politics in Paris -- Nostalgia "en noir et blanc": Black music and postcoloniality from Sefyu's Paris to Buddy Bolden's New Orleans -- Musical (African) Americanization: strategic essentialism, hybridity, and commerce in Aggro Berlin -- Heisse Waren: hot commodities, "der Neger bonus," and the commercial authentic -- M.I.A..'s "terrorist chic": Black Atlantic music and South Asian postcolonial politics in London -- Marché noir: the hip hop hustle in the City of Light -- "Wherever we go": UKhip hop and the deformation of mastery -- "Straight outta B.C.": differance, defness, and Juice Aleem's precolonial Afrofuturist critique -- Conclusion: hip hop studies and/as postcolonial studies
  8. Creolized aurality
    Guadeloupean gwoka and postcolonial politics
    Author: Camal, Jerome
    Published: 2019; © 2019
    Publisher:  The University of Chicago Press, Chicago

    Introduction. Listening for (post)colonial entanglements -- The poetics of colonial aurality -- Building an anticolonial aurality: gwoka modènn as counterpoetics -- Discrepant creolizations: music and the limits of hospitality -- Diasporic or creole... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Ethnologisches Museum, Bibliothek
    Signature:
    bestellt
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    Location:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Signature:
    SG Am 2019/1
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    Location:
    Popakademie Baden-Württemberg, Bibliothek
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    Introduction. Listening for (post)colonial entanglements -- The poetics of colonial aurality -- Building an anticolonial aurality: gwoka modènn as counterpoetics -- Discrepant creolizations: music and the limits of hospitality -- Diasporic or creole aurality: aesthetics and politics across the abyss -- Postnational aurality: institutional detour and the creolization of sovereignty -- Coda. Bigidi.

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780226631639; 9780226631776
    Series: Chicago studies in ethnomusicology
    Subjects: Popular music; Popular music; Postcolonialism and music
    Scope: 234 Seiten
  9. Transforming Vòdún
    musical change and postcolonial healing in Benin's jazz and brass band music
    Author: Politz, Sarah.
    Published: 2023; ©2023
    Publisher:  University of Michigan Press, Ann Arbor

    Transforming Vòdún examines how musicians from the West African Republic of Benin transform Benin's cultural traditions, especially the ancestral spiritual practice of vòdún and its musical repertoires, as part of the process of healing postcolonial... more

     

    Transforming Vòdún examines how musicians from the West African Republic of Benin transform Benin's cultural traditions, especially the ancestral spiritual practice of vòdún and its musical repertoires, as part of the process of healing postcolonial trauma through music and ritual. Based on fieldwork in Benin, France, and New York City, Sarah Politz uses historical ethnography, music analysis, and participant observation to examine three case studies of brass band and jazz musicians from Benin. The multi-sited nature of this study highlights the importance of mobility, and diasporic connections in musicians' professional lives, while grounding these connections in the particularities of the African continent, its histories, its people, and its present

     
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    Cover (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780472075966; 9780472055968
    Series: Musics in motion
    Subjects: Vodou music; Jazz; Brass band music; Music; Vodou; Postcolonialism and music; MUSIC / Ethnomusicology; RELIGION / General; French; Jazz; Jazz; MUSIC / Genres & Styles / General; MUSIC / Genres & Styles / Jazz; MUSIC / Instruction & Study / Theory; Musikwissenschaft und Musiktheorie; National liberation & independence, post-colonialism; Nationale Befreiung und Unabhängigkeit, Postkolonialismus; POL045000; Französisch; Religion & beliefs; Religion und Glaube; SOCIAL SCIENCE / Anthropology / Cultural; SOCIAL SCIENCE / Sociology of Religion; Social & cultural anthropology, ethnography; Sozial- und Kulturanthropologie, Ethnographie; Theory of music & musicology; Unterhaltungsmusik, Popmusik
    Scope: pages cm
    Notes:

    Includes bibliographical references (pages 219-229) and index

    List of IllustrationsFon-language Pronunciation GuideAcknowledgmentsIntroductionPart I: Multiple Temporalities1. History and Healing in VÒdÚn Practice, Power, and Value2. Making la Musique Moderne: Cultural Renaissance in Postcolonial BeninPart II: Transforming VÒdÚn3. GangbÉ Brass Band: Producing VÒdÚn, Producing Livelihood4. Eyo nlÉ Brass Band: Transforming the Blues5. Jomion and the Uklos: Hwedo-Jazz and VÒdÚn in the New African DiasporaConclusion: Trauma, Translation, TransformationBibliographyGlossary
  10. White musical mythologies
    sonic presence in modernism
    Author: Mendelssohn, Edmund
    Published: 2023
    Publisher:  Stanford University Press, Stanford, California

    "Examining a series of modernist thinkers and composers who engaged with non-European cultures as they pursued pure sound as a privileged presence, White Musical Mythologies pairs Erik Satie with Bergson, Edgard Varèse with Bataille, Pierre Boulez... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    "Examining a series of modernist thinkers and composers who engaged with non-European cultures as they pursued pure sound as a privileged presence, White Musical Mythologies pairs Erik Satie with Bergson, Edgard Varèse with Bataille, Pierre Boulez with Artaud, and John Cage with Derrida to offer an ambitious intellectual history of the colonial roots of modernist musical thought. Each of the musicians studied in this book re-created or appropriated non-European forms of expression as they conceived music ontologically, often thinking music as something immediate and immersive: from Satie's dabblings with mysticism and exoticism in bohemian Montmartre of the 1890s to Varèse's experience of ethnographic exhibitions and surrealist poetry in 1930s Paris, and from Boulez's endeavor to theorize a kind of musical writing that would "absorb" the sounds of non-European musical traditions to Cage, who took inspiration from Eastern thought as he wrote about sound, silence, and chance. Edmund Mendelssohn suggests that the Euro-American idea of "pure sound," and the twentieth-century quest to produce it, was premised on an assumed authority of "the West" over Europe's others. Intended for readers in philosophy, musicology, art theory, the history of modernism, sound studies, and postcolonial studies, this book demonstrates that we cannot fully understand French theory in its novelty and complexity without music and sound"--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781503636637; 9781503636347
    Series: Sensing media: aesthetics, philosophy, and cultures of media
    Subjects: Modernism (Music); Avant-garde (Music); Modernism (Aesthetics); Music; Music; Philosophy, French; Postcolonialism and music
    Scope: xiii, 287 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Includes bibliographical references and index

    Prelude : a silence filled with speech -- The ontology of the ineffable : Satie and Bergson -- Ontological machines : Varèse and Bataille -- Ontological appropriation : Boulez and Artaud -- The written being of sound : Cage and Derrida -- Postlude : a simulacrum of presence.
  11. Music scenes and migrations
    space and transnationalism in Brazil, Portugal and the Atlantic
    Contributor: Treece, David (Publisher)
    Published: 2020
    Publisher:  Anthem Press, London

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Union catalogues
    Contributor: Treece, David (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781785273841
    RVK Categories: LS 19000
    Series: Anthem Brazilian studies
    Subjects: Interkulturalität; Postkolonialismus; Migration; Musik
    Other subjects: Music and transnationalism; Ethnomusicology; Music and race; Postcolonialism and music; Music / Portuguese-speaking countries; Musicians / Portuguese-speaking countries; Music; Portuguese-speaking countries; Criticism, interpretation, etc
    Scope: vi, 241 Seiten, Illustrationen, Portraits
  12. Flip the script
    European Hip Hop and the politics of postcoloniality
    Author: Rollefson, J. Griffith
    Published: 2017
    Publisher:  The University of Chicago Press, Chicago ; London

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Unlimited inter-library loan, copies and loan

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780226496184; 022649618X; 9780226496214; 022649621X
    RVK Categories: LS 48650
    Series: Chicago studies in ethnomusicology
    Subjects: Musik; Postkolonialismus; Hip-Hop
    Other subjects: Hip-hop / Europe, Western; Postcolonialism and music; Music / Europe, Western / African American influences; Hip-hop; Music / African American influences; Postcolonialism and music; Europe, Western
    Scope: X, 295 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Introduction: hip hop as postcolonial art and practice -- "J'accuse": hip hop's postcolonial politics in Paris -- Nostalgia "en noir et blanc": Black music and postcoloniality from Sefyu's Paris to Buddy Bolden's New Orleans -- Musical (African) Americanization: strategic essentialism, hybridity, and commerce in Aggro Berlin -- Heisse Waren: hot commodities, "der Neger bonus," and the commercial authentic -- M.I.A..'s "terrorist chic": Black Atlantic music and South Asian postcolonial politics in London -- Marché noir: the hip hop hustle in the City of Light -- "Wherever we go": UKhip hop and the deformation of mastery -- "Straight outta B.C.": differance, defness, and Juice Aleem's precolonial Afrofuturist critique -- Conclusion: hip hop studies and/as postcolonial studies
  13. Creolized aurality
    Guadeloupean gwoka and postcolonial politics
    Author: Camal, Jerome
    Published: 2019
    Publisher:  The University of Chicago Press, Chicago ; London

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780226631776; 9780226631639
    RVK Categories: LC 87640 ; LS 48700
    Series: Chicago studies in ethnomusicology
    Subjects: Volksmusik; Antikolonialismus; Gwoka; Postkolonialismus
    Other subjects: Popular music / Guadeloupe / History and criticism; Popular music / Political aspects / Guadeloupe; Postcolonialism and music / Guadeloupe; Popular music; Popular music / Political aspects; Postcolonialism and music; Guadeloupe; Criticism, interpretation, etc
    Scope: X, 234 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Introduction. Listening for (post)colonial entanglements -- The poetics of colonial aurality -- Building an anticolonial aurality: gwoka modènn as counterpoetics -- Discrepant creolizations: music and the limits of hospitality -- Diasporic or creole aurality: aesthetics and politics across the abyss -- Postnational aurality: institutional detour and the creolization of sovereignty -- Coda. Bigidi
  14. Global perspectives on orchestras
    collective creativity and social agency
    Contributor: Ramnarine, Tina K. (HerausgeberIn)
    Published: [2017]
    Publisher:  Oxford University Press, New York

    Location:
    Hochschule für Musik Freiburg, Bibliothek
    Signature:
    Sbh 9 Glob
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    Hochschule für Musik, Theater und Medien Hannover, Bibliothek
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    Sg 90
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    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2018 A 2994
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    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    Deutsches Historisches Institut in Rom, Bibliothek
    Signature:
    Cb 7101
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    Source: Union catalogues
    Contributor: Ramnarine, Tina K. (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780199352227
    Series: Studies in musical performance as creative practice ; Volume 4
    Studies in musical performance as creative practice
    Subjects: Orchestra; Music in intercultural communication; Postcolonialism and music
    Scope: XVI, 404 Seiten, Illustrationen, 24 cm
    Notes:

    Includes bibliographical references and index
  15. Global perspectives on orchestras
    collective creativity and social agency
    Contributor: Ramnarine, Tina K. (Publisher)
    Published: [2017]; © 2017
    Publisher:  Oxford University Press, New York

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Location:
    Universität der Künste Berlin, Universitätsbibliothek
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    Source: Union catalogues
    Contributor: Ramnarine, Tina K. (Publisher)
    Language: English
    Media type: Book
    ISBN: 9780199352227
    RVK Categories: LR 12746
    Series: Studies in musical performance as creative practice ; volume 4
    Subjects: Interkulturalität; Kulturleben; Postkolonialismus; Globalisierung; Kreativität; Orchester
    Other subjects: Orchestra / Social aspects; Music in intercultural communication; Postcolonialism and music
    Scope: xvi, 404 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  16. Contested communities
    communication, narration, imagination
    Contributor: Mühleisen, Susanne (HerausgeberIn)
    Published: [2017]
    Publisher:  Brill, Leiden

    This interdisciplinary volume critically investigates the value and topicality of the concept of community in postcolonial language situations as well as in postcolonial texts and media. Both in actual and in imagined communities, membership is... more

    Location:
    Staats- und Universitätsbibliothek Bremen
    Signature:
    02.x.4891
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signature:
    2017 A 9132
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    Location:
    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    Signature:
    EG/700/190
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    Location:
    Anglistisches Seminar der Universität, Bibliothek
    Signature:
    F ES 1953
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    Location:
    Universitätsbibliothek Mannheim
    Signature:
    500 HP 1130 M945
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    This interdisciplinary volume critically investigates the value and topicality of the concept of community in postcolonial language situations as well as in postcolonial texts and media. Both in actual and in imagined communities, membership is constructed on an assumption of shared features - be it common values, linguistic codes, geographical origin, gender, sexual identity, ethnicity, religion, professional group or joint interests and practices. But how is membership in such communities achieved, manifested, tested or contested? What new forms of community have developed in the wake of globalisation, translocation and digital media communication? Eighteen contributions by scholars in linguistics, literary and cultural studies explore the role of communication, narratives, memory and trauma in processes of belonging or unbelonging in postcolonial contexts

     
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    Source: Union catalogues
    Contributor: Mühleisen, Susanne (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9789004335264
    RVK Categories: HP 1130
    Series: Cross/Cultures ; 190
    Asnel Papers ; 21
    Subjects: Sociolinguistics; Language and culture; Group identity; Language and languages; Postcolonialism; Postcolonialism in literature; Music and language; Postcolonialism and music
    Scope: xlii, 319 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  17. Flip the script
    European hip hop and the politics of postcoloniality
    Author: Rollefson, J. Griffith
    Published: [2017]
    Publisher:  The University of Chicago Press, Chicago

    Introduction: hip hop as postcolonial art and practice -- "J'accuse": hip hop's postcolonial politics in Paris -- Nostalgia "en noir et blanc": Black music and postcoloniality from Sefyu's Paris to Buddy Bolden's New Orleans -- Musical (African)... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Ethnologisches Museum, Bibliothek
    Signature:
    LS 48650 2017 005
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    Location:
    Universitätsbibliothek Braunschweig
    Signature:
    HM-J 385
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    Location:
    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    Signature:
    RL 375 85
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    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2018 A 242
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    Unlimited inter-library loan, copies and loan

    Location:
    Center for World Music, Bibliothek
    Signature:
    HA 162
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    No inter-library loan

    Location:
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    Location:
    Popakademie Baden-Württemberg, Bibliothek
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    Location:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Signature:
    mus 077.1 DF 8618
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    Introduction: hip hop as postcolonial art and practice -- "J'accuse": hip hop's postcolonial politics in Paris -- Nostalgia "en noir et blanc": Black music and postcoloniality from Sefyu's Paris to Buddy Bolden's New Orleans -- Musical (African) Americanization: strategic essentialism, hybridity, and commerce in Aggro Berlin -- Heisse Waren: hot commodities, "der Neger bonus," and the commercial authentic -- M.I.A..'s "terrorist chic": Black Atlantic music and South Asian postcolonial politics in London -- Marché noir: the hip hop hustle in the City of Light -- "Wherever we go": UKhip hop and the deformation of mastery -- "Straight outta B.C.": differance, defness, and Juice Aleem's precolonial Afrofuturist critique -- Conclusion: hip hop studies and/as postcolonial studies

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780226496184; 9780226496214
    Other identifier:
    9780226496214
    RVK Categories: LS 48650
    Series: Chicago studies in ethnomusicology
    Subjects: Hip-hop; Postcolonialism and music; Music; Hip-hop; Hip-hop; Music; Music; Postcolonialism and music; Postcolonialism and music; Europe, Western
    Scope: x, 295 Seiten, Illustrationen, 23 cm
    Notes:

    Literaturverzeichnis: Seiten 267-280
  18. Global perspectives on orchestras
    collective creativity and social agency
    Contributor: Ramnarine, Tina K. (HerausgeberIn)
    Published: [2017]; © 2017
    Publisher:  Oxford University Press, New York, NY

    Location:
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    Signature:
    Mus 810.005
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    Source: Union catalogues
    Contributor: Ramnarine, Tina K. (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780199352227; 9780199352258
    Series: Studies in musical performance as creative practice ; Volume 4
    Subjects: Orchestra; Music in intercultural communication; Postcolonialism and music; Music in intercultural communication; Orchestra; Postcolonialism and music
    Scope: xvi, 404 Seiten, Illustrationen, 25 cm
    Notes:

    Includes bibliographical references and index
  19. White musical mythologies
    sonic presence in modernism
    Author: Mendelssohn, Edmund
    Published: 2023
    Publisher:  Stanford University Press, Stanford, California

    "Examining a series of modernist thinkers and composers who engaged with non-European cultures as they pursued pure sound as a privileged presence, White Musical Mythologies pairs Erik Satie with Bergson, Edgard Varèse with Bataille, Pierre Boulez... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    8 A 8143
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    "Examining a series of modernist thinkers and composers who engaged with non-European cultures as they pursued pure sound as a privileged presence, White Musical Mythologies pairs Erik Satie with Bergson, Edgard Varèse with Bataille, Pierre Boulez with Artaud, and John Cage with Derrida to offer an ambitious intellectual history of the colonial roots of modernist musical thought. Each of the musicians studied in this book re-created or appropriated non-European forms of expression as they conceived music ontologically, often thinking music as something immediate and immersive: from Satie's dabblings with mysticism and exoticism in bohemian Montmartre of the 1890s to Varèse's experience of ethnographic exhibitions and surrealist poetry in 1930s Paris, and from Boulez's endeavor to theorize a kind of musical writing that would "absorb" the sounds of non-European musical traditions to Cage, who took inspiration from Eastern thought as he wrote about sound, silence, and chance. Edmund Mendelssohn suggests that the Euro-American idea of "pure sound," and the twentieth-century quest to produce it, was premised on an assumed authority of "the West" over Europe's others. Intended for readers in philosophy, musicology, art theory, the history of modernism, sound studies, and postcolonial studies, this book demonstrates that we cannot fully understand French theory in its novelty and complexity without music and sound"--

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781503636637; 9781503636347
    Series: Sensing media: aesthetics, philosophy, and cultures of media
    Subjects: Modernism (Music); Avant-garde (Music); Modernism (Aesthetics); Music; Music; Philosophy, French; Postcolonialism and music
    Scope: xiii, 287 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Includes bibliographical references and index

    Prelude : a silence filled with speech -- The ontology of the ineffable : Satie and Bergson -- Ontological machines : Varèse and Bataille -- Ontological appropriation : Boulez and Artaud -- The written being of sound : Cage and Derrida -- Postlude : a simulacrum of presence.