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  1. Contesting the Gothic
    fiction, genre and cultural conflict, 1764 - 1832
    Author: Watt, James
    Published: 1999
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 0521640997
    Series: Cambridge studies in Romanticism ; 33
    Subjects: English fiction; Horror tales, English; English fiction; Gothic revival (Literature); Politics and culture; Literary form; Literary form; Romanticism
    Scope: X, 205 S
    Notes:

    Literaturangaben

    Teilw. zugl.: Cambridge, Univ., Diss.
  2. Contesting the Gothic
    fiction, genre and cultural conflict, 1764 - 1832
    Author: Watt, James
    Published: 1999
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    "James Watt's historically grounded account of Gothic fiction takes issue with received accounts of the genre as a stable and continuous tradition. Charting its vicissitudes from Walpole's The Castle of Otranto to Scott's Waverley novels, Watt shows... more

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    "James Watt's historically grounded account of Gothic fiction takes issue with received accounts of the genre as a stable and continuous tradition. Charting its vicissitudes from Walpole's The Castle of Otranto to Scott's Waverley novels, Watt shows the Gothic to have been a heterogeneous body of fiction, characterised at times by antagonistic relations between various writers or works. Central to Watt's argument about the writing and reception of these works is a nuanced understanding of their political import: he discusses Walpole's attempt to forge an aristocratic identity, the loyalist affiliations of many neglected works of the 1790s, the subversive reputation of The Monk, and the ways in which Radcliffean romance proved congenial to conservative critics."--BOOK JACKET.

     
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  3. Contesting the Gothic
    fiction, genre, and cultural conflict, 1764-1832
    Author: Watt, James
    Published: 1999
    Publisher:  Cambridge University Press, Cambridge

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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0521640997
    Series: Cambridge studies in Romanticism ; 33
    Subjects: English fiction; Horror tales, English; English fiction; Gothic revival (Literature); Politics and culture; Romanticism; Literary form; Gothic novel
    Scope: x, 205 p
    Notes:

    Includes bibliographical references (p. 186-200) and index
  4. Contesting the Gothic
    fiction, genre and cultural conflict, 1764-1832
    Author: Watt, James
    Published: 1999
    Publisher:  Cambridge University Press, Cambridge

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0511005180; 051103623X; 0511051468; 051111723X; 0511150113; 0511484674; 0521640997; 9780511005183; 9780511036231; 9780511051463; 9780511117237; 9780511150111; 9780511484674; 9780521640992
    Series: Cambridge studies in Romanticism ; 33
    Subjects: Gothic revival (Literature) / Great Britain / History and criticism; Roman anglais / 18e siècle / Histoire et critique; Récits d'horreur anglais / 18e siècle / Histoire et critique; Roman anglais / 19e siècle / Histoire et critique; Roman noir (Genre littéraire) / Grande-Bretagne; Culture / Aspect politique / Grande-Bretagne; Romantisme / Grande-Bretagne; Genres littéraires; Récits d'horreur anglais / 19e siècle / Histoire et critique; Conflit culturel / Grande-Bretagne / Histoire / 18e siècle; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; English fiction; Gothic fiction (Literary genre), English; Gothic revival (Literature); Horror tales, English; Literary form; Politics and culture; Romanticism; Engels; Gothic novel; Gothic Revival (letterkunde); Letterkunde; Roman anglais / 18e siècle / Histoire et critique; Roman anglais / 19e siècle / Histoire et critique; Littérature d'épouvante anglaise / Grande-Bretagne / Histoire et critique; Roman gothique / Histoire et critique; Littérature fantastique / 18e siècle; Gothic novel; Englisch; Geschichte; Literatur; English fiction; Horror tales, English; English fiction; Gothic fiction (Literary genre), English; Gothic revival (Literature); Politics and culture; Literary form; Literary form; Romanticism; Literary form; Gothic novel
    Scope: 1 Online-Ressource (x, 205 pages)
    Notes:

    Includes bibliographical references (pages 186-200) and index

    Origins : Horace Walpole and The castle of Otranto -- Loyalist gothic romance -- Gothic 'subversion': German literature, the Minerva Press, Matthew Lewis -- First poetess of romantic fiction: Ann Radcliffe -- Field of romance: Walter Scott, the Waverley novels, the Gothic

    Charting its vicissitudes from Walpole to Scott, James Watt shows the Gothic to have been a heterogeneous body of fiction, characterised at times by antagonistic relations between writers or works. He examines the novels' political import, and looks ahead to the fluctuating critical status of Scott and the Gothic
  5. Contesting the Gothic
    fiction, genre and cultural conflict, 1764 - 1832
    Author: Watt, James
    Published: 2006
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

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    Universitätsbibliothek Augsburg
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  6. Contesting the Gothic
    fiction, genre, and cultural conflict, 1764-1832
    Author: Watt, James
    Published: 1999
    Publisher:  Cambridge University Press, Cambridge

    James Watt's historically grounded account of Gothic fiction, first published in 1999, takes issue with received accounts of the genre as a stable and continuous tradition. Charting its vicissitudes from Walpole to Scott, Watt shows the Gothic to... more

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    James Watt's historically grounded account of Gothic fiction, first published in 1999, takes issue with received accounts of the genre as a stable and continuous tradition. Charting its vicissitudes from Walpole to Scott, Watt shows the Gothic to have been a heterogeneous body of fiction, characterized at times by antagonistic relations between various writers or works. Central to his argument about these works' writing and reception is a nuanced understanding of their political import: Walpole's attempt to forge an aristocratic identity, the loyalist affiliations of many neglected works of the 1790s, a reconsideration of the subversive reputation of The Monk, and the ways in which Radcliffean romance proved congenial to conservative critics. Watt concludes by looking ahead to the fluctuating critical status of Scott and the Gothic, and examines the process by which the Gothic came to be defined as a monolithic tradition, in a way that continues to exert a powerful hold Charting its vicissitudes from Walpole to Scott, James Watt shows the Gothic to have been a heterogeneous body of fiction, characterised at times by antagonistic relations between writers or works. He examines the novels' political import, and looks ahead to the fluctuating critical status of Scott and the Gothic Origins : Horace Walpole and The castle of Otranto -- Loyalist gothic romance -- Gothic 'subversion': German literature, the Minerva Press, Matthew Lewis -- The first poetess of romantic fiction: Ann Radcliffe -- The field of romance: Walter Scott, the Waverley novels, the Gothic

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511484674
    Other identifier:
    Series: Cambridge studies in Romanticism ; 33
    Subjects: Culture; Literary form; Literary form; Gothic fiction (Literary genre), English; Politics and culture; Literary form; English fiction; Romanticism; Gothic revival (Literature); Horror tales, English; English fiction; English fiction ; 18th century ; History and criticism; Horror tales, English ; History and criticism; English fiction ; 19th century ; History and criticism; Gothic fiction (Literary genre), English ; History and criticism; Politics and culture ; Great Britain; Literary form ; History ; 18th century; Literary form ; History ; 19th century; Romanticism ; Great Britain; Gothic revival (Literature) ; Great Britain
    Scope: 1 Online-Ressource (x, 205 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Preliminaries; Contents; Acknowledgements; Introduction; CHAPTER 1 Origins: Horace Walpole and The Castle of Otranto; CHAPTER 2 The Loyalist Gothic romance; CHAPTER 3 Gothic 'subversion': German literature, the Minerva Press, Matthew Lewis; CHAPTER 4 The first poetess of romantic fiction: Ann Radcliffe; CHAPTER 5 The field of romance: Walter Scott, the Waverley novels, the Gothic; Notes; Bibliography; Index; Cambridge studies in romanticism
  7. Contesting the Gothic
    fiction, genre, and cultural conflict, 1764-1832
    Author: Watt, James
    Published: 1999
    Publisher:  Cambridge University Press, Cambridge

    James Watt's historically grounded account of Gothic fiction, first published in 1999, takes issue with received accounts of the genre as a stable and continuous tradition. Charting its vicissitudes from Walpole to Scott, Watt shows the Gothic to... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    James Watt's historically grounded account of Gothic fiction, first published in 1999, takes issue with received accounts of the genre as a stable and continuous tradition. Charting its vicissitudes from Walpole to Scott, Watt shows the Gothic to have been a heterogeneous body of fiction, characterized at times by antagonistic relations between various writers or works. Central to his argument about these works' writing and reception is a nuanced understanding of their political import: Walpole's attempt to forge an aristocratic identity, the loyalist affiliations of many neglected works of the 1790s, a reconsideration of the subversive reputation of The Monk, and the ways in which Radcliffean romance proved congenial to conservative critics. Watt concludes by looking ahead to the fluctuating critical status of Scott and the Gothic, and examines the process by which the Gothic came to be defined as a monolithic tradition, in a way that continues to exert a powerful hold Charting its vicissitudes from Walpole to Scott, James Watt shows the Gothic to have been a heterogeneous body of fiction, characterised at times by antagonistic relations between writers or works. He examines the novels' political import, and looks ahead to the fluctuating critical status of Scott and the Gothic Origins : Horace Walpole and The castle of Otranto -- Loyalist gothic romance -- Gothic 'subversion': German literature, the Minerva Press, Matthew Lewis -- The first poetess of romantic fiction: Ann Radcliffe -- The field of romance: Walter Scott, the Waverley novels, the Gothic

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511484674
    Other identifier:
    Series: Cambridge studies in Romanticism ; 33
    Subjects: Culture; Literary form; Literary form; Gothic fiction (Literary genre), English; Politics and culture; Literary form; English fiction; Romanticism; Gothic revival (Literature); Horror tales, English; English fiction; English fiction ; 18th century ; History and criticism; Horror tales, English ; History and criticism; English fiction ; 19th century ; History and criticism; Gothic fiction (Literary genre), English ; History and criticism; Politics and culture ; Great Britain; Literary form ; History ; 18th century; Literary form ; History ; 19th century; Romanticism ; Great Britain; Gothic revival (Literature) ; Great Britain
    Scope: 1 Online-Ressource (x, 205 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Preliminaries; Contents; Acknowledgements; Introduction; CHAPTER 1 Origins: Horace Walpole and The Castle of Otranto; CHAPTER 2 The Loyalist Gothic romance; CHAPTER 3 Gothic 'subversion': German literature, the Minerva Press, Matthew Lewis; CHAPTER 4 The first poetess of romantic fiction: Ann Radcliffe; CHAPTER 5 The field of romance: Walter Scott, the Waverley novels, the Gothic; Notes; Bibliography; Index; Cambridge studies in romanticism
  8. Contesting the Gothic
    fiction, genre and cultural conflict, 1764 - 1832
    Author: Watt, James
    Published: 1999
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    "James Watt's historically grounded account of Gothic fiction takes issue with received accounts of the genre as a stable and continuous tradition. Charting its vicissitudes from Walpole's The Castle of Otranto to Scott's Waverley novels, Watt shows... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    TU Berlin, Universitätsbibliothek
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    "James Watt's historically grounded account of Gothic fiction takes issue with received accounts of the genre as a stable and continuous tradition. Charting its vicissitudes from Walpole's The Castle of Otranto to Scott's Waverley novels, Watt shows the Gothic to have been a heterogeneous body of fiction, characterised at times by antagonistic relations between various writers or works. Central to Watt's argument about the writing and reception of these works is a nuanced understanding of their political import: he discusses Walpole's attempt to forge an aristocratic identity, the loyalist affiliations of many neglected works of the 1790s, the subversive reputation of The Monk, and the ways in which Radcliffean romance proved congenial to conservative critics."--BOOK JACKET.

     
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  9. Contesting the Gothic
    fiction, genre and cultural conflict, 1764 - 1832
    Author: Watt, James
    Published: 1999
    Publisher:  Cambridge University Press, Cambridge [u.a.]

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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 0521640997
    RVK Categories: HG 674
    Edition: 1. publ.
    Series: Cambridge studies in romanticism ; 33
    Subjects: English fiction; Horror tales, English; English fiction; Gothic revival (Literature); Politics and culture; Literary form; Literary form; Romanticism; English fiction; Horror tales, English; English fiction; Gothic revival (Literature); Politics and culture; Literary form; Literary form; Romanticism; Gothic revival (Literature); English fiction
    Scope: X, 205 S.
    Notes:

    Includes index. - Bibliography

    Teilw. zugl.: Cambridge, Univ., Diss.
  10. Contesting the Gothic
    fiction, genre and cultural conflict, 1764 - 1832
    Author: Watt, James
    Published: 2006
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 0521024811; 0521640997; 9780521024815; 9780521640992
    RVK Categories: HG 674 ; HL 1301
    Edition: digitally printed first paperback version
    Series: Cambridge studies in romanticism ; 33
    Subjects: English fiction; Horror tales, English; English fiction; Gothic revival (Literature); Politics and culture; Literary form; Literary form; Romanticism
    Scope: X, 205 S.
    Notes:

    Teilw. zugl.: Cambridge, Univ., Diss.

    Bibliography S. 186 - 200