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  1. Science in modern poetry
    new directions
    Contributor: Holmes, John (Herausgeber)
    Published: 2012
    Publisher:  Liverpool University Press, Liverpool

    Over the last thirty years, more and more critics and scholars have come to recognize the importance of science to literature. 'Science in Modern Poetry: New Directions' is the first collection of essays to focus specifically on what poets in the... more

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    Over the last thirty years, more and more critics and scholars have come to recognize the importance of science to literature. 'Science in Modern Poetry: New Directions' is the first collection of essays to focus specifically on what poets in the twentieth and twenty-first centuries have made of the scientific developments going on around them. In a collection of twelve essays, leading experts on modern poetry and on literature and science explore how poets have used scientific language in their poems, how poetry can offer new perspectives on science, and how the 'Two Cultures' can and have come together in the work of poets from Britain and Ireland, America and Australia. What does the poetry of a leading immunologist and a Nobel-Prize-winning chemist tell us about how poetry can engage with science? Scientific experiments aim to yield knowledge, but what do the linguistic and formal experiments of contemporary American poets suggest about knowledge in their turn? How can universities help to bring these different experimental cultures and practices together? What questions do literary critics need to ask themselves when looking at poems that respond to science? How did developments in biology between the wars shape modernist poetry? What did William Empson make of science fiction, Ezra Pound of the fourth dimension, Thomas Hardy of anthropology? How did modern poets from W. B. Yeats to Elizabeth Bishop and Judith Wright respond to the legacy of Charles Darwin? This book aims to answer these questions and more, in the process setting out the state of the field and suggesting new directions and approaches for research by students and scholars working on the fertile relationship between science and poetry today

     
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    Source: Union catalogues
    Contributor: Holmes, John (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781846317743; 9781846318092
    Subjects: Poetry / History and criticism; Literature and science; Science in literature; Lyrik; Englisch; Naturwissenschaften <Motiv>; Wissenschaft <Motiv>
    Scope: 1 online resource (xi, 237 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    :
  2. Science in modern poetry
    new directions
    Contributor: Holmes, John (Herausgeber)
    Published: 2012
    Publisher:  Liverpool University Press, Liverpool

    Over the last thirty years, more and more critics and scholars have come to recognize the importance of science to literature. 'Science in Modern Poetry: New Directions' is the first collection of essays to focus specifically on what poets in the... more

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    Over the last thirty years, more and more critics and scholars have come to recognize the importance of science to literature. 'Science in Modern Poetry: New Directions' is the first collection of essays to focus specifically on what poets in the twentieth and twenty-first centuries have made of the scientific developments going on around them. In a collection of twelve essays, leading experts on modern poetry and on literature and science explore how poets have used scientific language in their poems, how poetry can offer new perspectives on science, and how the 'Two Cultures' can and have come together in the work of poets from Britain and Ireland, America and Australia. What does the poetry of a leading immunologist and a Nobel-Prize-winning chemist tell us about how poetry can engage with science? Scientific experiments aim to yield knowledge, but what do the linguistic and formal experiments of contemporary American poets suggest about knowledge in their turn? How can universities help to bring these different experimental cultures and practices together? What questions do literary critics need to ask themselves when looking at poems that respond to science? How did developments in biology between the wars shape modernist poetry? What did William Empson make of science fiction, Ezra Pound of the fourth dimension, Thomas Hardy of anthropology? How did modern poets from W. B. Yeats to Elizabeth Bishop and Judith Wright respond to the legacy of Charles Darwin? This book aims to answer these questions and more, in the process setting out the state of the field and suggesting new directions and approaches for research by students and scholars working on the fertile relationship between science and poetry today

     
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    Source: Union catalogues
    Contributor: Holmes, John (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781846317743; 9781846318092
    Subjects: Poetry / History and criticism; Literature and science; Science in literature; Englisch; Lyrik; Naturwissenschaften <Motiv>; Wissenschaft <Motiv>
    Scope: 1 online resource (xi, 237 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    :
  3. Mi-Lou
    Poetry and the Labyrinth of Desire
    Author: Owen, Stephen
    Published: [1989]
    Publisher:  Harvard University Press, Cambridge, Mass.

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  4. Everyday poetics
    logic, love and ethics
    Author: Bourbon, Brett
    Published: 2022
    Publisher:  Bloomsbury Academic, London [England] ; Bloomsbury Publishing, [London, England]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
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    Edition: First edition
    Series: Bloomsbury Studies in Philosophy and Poetry
    Other subjects: Logic in literature; Ethics in literature; Love in literature; Poetry / History and criticism; Philosophy: aesthetics; Philosophy: logic; Ethics & moral philosophy; Electronic books
    Scope: 1 online resource (240 pages)
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    Includes index
  5. Translating Jazz Into Poetry
    From Mimesis to Metaphor
    Author: Redling, Erik
    Published: [2017]; ©2017
    Publisher:  De Gruyter, Berlin ; Boston

    The study develops a new theoretical approach to the relationship between two media (jazz music and writing) and demonstrates its explanatory power with the help of a rich sampling of jazz poems. Currently, the mimetic approach to intermediality... more

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    The study develops a new theoretical approach to the relationship between two media (jazz music and writing) and demonstrates its explanatory power with the help of a rich sampling of jazz poems. Currently, the mimetic approach to intermediality (e.g., the notion that jazz poetry imitates jazz music) still dominates the field of criticism. This book challenges that interpretive approach. It demonstrates that a mimetic view of jazz poetry hinders readers from perceiving the metaphoric ways poets rendered music in writing. Drawing on and extending recent cognitive metaphor theories (Lakoff, Johnson, Turner, Fauconnier), it promotes a conceptual metaphor model that allows readers to discover the innovative ways poets translate "melody," "dynamics," "tempo," "mood," and other musical elements into literal and figurative expressions that invite readers to imagine the music in their mind's eye (i.e., their mind's ear)

     
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783110339017
    Other identifier:
    RVK Categories: HU 1761
    Series: Buchreihe der Anglia / Anglia Book Series ; 42
    Other subjects: Poetry / History and criticism; American Literature; Amerikanische Literatur; Cognitive Poetics; Intermediality; Intermedialität; Jazz Music; Jazz-Musik; Kognitive Poetik; Jazz; Jazz poetry; Intermedialität; Kognitive Poetik; LITERARY CRITICISM / American / General
    Scope: 1 online resource (318 p.)
    Notes:

    Habilitation
  6. Topik des Sonetts
    Gattungstheorie und Gattungsgeschichte
    Author: Borgstedt, Thomas
    Published: [2009]; ©2009
    Publisher:  Max Niemeyer Verlag, Tübingen

    Die Arbeit entwirft ein Mehrebenenmodell kommunikativer Gattungen, das universalistische, soziale und historische Aspekte unterscheidet. Damit wird eine medientheoretische Ausweitung der Gattungstheorie und ein genuines Modell der Historizität... more

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    Die Arbeit entwirft ein Mehrebenenmodell kommunikativer Gattungen, das universalistische, soziale und historische Aspekte unterscheidet. Damit wird eine medientheoretische Ausweitung der Gattungstheorie und ein genuines Modell der Historizität literarisch-künstlerischer Gattungen vorgeschlagen. Exemplarisch durchgeführt wird dies am Beispiel der europäischen Geschichte des Sonetts von dessen mittelalterlicher ,Erfindung' am Hof Kaiser Friedrichs II. in Sizilien bis zum romantisch-modernen Sonettmodell August Wilhelm Schlegels. Die ,gattungstopische' Darstellung ermöglicht eine grundlegende Historisierung des Gattungsmodells: Neue Thesen zur Sonettentstehung, zu deren mediengeschichtlichen und numerologischen Voraussetzungen (mit Parallelen zur staufischen Herrschaftsarchitektur), und zur historischen Vielfalt der Gattungsentwicklung pluralisieren das überkommene Bild der Sonettform. Als historische Paradigmen werden die mittelalterliche, kombinatorisch angelegte Sonettstanze, das frühneuzeitliche epigrammatisch konturierte Sonett und das genuin moderne, an der Liedform und der formalen Tektonik orientierte, ,rationalisierte' Sonettmodell des 18. Jahrhunderts unterschieden. Ein eigenes Kapitel ist der petrarkistischen Tradition der deutschen Sonettistik der Barockzeit gewidmet

     
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783484970946
    Other identifier:
    RVK Categories: EC 6180
    Series: Frühe Neuzeit ; 138
    Other subjects: Poetry / History and criticism; Sonnet / History and criticism; Literarische Gattung; Literary Genre; Lyrik /i.d. Literatur; Sonett; Sonnet; Verse / in Literature; Gattungstheorie; Deutsch; Sonett; LITERARY CRITICISM / European / German
    Scope: 1 online resource (530 p.)
    Notes:

    Habil
  7. Science in modern poetry
    new directions
    Contributor: Holmes, John (Publisher)
    Published: 2012
    Publisher:  Liverpool University Press, Liverpool

    Over the last thirty years, more and more critics and scholars have come to recognize the importance of science to literature. 'Science in Modern Poetry: New Directions' is the first collection of essays to focus specifically on what poets in the... more

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    Over the last thirty years, more and more critics and scholars have come to recognize the importance of science to literature. 'Science in Modern Poetry: New Directions' is the first collection of essays to focus specifically on what poets in the twentieth and twenty-first centuries have made of the scientific developments going on around them. In a collection of twelve essays, leading experts on modern poetry and on literature and science explore how poets have used scientific language in their poems, how poetry can offer new perspectives on science, and how the 'Two Cultures' can and have come together in the work of poets from Britain and Ireland, America and Australia.What does the poetry of a leading immunologist and a Nobel-Prize-winning chemist tell us about how poetry can engage with science? Scientific experiments aim to yield knowledge, but what do the linguistic and formal experiments of contemporary American poets suggest about knowledge in their turn? How can universities help to bring these different experimental cultures and practices together? What questions do literary critics need to ask themselves when looking at poems that respond to science? How did developments in biology between the wars shape modernist poetry? What did William Empson make of science fiction, Ezra Pound of the fourth dimension, Thomas Hardy of anthropology? How did modern poets from W. B. Yeats to Elizabeth Bishop and Judith Wright respond to the legacy of Charles Darwin? This book aims to answer these questions and more, in the process setting out the state of the field and suggesting new directions and approaches for research by students and scholars working on the fertile relationship between science and poetry today

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Holmes, John (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781781388341
    RVK Categories: HG 550
    Series: Poetry &--
    Subjects: Poetry / History and criticism; Literature and science; Science in literature; Wissenschaft <Motiv>; Naturwissenschaften <Motiv>; Englisch; Lyrik
    Scope: 1 online resource (xi, 237 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 07 Jul 2017)

    Science and contemporary poetry : cross-cultural soundings. The function of antagonism : Miroslav Holub and Roald Hoffmann / Helen Small ; Cutting and pasting : language writing and molecular biology / Peter Middleton ; The poetics of consilience : Edward O. Wilson and A.R. Ammons / John Barnie ; Poetry, science and the contemporary university / Robert Crawford -- Science in modernist poetry : appropriations and interrogations. 'Strange synthetic perfumes' : investigating scientific diction in twentieth-century poetry / Michael H. Whitworth ; The human animal : biological tropes in interwar poetry / Tim Armstrong ; William Empson, ants and aliens / Katy Price ; Ezra Pould and the materiality of the fourth dimension / Ian F.A. Bell -- Darwinian dialogues : four modern poets. 'Accidental variations' : Darwinian traces in Yeats's poetry / R�on�an McDonald ; Making the past wake : anthropological survivals in Hardy's poetry / Andrew Radford ; Reading Bishop reading Darwin / Jonathan Ellis ; From Bergson to Darwin : evolutionary biology in the poetry of Judith Wright ; Afterword / Bruce Clarke
  8. Poetry & translation
    the art of the impossible
    Author: Robinson, Peter
    Published: 2010
    Publisher:  Liverpool University Press, Liverpool

    In Poetry & Translation the acclaimed poet and translator Peter Robinson examines the activity as of translation practised by poets and others, and how the various practices of translating have continued in parallel with the writing of original... more

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    In Poetry & Translation the acclaimed poet and translator Peter Robinson examines the activity as of translation practised by poets and others, and how the various practices of translating have continued in parallel with the writing of original poetry. So, while some attention is paid to classic statements of the translator’s cultural role, statements such as Walter Benjamin’s, readers should not expect to find formalized theoretical debate along the lines already developed in translation studies courses and their teaching handbooks. Instead Poetry & Translation seeks to raise issues and matters for discussion - the character of bilingual editions and how they are, or may be, read - not to close them down. The aim of the book is be to increase knowledge of, and thought about, the interactive processes of reading and writing poetry composed in mother tongues and in translations. Poetry & Translation will be of value to all devoted readers and students of poetry or translation, to students involved in classical and modern languages, and to those taking part in creative writing courses, whether as students or as teachers

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781846315534
    Subjects: Poetry / Translating; Poetry / History and criticism; Lyrik; Lyriker; Übersetzung; Muttersprache
    Scope: 1 online resource (xi, 196 pages)
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    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    On first looking -- What is lost? -- Thou art translated -- The art of the impossible -- Nostalgia for world culture -- Translating the 'foreign' -- The quick and the dead
  9. Poetry & Barthes
    Anglophone responses 1970-2000
    Author: Gardner, Calum
    Published: 2020
    Publisher:  Liverpool University Press, Liverpool

    <div><b>Reviews</b></div><div>'Roland Barthes had little interest in poetry, but, surprisingly, his occasional remarks on the subject and thoughts about literature in general played a provocative role, Calum Gardner shows, for poets in the UK and... more

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    Reviews

    'Roland Barthes had little interest in poetry, but, surprisingly, his occasional remarks on the subject and thoughts about literature in general played a provocative role, Calum Gardner shows, for poets in the UK and especially the US and contributed especially to arguments about L=A=N=G=U=A=G=E writing. Gardner's lucid and wide-ranging discussion shrewdly illuminates the odd fortunes of literary ideas.

    Professor Jonathan Culler, Cornell University

    'Calum Gardner's subtle and shifting account of how the work of Roland Barthes has been read and re-used by English-speaking poets since the 1970s is a tour de force that will long resonate with poetry specialists and literary theorists alike.'

    Dr Andy Stafford, Leeds University
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781786949394
    Series: Poetry &--
    Subjects: Poetics; Poetry / History and criticism
    Other subjects: Barthes, Roland / Criticism and interpretation
    Scope: 1 Online-Ressource (ix, 220 Seiten)
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    Title from publisher's bibliographic system (viewed on 29 Jun 2020)
  10. Die Farben der Herrschaft
    Imagination, Semantik und Poetologie in heldenepischen Texten des deutschen Mittelalters
    Author: Klein, Mareike
    Published: 2014
    Publisher:  De Gruyter, Berlin

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783050065199; 3050065192
    Series: Literatur, Theorie, Geschichte
    Subjects: Epic literature / History and criticism; Folk literature / History and criticism; Literature, Medieval / History and criticism; Literature; Poetry / History and criticism; BIOGRAPHY & AUTOBIOGRAPHY / Literary; Epic poetry, German; German literature / Middle High German; Heldensage; Heroes in literature; Romances, German; Literatur; German literature; Heldensage; Epic poetry, German; Romances, German; Heroes in literature; Heldenepos; Mittelhochdeutsch; Glanz <Motiv>; Adel <Motiv>; Farbe <Motiv>
    Other subjects: Wolfram von Eschenbach (1170-1220): Willehalm; Konrad der Pfaffe (ca. 12. Jh.): Rolandslied
    Scope: 328 pages
    Notes:

    Dank; I Einleitung; 1. Farbe und Sprache; 2. Farbe und Licht; 3. Farben und ihr semantischer Gehalt in mittelalterlicher Literatur; 4. Zu Anlage, Methodik und Aufbau der Arbeit; II Farbimaginationen als literarästhetische und poetologische Strategien der Herrschaftsinszenierung in Rolandslied und König Rother; 1. Allegorisch-poetologische Funktionalisierung von Farben: Herrscheridealität im Rolandslied; 1.1 Mittelalterliche Farballegorese und volkssprachliche Epik; 1.2 Gold und seine Semantiken in mittelalterlicher Kunst und Literatur

    2. Allegorische Semantisierung von Farben und Glanz im Rolandslied2.1 Die Hoflagerszene; 2.1.1 Glanz und Farbe in der Sphäre Kaiser Karls und Paligans; 2.1.2 Idealisierung höfischer Pracht im boumgarten; 2.1.3 Christliche Herrscheridealität und Lichtmetaphorik; 2.2 Genelun -- Die Rolle des Goldes in der narrativen Verhandlung des Verrats; 2.2.1 Ambiguisierung des Glanzes; 2.2.2 Entlarvung des schönen Scheins; 2.3 Roland und die Christen -- idealisierte Kongruenz von Innen und Außen; 2.4 Swarz unt übel getân -- Farbe als Stigma der 'Anderen'; 2.5 Resümee

    3. Literarische Funktionalisierung von Farben: Herrscheridealität und Poetik der Visualität im König Rother3.1 Forschungsüberblick; 3.2 Sehen und Sichtbarkeit im König Rother; 3.3 Multifunktionalität von Farben und Glanz; 3.3.1 Sehen im Kontext von visualisierenden Beschreibungen; 3.3.2 Gold: Idealisierung der Sphäre Rothers durch Kontrastierung; 3.3.3 Weiß: Markierungen Rothers und seines Herrschaftsverbands; 3.4 Farbigkeit kriegerischer Tüchtigkeit und höfischer Repräsentation -- Riesen und edle Herren

    3.5 "Der Beste und die Schönste gehören zusammen" -- Visualisierung eines narrativen Musters3.5.1 Die Tochter Konstantins -- die Schönste; 3.5.2 Rother alias Dietrich -- der Beste; 3.6 Resümee; 4. Zusammenfassender Vergleich von Rolandslied und König Rother; III Farb- und Glanzattribuierungen von Heiden und Christen: Zur Problematisierung herrscherlicher Idealität in Wolframs von Eschenbach Willehalm; 1. Ästhetik und Poetik der Heterogenität; 2. Leuchtende Schwärze und glänzende Heere: Wie 'finster' sind die Heiden?; 2.1 Schwarz -- doch lieht gevar

    2.2 Evokationen von (Licht- )Glanz: Inszenierung religiöser Differenz2.2.1 Gefährlicher glast eines zugleich klâre[n] süeze[n] Heiden; 2.2.2 Zwischen höfischem (Farb- )Glanz und aggressivem Gleißen; 2.2.3 glast der Christen; 2.2.4 Glanz und Staub -- Ästhetisierung und Heroisierung der Kampfhandlungen; 3. Die Farben des Raums und seiner Figuren; 3.1 Gemischte Körper -- hybride Figuren; 3.1.1 harnaschvar -- Rüstungsschmutz und heller Glanz; 3.2 Die Farben von Alischanz; 3.2.1 Die gegenräumliche Gestaltung von Alischanz und Munleun; 3.2.2 Interferenz von Monochromie und Polychromie; 4. Resümee

    IV Der Herrscher in der Fremde -- die fremde Herrschaft: Farbund Rauminszenierung des Orients und die Verhandlung von Herrscheridealität im Herzog Ernst (B)

    Die Inszenierung feudaladeliger Herrschaft wird in heldenepischen Texten des 12. und 13. Jahrhunderts von Farb- und Glanzimaginationen getragen. Dabei lassen sich Farben und Glanz auf ästhetischer wie poetologischer Ebene als Codes herrschaftsrelevanter Diskurse und Semantiken verstehen. Die Chromatik der Werke ist ein entscheidender Indikator dafür, in welcher Weise Fragen nach Idealität, Legitimität und physischer Gewalt herrscherlichen Handelns im Rahmen kriegerischer Konflikte verhandelt werden. Unter Berücksichtigung von poetologischen, narratologischen und strukturellen Gesichtspunkten u
  11. Poetry
    a very short introduction
    Author: O'Donoghue, Bernard
    Published: 2019
    Publisher:  Oxford University Press, [Oxford]

    Bernard O'Donoghue explores the many different forms of writing which have been called 'poetry', from the Greeks to the present day. He considers the varying status and uses of poetry, and engages with contemporary debates as to what value poetry... more

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    Bernard O'Donoghue explores the many different forms of writing which have been called 'poetry', from the Greeks to the present day. He considers the varying status and uses of poetry, and engages with contemporary debates as to what value poetry holds today

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780191851834
    Other identifier:
    RVK Categories: EC 4350 ; HG 530
    Series: Very short introductions
    Subjects: Poetry / History and criticism; Literatur; Lyrik
    Scope: 1 Online-Ressource, Illustrationen
    Notes:

    Also issued in print: 2019. - Includes bibliographical references and index
  12. Prophetic witness and the reimagining of the world
    poetry, theology and philosophy in dialogue : power of the word V
    Contributor: Davies, Hilary (Publisher); Zitzewitz, Josephine von (Publisher)
    Published: 2020
    Publisher:  Routledge, Taylor & Francis Group, London ; New York

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    Source: Union catalogues
    Contributor: Davies, Hilary (Publisher); Zitzewitz, Josephine von (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780367344092
    Other identifier:
    Series: Routledge studies in religion
    Subjects: Vision; Utopie; Literatur; Prophetie; Theologie; Philosophie
    Other subjects: Prophecy in literature; Poetry / History and criticism; Religion and literature; Poetry; Prophecy in literature; Religion and literature; Criticism, interpretation, etc
    Scope: 1 Online-Ressource (xiii, 264 Seiten)
  13. Lyric cousins
    poetry and musical form
    Author: Sampson, Fiona
    Published: 2016
    Publisher:  Edinburgh University Press, Edinburgh

    Leading poet, critic and former musician explores the 'deep forms' common to both poetry and music.<p>Today, poetry and art music occupy similar cultural positions: each has a tendency to be regarded as problematic, 'difficult' and therefore... more

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    Leading poet, critic and former musician explores the 'deep forms' common to both poetry and music.

    Today, poetry and art music occupy similar cultural positions: each has a tendency to be regarded as problematic, 'difficult' and therefore 'elitist'. Despite this, the audiences and numbers of participants for each are substantial: yet they tend not to overlap. This is odd, because the forms share early history in song and saga, and have some striking similarities, often summed up in the word 'lyric'.

    These similarities include much that is most significant to the experience of each, and so of most interest to practitioners and audiences. They encompass, at the very least: the way each art-form is aural, and takes place in time; a shared reliance on temporal, rather than spatial, forms; an engagement with sensory experience and pleasure; availability for both shared public performance and private reading, sight-reading and hearing in memory; and scope for non-denotative meaning. In other words, looking at these elements in music is a way to look at them in poetry, and vice versa.

    This is a study of these two formal craft traditions that is concerned with the similarities in their roles, structures, projects and capacities.

    Key Features
    • Sets out a new way to think about both music and poetry
    • Doesn't make its arguments from within or for one particular school of music or poetry but has wide applicability
    • Uses each 'cousin' art-form to cast light on the other as a whole: it is not just for poet-musicians, or musicians writing for voice
    • A rare 'joint' perspective: written by an award-winning poet who was formerly a professional musician

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474402934
    Other identifier:
    RVK Categories: EC 4360 ; LR 57710
    Subjects: Music and literature; Poetry / Musical settings; Poetry / History and criticism; Lyrik; Musikalische Form
    Scope: 1 online resource (viii, 232 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 21 Apr 2017)

    About time -- Abstract form -- Drawing the line -- Chromaticism -- Density -- The meaning of 'meaning' -- Song -- And story came too : from epic to opera -- Closer still : the total artwork -- The consolations of tradition -- Radical measures -- Performance : the role of the audience
  14. Das Gesicht im Gedicht
    Studien zum poetischen Porträt
    Author: Zemanek, Evi
    Published: [2010]; © 2010
    Publisher:  Böhlau Verlag, Köln ; Weimar ; Wien

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    Technische Hochschule Augsburg
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  15. Mi-Lou
    Poetry and the Labyrinth of Desire
    Author: Owen, Stephen
    Published: [1989]
    Publisher:  Harvard University Press, Cambridge, Mass.

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674183216
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    Series: Harvard Studies in Comparative Literature ; 39
    Subjects: Poetry / History and criticism; Poésie / Histoire et critique; Literatur; Literatur, Rhetorik, Literaturwissenschaft; Love in literature; Desire in literature; Amour dans la littérature; Désir dans la littérature; Desire; Literature; Love; Poetry; Liebesdichtung; Liebeslyrik; Geschichte
    Scope: 1 Online-Ressource (220p.)
  16. Ecocriticism and the poiesis of form
    holding on to Proteus
    Author: Moe, Aaron M.
    Published: 2019; © 2019
    Publisher:  Routledge, New York, NY

    "Ecocriticism and the Poiesis of Form: Holding on to Proteus demonstrates how a fractal imagination helps one hold the form of a poem within the reaches of Deep Time, and it explores the kinship between the hazy, liminal moment when Sound becomes... more

     

    "Ecocriticism and the Poiesis of Form: Holding on to Proteus demonstrates how a fractal imagination helps one hold the form of a poem within the reaches of Deep Time, and it explores the kinship between the hazy, liminal moment when Sound becomes Syllable and the hazy, liminal moment when the sage energy of the Atom made a leap toward the gaze of the first cell, to echo Merwin. Moe distills his methodology as follows: 'My work?--I point, ' asserted the aphorism. 'That's what I do.' To point, the project integrates a wide range of interdisciplinary ideas--including biosemiotics, fractals, phi, trauma theory, the Mandelbrot Set, hyperobjects, meditative chants, Goethe's morphology, Ramanujan's summation, a spiderweb's sonic properties, and Thoreau's sense of the plant-like burgeoning force of an Atom--in order to open up multiple trajectories. In this context, the volume foregrounds the insights of poets/storytellers including Hillman, Snyder, Anzaldúa, EEC, okpik, Whitman, Dickinson, Gladding, Melville, Morrison, and Toomer, for they are most attentive to that liminal moment when the vibratory hum in language, and in the cosmos, turns kinetic"--

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780429061134; 0429061137; 9780429590337; 0429590334; 9780429592270; 0429592272
    Other identifier:
    Series: Routledge studies in world literatures and the environment
    Routledge studies in world literatures and the environment
    Subjects: Metamorphosis in literature; Poetics; Poetry / History and criticism; Ecocriticism
    Scope: 1 online resource (xxi, 256 pages)
  17. Poetry and bondage
    a history and theory of lyric constraint
    Author: Brady, Andrea
    Published: 2021
    Publisher:  Cambridge University Press, Cambridge

    Poetry and Bondage is a groundbreaking and comprehensive study of the history of poetic constraint. For millennia, poets have compared verse to bondage - chains, fetters, cells, or slavery. Tracing this metaphor from Ovid through the present, Andrea... more

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    Poetry and Bondage is a groundbreaking and comprehensive study of the history of poetic constraint. For millennia, poets have compared verse to bondage - chains, fetters, cells, or slavery. Tracing this metaphor from Ovid through the present, Andrea Brady reveals the contributions to poetics of people who are actually in bondage. How, the book asks, does our understanding of the lyric - and the political freedoms and forms of human being it is supposed to epitomise - change, if we listen to the voices of enslaved and imprisoned poets? Bringing canonical and contemporary poets into dialogue, from Thomas Wyatt to Rob Halpern, Emily Dickinson to M. NourbeSe Philip, and Phillis Wheatley to Lisa Robertson, the book also examines poetry that emerged from the plantation and the prison. This book is a major intervention in lyric studies and literary criticism, interrogating the whiteness of those disciplines and exploring the possibilities for committed poetry today

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781108990684
    Other identifier:
    Subjects: Poetry / History and criticism; Poetics / History; Metaphor in literature; Slaves' writings / History and criticism; Prisoners' writings / History and criticism
    Scope: 1 Online-Ressource (xiii, 422 Seiten)
    Notes:

    Title from publisher's bibliographic system (viewed on 11 Oct 2021)
  18. Zoopoetics
    animals and the making of poetry
    Author: Moe, Aaron M.
    Published: 2014
    Publisher:  ebrary, Palo Alto, Calif ; Lexington Books, Lanham, Md. [u.a.]

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Language: English
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    ISBN: 9780739186633; 9780739186626
    Subjects: Poetics; Animals in literature; Poetry / History and criticism; Ecocriticism; Tiere <Motiv>; Lyrik
    Other subjects: Whitman, Walt (1819-1892); Hillman, Brenda (1951-); Cummings, Edward E. (1894-1962); Merwin, W. S. (1927-2019)
    Scope: 1 Online-Ressource (X, 159 S.), Ill.
    Notes:

    Includes bibliographical references and index
  19. Take arms against a sea of troubles
    the power of the reader's mind over a universe of death
    Author: Bloom, Harold
    Published: [2020]; © 2020
    Publisher:  Yale University Press, New Haven ; London

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780300255812
    Other identifier:
    RVK Categories: HG 262 ; HG 510
    Subjects: Poetry; Poetry / History and criticism; Lyrik; Englisch
    Scope: 1 Online-Ressource (vi, 663 Seiten)
  20. Das Gesicht im Gedicht
    Studien zum poetischen Porträt
    Author: Zemanek, Evi
    Published: [2010]; © 2010
    Publisher:  Böhlau Verlag, Köln ; Weimar ; Wien

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  21. Poetry & translation
    the art of the impossible
    Author: Robinson, Peter
    Published: 2010
    Publisher:  Liverpool University Press, Liverpool

    In Poetry & Translation the acclaimed poet and translator Peter Robinson examines the activity as of translation practised by poets and others, and how the various practices of translating have continued in parallel with the writing of original... more

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    In Poetry & Translation the acclaimed poet and translator Peter Robinson examines the activity as of translation practised by poets and others, and how the various practices of translating have continued in parallel with the writing of original poetry. So, while some attention is paid to classic statements of the translator’s cultural role, statements such as Walter Benjamin’s, readers should not expect to find formalized theoretical debate along the lines already developed in translation studies courses and their teaching handbooks. Instead Poetry & Translation seeks to raise issues and matters for discussion - the character of bilingual editions and how they are, or may be, read - not to close them down. The aim of the book is be to increase knowledge of, and thought about, the interactive processes of reading and writing poetry composed in mother tongues and in translations. Poetry & Translation will be of value to all devoted readers and students of poetry or translation, to students involved in classical and modern languages, and to those taking part in creative writing courses, whether as students or as teachers

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781846315534
    Subjects: Poetry / Translating; Poetry / History and criticism; Lyrik; Lyriker; Übersetzung; Muttersprache
    Scope: 1 online resource (xi, 196 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    On first looking -- What is lost? -- Thou art translated -- The art of the impossible -- Nostalgia for world culture -- Translating the 'foreign' -- The quick and the dead
  22. Poetic Language
    Theory and Practice from the Renaissance to the Present
    Author: Jones, Tom
    Published: 2012
    Publisher:  Edinburgh University Press, Edinburgh

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748656189; 0748656189; 9780748656172; 0748656170; 9780748656165; 0748656162; 9780748656202; 0748656200; 9780748656196; 0748656197
    Subjects: Poetics; Poetry / History and criticism; Poets, American / 20th century; Poets, American / 21st century; BIOGRAPHY & AUTOBIOGRAPHY / Literary; Poetics; Poetry; Poetics; Poetry; Dichtersprache; Englisch; Lyrik
    Scope: 217 pages
    Notes:

    COVER; Copyright; Contents; Acknowledgements; How to Use this Book; CHAPTER ONE Introduction; CHAPTER TWO Figure: Walter Ralegh; CHAPTER THREE Selection: William Cowper; CHAPTER FOUR Measure: William Wordsworth; CHAPTER FIVE Equivalence: Gerard Manley Hopkins; CHAPTER SIX Spirit: Wallace Stevens; CHAPTER SEVEN Spirit: Frank O'Hara; CHAPTER EIGHT Measure: Robert Creeley; CHAPTER NINE Deviance: W.S. Graham; CHAPTER TEN Figure: Tom Raworth; CHAPTER ELEVEN Selection: Denise Riley; CHAPTER TWELVE Equivalence: Thomas A. Clark; CHAPTER THIRTEEN Epilogue: Deviance: Robert Creeley; Further Reading

    Notes on PoetsGlossary; Index

    The first study of poetic language from a historical and philosophical perspective. In a series of 12 chapters, exemplary poems - by Walter Ralegh, John Milton, William Cowper, William Wordsworth, Gerard Manley Hopkins, Wallace Stevens, Ezra Pound, Frank O'Hara, Robert Creeley, W.S. Graham, Tom Raworth, Denise Riley and Thomas A. Clark - are read alongside theoretical discussions of poetic language. The discussions provide a jargon-free account of a wide range of historical and contemporary schools of thought about poetic language, and an organised, coherent critique of those schools (includin

    Includes bibliographical references (p. [189]-194) and index
  23. Arbeitsbuch Lyrik
    Author: Felsner, Kristin
    Published: 2012
    Publisher:  De Gruyter, Berlin

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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783050059129; 3050059125
    Edition: 2nd ed
    Series: Akademie Studienbücher
    Subjects: Poetry / History and criticism; Poetry / Textbooks; Poetry; Political poetry, German; LANGUAGE ARTS & DISCIPLINES / Composition & Creative Writing; LANGUAGE ARTS & DISCIPLINES / Rhetoric; REFERENCE / Writing Skills; Poetry; Poetry; Poetry; Lyrik; Deutsch
    Scope: 300 pages
    Notes:

    - Anwendungsorientierte Vermittlung des Handwerkszeugs zur Gedichtinterpretation - Ausführliche Einführung in Metrik und Rhetorik - Historische Kontexte, Intertextualität, Bild-Text-Beziehungen - Überblick über den historischen Wandel des Lyrikbegriffs - Konkrete Anwendung des Gelernten in Beispielinterpretationen
  24. Myth, truth, and literature
    towards a true post-modernism
    Author: Falck, Colin
    Published: 1994
    Publisher:  Cambridge University Press, Cambridge

    Colin Falck's book has had a widespread influence since it first appeared in 1989. Hailed as a work that alters the way we think about literary theory and its institutionalisation in America and Britain, it is a philosophically informed account of... more

    Location:
    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Colin Falck's book has had a widespread influence since it first appeared in 1989. Hailed as a work that alters the way we think about literary theory and its institutionalisation in America and Britain, it is a philosophically informed account of the 'paradigm-shift' required to replaced structuralism and post-structuralism as modes of perceiving literature and related culture. Falck now supplements this second paperback edition with an appendix and other new material

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511552779
    Other identifier:
    RVK Categories: EC 1540 ; EC 1820 ; EC 1960 ; EC 5194 ; HG 107
    Edition: Second edition
    Subjects: Literatur; Philosophie; Myth in literature; Truth in literature; Literature / Philosophy; Poetry / History and criticism; Postmodernism; Literatur; Mythos; Philosophie; Postmoderne; Literaturtheorie; Wahrheit
    Scope: 1 online resource (xix, 208 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  25. Rhetoric and culture in Lacan
    Author: Chaitin, Gilbert D.
    Published: 1996
    Publisher:  Cambridge University Press, Cambridge

    This is the first book to explore the full range and import of Lacan's theory of poetry and its relationship to his understanding of the subject and historicity. Gilbert Chaitin's lucid and accessible study of this famously complex thinker shows how... more

    Location:
    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    This is the first book to explore the full range and import of Lacan's theory of poetry and its relationship to his understanding of the subject and historicity. Gilbert Chaitin's lucid and accessible study of this famously complex thinker shows how Lacan moves beyond the traditionally hostile polarities of mythos and logos, poetics and philosophy, to conceive of the subject as a complex interplay between psychoanalysis, rationality and history. Lacan's incorporation of historical necessity into the formation of subjectivity enables him to illuminate the role literature plays in the creation of selfhood. Lacan's metaphor of the subject, Chaitin argues, draws not only on Saussure, Jakobson, Freud, Heidegger and Hegel but on hitherto unacknowledged sources such as Bertrand Russell and I.A. Richards. Chaitin explores the ambiguities, contradictions and singularities of Lacan's immensely influential work to provide a definitive account of the theoretical development across his entire career

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511518638
    Other identifier:
    RVK Categories: CU 2593 ; EC 1850
    Series: Literature, culture, theory ; 19
    Subjects: Historical criticism (Literature); Poetry / History and criticism; Psychoanalysis and literature; Literaturtheorie
    Other subjects: Lacan, Jacques / 1901-1981; Lacan, Jacques (1901-1981)
    Scope: 1 online resource (xii, 278 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    1. Introduction -- 2. Treeing Lacan, or the Meaning of Metaphor -- 3. A Being of Significance -- 4. From Logic to Ethics: Transference and the Letter -- 5. Desire and Culture: Transference and the Other -- 6. The Subject and the Symbolic Order: Historicity, Mathematics, Poetry -- 7. Conclusion: Lacan and Contemporary Criticism