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Displaying results 51 to 75 of 2198.

  1. Das Autorenfoto in Buch und Buchwerbung
    Autorinszenierung und Kanonisierung mit Bildern
    Author: Oster, Sandra
    Published: [2014]
    Publisher:  De Gruyter, Berlin/Boston

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

    Location:
    Universität Potsdam, Universitätsbibliothek
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    Gemeinsamer Bibliotheksverbund (GBV)
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110346329; 9783110346138; 9783110346336
    Other identifier:
    RVK Categories: EC 2280
    Series: Archiv für Geschichte des Buchwesens – Studien ; 11
    Subjects: Fotografie, Video, Computerkunst; Photography / History; Photography / Techniques; Photography; Geschichte; Schriftsteller; Literaturvermittlung; Porträtfotografie; Ikon; Verlag; Werbung; Autor
    Scope: 1 Online-Ressource (xii,311p.)
    Notes:

    In the modern era, photography was discovered by writers as a medium for self-presentation - and by publishers as a vehicle for advertising. Drawing on publishing house brochures and book covers, this work systematically investigates the iconography of the author and the meaning of author photos at the intersection between efforts to communicate content and boost sales
  2. Kants Ästhetik im Zeitalter der Photographie
    Analysen zwischen Sprache und Bild
    Author: Richtmeyer, Ulrich
    Published: [2009]; © 2009
    Publisher:  transcript Verlag, Bielefeld

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839410790
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    Series: Edition Moderne Postmoderne
    Subjects: Aesthetics, Modern; Aesthetics; Fotografie; Geschmack (Ästhetik); Philosophie; Photographie; Photography, Artistic; Philosophie; Ästhetik; Aesthetics, Modern; Photography; Fotografie; Geschmack <Ästhetik>; Ästhetik
    Other subjects: Kant, Immanuel (1724-1804)
    Scope: 1 online resource (250 pages), illustrations
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed September 10 2015)

    :
  3. Fotografischer Kosmos
    Der Beitrag eines Mediums zur visuellen Ordnung der Welt
    Author: Cohnen, Thomas
    Published: [2008]; © 2008
    Publisher:  transcript Verlag, Bielefeld

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839409916
    Other identifier:
    Series: Edition Moderne Postmoderne
    Subjects: Ästhetik; Erkenntnistheorie; Philosophie; Photographie; Wahrnehmung; Philosophie; Photographie; Photography; Fotografie; Wahrnehmung; Erkenntnistheorie; Philosophie; Ästhetik
    Scope: 1 online resource (212 pages), illustrations
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed September 10 2015)

    :
  4. The Eye's Mind
    Literary Modernism and Visual Culture
    Author: Jacobs, Karen
    Published: [2018]; © 2000
    Publisher:  Cornell University Press, Ithaca, NY

    The Eye's Mind significantly alters our understanding of modernist literature by showing how changing visual discourses, techniques, and technologies affected the novels of that period. In readings that bring philosophies of vision into dialogue with... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    The Eye's Mind significantly alters our understanding of modernist literature by showing how changing visual discourses, techniques, and technologies affected the novels of that period. In readings that bring philosophies of vision into dialogue with photography and film as well as the methods of observation used by the social sciences, Karen Jacobs identifies distinctly modernist kinds of observers and visual relationships.This important reconception of modernism draws upon American, British, and French literary and extra-literary materials from the period 1900-1955. These texts share a sense of crisis about vision's capacity for violence and its inability to deliver reliable knowledge. Jacobs looks closely at the ways in which historical understandings of race and gender inflected visual relations in the modernist novel. She shows how modernist writers, increasingly aware of the body behind the neutral lens of the observer, used diverse strategies to displace embodiment onto those "others" historically perceived as cultural bodies in order to reimagine for themselves or their characters a "purified" gaze.The Eye's Mind addresses works by such high modernists as Vladimir Nabokov, Virginia Woolf, and (more distantly) Ralph Ellison and Maurice Blanchot, as well as those by Henry James, Zora Neale Hurston, and Nathanael West which have been tentatively placed in the modernist canon although they forgo the full-blown experimental techniques often seen as synonymous with literary modernism. Jacobs reframes fundamental debates about modernist aesthetic practices by demonstrating how much those practices are indebted to the changing visual cultures of the twentieth century

     
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  5. Der "Blick auf Beowulf"
    eine Spurensuche zwischen Medialität und Materialität bei Thomas Kling und Ute Langanky
    Author: Burgenmeister, Sophia
    Published: [2018]; © 2018
    Publisher:  transcript, Bielefeld

    »Blick auf Beowulf« - In einem in seiner Form einzigartigen Zusammenspiel von Gedichten (Thomas Kling) und Fotografien (Ute Langanky) widmet sich das Künstlerpaar im gleichnamigen Zyklus dem altenglischen Heldenlied Beowulf und dabei indirekt der... more

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    Alice Salomon Hochschule Berlin, Bibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

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    Universität Potsdam, Universitätsbibliothek
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    »Blick auf Beowulf« - In einem in seiner Form einzigartigen Zusammenspiel von Gedichten (Thomas Kling) und Fotografien (Ute Langanky) widmet sich das Künstlerpaar im gleichnamigen Zyklus dem altenglischen Heldenlied Beowulf und dabei indirekt der Frage, wie sich Kunst authentisch auf Vergangenes, teilweise 'Unverzeichnetes' beziehen kann. Sophia Burgenmeister zeigt das komplexe Geflecht von (Inter-)Textualität, (Inter-)Medialität und (Inter-)Materialität auf und eröffnet mit ihrer detaillierten Analyse Kling-Forschern und lyrikbegeisterten Laien einen Zugang zum Verständnis der anspielungsreichen, oft als unlesbar missverstandenen Gedichte und dem bisher weitgehend unerforschten bimedialen Zyklus »Blick auf Beowulf«

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839442982
    Other identifier:
    RVK Categories: GN 7192
    Series: Lettre
    Subjects: Bildwissenschaft; Contemporary; Fotografie; Gegenwart; German Literature; Germanistik; Intermedialität; Media; Medienästhetik; Photography; Lyrik; Rezeption; Materialität
    Other subjects: Langanky, Ute (1957-); Kling, Thomas (1957-2005)
    Scope: 1 Online-Ressource (138 Seiten), Illustrationen
  6. Words of Light
    Theses on the Photography of History
    Author: Cadava, Eduardo
    Published: [2018]; © 1996
    Publisher:  Princeton University Press, Princeton, NJ

    Here Eduardo Cadava demonstrates that Walter Benjamin articulates his conception of history through the language of photography. Focusing on Benjamin's discussions of the flashes and images of history, he argues that the questions raised by this link... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Here Eduardo Cadava demonstrates that Walter Benjamin articulates his conception of history through the language of photography. Focusing on Benjamin's discussions of the flashes and images of history, he argues that the questions raised by this link between photography and history touch on issues that belong to the entire trajectory of his writings: the historical and political consequences of technology, the relation between reproduction and mimesis, images and history, remembering and forgetting, allegory and mourning, and visual and linguistic representation. The book establishes the photographic constellation of motifs and themes around which Benjamin organizes his texts and thereby becomes a lens through which we can begin to view his analysis of the convergence between the new technological media and a revolutionary concept of historical action and understanding. Written in the form of theses--what Cadava calls "snapshots in prose"--the book memorializes Benjamin's own thetic method of writing. It enacts a mode of conceiving history that is neither linear nor successive, but rather discontinuous--constructed from what Benjamin calls "dialectical images." In this way, it not only suggests the essential rapport between the fragmentary form of Benjamin's writing and his effort to write a history of modernity but it also skillfully clarifies the relation between Benjamin and his contemporaries, the relation between fascism and aesthetic ideology. It gives us the most complete picture to date of Benjamin's reflections on history

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780691188713
    Other identifier:
    Subjects: Historiography; Photography; Fotografie; Ästhetik; Geschichtsphilosophie
    Other subjects: Benjamin, Walter (1892-1940)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Nov 2018)
  7. Transgeschlechtlichkeit und Visualität
    Sichtbarkeitsordnungen in Medizin, Subkultur und Spielfilm
    Author: Saalfeld, Robin K.
    Published: [2020]; © 2020
    Publisher:  transcript-Verlag, Bielefeld

    Transgeschlechtliche Menschen finden sich vermehrt auch in populären Medien dargestellt und repräsentiert. Nicht selten ist diese mediale Sichtbarkeit von Trans* jedoch geprägt von Voyeurismus und Sensationsgier. Robin K. Saalfeld geht daher der... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

    Location:
    Universität Potsdam, Universitätsbibliothek
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    Transgeschlechtliche Menschen finden sich vermehrt auch in populären Medien dargestellt und repräsentiert. Nicht selten ist diese mediale Sichtbarkeit von Trans* jedoch geprägt von Voyeurismus und Sensationsgier. Robin K. Saalfeld geht daher der Frage nach, wie Transgeschlechtlichkeit visuell konstruiert wird. Dabei nimmt er nicht nur populäre Erzeugnisse wie Spielfilme in den Blick, sondern untersucht auch medizinische und aktivistische Sichtbarkeitspraktiken. Aus der Perspektive einer visuellen Soziologie kann er somit reflektieren, inwiefern es gerade der Konnex von Geschlecht und Körper ist, der die Visualität des Phänomens strukturiert

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839450765
    Other identifier:
    RVK Categories: MS 2870
    Series: Queer Studies ; 26
    Subjects: Body; Cultural Studies; Film; Fotografie; Gender Studies; Gender; Geschlecht; Kulturwissenschaft; Körper; Media; Medicine; Medien; Medizin; Photography; Popular Media; Populäre Medien; Queer Theory; Sichtbarkeit; Visibility; Voyeurism; Voyeurismus; SOCIAL SCIENCE / Gender Studies; Visualisierung; Transgender; Subkultur; Transsexualität <Motiv>; Transsexualität; Diskurs; Medizin; Film
    Scope: 1 online resource (376 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Apr 2020)
  8. Embodying relation
    art photography in Mali
    Author: Moore, Allison
    Published: 2020
    Publisher:  Duke University Press, Durham ; London

    In Embodying Relation Allison Moore examines the tensions between the local and the global in the art photography movement in Bamako, Mali, which blossomed in the 1990s after Malian photographers Seydou Keïta and Malick Sidibé became internationally... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Universität Potsdam, Universitätsbibliothek
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    In Embodying Relation Allison Moore examines the tensions between the local and the global in the art photography movement in Bamako, Mali, which blossomed in the 1990s after Malian photographers Seydou Keïta and Malick Sidibé became internationally famous and the Bamako Photography Biennale was founded. Moore traces the trajectory of Malian photography from the 1880s-when photography first arrived as an apparatus of French colonialism-to the first African studio practitioners of the 1930s and the establishment in 1994 of the Bamako Biennale, Africa's most important continent-wide photographic exhibition. In her detailed discussion of Bamakois artistic aesthetics and institutions, Moore examines the post-fame careers of Keïta and Sidibé, the Biennale's structure, the rise of women photographers, cultural preservation through photography, and how Mali's shift to democracy in the early 1990s enabled Bamako's art scene to flourish. Moore shows how Malian photographers' focus on cultural exchange, affective connections with different publics, and merging of traditional cultural precepts with modern notions of art embody Caribbean philosopher and poet Édouard Glissant's notion of "relation" in ways that spark new artistic forms, practices, and communities

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781478007340
    Other identifier:
    Series: Art history publication initiative
    Subjects: Photography / History; Art, Malian; Photography; Photography; Photography, Artistic; Postcolonialism and the arts; Fotografie; Rezeptionsästhetik
    Other subjects: Glissant, Édouard (1928-2011)
    Scope: 1 Online-Ressource (ix, 360 Seiten), Illustrationen
  9. Like a lake
    a story of uneasy love and photography
    Author: Mavor, Carol
    Published: 2020
    Publisher:  Fordham University Press, New York

    A vivid, imaginative response to the sensual and erotic in postwar American photography, with attention to the beauty of the nude, both male and femaleWhen photographer Coda Gray befriends a family with a special interest in a young boy, the... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    A vivid, imaginative response to the sensual and erotic in postwar American photography, with attention to the beauty of the nude, both male and femaleWhen photographer Coda Gray befriends a family with a special interest in a young boy, the motivation behind his special attention is difficult to grasp, "like water slipping through our fingers." Can a man innocently love a boy who is not his own?Using fiction to reveal the truths about families, communities, art objects, love, and mourning, Like a Lake tells the story of ten-year-old Nico, who lives with his father (an Italian- American architect) and his mother (a Japanese-American sculptor who learned how to draw while interned during World War II). Set in the 1960s, this is a story of aesthetic perfection waiting to be broken. Nico's midcentury modern house, with its Italian pottery jars along the outside and its interior lit by Japanese lanterns. The elephant-hide gray, fiberglass-reinforced plastic 1951 Eames rocking chair, with metal legs and birch runners. Clam consommé with kombu, giant kelp, yuzu rind, and a little fennel-in each bowl, two clams opened like a pair of butterflies, symbols of the happy couple. Nico's boyish delight in developing photographs under the red safety light of Coda's "Floating Zendo"- the darkroom boat that he keeps on Lake Tahoe. The lives of Nico, his parents, and Coda embody northern California's postwar landscape, giving way to fissures of alternative lifestyles and poetic visions. Author Carol Mavor addresses the sensuality and complexity of a son's love for his mother and that mother's own erotic response to it. The relationship between the mother and son is paralleled by what it means for a boy to be a model for a male photographer and to be his muse. Just as water can freeze into snow and ice, melt back into water, and steam, love takes on new forms with shifts of atmosphere. Like a Lake's haunting images and sensations stay with the reader

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823289349
    Other identifier:
    Edition: First edition
    Subjects: 1960s; California; Japanese Americans; Photography; childhood; cuisine; gay sexuality; love; maternal; summer of love; the child; utopia; water; Photography / Criticism; Mothers and sons; Photography
    Scope: 1 Online-Ressource (145 Seiten), Illustrationen
  10. Dynamic form
    how intermediality made modernism
    Author: Lewis, Cara L.
    Published: [2020]; © 2020
    Publisher:  Cornell University Press, Ithaca ; London

    Dynamic Form traces how intermedial experiments shape modernist texts from 1900 to 1950. Considering literature alongside painting, sculpture, photography, and film, Cara Lewis examines how these arts inflect narrative movement, contribute to plot... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Universität Potsdam, Universitätsbibliothek
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    Dynamic Form traces how intermedial experiments shape modernist texts from 1900 to 1950. Considering literature alongside painting, sculpture, photography, and film, Cara Lewis examines how these arts inflect narrative movement, contribute to plot events, and configure poetry and memoir. As forms and formal theories cross from one artistic realm to another and back again, modernism shows its obsession with form—and even at times becomes a formalism itself—but as Lewis writes, that form is far more dynamic than we have given it credit for. Form fulfills such various functions that we cannot characterize it as a mere container for content or matter, nor can we consign it to ignominy opposite historicism or political commitment.As a structure or scheme that enables action, form in modernism can be plastic, protean, or even fragile, and works by Henry James, Virginia Woolf, Mina Loy, Evelyn Waugh, and Gertrude Stein demonstrate the range of form's operations. Revising three major formal paradigms—spatial form, pure form, and formlessness—and recasting the history of modernist form, this book proposes an understanding of form as a verbal category, as a kind of doing. Dynamic Form thus opens new possibilities for conversation between modernist studies and formalist studies and simultaneously promotes a capacious rethinking of the convergence between literary modernism and creative work in other media

     
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  11. Belichtungen
    zur fotografischen Gegenwart
    Author: Siegel, Steffen
    Published: 2014
    Publisher:  Fink, Paderborn

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    Berlinische Galerie - Landesmuseum für Moderne Kunst, Fotografie und Architektur, Bibliothek
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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    University of Europe for Applied Sciences GmbH, Campus Berlin, Bibliothek
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    FT - 190
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    Hochschule für Bildende Künste Braunschweig, Bibliothek
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    Staats- und Universitätsbibliothek Bremen
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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Zentrale Hochschulbibliothek Flensburg
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    Universitätsbibliothek Greifswald
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    Burg Giebichenstein Kunsthochschule Halle, Hochschulbibliothek
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Hochschule für Angewandte Wissenschaften Hamburg, Hochschulinformations- und Bibliotheksservice (HIBS), Fachbibliothek Technik, Wirtschaft, Informatik
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Hochschule für Gestaltung, Bibliothek
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    Universitätsbibliothek Osnabrück
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    Universität Potsdam, Universitätsbibliothek
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    UB Weimar
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3770557085; 9783770557080
    Other identifier:
    9783770557080
    RVK Categories: AP 94300 ; AP 94200 ; AP 94800
    Series: Bild und Text
    Subjects: Photography; Photography; Photography, Artistic
    Scope: 344 S., zahlr. Ill.
    Notes:

    Literaturverz. S. [319] - 339
  12. Photobiography
    photographic self-writing in Proust, Guibert, Ernaux, Macé
    Author: Kawakami, Akane
    Published: 2013
    Publisher:  Legenda, Leeds

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 B 161915
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781907975868; 1907975861
    RVK Categories: AP 94800 ; AP 95200
    Subjects: French prose literature; Literature and photography; Authors, French; Photography; Visual perception in literature; Photography in literature; Autobiography; Self-realization in literature
    Scope: 193 S., Ill., 26 cm
    Notes:

    Includes bibliographical references (pages 183-190) and index
  13. Istanbul, photographes et sultans
    1840-1900
    Author: Pinguet, Catherine
    Published: [2011]
    Publisher:  CNRS Editions, Paris

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Museum für Islamische Kunst, Bibliothek
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    Fotografie/Pin
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    Source: Staatsbibliothek zu Berlin
    Contributor: Gigord, Pierre de (FotografIn); Rondeau, Daniel (VerfasserIn eines Vorworts)
    Language: French
    Media type: Book
    Format: Print
    ISBN: 9782271072542
    RVK Categories: AP 94268
    Subjects: Photography
    Other subjects: Gigord, Pierre de
    Scope: 237 Seiten
  14. Udarnaja kniga sovetskoj detvory
    fotoilljustracija i fotomontaž v knige dlja detej i junošestva 1920-1930 godov
    Contributor: Karasik, Michail (HerausgeberIn)
    Published: 2010
    Publisher:  Kontakt-Kulʹtura, Moskva

    One hundred and seven examples of books published during the first two decades of the Soviet period demonstrate the compositions and technical prowess that put Soviet designers, photographers, and graphic artists at the forefront of experimentation... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    One hundred and seven examples of books published during the first two decades of the Soviet period demonstrate the compositions and technical prowess that put Soviet designers, photographers, and graphic artists at the forefront of experimentation in graphic art. As opposed to children's books illustrated with drawing and painting, the genre of illustrated books published here is still relatively unstudied. It was a special field for Soviet education and propaganda, and these works show the ingenuity of the state in creating a mythology for the young and the talent of the artists who conveyed that mythology in the gradiose and idealized imagery of childhood in the new Soviet state. -- Summary written by John W. Emerich, Bronze Horseman Literary Agency

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Karasik, Michail (HerausgeberIn)
    Language: Russian
    Media type: Book
    Format: Print
    ISBN: 9785903406234
    Subjects: Illustrated children's books; Illustrated children's books; Illustrated children's books; Photobooks; Photobooks; Photobooks; Children's literature, Soviet; Photomontage; Photography; Propaganda, Soviet
    Scope: 278 Seiten
  15. Brecht, la fotografia, la guerra
    Author: Fragapane, Giacomo Daniele
    Published: [2015]
    Publisher:  Postmedia Srl, Milano

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    Source: Staatsbibliothek zu Berlin
    Language: Italian
    Media type: Book
    Format: Print
    ISBN: 9788874901494
    Series: Postmedia data
    Subjects: World War, 1939-1945; World War, 1939-1945; Photography
    Other subjects: Brecht, Bertolt (1898-1956): Kriegsfibel
    Scope: 108 Seiten, 17 cm
    Notes:

    Bertolt Brecht (1898-1956)

    Includes bibliographical references
  16. Capturing Japan in nineteenth-century New England photography collections
    Author: Hight, Eleanor M.
    Published: c2011
    Publisher:  Ashgate, Burlington, Vt.

    "Expanding the canon of photographic history, Capturing Japan in Nineteenth Century New England Photography Collections focuses on six New Englanders, whose travel and photograph collecting influenced the flowering of Japonism in late... more

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    "Expanding the canon of photographic history, Capturing Japan in Nineteenth Century New England Photography Collections focuses on six New Englanders, whose travel and photograph collecting influenced the flowering of Japonism in late nineteenth-century Boston. The book also explores the history of Japanese photography and its main themes. The first history of its kind, this study illuminates the ways photographs, seeming conveyors of fact, imprint mental images and suppositions on their viewers"--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781409404989
    RVK Categories: AP 94263
    Subjects: Photography; New Englanders; Japonism
    Scope: XIV, 210 S., [6] Bl, zahlr. Ill., Kt
    Notes:

    Includes bibliographical references and index
  17. 3D
    history, theory, and aesthetics of the transplane image
    Author: Schröter, Jens
    Published: 2014
    Publisher:  Bloomsbury, New York

    "There is a blind spot in recent accounts of the history, theory and aesthetics of optical media: namely, the field of the three-dimensional, or trans-plane, image. It has been widely used in the 20th century for very different practices - military,... more

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    VB - 35 +1
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    "There is a blind spot in recent accounts of the history, theory and aesthetics of optical media: namely, the field of the three-dimensional, or trans-plane, image. It has been widely used in the 20th century for very different practices - military, scientific and medical visualization - precisely because it can provide more spatial information. And now in the 21st century, television and film are employing the method even more. Appearing for the first time in English, Jens Schroeter's comprehensive study of the aesthetics of the 3D image is a major scholarly addition to this evolving field. Citing case studies from the history of both technology and the arts, this wide-ranging and authoritative book charts the development in the theory and practice of three-dimensional images. Discussing and analyzing the transformation of the socio-cultural and technological milieu, Schroeter has produced a work of scholarship that combines impressive historical scope with contemporary theoretical arguments"--

     
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    Content information
    Source: Union catalogues
    Contributor: Schröter, Jens
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781441194084; 9781441167262
    Series: International texts in critical media aesthetics ; 6
    Subjects: Photography; Three-dimensional imaging; Imagery (Psychology); Aesthetics
    Scope: x, 484 Seiten, Illustrationen, 23 cm
    Notes:

    Includes bibliographical references and index

    Machine generated contents note:Preface / Theory - Method / 1. Theory, Method, and Outline / 1.1. Jonathan Crary's Techniques of the Observer / 1.1.1. Charting the Techniques of the Observer / 1.1.2. Inconsistencies in Crary's Approach / 1.2 Towards an Alternative Model of Media History / 1.2.1. Layers - Not Succession / 1.2.2. Discontinuity and Continuity: Which Foucault? / 1.2.3. The Four Optical Series / 1.3 A Short Comment on Optics and Optical Media / 1.4. Transplane Images and The Production of Space (Henri Lefebvre) 3D / 1.5. Spatial Knowlegde and the Media Aesthetics of Transplane Images / 1.6. Summary / Case Studies / 2. 1851: Sir David Brewster and the Stereoscopic Reproduction of Sculptures. The Series of Physiological Optics I / 3. 1860ff.: Photo-Sculptures. The Series of Virtual Optics I. / Media Aesthetics of Transplane Images I / Karin Sander: PEOPLE 1:10 (1998-2001) / Media Aesthetics of Transplane Images II: THE MATRIX (1999) / 4. 1891: Lippmann Photography / The Series of Wave-Optics I / 5. 1908ff.: Integral Photography. Lenticular Images / The Series of Geometrical Optics??Usage and Manipulation / Media Aesthetics of Transplane Images III: Mariko Mori: BIRTH OF A STAR (1995) / 6. 1935ff. "A People Without Space"?? A People With Stereoscopy / Stereoscopy in the Third Reich / The Series of Physiological Optics II / The Politics of Transplane Images I / Media Aesthetics of Transplane Images IV: Thomas Ruff: RUHRGEBIET I (1996) / 7. 1918-1935: Media Aesthetics of Transplane Images V:Marcel Duchamp: From Projection to Rotoreliefs / 8. 1948ff.: The Volumetric Display. / The Series of Physiological Optics III. The Series of Virtual Optics II. / The Politics of Transplane Images II. / Media Aesthetics of Transplane Images VI and VII:Jenny Holzer: LUSTMORD (1994-1996) and Olafur Eliasson: CONVEX/CONCAVE (1995/2000) / 9. 1946ff.: Holography. The Series of Wave Optics II / 9.1. Principle, Genesis, Theoretical Reflections of Holography / 9.2. The Spatial Knowledge of Holo-Interferometry / 9.3. Wave Optics and Simulation of Geometrical Optics: Holographic-Optical / Elements. Optical vs. Visual Media / 9.4. Media Aesthetics of Transplane Images VIII. / Artistic Holography: Illusionism, Light and Achronisms / 9.5 Results / 10. 1960ff.: Repetition and Difference / On the Series of Virtual Optics III. / The Interactive-Transplane Image / 11. Conclusion.
  18. Black out dell'immagine
    saggio sulla fotografia e gli anacronismi dello sguardo
    Author: Panattoni, Riccardo
    Published: 2013
    Publisher:  B. Mondadori, Milano

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 889332
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    Source: Staatsbibliothek zu Berlin
    Language: Italian
    Media type: Book
    Format: Print
    ISBN: 9788861598584
    RVK Categories: AP 94700 ; AP 94800
    Series: Ricerca
    Subjects: Photography; Image (Philosophy)
    Scope: xviii, 120 p, ill, 21 cm
    Notes:

    R. Panattoni, professor at the University of Verona

    Includes bibliographical references
  19. The disciplinary frame
    photographic truths and the capture of meaning
    Author: Tagg, John
    Published: c2009
    Publisher:  University of Minnesota Press, Minneapolis, Minn. [u.a.]

    The one-eyed man and the one-armed man: camera, culture and the state -- The plane of decent seeing : documentary and the rhetoric of recruitment -- Melancholy realism: Walker Evans's resistance to meaning -- Running and dodging, 1943: the breakup of... more

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    ::8:2009:3300:
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    KUN 040.7:YD0001
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    The one-eyed man and the one-armed man: camera, culture and the state -- The plane of decent seeing : documentary and the rhetoric of recruitment -- Melancholy realism: Walker Evans's resistance to meaning -- Running and dodging, 1943: the breakup of the documentary moment -- The pencil of history : photography, history, archive -- A discourse with shape of reason missing: art history and the frame

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780816642878; 9780816642885
    RVK Categories: AP 94500
    Subjects: Photography; Photography; Fotografie; Philosophie; Ästhetik
    Scope: 392 S., Ill.
    Notes:

    Literaturverz. S. 357 - 377 und Index
  20. At the edge of sight
    photography and the unseen
    Author: Smith, Shawn Michelle
    Published: 2013
    Publisher:  Duke Univ. Press, Durham, NC [u.a.]

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2014:2609:
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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    AP 94500 S659
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    Max-Planck-Institut zur Erforschung multireligiöser und multiethnischer Gesellschaften, Bibliothek
    Signature:
    LC 95000 Smit 2013
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Universitätsbibliothek Hildesheim
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780822354864; 9780822355021
    RVK Categories: LC 95000 ; AP 94500 ; AP 99083
    Subjects: Photography; Photography; Photography, Artistic
    Scope: XVIII, 293 S., [4] Bl, zahlr. Ill.
    Notes:

    Literaturverz. S. [265]-282

    Race and reproduction in Camera LucidaThe politics of pictorialism : another look at F. Holland Day -- The space between : Eadweard Muybridge's motion studies -- Preparing the way for the train : Andrew J. Russell -- Chansonetta Stanley Emmons's nostalgic views -- Augustus Washington and the civil contract of photography -- Afterimages: Abu Ghraib.
  21. Poésie et photographie
    Author: Bonnefoy, Yves
    Published: 2014
    Publisher:  Galilée Editions, Paris

    "C'est directement et parfois profondément que l'activité du photographe influe sur ce que la poésie cherche à être. Et, en retour, les poètes se doivent de comprendre en quoi cette activité consiste et même ne pas hésiter à exprimer des réserves,... more

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    FT 20 | BON 2 | II/Poe 2
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    "C'est directement et parfois profondément que l'activité du photographe influe sur ce que la poésie cherche à être. Et, en retour, les poètes se doivent de comprendre en quoi cette activité consiste et même ne pas hésiter à exprimer des réserves, des inquiétudes ou d'ailleurs aussi leur approbation en présence des formes diverses et peut-être contradictoires que l'acte et les visées du photographe ont prises depuis le daguerréotype, puis Nadar préservant pour nous le regard de Nerval, de Marceline Desbordes-Valmore, de Baudelaire. Ce petit essai s'attache à un des effets troublants de la première photographie, son introduction d'une pensée du non-être, si ce n'est pas du néant, dans l'univers des images. Mais aussi à un récit qui, de façon figurale, me semble avoir perçu cet effet et visité avec épouvante ses risques, l'extraordinaire La Nuit de Maupassant, une des œuvres hallucinées de ses dernières saisons conscientes."--Insert

     
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    Verlag (Buchcover)
    Source: Union catalogues
    Language: French
    Media type: Book
    Format: Print
    ISBN: 9782718609102
    RVK Categories: IH 19760
    Subjects: Photography; Poetry; Literature and photography
    Other subjects: Maupassant, Guy de (1850-1893)
    Scope: 75 p., 22 cm
    Notes:

    Version amendée d'une conférence prononcée à l'Université du Val d'Aoste en 2009
  22. Photography theory in historical perspective
    case studies from contemporary art
    Author: Gelder, Hilde van
    Published: 2011
    Publisher:  Wiley-Blackwell, Chichester [u.a.]

    Representation in photography : the competition with painting -- Time in photography : the rivalry with time-based arts -- Place and space in photography : positioning toward virtual places and spatial objects -- Photography's social function : the... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2011:3832:
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Universitätsbibliothek Greifswald
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    610/AP 94200 G315
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    Representation in photography : the competition with painting -- Time in photography : the rivalry with time-based arts -- Place and space in photography : positioning toward virtual places and spatial objects -- Photography's social function : the documentary legacy -- Self-reflective photography

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781405191975; 9781405191616
    RVK Categories: AP 94200 ; AP 94700
    Subjects: Photography; Photography, Artistic; Photography
    Scope: [VII], 269 S., Ill.
    Notes:

    Literaturverz. S. [233] - 255 und Index

    Representation in photography : the competition with painting -- Time in photography : the rivalry with time-based arts -- Place and space in photography : positioning toward virtual places and spatial objects -- Photography's social function : the documentary legacy -- Self-reflective photography.
  23. Minor photography
    connecting Deleuze and Guattari to photography theory
    Published: 2012
    Publisher:  Leuven Univ. Press, Leuven

    The notion of the minor, developed by Gilles Deleuze and Félix Guattari in 'Kafka, towards a minor literature' (1975), is introduced and connected applied here for the very first time to the field of photography theory. Deleuze and Guattari defined... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2014:307:
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    L 6.11 Min 1
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    2014 A 2751
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    The notion of the minor, developed by Gilles Deleuze and Félix Guattari in 'Kafka, towards a minor literature' (1975), is introduced and connected applied here for the very first time to the field of photography theory. Deleuze and Guattari defined minor literature in terms of "deterritorialization", "politicization" and "collectivization". By transferring 'the minor' to the medium of photography, this book enlarges the idea of 'the minor' and opens it up to all kinds of mutations in the process. The essays gathered in this book discuss the ways in which photography can make the dominant codes of representation stammer and how it can produce new effects and address people yet to come. The authors consider 'the minor' as a valuable tool to help photography research move beyond, or in between, binary and hierarchized ways of thinking (of high and low art, for example, or centre and periphery). As such, it aims to contribute to a rethinking of photography as multiplicity and variation

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9789058679109
    RVK Categories: AP 94850
    Series: Lieven Gevaert series ; 13
    Subjects: Photography
    Other subjects: Deleuze, Gilles (1925-1995); Guattari, Félix (1930-1992)
    Scope: XIX, 198 S., Ill.
    Notes:

    Mieke Bleyen: Introduction

    Simon O'Sullivan: From stuttering and stammering to the diagram : towards a minor art practice?

    Gilles Rouffineau: Tichý as a maverick : singular figure of a minor photography?

    Mieke Bleyen: Always in the middle : the photographic works of Marcel Mariën. A minor approach

    Neil Matheson: Fear of reflections : the photoworks of Paul McCarthy

    Christa-Maria Lerm Hayes: Considering the minor in the literary and photographic works of Rodney Graham and Tacita Dean

    Eric C.H. de Bruyn: Entertaning conceptual art : Dan Graham on Dean Martin

    Frédéric Thomas: Towards a minor surrealism : Paul Nougé and the Subversion of images

    Liesbeth Decan: Conceptual art and surrealism : an exceptional, Belgian liaison

    Jelena Stojković: Systematic confusion and the total discredit of the world of reality : surrealism and phtotgraphy in Japan of the 1930s
  24. The art of reconciliation
    photography and the conception of dialectics in Benjamin, Hegel and Derrida
    Author: Petersson, Dag
    Published: 2013
    Publisher:  Palgrave Macmillan, Basingstoke

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 876152
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1137029935; 9781137029935
    RVK Categories: CC 6900
    Subjects: Dialectic; Photography
    Other subjects: Benjamin, Walter (1892-1940); Hegel, Georg Wilhelm Friedrich (1770-1831); Derrida, Jacques
    Scope: XX, 315, cm
  25. Victorian photography, literature and the invention of modern memory
    already the past
    Author: Green-Lewis, Jennifer
    Published: 2017
    Publisher:  Bloomsbury Academic an imprint of Bloomsbury Publishing Plc, London, UK

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 B 176095
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    AP 94200 106
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781474263085
    RVK Categories: AP 94200
    Series: Photography, history : history, photography
    Subjects: Photography; Photography literature; Literature and photography
    Scope: xxi, 173 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index