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Displaying results 26 to 50 of 215.

  1. The poet in the poem
    the personae of Eliot, Yeats, and Pound
    Author: Wright, George T.
    Published: 1960
    Publisher:  Univ. of California Press, Berkeley

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    RVK Categories: HM 1191
    Series: Perspectives in criticism ; 4
    Subjects: Yeats, William Butler; ; Pound, Ezra; ; Eliot, T. S.;
    Other subjects: Array; Array; Array; Persona (Literature); Self in literature
    Scope: XII, 167 S.
    Notes:

    Bibliographical references included in "Notes" (p. 165-167)
  2. Chaucer's narrators
    Author: Lawton, David
    Published: 1985
    Publisher:  Brewer [u.a.], Cambridge

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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signature:
    ZA 50512:13
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    88/10004
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    Universitätsbibliothek Osnabrück
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    DIZ C 4967 4337-241 0
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    Herzog August Bibliothek Wolfenbüttel
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    F4° 1013:13
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0859912175
    Series: Chaucer studies ; 13
    Subjects: First person narrative; Narration (Rhetoric); Persona (Literature); Rhetoric, Medieval
    Other subjects: Chaucer, Geoffrey; Chaucer, Geoffrey
    Scope: XIV, 166 S, 24 cm
    Notes:

    Bibliography: p. 144-161
  3. Der poetische Pakt
    Rolle und Funktion des poetischen Ich in der Liebeslyrik bei Ovid, Petrarca, Ronsard, Shakespeare und Baudelaire
    Author: Fischer, Carolin
    Published: 2007
    Publisher:  Winter, Heidelberg

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 9783825352400; 3825352404
    Other identifier:
    9783825352400
    RVK Categories: EC 4360 ; EC 6295 ; EC 6296
    Series: Array ; 28
    Subjects: Love poetry, European; Lyric poetry; Persona (Literature); Self in literature
    Scope: 349 S., Ill., 24 cm
    Notes:

    Literaturverz. S. [315] - 349

    Zugl.: Potsdam, Univ., Diss., 2005
  4. Impersonality
    seven essays
    Author: Cameron, Sharon
    Published: c2007
    Publisher:  University of Chicago Press, Chicago, Ill.

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0226091325; 0226091317; 9780226091327; 9780226091310
    Other identifier:
    9780226091310
    Subjects: American literature; Self in literature; Identity (Psychology) in literature; Persona (Literature); American literature; Self in literature; Identity (Psychology) in literature; Persona (Literature)
    Other subjects: Emerson, Ralph Waldo (1803-1882); Eliot, T. S (1888-1965); Melville, Herman (1819-1891); Edwards, Jonathan (1703-1758); Emerson; Eliot; Melville; Edwards
    Scope: XX, 260 S., Ill., 24 cm
    Notes:

    Introduction by way of William Empson's Buddha faces -- What counts as love : Jonathan Edwards's "True virtue" -- Representing grief : Emerson's "Experience" -- The way of life by abandonment : Emerson's Impersonal -- The practice of attention : Simone Weil's Performance of impersonality -- "The sea's throat" : T. S. Eliot's Four quartets -- "Lines of stones" : the unpersonified impersonal in Melville's Billy Budd. - Includes bibliographical references (p. 205-245) and index. - Formerly CIP

    Introduction by way of William Empson's Buddha faces -- What counts as love : Jonathan Edwards's "True virtue" -- Representing grief : Emerson's "Experience" -- The way of life by abandonment : Emerson's Impersonal -- The practice of attention : Simone Weil's Performance of impersonality -- "The sea's throat" : T. S. Eliot's Four quartets -- "Lines of stones" : the unpersonified impersonal in Melville's Billy Budd
  5. Romantic poems, poets, and narrators
    Author: Sitterson, Joseph C.
    Published: 2000
    Publisher:  Kent State Univ. Press, Kent, Ohio [u.a.]

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0873386558
    RVK Categories: HL 1160
    Subjects: English poetry; Narration (Rhetoric); Romanticism; Point of view (Literature); First person narrative; Persona (Literature)
    Other subjects: Keats, John; Wordsworth, William; Coleridge, Samuel Taylor; Blake, William; Wordsworth, William
    Scope: IX, 203 S
    Notes:

    Includes bibliographical references (p. [185] - 198) and index
  6. Max Beerbohm and the act of writing
    Author: Danson, Lawrence
    Published: 1989
    Publisher:  Clarendon Press, Oxford

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    Universitätsbibliothek Augsburg
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Universitätsbibliothek Passau
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  7. Chaucer's narrators
    Author: Lawton, David
    Published: 1985
    Publisher:  Brewer, Cambridge

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    Universitätsbibliothek Bamberg
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  8. The enigmatic narrator
    the voicing of same-sex love in the poetry of John Donne
    Author: Klawitter, George
    Published: 1994
    Publisher:  Lang, New York u.a.

    Although John Donne enjoyed a reputation as a "visitor of ladies" during his lifetime, the poetry that he left in manuscript can lead modern readers to doubt that the objects of his affection were always women. In early verse letters, Donne very... more

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    Universitätsbibliothek Bayreuth
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    Although John Donne enjoyed a reputation as a "visitor of ladies" during his lifetime, the poetry that he left in manuscript can lead modern readers to doubt that the objects of his affection were always women. In early verse letters, Donne very explicitly penned loving sentiments to another man. In later poems that have traditionally been read as heterosexual expressions of love, readers can find themselves lost in a welter of pronouns that, often insufficiently determinate of gender, can fit convincingly in a homoerotic context.

     
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  9. Persona and humor in Mark Twain's early writings
    Author: Florence, Don
    Published: 1995
    Publisher:  Univ. of Missouri Press, Columbia [u.a.]

    Challenging mainstream Twain criticism on many fronts, Florence focuses exclusively on Twain's early writings. He demonstrates how Twain evolved in his early narratives into the "Mark Twain" we now recognize. Florence maintains that this process was... more

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    Universitätsbibliothek Augsburg
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    Challenging mainstream Twain criticism on many fronts, Florence focuses exclusively on Twain's early writings. He demonstrates how Twain evolved in his early narratives into the "Mark Twain" we now recognize. Florence maintains that this process was evolutionary: Although Twain might have been dependent on Clemens for the initial experiences, they become Twain's experiences, necessary for his development as a persona. Traditionally, critics of Twain have been preoccupied with dualities, but Florence sees this emphasis upon polarities as an oversimplification. He argues that much of Twain's humor strives to shape more and more of the world, giving Twain multiple narrative voices and letting him be inclusive, not exclusive Finally, this study asserts that there is more continuity to Mark Twain's career than has been generally recognized. Many Twain scholars have argued that Twain's later writings are radically different from his earlier writings because of their emphasis upon illusion and dream. Florence argues that the preoccupation with illusion and fantasy is scarcely new. Whether Twain's mood is exuberant or dark, he emphasizes subjectivity over objectivity, the dominance of fantasy, the creative powers of humor, and his ability as persona to determine what we consider "reality." Florence contends that Twain's early writings show Mark Twain gradually evolving into a masterfully comic persona

     
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  10. The Routledge anthology of cross-gendered verse
    Published: 1996
    Publisher:  Routledge, London [u.a.]

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0415112915; 0415112907
    Edition: 1. publ.
    Subjects: Frau; American poetry; English poetry; Femininity; Masculinity; Men; Persona (Literature); Point of view (Literature); Women
    Scope: XVI, 216 S.
    Notes:

    NST: Cross-gendered verse
  11. Pressed against divinity
    W. B. Yeats's feminine masks
    Author: Haswell, Janis Tedesco
    Published: 1997
    Publisher:  Northern Illinois Univ. Press, DeKalb, IL

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    Universitätsbibliothek Bamberg
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0875802222
    RVK Categories: HL 4945
    Subjects: Frau; Femininity in literature; Persona (Literature); Women in literature; Frau; Maske <Psychologie>
    Other subjects: Yeats, W. B <1865-1939>; Yeats, William Butler (1865-1939)
    Scope: XI, 177 S.
  12. Anna Achmatova
    Spiegelungen und Spekulationen
    Author: Gölz, Christine
    Published: 2000
    Publisher:  Lang, Frankfurt am Main [u.a.]

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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Universitätsbibliothek Passau
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    ISBN: 363135939X
    RVK Categories: KI 2655
    Series: Slavische Literaturen ; 21
    Subjects: Gedichten; Lyrik; Persona (Literature); Discourse analysis, Literary; Held; Poetik; Lyrik; Subjekt <Philosophie, Motiv>
    Other subjects: Akhmatova, Anna Andreevna, 1889-1966 -- Technique; Achmatova, Anna (1889-1966)
    Scope: 350 S.
    Notes:

    Zugl.: Hamburg, Univ., Diss., 1999
  13. Romantic poems, poets and narrators
    Author: Sitterson, Joseph C.
    Published: 2000
    Publisher:  Kent State Univ. Press, Kent, Ohio [u.a.]

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    Universitätsbibliothek Augsburg
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  14. The old formalism
    character in contemporary American poetry
    Author: Holden, Jonathan
    Published: 1999
    Publisher:  Univ. of Arkansas Press, Fayetteville

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    Bayerische Staatsbibliothek
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  15. Sleeping with the boss
    female subjectivity and narrative pattern in Robert Penn Warren
    Author: Ferriss, Lucy
    Published: 1997
    Publisher:  Louisiana State Univ. Press, Baton Rouge [u.a.]

    Sleeping with the Boss opens up the feminist critical project by showing that author gender has no bearing on the creation of feminine-structure narrative. Moreover, by exposing a considerable "female consciousness" in the major fictional works of... more

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    Sleeping with the Boss opens up the feminist critical project by showing that author gender has no bearing on the creation of feminine-structure narrative. Moreover, by exposing a considerable "female consciousness" in the major fictional works of Robert Penn Warren, it departs dramatically from previous criticism of Warren. Ferriss, a novelist as well as a critic, expands on narrative poetics to suggest that female subjectivity is the central concept in defining a woman's narrative. Specifically, the subjective voice of a female character is present to such a degree that the traditional structures of masculine narrative (described as linear, forward moving, and authoritative) can no longer hold. Leapfrogging over existing feminist theory, she asserts that such female consciousness may permeate the writing of men as well as women Within Warren's traditional masculine narrative style, Ferriss detects the complicating presence of female voice, with its potential to alter the focus and direction of the plot. As she demonstrates, the degree to which Warren distances himself from or steps inside his female characters' consciousness varies enormously across his career. Still, his novels reveal the consistent pattern of a major woman character in a liaison with a wealthy or powerful man; those sexual relationships, Ferriss maintains, are pivotal in establishing female personae whose subjective effect on the narrative disturbs or overturns conventional readings of the novels' meaning. For example, she presents a startingly subversive analysis of the character Amantha Starr (Band of Angels), heretofore viewed as a simpering victim by critics In addition to nine of Warren's novels, Ferriss critiques his book-length poem, Brother to Dragons, which in the powerful voice of Lucy Lewis exhibits the moral and narrative limitations of the male speakers even as that female voice is itself thwarted and cut off. She also explores Warren's frequent motif of the female empty-handed gesture, reading in it the author's own assumption of the feminine perspective by expressing his abdication of narrative authority and ambivalence toward ascribing meaning. Sleeping with the Boss represents a new generation of Warren scholarship, revitalizing the poet-novelist's complex oeuvre in light of contemporary concerns. It provokes a radical rethinking of some of the plot elements taken for granted by other critics of Warren's work and offers a wide range of new ways to encounter his female characters

     
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  16. The two poets of Paradise lost
    Author: McMahon, Robert
    Published: 1998
    Publisher:  Louisiana State Univ. Press, Baton Rouge [u.a.]

    Most Miltonists have treated Paradise Lost as a static design, emphasizing its balance, but McMahon stresses its movement. He explores the differences between the poem's earlier and later books, linking them to the Bard's growth as a poet. The first... more

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    Most Miltonists have treated Paradise Lost as a static design, emphasizing its balance, but McMahon stresses its movement. He explores the differences between the poem's earlier and later books, linking them to the Bard's growth as a poet. The first half of Paradise Lost swells with matter and manner of the classical epic, reflecting, McMahon says, the Bard's aspiration to be a visionary poet in the grand style. A shift occurs in Book VII, however, and by Books XI and XII the Bard composes in a simpler fashion, singing a narrative exegesis of the Bible and exhibiting concern for his audience's edification rather than his own glorification. The later books of the poem, therefore, are presented as morally better than the earlier, according to McMahon. Even more, Milton understood them to be aesthetically better. The change that the Bard and his poetry undergo illustrates Milton's attempt to reform the taste of his readers, to lead them from the pleasures of the grand style to a more austere and biblical poetry.

     
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  17. Persona and decorum in Milton's prose
    Author: Sánchez, Reuben
    Published: 1997
    Publisher:  Fairleigh Dickinson Univ. Press [u.a.], Madison [u.a.]

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    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Passau
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  18. Written work
    Langland, labor, and authorship
    Published: 1997
    Publisher:  Univ. of Pennsylvania Press, Philadelphia

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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  19. A construção do sujeito na poesia de Raul de Carvalho
    Author: Leal, Maria Luísa
    Published: 1996
    Publisher:  Câmara Municipal de Alvito, Alvito

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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: Portuguese
    Media type: Book
    Edition: 1. ed.
    Subjects: Persona (Literature); Self in literature; Lyrik
    Other subjects: Carvalho, Raul de <1920->; Carvalho, Raul de (1920-1984)
    Scope: 202 S.
  20. The first person in literature
    Author: Dudek, Louis
    Published: 1967
    Publisher:  Canadian Broadcasting, Toronto, Ontario

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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  21. Re-placing the self
    fictional and autobiographical interplay in modern German narrative (Elias Canetti, Thomas Bernhard, Peter Weiss, Christa Wolf)
    Author: Jopling, Michael
    Published: 2001
    Publisher:  Heinz, Akad. Verl., Stuttgart

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    Universitätsbibliothek Bamberg
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    ISBN: 3880993866
    RVK Categories: GN 1411 ; GN 1701 ; GN 1900 ; GN 1931
    Series: Stuttgarter Arbeiten zur Germanistik ; 381
    Subjects: German fiction; Persona (Literature); Point of view (Literature); Prosa; Fiktion; Das Autobiografische
    Other subjects: Canetti, Elias (1905-); Bernhard, Thomas; Weiss, Peter (1916-); Wolf, Christa; Bernhard, Thomas (1931-1989); Canetti, Elias (1905-1994); Wolf, Christa (1929-2011); Weiss, Peter (1916-1982)
    Scope: 319 S., 21 cm
    Notes:

    Zugl.: London, Univ., Diss., 1999
  22. Romantic poems, poets, and narrators
    Author: Sitterson, Joseph C.
    Published: 2000
    Publisher:  Kent State University Press, Kent, Ohio

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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  23. Paper Monsters
    Persona and Literary Culture in Elizabethan England
    Author: Fallon, Samuel
    Published: [2019]; © 2019
    Publisher:  University of Pennsylvania Press, Philadelphia

    In Paper Monsters, Samuel Fallon charts the striking rise, at the turn to the seventeenth century, of a new species of textual being: the serial, semifictional persona. When Thomas Nashe introduced his charismatic alter ego Pierce Penilesse in a 1592... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Regensburg
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    In Paper Monsters, Samuel Fallon charts the striking rise, at the turn to the seventeenth century, of a new species of textual being: the serial, semifictional persona. When Thomas Nashe introduced his charismatic alter ego Pierce Penilesse in a 1592 text, he described the figure as a "paper monster," not fashioned but "begotten" into something curiously like life. The next decade bore this description out, as Pierce took on a life of his own, inspiring other writers to insert him into their own works. And Pierce was hardly alone: such figures as the polemicist Martin Marprelate, the lovers Philisides and Astrophil, the shepherd-laureate Colin Clout, the prodigal wit Euphues, and, in an odd twist, the historical author Robert Greene all outgrew their fictional origins, moving from text to text and author to author, purporting to speak their own words, even surviving their creators' deaths, and installing themselves in the process as agents at large in the real world of writing, publication, and reception.In seeking to understand these "paper monsters" as a historically specific and rather short-lived phenomenon, Fallon looks to the rapid expansion of the London book trade in the years of their ascendancy. Personae were products of print, the medium that rendered them portable, free-floating figures. But they were also the central fictions of a burgeoning literary field: they embodied that field's negotiations between manuscript and print, and they forged a new form of public, textual selfhood. Sustained by the appropriative rewritings they inspired, personae came to seem like autonomous citizens of the literary public. Fallon argues that their status as collective fictions, passed among writers, publishers, and readers, positioned personae as the animating figures of what we have come to call "print culture."

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812296174
    Other identifier:
    Series: Material Texts
    Subjects: Cultural Studies; Literature; Medieval and Renaissance Studies; LITERARY CRITICISM / Modern / 16th Century; Authors and readers; Authors and readers; Characters and characteristics in literature; English literature; Persona (Literature); Rezeption; Literarische Gestalt; Englisch; Literatur
    Scope: 1 online resource (272 pages), 6 illus
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Feb 2020)
  24. Fabulous Monsters
    Dracula, Alice, Superman, and Other Literary Friends
    Author: Manguel, Alberto
    Published: [2019]; © 2019
    Publisher:  Yale University Press, New Haven, CT

    An original look at how literary characters can transcend their books to guide our lives, by one of the world's most eminent bibliophiles Alberto Manguel, in a style both charming and erudite, examines how literary characters live with us from... more

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    Universität der Bundeswehr München, Universitätsbibliothek
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    Universitätsbibliothek Regensburg
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    An original look at how literary characters can transcend their books to guide our lives, by one of the world's most eminent bibliophiles Alberto Manguel, in a style both charming and erudite, examines how literary characters live with us from childhood on. Throughout the years, they change their identities and emerge from behind their stories to teach us about the complexities of love, loss, and the world itself. Manguel's favorite characters include Jim from Huckleberry Finn, Phoebe from The Catcher in the Rye, Job and Jonah from the Bible, Little Red Riding Hood and Captain Nemo, Hamlet's mother, and Dr. Frankenstein's maligned Monster. Sharing his unique powers as a reader, Manguel encourages us to establish our own literary relationships. An intimate preface and Manguel's own "doodles" complete this delightful and magical book

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780300248845
    Other identifier:
    Subjects: LITERARY CRITICISM / Books & Reading; Characters and characteristics in literature; Fictitious characters; Persona (Literature)
    Scope: 1 online resource (224 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Feb 2020)
  25. Horace and the rhetoric of authority
    Author: Oliensis, Ellen
    Published: 1998
    Publisher:  Cambridge University Press, Cambridge, U.K.

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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