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  1. The two poets of Paradise lost
    Author: McMahon, Robert
    Published: 1998
    Publisher:  Louisiana State Univ. Press, Baton Rouge [u.a.]

    Most Miltonists have treated Paradise Lost as a static design, emphasizing its balance, but McMahon stresses its movement. He explores the differences between the poem's earlier and later books, linking them to the Bard's growth as a poet. The first... more

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    Universitätsbibliothek Bayreuth
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    Most Miltonists have treated Paradise Lost as a static design, emphasizing its balance, but McMahon stresses its movement. He explores the differences between the poem's earlier and later books, linking them to the Bard's growth as a poet. The first half of Paradise Lost swells with matter and manner of the classical epic, reflecting, McMahon says, the Bard's aspiration to be a visionary poet in the grand style. A shift occurs in Book VII, however, and by Books XI and XII the Bard composes in a simpler fashion, singing a narrative exegesis of the Bible and exhibiting concern for his audience's edification rather than his own glorification. The later books of the poem, therefore, are presented as morally better than the earlier, according to McMahon. Even more, Milton understood them to be aesthetically better. The change that the Bard and his poetry undergo illustrates Milton's attempt to reform the taste of his readers, to lead them from the pleasures of the grand style to a more austere and biblical poetry.

     
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  2. Horace and the rhetoric of authority
    Author: Oliensis, Ellen
    Published: 1998
    Publisher:  Cambridge University Press, Cambridge, U.K.

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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  3. The two poets of Paradise lost
    Author: McMahon, Robert
    Published: ©1998
    Publisher:  Louisiana State University Press, Baton Rouge

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0585355975; 9780585355979
    RVK Categories: HK 2575
    Subjects: POETRY / English, Irish, Scottish, Welsh; Paradise lost (Milton, John); Bards and bardism in literature; Blind in literature; Christian poetry, English; Epic poetry, English; Persona (Literature); Poets in literature; Christian poetry, English; Epic poetry, English; Bards and bardism in literature; Blind in literature; Poets in literature; Persona (Literature)
    Other subjects: Milton, John / 1608-1674; Milton, John / 1608-1674; Milton, John (1608-1674): Paradise lost; Milton, John (1608-1674); Milton, John (1608-1674): Paradise lost
    Scope: 1 Online-Ressource (210 pages)
    Notes:

    Includes bibliographical references (pages 195-205) and index

    Most Miltonists have treated Paradise Lost as a static design, emphasizing its balance, but McMahon stresses its movement. He explores the differences between the poem's earlier and later books, linking them to the Bard's growth as a poet. The first half of Paradise Lost swells with matter and manner of the classical epic, reflecting, McMahon says, the Bard's aspiration to be a visionary poet in the grand style. A shift occurs in Book VII, however, and by Books XI and XII the Bard composes in a simpler fashion, singing a narrative exegesis of the Bible and exhibiting concern for his audience's edification rather than his own glorification. The later books of the poem, therefore, are presented as morally better than the earlier, according to McMahon. Even more, Milton understood them to be aesthetically better. The change that the Bard and his poetry undergo illustrates Milton's attempt to reform the taste of his readers, to lead them from the pleasures of the grand style to a more austere and biblical poetry

    The four poems of Paradise lost -- Satan and the Bard -- God, the Son, and the Bard -- Raphael, Michael, and the Bard -- Milton and the Bard's story -- Song "above heroic": Milton's Bard and Paradise regained
  4. Horace and the rhetoric of authority
    Published: 1998
    Publisher:  Cambridge University Press, Cambridge, U.K

    Face-saving and self-defacement in the Satires -- Making faces at the mirror: the Epodes and the civil war -- Acts of enclosure: the ideology of form in the Odes -- Overreading the Epistles -- The art of self-fashioning in the Ars poetica. This book... more

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    Face-saving and self-defacement in the Satires -- Making faces at the mirror: the Epodes and the civil war -- Acts of enclosure: the ideology of form in the Odes -- Overreading the Epistles -- The art of self-fashioning in the Ars poetica. This book explores how Horace's poems construct the literary and social authority of their author. Bridging the traditional distinction between 'persona' and 'author', Ellen Oliensis considers Horace's poetry as one dimension of his 'face' - the projected self-image that is the basic currency of social interactions. She reads Horace's poems not only as works of art but also as social acts of face-saving, face-making and self-effacement. These acts are responsive, she suggests, to the pressure of several audiences: Horace shapes his poetry to promote his authority and to pay deference to his patrons while taking account of the envy of contemporaries and the judgement of posterity. Drawing on the insights of sociolinguistics, deconstruction and new historicism Dr Oliensis charts the poet's shifting strategies of authority and deference across his entire literary career

     
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  5. The two poets of Paradise lost
    Author: McMahon, Robert
    Published: 1998
    Publisher:  Louisiana State Univ. Press, Baton Rouge [u.a.]

    Most Miltonists have treated Paradise Lost as a static design, emphasizing its balance, but McMahon stresses its movement. He explores the differences between the poem's earlier and later books, linking them to the Bard's growth as a poet. The first... more

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Most Miltonists have treated Paradise Lost as a static design, emphasizing its balance, but McMahon stresses its movement. He explores the differences between the poem's earlier and later books, linking them to the Bard's growth as a poet. The first half of Paradise Lost swells with matter and manner of the classical epic, reflecting, McMahon says, the Bard's aspiration to be a visionary poet in the grand style. A shift occurs in Book VII, however, and by Books XI and XII the Bard composes in a simpler fashion, singing a narrative exegesis of the Bible and exhibiting concern for his audience's edification rather than his own glorification. The later books of the poem, therefore, are presented as morally better than the earlier, according to McMahon. Even more, Milton understood them to be aesthetically better. The change that the Bard and his poetry undergo illustrates Milton's attempt to reform the taste of his readers, to lead them from the pleasures of the grand style to a more austere and biblical poetry.

     
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  6. Horace and the rhetoric of authority
    Author: Oliensis, Ellen
    Published: 1998
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    This book explores how Horace's poems construct the literary and social authority of their author. Bridging the traditional distinction between 'persona' and 'author', Ellen Oliensis considers Horace's poetry as one dimension of his 'face' - the... more

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    Freie Universität Berlin, Universitätsbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    This book explores how Horace's poems construct the literary and social authority of their author. Bridging the traditional distinction between 'persona' and 'author', Ellen Oliensis considers Horace's poetry as one dimension of his 'face' - the projected self-image that is the basic currency of social interactions. She reads Horace's poems not only as works of art but also as social acts of face-saving, face-making and self-effacement. These acts are responsive, she suggests, to the pressure of several audiences: Horace shapes his poetry to promote his authority and to pay deference to his patrons while taking account of the envy of contemporaries and the judgement of posterity. Drawing on the insights of sociolinguistics, deconstruction and new historicism Dr Oliensis charts the poet's shifting strategies of authority and deference across his entire literary career

     
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    Volltext (URL des Erstveröffentlichers)
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511582875
    Other identifier:
    RVK Categories: FX 181605
    Subjects: Gesellschaft; Latin language / Social aspects / Rome; Literature and society / Rome; Authors and patrons / Rome; Authors and readers / Rome; Literary patrons / Rome; Authority in literature; Persona (Literature); Rhetoric, Ancient; Leser; Selbstdarstellung; Autorität; Rhetorik
    Other subjects: Horace / Technique; Horatius Flaccus, Quintus (v65-v8)
    Scope: 1 Online-Ressource (XII, 241 S.)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Erscheinungsjahr des E-Books: 2009

    Face-saving and self-defacement in the Satires -- Making faces at the mirror: the Epodes and the civil war -- Acts of enclosure: the ideology of form in the Odes -- Overreading the Epistles -- The art of self-fashioning in the Ars poetica
  7. Horace and the rhetoric of authority
    Author: Oliensis, Ellen
    Published: 1998
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    This book explores how Horace's poems construct the literary and social authority of their author. Bridging the traditional distinction between 'persona' and 'author', Ellen Oliensis considers Horace's poetry as one dimension of his 'face' - the... more

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    This book explores how Horace's poems construct the literary and social authority of their author. Bridging the traditional distinction between 'persona' and 'author', Ellen Oliensis considers Horace's poetry as one dimension of his 'face' - the projected self-image that is the basic currency of social interactions. She reads Horace's poems not only as works of art but also as social acts of face-saving, face-making and self-effacement. These acts are responsive, she suggests, to the pressure of several audiences: Horace shapes his poetry to promote his authority and to pay deference to his patrons while taking account of the envy of contemporaries and the judgement of posterity. Drawing on the insights of sociolinguistics, deconstruction and new historicism Dr Oliensis charts the poet's shifting strategies of authority and deference across his entire literary career

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511582875
    Other identifier:
    RVK Categories: FX 181605
    Subjects: Gesellschaft; Latin language / Social aspects / Rome; Literature and society / Rome; Authors and patrons / Rome; Authors and readers / Rome; Literary patrons / Rome; Authority in literature; Persona (Literature); Rhetoric, Ancient; Leser; Selbstdarstellung; Autorität; Rhetorik
    Other subjects: Horace / Technique; Horatius Flaccus, Quintus (v65-v8)
    Scope: 1 Online-Ressource (XII, 241 S.)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Erscheinungsjahr des E-Books: 2009

    Face-saving and self-defacement in the Satires -- Making faces at the mirror: the Epodes and the civil war -- Acts of enclosure: the ideology of form in the Odes -- Overreading the Epistles -- The art of self-fashioning in the Ars poetica
  8. Horace and the rhetoric of authority
    Author: Oliensis, Ellen
    Published: 1998
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0521573157
    Other identifier:
    197-33353
    RVK Categories: FT 10200 ; FX 181605
    Edition: 1. publ.
    Subjects: Latin language; Literature and society; Authors and patrons; Authors and readers; Literary patrons; Authority in literature; Persona (Literature); Rhetoric, Ancient
    Other subjects: Horace
    Scope: XII, 241 S., 24 cm
    Notes:

    Literaturverz. S. 228 - 237

    Hier auch später erschienene, unveränderte Nachdrucke
  9. Horace and the rhetoric of authority
    Author: Oliensis, Ellen
    Published: 1998
    Publisher:  Cambridge University Press, Cambridge

    This book explores how Horace's poems construct the literary and social authority of their author. Bridging the traditional distinction between 'persona' and 'author', Ellen Oliensis considers Horace's poetry as one dimension of his 'face' - the... more

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    This book explores how Horace's poems construct the literary and social authority of their author. Bridging the traditional distinction between 'persona' and 'author', Ellen Oliensis considers Horace's poetry as one dimension of his 'face' - the projected self-image that is the basic currency of social interactions. She reads Horace's poems not only as works of art but also as social acts of face-saving, face-making and self-effacement. These acts are responsive, she suggests, to the pressure of several audiences: Horace shapes his poetry to promote his authority and to pay deference to his patrons while taking account of the envy of contemporaries and the judgement of posterity. Drawing on the insights of sociolinguistics, deconstruction and new historicism Dr Oliensis charts the poet's shifting strategies of authority and deference across his entire literary career Face-saving and self-defacement in the Satires -- Making faces at the mirror: the Epodes and the civil war -- Acts of enclosure: the ideology of form in the Odes -- Overreading the Epistles -- The art of self-fashioning in the Ars poetica

     
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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511582875
    Other identifier:
    Subjects: Literature and society; Authors and patrons; Authors and readers; Literary patrons; Authority in literature; Persona (Literature); Rhetoric, Ancient; Latin language; Horace ; Technique; Latin language ; Social aspects ; Rome; Literature and society ; Rome; Authors and patrons ; Rome; Authors and readers ; Rome; Literary patrons ; Rome; Authority in literature; Persona (Literature); Rhetoric, Ancient
    Other subjects: Horace
    Scope: 1 Online-Ressource (xii, 241 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)