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Displaying results 1 to 12 of 12.

  1. Artificial I's
    The Self as Artwork in Ovid, Kierkegaard, and Thomas Mann
    Author: Downing, Eric
    Published: 1993
    Publisher:  De Gruyter, Berlin

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783484181274; 9783110925968; 9783111821320
    Series: Studien zur deutschen Literatur ; 127
    Subjects: First person narrative; Persona (Literature); Ich; Künstler <Motiv>; Selbst
    Other subjects: Kierkegaard, Søren (1813-1855): Forførerens dagbog; Mann, Thomas (1875-1955): Bekenntnisse des Hochstaplers Felix Krull; Ovid (43 B.C.-17 A.D. or 18 A.D): Ars amatoria; Ovid (43 B.C.-17 A.D. or 18 A.D); Ovidius Naso, Publius (v43-17): Ars amatoria; Kierkegaard, Søren (1813-1855): Forførerens dagbog; Mann, Thomas (1875-1955): Bekenntnisse des Hochstaplers Felix Krull; Electronic books
    Scope: 1 Online-Ressource (V, 244 S.)
    Notes:

    Includes bibliographical references (pages 238-244)

    Main description: This study explores three works in which the protagonist undertakes to fashion a literary artwork out of himself: Ovid's »Ars Amatoria«, Kierkegaard's »Diary of the Seducer«, and Thomas Mann's »Felix Krull«. For each work, particular attention is paid to the self-conscious interplay between the author's project of book-making and the character's project of self-making, as well as to the effect of changing notions of self-identity on the protagonist's attempt at life as literature. For »Felix Krull«, this includes a sustained analysis of Mann's incorporation and problematization of various Nietzschean models of aesthestics, reality, and self-identity. In Ovid and Kierkegaard, this study also considers a related project, the attempt to fashion a literary artwork out of another, namely out of a woman
  2. Artificial I's
    the self as artwork in Ovid, Kierkegaard, and Thomas Mann
    Author: Downing, Eric
    Published: 1993
    Publisher:  Max Niemeyer, Tübingen

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 3484181273; 9783484181274; 9783110925968
    Series: Studien zur deutschen Literatur ; Band 127
    Subjects: Persona (Literature); First person narrative; Ich; Künstler <Motiv>; Selbst
    Other subjects: Ovid (43 B.C.-17 A.D. or 18 A.D.): Ars amatoria; Ovid (43 B.C.-17 A.D. or 18 A.D.); Kierkegaard, Søren (1813-1855): Forførerens dagbog; Mann, Thomas (1875-1955): Bekenntnisse des Hochstaplers Felix Krull; Ovidius Naso, Publius (v43-17): Ars amatoria; Kierkegaard, Søren (1813-1855): Forførerens dagbog; Mann, Thomas (1875-1955): Bekenntnisse des Hochstaplers Felix Krull
    Scope: 1 online resource (250 pages)
    Notes:

    Description based on print version record

    Originally presented as the author's thesis (Ph. D.)--University of California, Berkeley, 1987
  3. Artificial I's
    the self as artwork in Ovid, Kierkegaard, and Thomas Mann
    Author: Downing, Eric
    Published: 1993
    Publisher:  Niemeyer, Tübingen

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  4. Artificial I's
    The Self as Artwork in Ovid, Kierkegaard, and Thomas Mann
    Author: Downing, Eric
    Published: 1993
    Publisher:  De Gruyter, Berlin

    Main description: This study explores three works in which the protagonist undertakes to fashion a literary artwork out of himself: Ovid's »Ars Amatoria«, Kierkegaard's »Diary of the Seducer«, and Thomas Mann's »Felix Krull«. For each work,... more

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    Main description: This study explores three works in which the protagonist undertakes to fashion a literary artwork out of himself: Ovid's »Ars Amatoria«, Kierkegaard's »Diary of the Seducer«, and Thomas Mann's »Felix Krull«. For each work, particular attention is paid to the self-conscious interplay between the author's project of book-making and the character's project of self-making, as well as to the effect of changing notions of self-identity on the protagonist's attempt at life as literature. For »Felix Krull«, this includes a sustained analysis of Mann's incorporation and problematization of various Nietzschean models of aesthestics, reality, and self-identity. In Ovid and Kierkegaard, this study also considers a related project, the attempt to fashion a literary artwork out of another, namely out of a woman.

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783484181274
    Other identifier:
    9783110925968
    Series: Studien zur deutschen Literatur ; 127
    Subjects: Persona (Literature); First person narrative; Kierkegaard, Søren: Forførerens dagbog
    Other subjects: Mann, Thomas (1875-1955): Bekenntnisse des Hochstaplers Felix Krull; Kierkegaard, Søren (1813-1855): Forførerens dagbog; Ovid (43 B.C.-17 A.D. or 18 A.D); Ovid (43 B.C.-17 A.D. or 18 A.D): Ars amatoria
    Scope: Online-Ressource (V, 244 S.)
    Notes:

    Includes bibliographical references (pages 238-244)
  5. Artificial I's
    the self as artwork in Ovid, Kierkegaard, and Thomas Mann
    Published: 1993
    Publisher:  Max Niemeyer, Tübingen

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110925968; 3110925966
    Series: Studien zur deutschen Literatur 0081-7236 ; Bd. 127
    Studien zur deutschen Literatur ; Bd. 127
    Subjects: Persona (Literature); First person narrative; Persona (Literature); First person narrative; Kierkegaard, Søren; Mann, Thomas; Ovid; Ovid; First person narrative; Persona (Literature); BIOGRAPHY & AUTOBIOGRAPHY ; Literary; Influence (Literary, artistic, etc.); Zelf; Verteltheorie; Ik (psychologie)
    Other subjects: Ovid 43 B.C.-17 A.D. or 18 A.D; Ovid 43 B.C.-17 A.D. or 18 A.D; Kierkegaard, Søren 1813-1855; Mann, Thomas 1875-1955; Kierkegaard, Søren (1813-1855): Forførerens dagbog; Mann, Thomas (1875-1955): Bekenntnisse des Hochstaplers Felix Krull; Ovid (43 B.C.-17 A.D. or 18 A.D): Ars amatoria; Ovid (43 B.C.-17 A.D. or 18 A.D); Kierkegaard, Søren (1813-1855): Forførerens dagbog; Mann, Thomas (1875-1955): Bekenntnisse des Hochstaplers Felix Krull; Ovid (43 B.C.-17 A.D. or 18 A.D); Ovid (43 B.C.-17 A.D. or 18 A.D): Ars amatoria; Ovid; Mann, Thomas; Ovidius Naso, Publius; Kierkegaard, Søren
    Scope: Online Ressource (244 pages)
    Notes:

    Originally presented as the author's thesis (Ph. D.)--University of California, Berkeley, 1987. - Includes bibliographical references (pages 238-244). - Print version record

    Originally presented as the author's thesis (Ph. D.)--University of California, Berkeley, 1987
  6. Artificial I's
    The Self as Artwork in Ovid, Kierkegaard, and Thomas Mann
    Author: Downing, Eric
    Published: 1993; ©1993.
    Publisher:  De Gruyter, Berlin

    This study explores three works in which the protagonist undertakes to fashion a literary artwork out of himself: Ovid's »Ars Amatoria«, Kierkegaard's »Diary of the Seducer«, and Thomas Mann's »Felix Krull«. For each work, particular attention is... more

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    This study explores three works in which the protagonist undertakes to fashion a literary artwork out of himself: Ovid's »Ars Amatoria«, Kierkegaard's »Diary of the Seducer«, and Thomas Mann's »Felix Krull«. For each work, particular attention is paid to the self-conscious interplay between the author's project of book-making and the character's project of self-making, as well as to the effect of changing notions of self-identity on the protagonist's attempt at life as literature. For »Felix Krull«, this includes a sustained analysis of Mann's incorporation and problematization of various Nietzschean models of aesthestics, reality, and self-identity. In Ovid and Kierkegaard, this study also considers a related project, the attempt to fashion a literary artwork out of another, namely out of a woman.

     
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    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110925968
    Other identifier:
    RVK Categories: GM 4782 ; EC 5410
    Series: Studien zur deutschen Literatur ; 127
    Subjects: Persona (Literature); First person narrative; First person narrative; Persona (Literature); LITERARY CRITICISM / European / German
    Scope: Online-Ressource (V, 244 S.)
  7. Artificial I's
    The Self as Artwork in Ovid, Kierkegaard, and Thomas Mann
    Author: Downing, Eric
    Published: 1993
    Publisher:  De Gruyter, Berlin

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110925968; 9783111821320
    RVK Categories: EC 5410 ; EC 7410 ; GM 4782
    Series: Studien zur deutschen Literatur ; 127
    Subjects: First person narrative; Persona (Literature); Selbst; Künstler <Motiv>; Ich
    Other subjects: Kierkegaard, Søren (1813-1855): Forførerens dagbog; Mann, Thomas (1875-1955): Bekenntnisse des Hochstaplers Felix Krull; Ovid (43 B.C.-17 A.D. or 18 A.D): Ars amatoria; Ovid (43 B.C.-17 A.D. or 18 A.D); Mann, Thomas (1875-1955): Bekenntnisse des Hochstaplers Felix Krull; Kierkegaard, Søren (1813-1855): Forførerens dagbog; Ovidius Naso, Publius (v43-17): Ars amatoria; Electronic books
    Scope: 1 Online-Ressource (V, 244 S.)
    Notes:

    Includes bibliographical references (pages 238-244)

    Main description: This study explores three works in which the protagonist undertakes to fashion a literary artwork out of himself: Ovid's »Ars Amatoria«, Kierkegaard's »Diary of the Seducer«, and Thomas Mann's »Felix Krull«. For each work, particular attention is paid to the self-conscious interplay between the author's project of book-making and the character's project of self-making, as well as to the effect of changing notions of self-identity on the protagonist's attempt at life as literature. For »Felix Krull«, this includes a sustained analysis of Mann's incorporation and problematization of various Nietzschean models of aesthestics, reality, and self-identity. In Ovid and Kierkegaard, this study also considers a related project, the attempt to fashion a literary artwork out of another, namely out of a woman
  8. Artificial I's
    The Self as Artwork in Ovid, Kierkegaard, and Thomas Mann
    Author: Downing, Eric
    Published: [1993]; © 1993
    Publisher:  De Gruyter, Berlin/Boston

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110925968; 9783484181274; 9783111821320
    Other identifier:
    Series: Studien zur deutschen Literatur ; 127
    Subjects: First person narrative; Persona (Literature); Literatur, Rhetorik, Literaturwissenschaft; Ich; Künstler <Motiv>; Selbst
    Other subjects: Ovidius Naso, Publius (v43-17): Ars amatoria; Kierkegaard, Søren (1813-1855): Forførerens dagbog; Mann, Thomas (1875-1955): Bekenntnisse des Hochstaplers Felix Krull
    Scope: 1 online resource (v,244pages), illustrations
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed March 24, 2015)

    This study explores three works in which the protagonist undertakes to fashion a literary artwork out of himself: Ovid's »Ars Amatoria«, Kierkegaard's »Diary of the Seducer«, and Thomas Mann's »Felix Krull«. For each work, particular attention is paid to the self-conscious interplay between the author's project of book-making and the character's project of self-making, as well as to the effect of changing notions of self-identity on the protagonist's attempt at life as literature. For »Felix Krull«, this includes a sustained analysis of Mann's incorporation and problematization of various Nietzschean models of aesthestics, reality, and self-identity. In Ovid and Kierkegaard, this study also considers a related project, the attempt to fashion a literary artwork out of another, namely out of a woman
  9. Artificial I's
    the self as artwork in Ovid, Kierkegaard, and Thomas Mann
    Author: Downing, Eric
    Published: 1993
    Publisher:  Max Niemeyer, Tübingen

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110925968; 3110925966; 3484181273; 9783484181274
    Series: Studien zur deutschen Literatur ; Bd. 127
    Subjects: Ars amatoria (Ovid); Bekenntnisse des Hochstaplers Felix Krull (Mann, Thomas); Forførerens dagbog (Kierkegaard, Søren); Bekenntnisse des Hochstaplers Felix Krull; Forførerens dagbog; Ars amatoria; First person narrative; Kierkegaard, Søren / 1813-1855 / Forførerens dagbog; Mann, Thomas / 1875-1955 / Bekenntnisse des Hochstaplers Felix Krull; Ovid / 43 B.C.-17 A.D. or 18 A.D. / Ars amatoria; Ovid / 43 B.C.-17 A.D. or 18 A.D. / Influence; Persona (Literature); BIOGRAPHY & AUTOBIOGRAPHY / Literary; First person narrative; Influence (Literary, artistic, etc.); Persona (Literature); Zelf; Verteltheorie; Ik (psychologie); Persona (Literature); First person narrative; Künstler <Motiv>; Selbst; Ich
    Other subjects: Ovid / 43 B.C.-17 A.D. or 18 A.D.; Mann, Thomas; Ovidius Naso, Publius; Kierkegaard, Søren; Ovid (43 B.C.-17 A.D. or 18 A.D.): Ars amatoria; Ovid (43 B.C.-17 A.D. or 18 A.D.); Kierkegaard, Søren (1813-1855): Forførerens dagbog; Mann, Thomas (1875-1955): Bekenntnisse des Hochstaplers Felix Krull; Mann, Thomas (1875-1955): Bekenntnisse des Hochstaplers Felix Krull; Ovidius Naso, Publius (v43-17): Ars amatoria; Kierkegaard, Søren (1813-1855): Forførerens dagbog
    Scope: 244 pages
    Notes:

    Originally presented as the author's thesis (Ph. D.)--University of California, Berkeley, 1987. - Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (pages 238-244)
  10. Artificial I's
    the self as artwork in Ovid, Kierkegaard, and Thomas Mann
    Author: Downing, Eric
    Published: 1993
    Publisher:  Niemeyer, Tübingen

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    Freie Universität Berlin, Universitätsbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    TU Berlin, Universitätsbibliothek
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  11. Artificial I's
    the self as artwork in Ovid, Kierkegaard, and Thomas Mann
    Author: Downing, Eric
    Published: 1993
    Publisher:  Niemeyer, Tübingen

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 3484181273
    RVK Categories: GM 4782 ; EC 5410
    Series: Studien zur deutschen Literatur ; 127
    Subjects: Persona (Literature); First person narrative; Array; Array; Array; Array
    Scope: V, 244 S.
    Notes:

    Literaturverz. S. 238 - 244
  12. Artificial I's
    the self as artwork in Ovid, Kierkegaard, and Thomas Mann
    Author: Downing, Eric
    Published: 1993
    Publisher:  Niemeyer, Tübingen

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 182006
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    Technische Universität Chemnitz, Universitätsbibliothek
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    EC 1650 dow
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    Universitätsbibliothek Freiburg
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    GE 93/8891
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    Universitätsbibliothek Greifswald
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    310/EC 5410 I16 D7
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    ZA 25920:127
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    W-MA 50 8/148
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    A 1993/14388
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    94/8464
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    93 A 7253
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    ALW:LA:7200:Dow::1993
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    P 3707-127
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    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    lit 181.03:i16/d69
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    Universitätsbibliothek Leipzig
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    Otto-von-Guericke-Universität, Universitätsbibliothek
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    94.140030
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    Universitätsbibliothek Mannheim
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    93 A 5550
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    Deutsches Literaturarchiv Marbach, Bibliothek
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    ger 788.9 bek BX 3326
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 3484181273
    RVK Categories: GM 4782 ; EC 5410
    Series: Studien zur deutschen Literatur ; 127
    Subjects: Persona (Literature); First person narrative
    Other subjects: Ovid (43 B.C.-17 A.D. or 18 A.D): Ars amatoria; Ovid (43 B.C.-17 A.D. or 18 A.D); Kierkegaard, Søren (1813-1855): Forførerens dagbog; Mann, Thomas (1875-1955): Bekenntnisse des Hochstaplers Felix Krull
    Scope: V, 244 S, 22 cm
    Notes:

    Hier auch später erschienene, unveränderte Nachdrucke

    Literaturverz. S. 238 - 244