Publisher:
McGill-Queen's University Press, Montreal
""By the Still Life Painter's Wife""""Aftermath of the Still Life""; ""Detail of Tulip""; ""Inventing Great Schools of Fish""; ""Still Life with Greasy Noodles: A Travelogue, a Work Poem""; ""Poses of Statuary""; ""Out of the Sumptuous Chaos"";...
more
Universitätsbibliothek der Eberhard Karls Universität
Inter-library loan:
No inter-library loan
""By the Still Life Painter's Wife""""Aftermath of the Still Life""; ""Detail of Tulip""; ""Inventing Great Schools of Fish""; ""Still Life with Greasy Noodles: A Travelogue, a Work Poem""; ""Poses of Statuary""; ""Out of the Sumptuous Chaos""; ""Into the Kitchens of the Burning City""; ""The World, Green and Disarming""; ""III: THE ARTEMISIA GENTILESCHI POEMS""; ""Fringes of Plot""; ""What a Woman Can Do""; ""A World Without Glass""; ""Cooked Water""; ""Perspective""; ""Shade Garden of Your Bones""; ""Emerald, Amethyst, Opal""; ""Notes to the Poems""; ""Acknowledgments"" ""Cover""; ""CONTENTS""; ""I: A THOUSAND WORDS""; ""Self-Portrait: Threads from an Art Forger's Diary""; ""Doe in a Mint Green Clearing""; ""Leaves or Paper or Wood""; ""Edge of the Fountainebleau Forest""; ""The Pink Undertones""; ""The Drapes Floating All Around Me""; ""Take It Back: An Ode to Shrimp Woman""; ""A Thousand Words""; ""Dead Skin Dust""; ""Even Venus had to Learn to Love her Face""; ""Ode to the Woman on the Bravo Espresso Coffee Can in Which I Store My Pens""; ""The Captives Remain Serene""; ""II: THE WORLD, GREEN AND DISARMING""; ""All the God-Sized Fruit""
