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  1. Medieval allegory as epistemology
    dream-vision poetry on language, cognition, and experience
    Published: 2023
    Publisher:  Oxford University Press, Oxford

    This volume shows how late medieval dream-poetry explored problems arising from the reception of Aristotle's philosophical work concerning human knowledge. Marco Nievergelt explores how the work of three medieval poets in the genre of allegorical... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    This volume shows how late medieval dream-poetry explored problems arising from the reception of Aristotle's philosophical work concerning human knowledge. Marco Nievergelt explores how the work of three medieval poets in the genre of allegorical fiction addressed these problems in distinctive, non-academic terms.

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780191944468
    Other identifier:
    RVK Categories: EC 5127
    Series: Oxford studies in medieval literature and culture
    Oxford scholarship online
    Subjects: French poetry; English poetry; Poetry; Dreams in literature; Literature; Literature: history & criticism
    Other subjects: Jean de Meun (approximately 1240-approximately 1305): Romant de la Rose moralisé; Guillaume de Deguileville (active 14th century): Pèlerinage de vie humaine; Langland, William (1330?-1400?): Piers Plowman
    Scope: 1 online resource (x, 560 pages).
    Notes:

    Also issued in print: 2023. - Includes bibliographical references and index. - Description based on online resource; title from PDF title page (viewed on April 21, 2023)

  2. Medieval allegory as epistemology
    dream-vision poetry on language, cognition, and experience
    Published: 2023
    Publisher:  Oxford University Press, Oxford

    This volume shows how late medieval dream-poetry explored problems arising from the reception of Aristotle's philosophical work concerning human knowledge. Marco Nievergelt explores how the work of three medieval poets in the genre of allegorical... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Technische Universität Chemnitz, Universitätsbibliothek
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    Hochschule für Musik 'Carl Maria von Weber', Hochschulbibliothek
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    ebook Oxford
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    This volume shows how late medieval dream-poetry explored problems arising from the reception of Aristotle's philosophical work concerning human knowledge. Marco Nievergelt explores how the work of three medieval poets in the genre of allegorical fiction addressed these problems in distinctive, non-academic terms.

     

    Export to reference management software   RIS file
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780191944468
    Other identifier:
    Series: Oxford studies in medieval literature and culture
    Oxford scholarship online
    Subjects: French poetry; English poetry; Poetry; Dreams in literature; Literature; Literature: history & criticism
    Other subjects: Jean de Meun (approximately 1240-approximately 1305): Romant de la Rose moralisé; Guillaume de Deguileville (active 14th century): Pèlerinage de vie humaine; Langland, William (1330?-1400?): Piers Plowman
    Scope: 1 online resource (x, 560 pages).
    Notes:

    Also issued in print: 2023. - Includes bibliographical references and index. - Description based on online resource; title from PDF title page (viewed on April 21, 2023)

  3. Nature Speaks
    Medieval Literature and Aristotelian Philosophy
    Published: [2017]; ©2017
    Publisher:  University of Pennsylvania Press, Philadelphia, Pa

    What does it mean to speak for nature? Contemporary environmental critics warn that giving a voice to nonhuman nature reduces it to a mere echo of our own needs and desires; they caution that it is a perverse form of anthropocentrism. And yet... more

    Staats- und Universitätsbibliothek Bremen
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    What does it mean to speak for nature? Contemporary environmental critics warn that giving a voice to nonhuman nature reduces it to a mere echo of our own needs and desires; they caution that it is a perverse form of anthropocentrism. And yet nature's voice proved a powerful and durable ethical tool for premodern writers, many of whom used it to explore what it meant to be an embodied creature or to ask whether human experience is independent of the natural world in which it is forged.The history of the late medieval period can be retold as the story of how nature gained an authoritative voice only to lose it again at the onset of modernity. This distinctive voice, Kellie Robertson argues, emerged from a novel historical confluence of physics and fiction-writing. Natural philosophers and poets shared a language for talking about physical inclination, the inherent desire to pursue the good that was found in all things living and nonliving. Moreover, both natural philosophers and poets believed that representing the visible world was a problem of morality rather than mere description. Based on readings of academic commentaries and scientific treatises as well as popular allegorical poetry, Nature Speaks contends that controversy over Aristotle's natural philosophy gave birth to a philosophical poetics that sought to understand the extent to which the human will was necessarily determined by the same forces that shaped the rest of the material world.Modern disciplinary divisions have largely discouraged shared imaginative responses to this problem among the contemporary sciences and humanities. Robertson demonstrates that this earlier worldview can offer an alternative model of human-nonhuman complementarity, one premised neither on compulsory human exceptionalism nor on the simple reduction of one category to the other. Most important, Nature Speaks assesses what is gained and what is lost when nature's voice goes silent Cover; Contents; A Note on Citations and Abbreviations; Introduction: Medieval Poetry and Natural Philosophy; PART I. FRAMING MEDIEVAL NATURE; Chapter 1. Figuring Physis; Chapter 2. Aristotle's Nature and Its Discontents; PART II. ALLEGORIZING NATURE IN THE VERNACULAR; Chapter 3. Jean de Meun and the Rule of Necessity; Chapter 4. Allegory Without Nature: Guillaume de Deguileville's Pèlerinage de vie humaine; PART III. LOVE AND THE LIMITS OF NATURAL REASON; Chapter 5. Chaucer's Natures; Chapter 6. "Kyndely Reson" on Trial: Translating Nature After Chaucer Epilogue: Nature's Silence: Humanism, Posthumanism, and the Legacy of Medieval NatureNotes; Works Cited; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z; Acknowledgments

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812293678
    Other identifier:
    RVK Categories: CD 2063 ; EC 5126
    Series: The Middle Ages Series
    Other subjects: Aristotle; Jean de Meun (approximately 1240-approximately 1305); Guillaume de Deguileville (active 14th century); Guillaume de Deguileville (active 14th century): Pèlerinage de vie humaine; Chaucer, Geoffrey (-1400); Chaucer, Geoffrey (-1400); Lydgate, John (1370?-1451?)
    Scope: 1 Online-Ressource, 10 illus
    Notes:

    Includes bibliographical references and index

    Frontmatter -- -- Contents -- -- A Note on Citations and Abbreviations -- -- Introduction: Medieval Poetry and Natural Philosophy -- -- Part I. Framing Medieval Nature -- -- Chapter 1. Figuring Physis -- -- Chapter 2. Aristotle’s Nature and Its Discontents -- -- Part II. Allegorizing Nature in the Vernacular -- -- Chapter 3. Jean de Meun and the Rule of Necessity -- -- Chapter 4. Allegory Without Nature: Guillaume de Deguileville’s Pèlerinage de vie humaine -- -- Part III. Love and the Limits of Natural Reason -- -- Chapter 5. Chaucer’s Natures -- -- Chapter 6. “Kyndely Reson” on Trial: Translating Nature Aft er Chaucer -- -- Epilogue: Nature’s Silence: Humanism, Posthumanism, and the Legacy of Medieval Nature -- -- Notes -- -- Works Cited -- -- Index -- -- Acknowledgments