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Displaying results 1 to 13 of 13.

  1. La critica dei culti nel teatro del V secolo
    Aristofane interprete di Euripide
    Author: Maggi, Lavinia
    Published: 2020
    Publisher:  Academia Verlag, Baden-Baden

    Ziel des Buchs ist es, den religiösen Aspekt der Kritik von Aristophanes an den Tragödien des Euripides, die in den “Thesmophoriazusen” und den “Fröschen” spürbar ist, zu besprechen und eine vergleichende Studie über die Religiosität beider Autoren... more

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    Ziel des Buchs ist es, den religiösen Aspekt der Kritik von Aristophanes an den Tragödien des Euripides, die in den “Thesmophoriazusen” und den “Fröschen” spürbar ist, zu besprechen und eine vergleichende Studie über die Religiosität beider Autoren zu liefern. Die Tragödien des Euripides, die Aristophanes parodiert oder auf die er bloß anspielt, scheinen ganz besonders für die Gedanken des Euripides über die Religion repräsentativ zu sein, insbesondere für sein bestimmtes Interesse an 'fremden' Kulten (wie denen von Dionysos oder der Mutter der Götter) und an der Orphik. Im Gegensatz zum wissenschaftlichen Konsens ist der Euripides des Aristophanes also kein von sophistischen Theorien durchdrungener Atheist, sondern der Verfechter einer alternativen Form der Religiosität. Vor dem Hintergrund der seltsamen Kulte des Euripides betont Aristophanes seine eigene Religiosität, die tief in den Traditionen der athenischen Polis verwurzelt ist: Der Sieg des Aischylos im poetischen Agon der “Frösche” ist auch der Sieg der Mysterien von Eleusis über die exotischen und unorthodoxen Überzeugungen des Euripides. The aim of the book is to discuss the religious aspect of Aristophanes’ criticism of euripidean tragedy as found in “Thesmophoriazusae” and “Frogs” and to provide a comparative study of Aristophanes’ and Euripides’ religiosity. Euripides’ tragedies which Aristophanes parodies (or simply hints at) seem to be all especially representative of Euripides’ thoughts about religion, in particular of his peculiar interest in ‘foreign’ cults (such as those of Dionysus or of the Mother of Gods) and in Orphism. Contrary to scholarly consensus, then, Aristophanes’ Euripides is not an atheist imbued with sophistic theories: rather, he emerges as the champion of an alternative form of religiosity. Against the backdrop of Euripides’ strange cults, Aristophanes emphasizes his own religiosity, deeply rooted in the traditions of the Athenian polis: Aeschylus’ victory in the poetic agon of the “Frogs” is also the victory of the Mysteries of Eleusis over Euripides’ exotic and unorthodox beliefs.

     
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  2. Defining Orphism
    The Beliefs, the ›teletae‹ and the Writings
    Author: Chrysanthou, Anthi
    Published: [2020]; © 2020
    Publisher:  De Gruyter, Berlin ; Boston

    The complex matter of Orphism has so far been addressed by scholars through studies focusing on one of its components each time, primarily the Derveni Papyrus and the Gold Tablets while the text of the Orphic Rhapsodies has remained under-examined... more

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    The complex matter of Orphism has so far been addressed by scholars through studies focusing on one of its components each time, primarily the Derveni Papyrus and the Gold Tablets while the text of the Orphic Rhapsodies has remained under-examined mostly due to its fragmentary nature and the lack of a reconstruction. This book brings all of the major components of Orphism together in one study, in this way highlighting both parallels and divergences between them, and a wide range of non-Orphic sources referring to Orphic practices, beliefs and texts. For the complete analysis of the Orphic Rhapsodies a reconstruction of the text was necessary, which is included in this book along with a commentary and translation. This work proposes a new definition of Orphism and it can constitute a whole-encompassing and concise guide for scholars and students interested in Orphism. The reconstruction of the Orphic Rhapsodies could also contribute on shifting the understanding of this work to new perspectives as it demonstrates that the Orphic Rhapsodies was a more complex text rather than a single continuous theogonic narrative as has been approached up to this date

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783110678451
    Other identifier:
    RVK Categories: BE 7305 ; FB 4031
    Series: Trends in Classics - Supplementary Volumes ; 94
    Subjects: Antike; Derveni papyrus; Orphic Rhapsodies; Orphism; Orphismus; Philosophie; Religion; RELIGION / History; Orphik; Quellenkritik; Religiöse Literatur; Glaube
    Scope: 1 online resource (XI, 415 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2020)

    Dissertation
  3. Defining Orphism
    the beliefs, the teletae and the writings
    Author: Chrysanthou, Anthi
    Published: 2020
    Publisher:  De Gruyter, Berlin

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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    ISBN: 9783110678390; 9783110778090
    RVK Categories: BE 7305 ; FB 4031
    DDC Categories: 930
    Series: Trends in Classics - Supplementary Volumes ; volume 94
    Subjects: Orphik; Quellenkritik; Religiöse Literatur; Glaube
    Other subjects: Orphism; Derveni papyrus; Orphic Rhapsodies; Religion; Orphismus; Antike; Philosophie
    Scope: VIII, 415 Seiten
    Notes:

    Hier auch später erschienene, unveränderte Nachdrucke

    Dissertation, Univ. of Leeds, 2017
  4. Defining orphism
    the beliefs, the "teletae" and the writings
    Author: Chrysanthou, Anthi
    Published: 20.04.2020
    Publisher:  De Gruyter, Berlin ; Walter de Gruyter GmbH, Boston

    The complex matter of Orphism has so far been addressed by scholars through studies focusing on one of its components each time, primarily the Derveni Papyrus and the Gold Tablets while the text of the Orphic Rhapsodies has remained under-examined... more

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    The complex matter of Orphism has so far been addressed by scholars through studies focusing on one of its components each time, primarily the Derveni Papyrus and the Gold Tablets while the text of the Orphic Rhapsodies has remained under-examined mostly due to its fragmentary nature and the lack of a reconstruction. This book brings all of the major components of Orphism together in one study, in this way highlighting both parallels and divergences between them, and a wide range of non-Orphic sources referring to Orphic practices, beliefs and texts. For the complete analysis of the Orphic Rhapsodies a reconstruction of the text was necessary, which is included in this book along with a commentary and translation. This work proposes a new definition of Orphism and it can constitute a whole-encompassing and concise guide for scholars and students interested in Orphism. The reconstruction of the Orphic Rhapsodies could also contribute on shifting the understanding of this work to new perspectives as it demonstrates that the Orphic Rhapsodies was a more complex text rather than a single continuous theogonic narrative as has been approached up to this date.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110678451; 9783110678536
    Other identifier:
    DDC Categories: 930; 090; 290
    Series: Trends in classics. Supplementary volumes ; volume 94
    Subjects: Orphik; Glaube; Religiöse Literatur; Quellenkritik
    Scope: 1 Online-Ressource (415 Seiten)
    Notes:

    Literaturverzeichnis: Seite 371-383
  5. La critica dei culti nel teatro del V secolo
    Aristofane interprete di Euripide
    Author: Maggi, Lavinia
    Published: 2020
    Publisher:  Academia, Baden-Baden

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    Volltext (URL des Erstveröffentlichers)
    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: Italian
    Media type: Ebook
    Format: Online
    ISBN: 9783896658142
    Other identifier:
    DDC Categories: 930
    Edition: 1st edition
    Series: Diotima. Studies in Greek Philology ; volume 3
    Subjects: Kontroverse; Kult; Religiosität; Theater; Religion
    Other subjects: Aristophanes (v445-v385); Euripides (ca. 485/480 v. Chr.-406 v.Chr.); Aristophanes; Euripides; Griechisches Theater; Komödie; Rezeption; Dramatik; Persiflage; 5. Jahrhundert vor Christus; Comedy; Reception of Euripides; Philology; 5th century BC; Satire; Greek theater; Die Thesmophoriazusen; Orphik; Parodie; Religiosität; Mysterienkulte; Religion; Griechische Komödie; Griechische Tragödie; Metatheater; Antike; Literaturkritik; Griechische Kulte
    Scope: 1 Online-Ressource (422 Seiten)
  6. Defining Orphism
    the beliefs, the teletae and the writings
    Author: Chrysanthou, Anthi
    Published: 2020
    Publisher:  De Gruyter, Berlin

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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Dissertation
    ISBN: 9783110678390; 9783110778090
    RVK Categories: BE 7305 ; FB 4031
    DDC Categories: 930
    Series: Trends in Classics - Supplementary Volumes ; volume 94
    Subjects: Orphik; Quellenkritik; Religiöse Literatur; Glaube
    Other subjects: Orphism; Derveni papyrus; Orphic Rhapsodies; Religion; Orphismus; Antike; Philosophie
    Scope: VIII, 415 Seiten
    Notes:

    Hier auch später erschienene, unveränderte Nachdrucke

    Dissertation, Univ. of Leeds, 2017
  7. La critica dei culti nel teatro del V secolo
    Aristofane interprete di Euripide
    Author: Maggi, Lavinia
    Published: 2020
    Publisher:  Academia – ein Verlag in der Nomos Verlagsgesellschaft, Baden-Baden

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  8. Defining Orphism
    The Beliefs, the ›teletae‹ and the Writings
    Author: Chrysanthou, Anthi
    Published: 2020
    Publisher:  De Gruyter, Berlin/Boston

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  9. La critica dei culti nel teatro del V secolo
    Aristofane interprete di Euripide
    Author: Maggi, Lavinia
    Published: 2020
    Publisher:  Academia, Baden-Baden, Germany

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  10. Defining Orphism
    the beliefs, the ›teletae‹ and the writings
    Author: Chrysanthou, Anthi
    Published: [2020]
    Publisher:  De Gruyter, Berlin

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  11. Defining Orphism
    the beliefs, the ›teletae‹ and the writings
    Author: Chrysanthou, Anthi
    Published: [2020]
    Publisher:  De Gruyter, Berlin ; Boston

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    Universitätsbibliothek Wuppertal
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    LBF1741
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9783110678390; 311067839X
    Other identifier:
    9783110678390
    DDC Categories: 290
    Series: Trends in classics. Supplementary volumes ; volume 94
    Subjects: Glaube; Quellenkritik; Orphik; Religiöse Literatur
    Other subjects: LIT004190 LITERARY CRITICISM / Ancient & Classical; classical, early & medieval; Ancient religions & mythologies; Orphism; Derveni papyrus; Orphic Rhapsodies; Religion; Orphismus; Antike; Philosophie; Hardcover, Softcover / Geschichte/Altertum; Orphism; Derveni papyrus; Orphic Rhapsodies
    Scope: VIII, 415 Seiten
  12. Defining Orphism
    the beliefs, the "teletae" and the writings
    Author: Chrysanthou, Anthi
    Published: [2020]
    Publisher:  De Gruyter, Berlin ; Boston

    Frontmatter -- Contents -- List of Tables -- Abbreviations -- 1 Introduction -- 2 Non-Orphic material referring to Orphic practices, beliefs and writings -- 3 The Myth of Dionysos’ Dismemberment -- 4 The Gold Tablets – Practical and Eschatological... more

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    Frontmatter -- Contents -- List of Tables -- Abbreviations -- 1 Introduction -- 2 Non-Orphic material referring to Orphic practices, beliefs and writings -- 3 The Myth of Dionysos’ Dismemberment -- 4 The Gold Tablets – Practical and Eschatological Aspects -- 5 Papyrological Evidence: The Derveni Papyrus and the Gurôb Papyrus -- 6 Hieroi Logoi in 24 Rhapsodies -- 7 Conclusion -- Appendix -- Bibiliography -- Index for the Orphic Rhapsodies -- General Index -- Index of Primary Sources The complex matter of Orphism has so far been addressed by scholars through studies focusing on one of its components each time, primarily the Derveni Papyrus and the Gold Tablets while the text of the Orphic Rhapsodies has remained under-examined mostly due to its fragmentary nature and the lack of a reconstruction. This book brings all of the major components of Orphism together in one study, in this way highlighting both parallels and divergences between them, and a wide range of non-Orphic sources referring to Orphic practices, beliefs and texts. For the complete analysis of the Orphic Rhapsodies a reconstruction of the text was necessary, which is included in this book along with a commentary and translation. This work proposes a new definition of Orphism and it can constitute a whole-encompassing and concise guide for scholars and students interested in Orphism. The reconstruction of the Orphic Rhapsodies could also contribute on shifting the understanding of this work to new perspectives as it demonstrates that the Orphic Rhapsodies was a more complex text rather than a single continuous theogonic narrative as has been approached up to this date

     
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783110678451; 9783110678536
    Other identifier:
    Series: Trends in classics. Supplementary volumes ; volume 94
    Subjects: Religiöse Literatur; Quellenkritik; Orphik; Glaube
    Other subjects: RELIGION / History
    Scope: 1 Online-Ressource (VIII, 415 Seiten)
    Notes:

    Dissertation, University of Leeds, 2017
  13. La critica dei culti nel teatro del V secolo
    Aristofane interprete di Euripide
    Author: Maggi, Lavinia
    Published: 2020
    Publisher:  Academia Verlag, Baden-Baden

    Ziel des Buchs ist es, den religiösen Aspekt der Kritik von Aristophanes an den Tragödien des Euripides, die in den “Thesmophoriazusen” und den “Fröschen” spürbar ist, zu besprechen und eine vergleichende Studie über die Religiosität beider Autoren... more

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    Ziel des Buchs ist es, den religiösen Aspekt der Kritik von Aristophanes an den Tragödien des Euripides, die in den “Thesmophoriazusen” und den “Fröschen” spürbar ist, zu besprechen und eine vergleichende Studie über die Religiosität beider Autoren zu liefern. Die Tragödien des Euripides, die Aristophanes parodiert oder auf die er bloß anspielt, scheinen ganz besonders für die Gedanken des Euripides über die Religion repräsentativ zu sein, insbesondere für sein bestimmtes Interesse an 'fremden' Kulten (wie denen von Dionysos oder der Mutter der Götter) und an der Orphik. Im Gegensatz zum wissenschaftlichen Konsens ist der Euripides des Aristophanes also kein von sophistischen Theorien durchdrungener Atheist, sondern der Verfechter einer alternativen Form der Religiosität. Vor dem Hintergrund der seltsamen Kulte des Euripides betont Aristophanes seine eigene Religiosität, die tief in den Traditionen der athenischen Polis verwurzelt ist: Der Sieg des Aischylos im poetischen Agon der “Frösche” ist auch der Sieg der Mysterien von Eleusis über die exotischen und unorthodoxen Überzeugungen des Euripides. The aim of the book is to discuss the religious aspect of Aristophanes’ criticism of euripidean tragedy as found in “Thesmophoriazusae” and “Frogs” and to provide a comparative study of Aristophanes’ and Euripides’ religiosity. Euripides’ tragedies which Aristophanes parodies (or simply hints at) seem to be all especially representative of Euripides’ thoughts about religion, in particular of his peculiar interest in ‘foreign’ cults (such as those of Dionysus or of the Mother of Gods) and in Orphism. Contrary to scholarly consensus, then, Aristophanes’ Euripides is not an atheist imbued with sophistic theories: rather, he emerges as the champion of an alternative form of religiosity. Against the backdrop of Euripides’ strange cults, Aristophanes emphasizes his own religiosity, deeply rooted in the traditions of the Athenian polis: Aeschylus’ victory in the poetic agon of the “Frogs” is also the victory of the Mysteries of Eleusis over Euripides’ exotic and unorthodox beliefs.

     
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