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Displaying results 1 to 21 of 21.

  1. Following Faulkner
    the critical response to Yoknapatawpha's architect
    Author: Hagood, Taylor
    Published: 2017
    Publisher:  Camden House, Rochester, New York

    "William Faulkner seems to have sprung a full-blown genius from a remote part of the American South. Yet Faulkner spent much of his life striving to emulate and overshadow...both as a writer and as a person...his great-grandfather and namesake,... more

    Location:
    Bayerische Staatsbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Würzburg
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    "William Faulkner seems to have sprung a full-blown genius from a remote part of the American South. Yet Faulkner spent much of his life striving to emulate and overshadow...both as a writer and as a person...his great-grandfather and namesake, Colonel William Falkner, a dueling, railroad-building, soldiering figure who loomed not just as a legend in Faulkner's family and community but also as a literary forebear, a published novelist, travel writer, and poet. Looking back on his career, Faulkner would mention that early on he had ridden his great-grandfather's coattails, but by the mid twentieth century it was clear that it was the great-grandson who was leading the literary world: readers, young writers of fiction, and literary critics were following him as one who had found extraordinary ways to capture and express the most challenging aspects of modern life. Taylor Hagood's book centers on the concept of following to examine how Faulkner's work has been analyzed, elucidated, and promoted by a massive body of scholarly work spanning over seven decades. It narrates the development of Faulkner criticism, taking as its premise the idea that Faulkner forges a fiery path through modernism and into postmodernism that literary critics have been constantly rushing to follow" ...

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781571135872; 1571135871
    RVK Categories: HU 3585
    Series: Studies in American literature and culture: literary criticism in perspective
    Subjects: Influence (Literary, artistic, etc.); Originality in literature; Rezeption
    Other subjects: Faulkner, William (1897-1962); Faulkner, William (1897-1962); Faulkner, William (1897-1962)
    Scope: 153 Seiten
    Notes:

    Includes bibliographical references and index
  2. Original copies in Georges Perec and Andy Warhol
    Author: Wadhera, Priya
    Published: [2017]
    Publisher:  Brill Rodopi, Leiden ; Boston

    Priya Wadhera's 'Original Copies in Perec and Warhol' is the first book to explore striking similarities between the works of the author and the artist. Copies abound in Perec's oeuvre, where pastiches, paintings, and intertexts dialogue with the... more

    Location:
    Bayerische Staatsbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek der LMU München
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    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

     

    Priya Wadhera's 'Original Copies in Perec and Warhol' is the first book to explore striking similarities between the works of the author and the artist. Copies abound in Perec's oeuvre, where pastiches, paintings, and intertexts dialogue with the history of copying in the past and present, in literature and in art. Both here and in Warhol's works, the source of the copies is difficult to pinpoint, shrouded in a fog linked to death. This remarkable parallel provides insight into their widely-admired works and a postmodern aesthetic where the original is stripped of its value and the copy reigns supreme. In this study of the original and the copy, Wadhera illuminates the nature of art itself.

     
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    ISBN: 9789004326170
    RVK Categories: IH 70961 ; LH 61060 ; LI 95130
    Series: Faux titre ; volume 413
    Subjects: Originality in art; Originality in literature; Art and literature; Kunst; Kopie; Originalität; Original; Literatur
    Other subjects: Warhol, Andy (1928-1987); Perec, Georges (1936-1982)
    Scope: XII, 204 Seiten, 25 cm
    Notes:

    Includes bibliographical references and index

    Titel der Dissertation: "Copy play: the discourse on art in Georges Perec's 'Un cabinet d’amateur' and its intertexts"

    Dissertation, Columbia University, 2005
  3. Following Faulkner
    the critical response to Yoknapatawpha's architect
    Author: Hagood, Taylor
    Published: 2017
    Publisher:  Camden House, Rochester, NY

    William Faulkner seems to have sprung a full-blown genius from a remote part of the American South. Yet Faulkner spent much of his life striving to emulate and overshadow - both as a writer and as a person - his great-grandfather and namesake,... more

    Location:
    Universitätsbibliothek Bamberg
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    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
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    Unlimited inter-library loan, copies and loan

     

    William Faulkner seems to have sprung a full-blown genius from a remote part of the American South. Yet Faulkner spent much of his life striving to emulate and overshadow - both as a writer and as a person - his great-grandfather and namesake, Colonel William Falkner, a dueling, railroad-building, soldiering figure who loomed not just as a legend in Faulkner's family and community but also as a literary forebear, a published novelist, travel writer, and poet. Looking back on his career, Faulkner would mention that early on he had ridden his great-grandfather's coattails, but by the mid-twentieth century it was clear that it was the great-grandson who was leading the literary world: readers, young writers of fiction, and literary critics were following him as one who had found extraordinary ways to capture and express the most challenging aspects of modern life. Taylor Hagood's book centers on the concept of following to examine how Faulkner's work has been analyzed, elucidated,and promoted by a massive body of scholarly work spanning over seven decades. It narrates the development of Faulkner criticism, taking as its premise the idea that Faulkner forges a fiery path through modernism and into postmodernism that literary critics have been constantly rushing to follow.

    Taylor Hagood is Associate Professor of English at Florida Atlantic University. His book Faulkner: Writer of Disability (LSU Press, 2014) won the C. Hugh Holman Award for Best Book in Southern Literary Studies in 2015.

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    Series: Studies in English and American literature, linguistics, and culture (Unnumbered). Literary criticism in perspective
    Subjects: Influence (Literary, artistic, etc.); Originality in literature; Rezeption
    Other subjects: Faulkner, William / 1897-1962 / Criticism and interpretation; Faulkner, William / 1897-1962 / Influence; Faulkner, William (1897-1962)
    Scope: 1 online resource (153 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 10 May 2017)

    Introduction -- Genius in the hinterland -- From new critical heights to structural and archival groundings -- The grip of theory -- Global Faulkner -- Forecast: future trends in Faulkner scholarship -- Works by William Faulkner
  4. Original copies in Georges Perec and Andy Warhol
    Author: Wadhera, Priya
    Published: [2017]
    Publisher:  Brill, Leiden

    Machine generated contents note:1.Introduction --pt. 1Copy as Imitation and Enumeration in Perec --2.Copious Beginnings --2.1.incipit of Un cabinet d'amateur (1979) --2.2.Defining the Copy --2.3.Original and Copy --2.4.Mimesis --2.5.Copy as copia... more

    Location:
    Hochschule Aalen, Bibliothek
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    E-Book EBSCO
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    Location:
    Hochschule Esslingen, Bibliothek
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    E-Book Ebsco
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    Location:
    Saarländische Universitäts- und Landesbibliothek
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    Location:
    Universitätsbibliothek der Eberhard Karls Universität
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    Machine generated contents note:1.Introduction --pt. 1Copy as Imitation and Enumeration in Perec --2.Copious Beginnings --2.1.incipit of Un cabinet d'amateur (1979) --2.2.Defining the Copy --2.3.Original and Copy --2.4.Mimesis --2.5.Copy as copia --3.Copying in Literature --3.1.Literature in the Age of the Scribe --3.2.Literature in the Age of Mechanical Reproduction --4.Perec and His Copies --4.1.Copying in Cabinet --4.2.Copies in Cabinet: A Brief Typology --pt. 2Pastiches --5.Cabinet as Pastiche --6.Kunstkammer in History and in Cabinet --7.Discourse on Authentication --pt. 3Paintings --8.Copying in Painting --8.1.Tradition of the Painter-Apprentice --8.2.Fakes, Forgeries, and Citations --9.Painting in Cabinet --10.Trompe-l'oeil and L'Œil ebloui (1981) --11.From One Canvas to Another --pt. 4Intertexts --12.Intertextuality in Cabinet --13.Immediate Intratextual Source: La Vie mode d'emploi (1978) --14.Intertextual Reference: Pierre Grassou by Balzac (1839) --15.Early Intratextual Source: Le Condottiere (1957 -- 60) --16.To Copy Is to Create: Menard's "Copy" --17.Copy in Warhol: Imitation, Enumeration, and Death --pt. 5Conclusion --18.Copy Play in Perec and Warhol --18.1.Copy as Original and Double --18.2.Hidden Origins: Fog and Fogging in Perec --18.3.Memorial and a Celebration, a Forging of Life from Death.

     
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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English; French
    Media type: Ebook
    Format: Online
    ISBN: 9789004330207; 9004330208
    Series: Faux titre ; volume 413
    Subjects: Art; Originality in art; Originality in literature; Art and literature; ART ; Criticism & Theory; Art and literature; Originality in art; Originality in literature; Criticism, interpretation, etc
    Other subjects: Perec, Georges (1936-1982); Warhol, Andy (1928-1987); Perec, Georges; Warhol, Andy
    Scope: 1 Online-Ressource
    Notes:

    Includes bibliographical references and index
  5. Original copies in Georges Perec and Andy Warhol
    Author: Wadhera, Priya
    Published: [2017]
    Publisher:  Brill Rodopi, Leiden

    Location:
    Universitäts- und Landesbibliothek Bonn
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    Unlimited inter-library loan, copies and loan

    Location:
    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 9789004326170
    Series: Faux titre ; volume 413
    Subjects: Art; Originality in art; Originality in literature; Art and literature
    Other subjects: Perec, Georges (1936-1982); Warhol, Andy (1928-1987)
    Scope: XII, 204 Seiten
    Notes:

    Includes bibliographical references and index

    Dissertation, Columbia University,
  6. Original copies in Georges Perec and Andy Warhol
    Author: Wadhera, Priya
    Published: 2017
    Publisher:  Brill, Leiden, Netherlands ; Boston, [Massachusetts] ; Rodopi

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004330207
    RVK Categories: IH 70961 ; LH 61060 ; LI 95130
    Series: Faux Titre ; Volume 413
    Subjects: Art; Originality in art; Originality in literature; Art and literature; Kopie; Kunst; Original; Originalität; Literatur
    Other subjects: Perec, Georges (1936-1982); Warhol, Andy (1928-1987); Perec, Georges (1936-1982); Warhol, Andy (1928-1987)
    Scope: 1 Online-Ressource (216 pages), illustrations
    Notes:

    Description based on print version record
  7. Original copies in Georges Perec and Andy Warhol
    Author: Wadhera, Priya
    Published: [2017]
    Publisher:  Brill Rodopi, Leiden

    Contents -- Acknowledgments -- Chapter 1 Introduction -- Part 1 The Copy as Imitation and Enumeration in Perec -- Chapter 2 Copious Beginnings -- 2.1 The incipit of Un cabinet d'amateur (1979) -- 2.2 Defining the Copy -- 2.3 Original and Copy -- 2.4... more

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    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Unlimited inter-library loan, copies and loan

     

    Contents -- Acknowledgments -- Chapter 1 Introduction -- Part 1 The Copy as Imitation and Enumeration in Perec -- Chapter 2 Copious Beginnings -- 2.1 The incipit of Un cabinet d'amateur (1979) -- 2.2 Defining the Copy -- 2.3 Original and Copy -- 2.4 Mimesis -- 2.5 Copy as copia -- Chapter 3 Copying in Literature -- 3.1 Literature in the Age of the Scribe -- 3.2 Literature in the Age of Mechanical Reproduction -- Chapter 4 Perec and His Copies -- 4.1 Copying in Cabinet -- 4.2 Copies in Cabinet: A Brief Typology -- Part 2 Pastiches -- Chapter 5 Cabinet as Pastiche Chapter 6 The Kunstkammer in History and in Cabinet -- Chapter 7 The Discourse on Authentication -- Part 3 Paintings -- Chapter 8 Copying in Painting -- 8.1 The Tradition of the Painter-Apprentice -- 8.2 Fakes, Forgeries, and Citations -- Chapter 9 Painting in Cabinet -- Chapter 10 Trompe-l'oeil and L'OEil ébloui (1981) -- Chapter 11 From One Canvas to Another -- Part 4 Intertexts -- Chapter 12 Intertextuality in Cabinet -- Chapter 13 An Immediate Intratextual Source: La Vie mode d'emploi (1978) -- Chapter 14 An Intertextual Reference: Pierre Grassou by Balzac (1839) Chapter 15 An Early Intratextual Source: Le Condottière (1957-60) -- Chapter 16 To Copy Is to Create: Menard's "Copy" -- Chapter 17 The Copy in Warhol: Imitation, Enumeration, and Death -- Part 5 Conclusion -- Chapter 18 Copy Play in Perec and Warhol -- 18.1 The Copy as Original and Double -- 18.2 Hidden Origins: Fog and Fogging in Perec -- 18.3 A Memorial and a Celebration, a Forging of Life from Death -- Bibliography -- Index

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004330207
    Other identifier:
    Series: Faux Titre Ser ; volume 413
    Faux titre ; 413
    Subjects: Art; Originality in art; Originality in literature; Art and literature; Art; Originality in art; Originality in literature; Art and literature
    Other subjects: Perec, Georges (1936-1982); Warhol, Andy (1928-1987); Perec, Georges (1936-1982); Warhol, Andy (1928-1987)
    Scope: 1 Online-Ressource (xii, 216 p)
    Notes:

    Description based upon print version of record
  8. Original copies in Georges Perec and Andy Warhol
    Author: Wadhera, Priya
    Published: [2017]
    Publisher:  Brill Rodopi, Leiden

    Priya Wadhera's 'Original Copies in Perec and Warhol' is the first book to explore striking similarities between the works of the author and the artist. Copies abound in Perec's oeuvre, where pastiches, paintings, and intertexts dialogue with the... more

     

    Priya Wadhera's 'Original Copies in Perec and Warhol' is the first book to explore striking similarities between the works of the author and the artist. Copies abound in Perec's oeuvre, where pastiches, paintings, and intertexts dialogue with the history of copying in the past and present, in literature and in art. Both here and in Warhol's works, the source of the copies is difficult to pinpoint, shrouded in a fog linked to death. This remarkable parallel provides insight into their widely-admired works and a postmodern aesthetic where the original is stripped of its value and the copy reigns supreme. In this study of the original and the copy, Wadhera illuminates the nature of art itself

     
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9789004330207
    Other identifier:
    Series: Faux titre ; volume 413
    Subjects: Originality in art; Originality in literature; Art and literature
    Scope: 1 Online-Ressource (XII, 204 Seiten)
    Notes:

    Literaturverzeichnis: Seite [193]-201

    Dissertation, Columbia University, 2005
  9. Original copies in Georges Perec and Andy Warhol
    Author: Wadhera, Priya
    Published: [2017]
    Publisher:  Brill Rodopi, Leiden

    Contents -- Acknowledgments -- Chapter 1 Introduction -- Part 1 The Copy as Imitation and Enumeration in Perec -- Chapter 2 Copious Beginnings -- 2.1 The incipit of Un cabinet d'amateur (1979) -- 2.2 Defining the Copy -- 2.3 Original and Copy -- 2.4... more

    Access:

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Inter-library loan:
    No inter-library loan

     

    Contents -- Acknowledgments -- Chapter 1 Introduction -- Part 1 The Copy as Imitation and Enumeration in Perec -- Chapter 2 Copious Beginnings -- 2.1 The incipit of Un cabinet d'amateur (1979) -- 2.2 Defining the Copy -- 2.3 Original and Copy -- 2.4 Mimesis -- 2.5 Copy as copia -- Chapter 3 Copying in Literature -- 3.1 Literature in the Age of the Scribe -- 3.2 Literature in the Age of Mechanical Reproduction -- Chapter 4 Perec and His Copies -- 4.1 Copying in Cabinet -- 4.2 Copies in Cabinet: A Brief Typology -- Part 2 Pastiches -- Chapter 5 Cabinet as Pastiche Chapter 6 The Kunstkammer in History and in Cabinet -- Chapter 7 The Discourse on Authentication -- Part 3 Paintings -- Chapter 8 Copying in Painting -- 8.1 The Tradition of the Painter-Apprentice -- 8.2 Fakes, Forgeries, and Citations -- Chapter 9 Painting in Cabinet -- Chapter 10 Trompe-l'oeil and L'OEil ébloui (1981) -- Chapter 11 From One Canvas to Another -- Part 4 Intertexts -- Chapter 12 Intertextuality in Cabinet -- Chapter 13 An Immediate Intratextual Source: La Vie mode d'emploi (1978) -- Chapter 14 An Intertextual Reference: Pierre Grassou by Balzac (1839) Chapter 15 An Early Intratextual Source: Le Condottière (1957-60) -- Chapter 16 To Copy Is to Create: Menard's "Copy" -- Chapter 17 The Copy in Warhol: Imitation, Enumeration, and Death -- Part 5 Conclusion -- Chapter 18 Copy Play in Perec and Warhol -- 18.1 The Copy as Original and Double -- 18.2 Hidden Origins: Fog and Fogging in Perec -- 18.3 A Memorial and a Celebration, a Forging of Life from Death -- Bibliography -- Index

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004330207
    Other identifier:
    Series: Faux Titre Ser ; volume 413
    Faux titre ; 413
    Subjects: Art; Originality in art; Originality in literature; Art and literature; Art; Originality in art; Originality in literature; Art and literature
    Other subjects: Perec, Georges (1936-1982); Warhol, Andy (1928-1987); Perec, Georges (1936-1982); Warhol, Andy (1928-1987)
    Scope: 1 Online-Ressource (xii, 216 p)
    Notes:

    Description based upon print version of record
  10. Original copies in Georges Perec and Andy Warhol
    Author: Wadhera, Priya
    Published: [2017]
    Publisher:  Brill Rodopi, Leiden

    Contents -- Acknowledgments -- Chapter 1 Introduction -- Part 1 The Copy as Imitation and Enumeration in Perec -- Chapter 2 Copious Beginnings -- 2.1 The incipit of Un cabinet d'amateur (1979) -- 2.2 Defining the Copy -- 2.3 Original and Copy -- 2.4... more

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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Bibliothek LIV HN Sontheim
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    ProQuest Academic Complete
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    Bibliothek LIV HN Sontheim
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    ProQuest Academic Complete
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Duale Hochschule Baden-Württemberg Lörrach, Zentralbibliothek
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    Duale Hochschule Baden-Württemberg Mannheim, Bibliothek
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    ProQuest
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    Duale Hochschule Baden-Württemberg Mosbach, Bibliothek
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    E-Books ProQuest Academic
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    Hochschulbibliothek Friedensau
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    Online-Ressource
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    Duale Hochschule Baden-Württemberg Ravensburg, Bibliothek
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    Duale Hochschule Baden-Württemberg Stuttgart, Bibliothek
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    Location:
    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
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    Duale Hochschule Baden-Württemberg Villingen-Schwenningen, Bibliothek
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    Contents -- Acknowledgments -- Chapter 1 Introduction -- Part 1 The Copy as Imitation and Enumeration in Perec -- Chapter 2 Copious Beginnings -- 2.1 The incipit of Un cabinet d'amateur (1979) -- 2.2 Defining the Copy -- 2.3 Original and Copy -- 2.4 Mimesis -- 2.5 Copy as copia -- Chapter 3 Copying in Literature -- 3.1 Literature in the Age of the Scribe -- 3.2 Literature in the Age of Mechanical Reproduction -- Chapter 4 Perec and His Copies -- 4.1 Copying in Cabinet -- 4.2 Copies in Cabinet: A Brief Typology -- Part 2 Pastiches -- Chapter 5 Cabinet as Pastiche Chapter 6 The Kunstkammer in History and in Cabinet -- Chapter 7 The Discourse on Authentication -- Part 3 Paintings -- Chapter 8 Copying in Painting -- 8.1 The Tradition of the Painter-Apprentice -- 8.2 Fakes, Forgeries, and Citations -- Chapter 9 Painting in Cabinet -- Chapter 10 Trompe-l'oeil and L'OEil ébloui (1981) -- Chapter 11 From One Canvas to Another -- Part 4 Intertexts -- Chapter 12 Intertextuality in Cabinet -- Chapter 13 An Immediate Intratextual Source: La Vie mode d'emploi (1978) -- Chapter 14 An Intertextual Reference: Pierre Grassou by Balzac (1839) Chapter 15 An Early Intratextual Source: Le Condottière (1957-60) -- Chapter 16 To Copy Is to Create: Menard's "Copy" -- Chapter 17 The Copy in Warhol: Imitation, Enumeration, and Death -- Part 5 Conclusion -- Chapter 18 Copy Play in Perec and Warhol -- 18.1 The Copy as Original and Double -- 18.2 Hidden Origins: Fog and Fogging in Perec -- 18.3 A Memorial and a Celebration, a Forging of Life from Death -- Bibliography -- Index

     
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    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004330207
    Series: Faux Titre Ser ; volume 413
    Faux Titre ; Volume 413
    Subjects: Art; Originality in art; Originality in literature; Art and literature; Perec, Georges ; 1936-1982 ; Criticism and interpretation; Warhol, Andy ; 1928-1987 ; Criticism and interpretation; Art ; Copying; Originality in art; Originality in literature; Art and literature; Electronic books
    Other subjects: Perec, Georges (1936-1982); Warhol, Andy (1928-1987)
    Scope: 1 Online-Ressource (xii, 216 p)
    Notes:

    Description based upon print version of record
  11. Original copies in Georges Perec and Andy Warhol
    Author: Wadhera, Priya
    Published: [2017]
    Publisher:  Brill Rodopi, Leiden ; Boston

    Location:
    Universitäts- und Landesbibliothek Bonn
    Signature:
    W 2017/103
    Inter-library loan:
    Loan of volumes, no copies

    Location:
    Universitäts- und Landesbibliothek Münster
    Signature:
    3K 69091
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Dissertation
    ISBN: 9789004326170
    Series: Faux titre ; volume 413
    Subjects: Art; Originality in art; Originality in literature; Art and literature; Literatur; Kunst; Kopie; Originalität; Original
    Other subjects: Perec, Georges (1936-1982); Warhol, Andy (1928-1987); Perec, Georges (1936-1982); Warhol, Andy (1928-1987)
    Scope: XII, 204 Seiten
    Notes:

    Includes bibliographical references and index

    Dissertation, Columbia University,
  12. Following Faulkner
    the critical response to Yoknapatawpha's architect
    Author: Hagood, Taylor
    Published: 2017
    Publisher:  Camden House, Rochester, NY

    William Faulkner seems to have sprung a full-blown genius from a remote part of the American South. Yet Faulkner spent much of his life striving to emulate and overshadow - both as a writer and as a person - his great-grandfather and namesake,... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Unlimited inter-library loan, copies and loan

     

    William Faulkner seems to have sprung a full-blown genius from a remote part of the American South. Yet Faulkner spent much of his life striving to emulate and overshadow - both as a writer and as a person - his great-grandfather and namesake, Colonel William Falkner, a dueling, railroad-building, soldiering figure who loomed not just as a legend in Faulkner's family and community but also as a literary forebear, a published novelist, travel writer, and poet. Looking back on his career, Faulkner would mention that early on he had ridden his great-grandfather's coattails, but by the mid-twentieth century it was clear that it was the great-grandson who was leading the literary world: readers, young writers of fiction, and literary critics were following him as one who had found extraordinary ways to capture and express the most challenging aspects of modern life. Taylor Hagood's book centers on the concept of following to examine how Faulkner's work has been analyzed, elucidated,and promoted by a massive body of scholarly work spanning over seven decades. It narrates the development of Faulkner criticism, taking as its premise the idea that Faulkner forges a fiery path through modernism and into postmodernism that literary critics have been constantly rushing to follow.

    Taylor Hagood is Associate Professor of English at Florida Atlantic University. His book Faulkner: Writer of Disability (LSU Press, 2014) won the C. Hugh Holman Award for Best Book in Southern Literary Studies in 2015.
    Introduction -- Genius in the hinterland -- From new critical heights to structural and archival groundings -- The grip of theory -- Global Faulkner -- Forecast: future trends in Faulkner scholarship -- Works by William Faulkner

     
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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781782049340
    Series: Studies in American literature and culture : literary criticism in perspective
    Subjects: Influence (Literary, artistic, etc.); Originality in literature; Faulkner, William ; 1897-1962 ; Criticism and interpretation; Faulkner, William ; 1897-1962 ; Influence; Influence (Literary, artistic, etc.); Originality in literature
    Other subjects: Faulkner, William (1897-1962); Faulkner, William (1897-1962)
    Scope: 1 Online-Ressource (153 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 10 May 2017)
  13. Original copies in Georges Perec and Andy Warhol
    Author: Wadhera, Priya
    Published: [2017]
    Publisher:  Brill Rodopi, Leiden

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9789004326170
    RVK Categories: IH 70961 ; LH 61060 ; LI 95130
    Series: Faux titre ; volume 413
    Subjects: Art; Originality in art; Originality in literature; Art and literature
    Other subjects: Perec, Georges (1936-1982); Warhol, Andy (1928-1987)
    Scope: XII, 204 Seiten, 25 cm
    Notes:

    Includes bibliographical references and index
  14. Following Faulkner
    the critical response to Yoknapatawpha's architect
    Author: Hagood, Taylor
    Published: 2017; ©2017
    Publisher:  Camden House, Rochester, New York

    Introduction -- Genius in the hinterland -- From new critical heights to structural and archival groundings -- The grip of theory -- Global Faulkner -- Forecast: future trends in Faulkner scholarship -- Works by William Faulkner "William Faulkner... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Introduction -- Genius in the hinterland -- From new critical heights to structural and archival groundings -- The grip of theory -- Global Faulkner -- Forecast: future trends in Faulkner scholarship -- Works by William Faulkner "William Faulkner seems to have sprung a full-blown genius from a remote part of the American South. Yet Faulkner spent much of his life striving to emulate and overshadow--both as a writer and as a person--his great-grandfather and namesake, Colonel William Falkner, a dueling, railroad-building, soldiering figure who loomed not just as a legend in Faulkner's family and community but also as a literary forebear, a published novelist, travel writer, and poet. Looking back on his career, Faulkner would mention that early on he had ridden his great-grandfather's coattails, but by the mid twentieth century it was clear that it was the great-grandson who was leading the literary world: readers, young writers of fiction, and literary critics were following him as one who had found extraordinary ways to capture and express the most challenging aspects of modern life. Taylor Hagood's book centers on the concept of following to examine how Faulkner's work has been analyzed, elucidated, and promoted by a massive body of scholarly work spanning over seven decades. It narrates the development of Faulkner criticism, taking as its premise the idea that Faulkner forges a fiery path through modernism and into postmodernism that literary critics have been constantly rushing to follow" --

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781571135872; 1571135871
    Other identifier:
    9781571135872
    RVK Categories: HU 3585
    Edition: First published
    Series: Studies in American literature and culture: literary criticism in perspective
    Subjects: Influence (Literary, artistic, etc.); Originality in literature; Influence (Literary, artistic, etc.); Originality in literature
    Other subjects: Faulkner, William (1897-1962); Faulkner, William (1897-1962); Faulkner, William 1897-1962; Faulkner, William 1897-1962
    Scope: 153 Seiten, 24 cm
    Notes:

    Includes bibliographical references (pages [141]-148) and index
  15. Following Faulkner
    the critical response to Yoknapatawpha's architect
    Author: Hagood, Taylor
    Published: 2017
    Publisher:  Camden House, Rochester, New York

    "William Faulkner seems to have sprung a full-blown genius from a remote part of the American South. Yet Faulkner spent much of his life striving to emulate and overshadow...both as a writer and as a person...his great-grandfather and namesake,... more

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    "William Faulkner seems to have sprung a full-blown genius from a remote part of the American South. Yet Faulkner spent much of his life striving to emulate and overshadow...both as a writer and as a person...his great-grandfather and namesake, Colonel William Falkner, a dueling, railroad-building, soldiering figure who loomed not just as a legend in Faulkner's family and community but also as a literary forebear, a published novelist, travel writer, and poet. Looking back on his career, Faulkner would mention that early on he had ridden his great-grandfather's coattails, but by the mid twentieth century it was clear that it was the great-grandson who was leading the literary world: readers, young writers of fiction, and literary critics were following him as one who had found extraordinary ways to capture and express the most challenging aspects of modern life. Taylor Hagood's book centers on the concept of following to examine how Faulkner's work has been analyzed, elucidated, and promoted by a massive body of scholarly work spanning over seven decades. It narrates the development of Faulkner criticism, taking as its premise the idea that Faulkner forges a fiery path through modernism and into postmodernism that literary critics have been constantly rushing to follow" ...

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781571135872; 1571135871
    RVK Categories: HU 3585
    Series: Studies in American literature and culture: literary criticism in perspective
    Subjects: Influence (Literary, artistic, etc.); Originality in literature; Rezeption
    Other subjects: Faulkner, William (1897-1962); Faulkner, William (1897-1962); Faulkner, William (1897-1962)
    Scope: 153 Seiten
    Notes:

    Includes bibliographical references and index
  16. Original copies in Georges Perec and Andy Warhol
    Author: Wadhera, Priya
    Published: [2017]
    Publisher:  Brill Rodopi, Leiden ; Boston

    Priya Wadhera's 'Original Copies in Perec and Warhol' is the first book to explore striking similarities between the works of the author and the artist. Copies abound in Perec's oeuvre, where pastiches, paintings, and intertexts dialogue with the... more

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    Freie Universität Berlin, Universitätsbibliothek
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    Priya Wadhera's 'Original Copies in Perec and Warhol' is the first book to explore striking similarities between the works of the author and the artist. Copies abound in Perec's oeuvre, where pastiches, paintings, and intertexts dialogue with the history of copying in the past and present, in literature and in art. Both here and in Warhol's works, the source of the copies is difficult to pinpoint, shrouded in a fog linked to death. This remarkable parallel provides insight into their widely-admired works and a postmodern aesthetic where the original is stripped of its value and the copy reigns supreme. In this study of the original and the copy, Wadhera illuminates the nature of art itself.

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9789004330207
    Other identifier:
    RVK Categories: IH 70961 ; LH 61060 ; LI 95130
    Series: Faux titre ; volume 413
    Subjects: Originality in art; Originality in literature; Art and literature; Kopie; Original; Kunst; Originalität; Literatur
    Other subjects: Warhol, Andy (1928-1987); Perec, Georges (1936-1982)
    Scope: 1 Online-Ressource (XII, 204 Seiten)
    Notes:

    Titel der Dissertation: "Copy play: the discourse on art in Georges Perec's 'Un cabinet d’amateur' and its intertexts"

    Dissertation, Columbia University, 2005
  17. Original copies in Georges Perec and Andy Warhol
    Author: Wadhera, Priya
    Published: [2017]
    Publisher:  Brill Rodopi, Leiden

    Priya Wadhera's 'Original Copies in Perec and Warhol' is the first book to explore striking similarities between the works of the author and the artist. Copies abound in Perec's oeuvre, where pastiches, paintings, and intertexts dialogue with the... more

     

    Priya Wadhera's 'Original Copies in Perec and Warhol' is the first book to explore striking similarities between the works of the author and the artist. Copies abound in Perec's oeuvre, where pastiches, paintings, and intertexts dialogue with the history of copying in the past and present, in literature and in art. Both here and in Warhol's works, the source of the copies is difficult to pinpoint, shrouded in a fog linked to death. This remarkable parallel provides insight into their widely-admired works and a postmodern aesthetic where the original is stripped of its value and the copy reigns supreme. In this study of the original and the copy, Wadhera illuminates the nature of art itself

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 9789004326170; 9789004330207
    RVK Categories: IH 70961 ; LH 61060 ; LI 95130
    Series: Faux titre ; volume 413
    Subjects: Originality in art; Originality in literature; Art and literature
    Scope: XII, 204 Seiten, 25 cm
    Notes:

    Literaturverzeichnis: Seite [193]-201

    Dissertation, Columbia University, 2005
  18. Following Faulkner
    the critical response to Yoknapatawpha's architect
    Author: Hagood, Taylor
    Published: 2017
    Publisher:  Camden House, Rochester, NY

    William Faulkner seems to have sprung a full-blown genius from a remote part of the American South. Yet Faulkner spent much of his life striving to emulate and overshadow - both as a writer and as a person - his great-grandfather and namesake,... more

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    William Faulkner seems to have sprung a full-blown genius from a remote part of the American South. Yet Faulkner spent much of his life striving to emulate and overshadow - both as a writer and as a person - his great-grandfather and namesake, Colonel William Falkner, a dueling, railroad-building, soldiering figure who loomed not just as a legend in Faulkner's family and community but also as a literary forebear, a published novelist, travel writer, and poet. Looking back on his career, Faulkner would mention that early on he had ridden his great-grandfather's coattails, but by the mid-twentieth century it was clear that it was the great-grandson who was leading the literary world: readers, young writers of fiction, and literary critics were following him as one who had found extraordinary ways to capture and express the most challenging aspects of modern life. Taylor Hagood's book centers on the concept of following to examine how Faulkner's work has been analyzed, elucidated,and promoted by a massive body of scholarly work spanning over seven decades. It narrates the development of Faulkner criticism, taking as its premise the idea that Faulkner forges a fiery path through modernism and into postmodernism that literary critics have been constantly rushing to follow.

    Taylor Hagood is Associate Professor of English at Florida Atlantic University. His book Faulkner: Writer of Disability (LSU Press, 2014) won the C. Hugh Holman Award for Best Book in Southern Literary Studies in 2015.
    Introduction -- Genius in the hinterland -- From new critical heights to structural and archival groundings -- The grip of theory -- Global Faulkner -- Forecast: future trends in Faulkner scholarship -- Works by William Faulkner

     
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    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781782049340
    Series: Studies in American literature and culture : literary criticism in perspective
    Subjects: Influence (Literary, artistic, etc.); Originality in literature; Faulkner, William ; 1897-1962 ; Criticism and interpretation; Faulkner, William ; 1897-1962 ; Influence; Influence (Literary, artistic, etc.); Originality in literature
    Other subjects: Faulkner, William (1897-1962); Faulkner, William (1897-1962)
    Scope: 1 Online-Ressource (153 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 10 May 2017)
  19. Original copies in Georges Perec and Andy Warhol
    Author: Wadhera, Priya
    Published: [2017]
    Publisher:  Brill Rodopi, Leiden

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2017:1724:
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    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Unlimited inter-library loan, copies and loan

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9789004326170
    RVK Categories: IH 70961 ; LH 61060 ; LI 95130
    Series: Faux titre ; volume 413
    Subjects: Art; Originality in art; Originality in literature; Art and literature
    Other subjects: Perec, Georges (1936-1982); Warhol, Andy (1928-1987)
    Scope: XII, 204 Seiten, 25 cm
    Notes:

    Includes bibliographical references and index
  20. Monster
    distortion, abstraction, and originality in contemporary American poetry
    Author: Irwin, Mark
    Published: [2017]; © 2017
    Publisher:  Peter Lang, New York

    Preface -- Distortion in the contemporary lyric and prose poem -- Distortion and disjunction in contemporary American poetry -- Distortion within poetry, nature, culture, and media -- Poetry, reality, & place in a placeless world of global... more

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    Staats- und Universitätsbibliothek Bremen
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    2017 A 6453
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    AA L IV 3400
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    Brechtbau-Bibliothek
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    Preface -- Distortion in the contemporary lyric and prose poem -- Distortion and disjunction in contemporary American poetry -- Distortion within poetry, nature, culture, and media -- Poetry, reality, & place in a placeless world of global communication -- Toward a wilderness of the artificial -- Concept, hyperbole, and truth as forms of abstraction in poetry -- The poem as concept -- Three notions of truth in poetry -- Distortion, transition, and memorability in poetry -- Raising poetry to a higher power -- Poetry & memorability -- Temporal distortion & originality in poetry -- Poetry & originality: "have you been there before?" -- Origin, presence, and time in the poetry of W.S. Merwin -- Jorie Graham: kite's body and beyond -- A romp through Ruefleland: Mary Ruefle's Selected poems & Madness, rack, and honey: collected lectures -- Myth and archetype as forms of abstraction -- Orpheus, Parzival, and Bartleby: ways of abstraction in poetry

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781433134050
    Other identifier:
    RVK Categories: HU 1769
    Series: Studies in modern poetry ; vol. 21
    Subjects: American poetry; American poetry; Experimental poetry, American; Literature and technology; Poetics; Originality in literature; Abstraction in literature
    Scope: xviii, 208 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  21. Following Faulkner
    the critical response to Yoknapatawpha's architect
    Author: Hagood, Taylor
    Published: 2017; ©2017
    Publisher:  Camden House, Rochester, New York

    Introduction -- Genius in the hinterland -- From new critical heights to structural and archival groundings -- The grip of theory -- Global Faulkner -- Forecast: future trends in Faulkner scholarship -- Works by William Faulkner "William Faulkner... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    10 A 14028
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    Introduction -- Genius in the hinterland -- From new critical heights to structural and archival groundings -- The grip of theory -- Global Faulkner -- Forecast: future trends in Faulkner scholarship -- Works by William Faulkner "William Faulkner seems to have sprung a full-blown genius from a remote part of the American South. Yet Faulkner spent much of his life striving to emulate and overshadow--both as a writer and as a person--his great-grandfather and namesake, Colonel William Falkner, a dueling, railroad-building, soldiering figure who loomed not just as a legend in Faulkner's family and community but also as a literary forebear, a published novelist, travel writer, and poet. Looking back on his career, Faulkner would mention that early on he had ridden his great-grandfather's coattails, but by the mid twentieth century it was clear that it was the great-grandson who was leading the literary world: readers, young writers of fiction, and literary critics were following him as one who had found extraordinary ways to capture and express the most challenging aspects of modern life. Taylor Hagood's book centers on the concept of following to examine how Faulkner's work has been analyzed, elucidated, and promoted by a massive body of scholarly work spanning over seven decades. It narrates the development of Faulkner criticism, taking as its premise the idea that Faulkner forges a fiery path through modernism and into postmodernism that literary critics have been constantly rushing to follow" --

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781571135872; 1571135871
    Other identifier:
    9781571135872
    RVK Categories: HU 3585
    Edition: First published
    Series: Studies in American literature and culture: literary criticism in perspective
    Subjects: Influence (Literary, artistic, etc.); Originality in literature; Influence (Literary, artistic, etc.); Originality in literature
    Other subjects: Faulkner, William (1897-1962); Faulkner, William (1897-1962); Faulkner, William 1897-1962; Faulkner, William 1897-1962
    Scope: 153 Seiten, 24 cm
    Notes:

    Includes bibliographical references (pages [141]-148) and index