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  1. Thinking with the familiar in contemporary literature and culture 'out of the ordinary'
    Contributor: Kuortti, Joel (Publisher); Ilmonen, Kaisa (Publisher); Valovirta, Elina (Publisher); Korkka, Janne (Publisher)
    Published: [2019]
    Publisher:  Brill | Rodopi, Leiden ; Boston

    "What grows out of the ordinary? This volume focuses on that which has been regarded as ordinary, self-evident and formulaic in literary and cultural phenomena such as diasporic cuisine, pet adoption narratives, Prairie writing, romance between... more

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    Universitätsbibliothek der LMU München
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    "What grows out of the ordinary? This volume focuses on that which has been regarded as ordinary, self-evident and formulaic in literary and cultural phenomena such as diasporic cuisine, pet adoption narratives, Prairie writing, romance between stepsiblings, the program of a political party, and everyday shopping in poetry. The book argues that by engaging with that which is perceived as ordinary we also gain understanding of how otherness becomes defined and constituted. The volume seeks new ways to access that which might lie in-between or beyond the opposition between exploitation and emancipation, and contests the hegemonic logic of revealing oppression and rebuilding liberation in contemporary critical theory to create new ways of knowing which grow out of the ordinary"--

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Kuortti, Joel (Publisher); Ilmonen, Kaisa (Publisher); Valovirta, Elina (Publisher); Korkka, Janne (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004406742
    Other identifier:
    Series: Critical studies ; volume 39
    Other subjects: Originality in literature; Other (Philosophy) in literature; Literature, Modern / History and criticism / Theory, etc
    Scope: 1 Online-Ressource
    Notes:

    Includes index
  2. Mary Wroth and Shakespeare
    Published: 2015
    Publisher:  Routledge, New York, New York

  3. Plagiat
    eine unoriginelle Literaturgeschichte
    Author: Theisohn, Philipp
    Published: 2009
    Publisher:  Kröner, Stuttgart

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    Universitätsbibliothek Würzburg
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783520351913
    Other identifier:
    9783520351012
    RVK Categories: DM 4200 ; EC 2260 ; EC 5100 ; EC 5810
    DDC Categories: 800
    Series: Kröners Taschenausgabe ; 351
    Subjects: Literatur - Plagiat - Geschichte; Geschichte; Literatur; Imitation in literature; Literature; Originality in literature; Plagiarism; Literatur; Plagiat
    Scope: 1 Online-Ressource (XIV, 577 S.), Ill.
  4. Original copy
    plagiarism and originality in nineteenth-century literature
    Author: Macfarlane, Robert
    Published: 2009
    Publisher:  Oxford University Press, Oxford

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Universitätsbibliothek Würzburg
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780191711916
    Other identifier:
    RVK Categories: HL 1004 ; HL 1020 ; HL 1031
    Edition: 1. publ.
    Subjects: Plagiaat; Bellettrie; Engels; Victoriaanse tijd; Englisch; Geschichte; English literature; Plagiarism; Originality in literature; Imitation in literature; Rezeption; Plagiat; Urfassung; Englisch; Literatur
    Scope: 1 Online-Ressource (XII, 244 S.)
    Notes:

    Includes bibliographical references (p. [212]-235) and index
  5. Convention and innovation in literature
    Published: 1989
    Publisher:  J. Benjamins Pub. Co., Amsterdam

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9027278342; 9789027222091; 9789027278340
    RVK Categories: EC 1990
    Series: Utrecht publications in general and comparative literature ; v. 24
    Subjects: BIOGRAPHY & AUTOBIOGRAPHY / Literary; Literatur; Originality in literature; Imitation in literature; Influence (Literary, artistic, etc.); Literature, Experimental; Literature; Konvention; Tradition; Innovation; Fortschritt; Literatur
    Scope: 1 Online-Ressource (xxii, 434 p.)
    Notes:

    Includes bibliographical references and index
  6. The plagiarism allegation in English literature from Butler to Sterne
    Author: Terry, Richard
    Published: 2010
    Publisher:  Palgrave Macmillan, New York

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    Universitätsbibliothek Regensburg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780230289918
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    RVK Categories: HG 410
    Edition: 1. publ.
    Subjects: Geschichte; English literature; Plagiarism; English drama; Plagiarism; Literature and society; Originality in literature; Imitation in literature; Plagiat; Englisch; Literatur
    Scope: 1 Online-Ressource (VIII, 215 S.)
  7. Original copies in Georges Perec and Andy Warhol
    Author: Wadhera, Priya
    Published: [2017]
    Publisher:  Brill, Leiden

    Machine generated contents note:1.Introduction --pt. 1Copy as Imitation and Enumeration in Perec --2.Copious Beginnings --2.1.incipit of Un cabinet d'amateur (1979) --2.2.Defining the Copy --2.3.Original and Copy --2.4.Mimesis --2.5.Copy as copia... more

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    Universitätsbibliothek der Eberhard Karls Universität
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    Machine generated contents note:1.Introduction --pt. 1Copy as Imitation and Enumeration in Perec --2.Copious Beginnings --2.1.incipit of Un cabinet d'amateur (1979) --2.2.Defining the Copy --2.3.Original and Copy --2.4.Mimesis --2.5.Copy as copia --3.Copying in Literature --3.1.Literature in the Age of the Scribe --3.2.Literature in the Age of Mechanical Reproduction --4.Perec and His Copies --4.1.Copying in Cabinet --4.2.Copies in Cabinet: A Brief Typology --pt. 2Pastiches --5.Cabinet as Pastiche --6.Kunstkammer in History and in Cabinet --7.Discourse on Authentication --pt. 3Paintings --8.Copying in Painting --8.1.Tradition of the Painter-Apprentice --8.2.Fakes, Forgeries, and Citations --9.Painting in Cabinet --10.Trompe-l'oeil and L'Œil ebloui (1981) --11.From One Canvas to Another --pt. 4Intertexts --12.Intertextuality in Cabinet --13.Immediate Intratextual Source: La Vie mode d'emploi (1978) --14.Intertextual Reference: Pierre Grassou by Balzac (1839) --15.Early Intratextual Source: Le Condottiere (1957 -- 60) --16.To Copy Is to Create: Menard's "Copy" --17.Copy in Warhol: Imitation, Enumeration, and Death --pt. 5Conclusion --18.Copy Play in Perec and Warhol --18.1.Copy as Original and Double --18.2.Hidden Origins: Fog and Fogging in Perec --18.3.Memorial and a Celebration, a Forging of Life from Death.

     
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    Source: Union catalogues
    Language: English; French
    Media type: Ebook
    Format: Online
    ISBN: 9789004330207; 9004330208
    Series: Faux titre ; volume 413
    Subjects: Art; Originality in art; Originality in literature; Art and literature; ART ; Criticism & Theory; Art and literature; Originality in art; Originality in literature; Criticism, interpretation, etc
    Other subjects: Perec, Georges (1936-1982); Warhol, Andy (1928-1987); Perec, Georges; Warhol, Andy
    Scope: 1 Online-Ressource
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    Includes bibliographical references and index
  8. Convention and innovation in literature
    Published: 1989
    Publisher:  J. Benjamins Pub. Co, Amsterdam

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    Hochschule Aalen, Bibliothek
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    Hochschule Esslingen, Bibliothek
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789027278340; 9027278342
    Series: Utrecht publications in general and comparative literature 0167-8175 ; v. 24
    Utrecht publications in general and comparative literature ; v. 24
    Subjects: Literature, Experimental; Literature; Originality in literature; Imitation in literature; Influence (Literary, artistic, etc.); Literature; Literature, Experimental; Literature, Experimental; Originality in literature; Criticism, interpretation, etc; BIOGRAPHY & AUTOBIOGRAPHY ; Literary; Imitation in literature; Influence (Literary, artistic, etc.); Literature
    Scope: Online Ressource (xxii, 434 p.)
    Notes:

    Includes bibliographical references and index
  9. Inhabited by Stories
    Critical Essays on Tales Retold
    Published: 2012
    Publisher:  Cambridge Scholars Pub, Newcastle upon Tyne

    Intertextuality has signaled change, appropriation, adaptation, and derivation. It has focused readers on irresolvable questions of influence and origination, progressive or regressive movement across continents, periods, and media. Inhabited by... more

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    Intertextuality has signaled change, appropriation, adaptation, and derivation. It has focused readers on irresolvable questions of influence and origination, progressive or regressive movement across continents, periods, and media. Inhabited by Stories: Critical Essays on Tales Retold takes a different approach. What would a model of literary study look like that steps out of time's river and embraces not only the presence and proximity of the world to the senses, but also of the past and th

     
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  10. This is not a copy
    writing at the iterative turn
    Author: Marczewska, Kaja
    Published: 2018
    Publisher:  Bloomsbury Academic, [London] ; Bloomsbury Publishing, London

    "In This Is Not a Copy, Kaja Marczewska identifies a characteristic 'copy-paste' tendency in contemporary culture--a shift in attitude that allows reproduction and plagiarizing to become a norm in cultural production. This inclination can be observed... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Universitätsbibliothek Leipzig
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    "In This Is Not a Copy, Kaja Marczewska identifies a characteristic 'copy-paste' tendency in contemporary culture--a shift in attitude that allows reproduction and plagiarizing to become a norm in cultural production. This inclination can be observed in literature and non-literary forms of writing at an unprecedented level, as experiments with text redefine the nature of creativity. Responding to these transformations, Marczewska argues that we must radically rethink our conceptions of artistic practice and proposes a move away from the familiar categories of copying and originality, creativity and plagiarism in favour of the notion of iteration. Developing the new concept of the Iterative Turn, This Is Not a Copy identifies and theorizes the turn toward ubiquitous iteration as a condition of text-based creative practices as they emerge in response to contemporary technologies. Conceiving of writing as iterative invites us to address a set of new, critical questions about contemporary culture. Combining discussion of literature, experimental and electronic writing, mainstream and independent publishing with debates in 20th- and 21st-century art, contemporary media culture, transforming technologies and copyright laws, This Is Not a Copy offers a timely and urgently needed argument, introducing a unique new perspective on practices that permeate our contemporary culture."--Bloomsbury Publishing

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501337864; 9781501337857; 9781501337840
    Other identifier:
    RVK Categories: HG 550
    Subjects: Originality in literature; Creative writing; Copying; Plagiarism; Copying; Originality in literature; Creative writing; Plagiarism
    Scope: 1 Online-Ressource (x, 304 pages), Illustrationen
    Notes:

    Includes bibliographical references and index
  11. Thinking with the familiar in contemporary literature and culture 'out of the ordinary'
    Contributor: Kuortti, Joel (Publisher)
    Published: [2020]; 2020
    Publisher:  Brill Rodopi, Leiden, The Netherlands ; Boston

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Contributor: Kuortti, Joel (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004406742
    Series: Critical studies ; 39
    Subjects: Originality in literature
    Scope: 1 Online-Ressource (243 pages)
    Notes:

    Description based on print version record
  12. Original copies in Georges Perec and Andy Warhol
    Author: Wadhera, Priya
    Published: 2017
    Publisher:  Brill, Leiden, Netherlands ; Boston, [Massachusetts] ; Rodopi

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004330207
    RVK Categories: IH 70961 ; LH 61060 ; LI 95130
    Series: Faux Titre ; Volume 413
    Subjects: Art; Originality in art; Originality in literature; Art and literature; Kopie; Kunst; Original; Originalität; Literatur
    Other subjects: Perec, Georges (1936-1982); Warhol, Andy (1928-1987); Perec, Georges (1936-1982); Warhol, Andy (1928-1987)
    Scope: 1 Online-Ressource (216 pages), illustrations
    Notes:

    Description based on print version record
  13. Old Style
    Unoriginality and Its Uses in Nineteenth-Century U.S. Literature
    Author: Stokes, Claudia
    Published: [2022]; ©2022
    Publisher:  University of Pennsylvania Press, Philadelphia ; Walter de Gruyter GmbH, Berlin

    An aesthetic of unoriginality shaped literary style and reader taste for decades of the nineteenth century. While critics in the twentieth century and beyond have upheld originality and innovation as essential characteristics of literary achievement,... more

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    An aesthetic of unoriginality shaped literary style and reader taste for decades of the nineteenth century. While critics in the twentieth century and beyond have upheld originality and innovation as essential characteristics of literary achievement, they were not features particularly prized by earlier American audiences, Claudia Stokes contends. On the contrary, readers were taught to value familiarity, traditionalism, and regularity. Literary originality was often seen as a mark of vulgar sensationalism and poor quality.In Old Style Stokes offers the first dedicated study of a forgotten nineteenth-century aesthetic, explicating the forms, practices, conventions, and uses of unoriginality. She focuses in particular on the second quarter of the century, when improvements in printing and distribution caused literary markets to become flooded with new material, and longstanding reading practices came under threat. As readers began to prefer novelty to traditional forms, advocates openly extolled unoriginality in an effort to preserve the old literary ways. Old Style examines this era of significant literary change, during which a once-dominant aesthetic started to give way to modern preferences.If writing in the old style came to be associated with elite conservatism-a linkage that contributed to its decline in the twentieth century-it also, paradoxically provided marginalized writers-people of color, white women, and members of the working class-the literary credentials they needed to enter print. Writing in the old style could affirm an aspiring author's training, command of convention, and respectability. In dismissing unoriginality as the literary purview of the untalented or unambitious, Stokes cautions, we risk overlooking something of vital importance to generations of American writers and readers.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812298161
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    Subjects: American literature; Conservatism and literature; Conservatism in literature; Imitation in literature; Influence (Literary, artistic, etc.); Originality in literature; LITERARY CRITICISM / American / General
    Other subjects: Cultural Studies; Literature
    Scope: 1 Online-Ressource (288 p.) 0
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021)
  14. Original copies in Georges Perec and Andy Warhol
    Author: Wadhera, Priya
    Published: [2017]
    Publisher:  Brill Rodopi, Leiden

    Contents -- Acknowledgments -- Chapter 1 Introduction -- Part 1 The Copy as Imitation and Enumeration in Perec -- Chapter 2 Copious Beginnings -- 2.1 The incipit of Un cabinet d'amateur (1979) -- 2.2 Defining the Copy -- 2.3 Original and Copy -- 2.4... more

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    Contents -- Acknowledgments -- Chapter 1 Introduction -- Part 1 The Copy as Imitation and Enumeration in Perec -- Chapter 2 Copious Beginnings -- 2.1 The incipit of Un cabinet d'amateur (1979) -- 2.2 Defining the Copy -- 2.3 Original and Copy -- 2.4 Mimesis -- 2.5 Copy as copia -- Chapter 3 Copying in Literature -- 3.1 Literature in the Age of the Scribe -- 3.2 Literature in the Age of Mechanical Reproduction -- Chapter 4 Perec and His Copies -- 4.1 Copying in Cabinet -- 4.2 Copies in Cabinet: A Brief Typology -- Part 2 Pastiches -- Chapter 5 Cabinet as Pastiche Chapter 6 The Kunstkammer in History and in Cabinet -- Chapter 7 The Discourse on Authentication -- Part 3 Paintings -- Chapter 8 Copying in Painting -- 8.1 The Tradition of the Painter-Apprentice -- 8.2 Fakes, Forgeries, and Citations -- Chapter 9 Painting in Cabinet -- Chapter 10 Trompe-l'oeil and L'OEil ébloui (1981) -- Chapter 11 From One Canvas to Another -- Part 4 Intertexts -- Chapter 12 Intertextuality in Cabinet -- Chapter 13 An Immediate Intratextual Source: La Vie mode d'emploi (1978) -- Chapter 14 An Intertextual Reference: Pierre Grassou by Balzac (1839) Chapter 15 An Early Intratextual Source: Le Condottière (1957-60) -- Chapter 16 To Copy Is to Create: Menard's "Copy" -- Chapter 17 The Copy in Warhol: Imitation, Enumeration, and Death -- Part 5 Conclusion -- Chapter 18 Copy Play in Perec and Warhol -- 18.1 The Copy as Original and Double -- 18.2 Hidden Origins: Fog and Fogging in Perec -- 18.3 A Memorial and a Celebration, a Forging of Life from Death -- Bibliography -- Index

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004330207
    Other identifier:
    Series: Faux Titre Ser ; volume 413
    Faux titre ; 413
    Subjects: Art; Originality in art; Originality in literature; Art and literature; Art; Originality in art; Originality in literature; Art and literature
    Other subjects: Perec, Georges (1936-1982); Warhol, Andy (1928-1987); Perec, Georges (1936-1982); Warhol, Andy (1928-1987)
    Scope: 1 Online-Ressource (xii, 216 p)
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    Description based upon print version of record
  15. Original copy
    plagiarism and originality in nineteenth-century literature
    Author: Macfarlane, Robert
    Published: 2007
    Publisher:  Oxford University Press, Oxford

    This is a wide-ranging and elegantly written study of how 19th century culture thought about, and thought with, the idea of originality. It reveals how plagiarism was not only a theoretical concern of Victorian commentators on literature, but also... more

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    Duale Hochschule Baden-Württemberg Heidenheim, Bibliothek
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    Bibliothek LIV HN Sontheim
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    Bibliothek LIV HN Sontheim
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    This is a wide-ranging and elegantly written study of how 19th century culture thought about, and thought with, the idea of originality. It reveals how plagiarism was not only a theoretical concern of Victorian commentators on literature, but also provided a creative resource for many important writers

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0199296502; 9780199296507
    Subjects: English literature; Imitation in literature; Originality in literature; Plagiarism; Victoriaanse tijd; Electronic books
    Scope: Online-Ressource (xii, 244 p), 23 cm
    Notes:

    Includes bibliographical references (p. [212]-235) and index

    Electronic reproduction; Available via World Wide Web

    'Romantic' OriginalityLegitimizing Appropriation -- George Eliot, Originality, and Plagiarism -- Charles Reade: The Realist as Plagiarist -- Aesthetics of Salvage in the Fin-de-Siècle: Originality and Plagiarism in Pater, Wilde, and Johnson.
  16. Original copies in Georges Perec and Andy Warhol
    Author: Wadhera, Priya
    Published: [2017]
    Publisher:  Brill Rodopi, Leiden

    Contents -- Acknowledgments -- Chapter 1 Introduction -- Part 1 The Copy as Imitation and Enumeration in Perec -- Chapter 2 Copious Beginnings -- 2.1 The incipit of Un cabinet d'amateur (1979) -- 2.2 Defining the Copy -- 2.3 Original and Copy -- 2.4... more

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    Contents -- Acknowledgments -- Chapter 1 Introduction -- Part 1 The Copy as Imitation and Enumeration in Perec -- Chapter 2 Copious Beginnings -- 2.1 The incipit of Un cabinet d'amateur (1979) -- 2.2 Defining the Copy -- 2.3 Original and Copy -- 2.4 Mimesis -- 2.5 Copy as copia -- Chapter 3 Copying in Literature -- 3.1 Literature in the Age of the Scribe -- 3.2 Literature in the Age of Mechanical Reproduction -- Chapter 4 Perec and His Copies -- 4.1 Copying in Cabinet -- 4.2 Copies in Cabinet: A Brief Typology -- Part 2 Pastiches -- Chapter 5 Cabinet as Pastiche Chapter 6 The Kunstkammer in History and in Cabinet -- Chapter 7 The Discourse on Authentication -- Part 3 Paintings -- Chapter 8 Copying in Painting -- 8.1 The Tradition of the Painter-Apprentice -- 8.2 Fakes, Forgeries, and Citations -- Chapter 9 Painting in Cabinet -- Chapter 10 Trompe-l'oeil and L'OEil ébloui (1981) -- Chapter 11 From One Canvas to Another -- Part 4 Intertexts -- Chapter 12 Intertextuality in Cabinet -- Chapter 13 An Immediate Intratextual Source: La Vie mode d'emploi (1978) -- Chapter 14 An Intertextual Reference: Pierre Grassou by Balzac (1839) Chapter 15 An Early Intratextual Source: Le Condottière (1957-60) -- Chapter 16 To Copy Is to Create: Menard's "Copy" -- Chapter 17 The Copy in Warhol: Imitation, Enumeration, and Death -- Part 5 Conclusion -- Chapter 18 Copy Play in Perec and Warhol -- 18.1 The Copy as Original and Double -- 18.2 Hidden Origins: Fog and Fogging in Perec -- 18.3 A Memorial and a Celebration, a Forging of Life from Death -- Bibliography -- Index

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004330207
    Other identifier:
    Series: Faux Titre Ser ; volume 413
    Faux titre ; 413
    Subjects: Art; Originality in art; Originality in literature; Art and literature; Art; Originality in art; Originality in literature; Art and literature
    Other subjects: Perec, Georges (1936-1982); Warhol, Andy (1928-1987); Perec, Georges (1936-1982); Warhol, Andy (1928-1987)
    Scope: 1 Online-Ressource (xii, 216 p)
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  17. Inhabited by stories
    critical essays on tales retold
    Contributor: Barta-Smith, Nancy A. (HerausgeberIn); DiMarco, Danette (HerausgeberIn)
    Published: 2012
    Publisher:  Cambridge Scholars Publishing, Newcastle upon Tyne ; Ebrary, Ann Arbor

    Intertextuality has signaled change, appropriation, adaptation, and derivation. It has focused readers on irresolvable questions of influence and origination, progressive or regressive movement across continents, periods, and media. Inhabited by... more

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    Intertextuality has signaled change, appropriation, adaptation, and derivation. It has focused readers on irresolvable questions of influence and origination, progressive or regressive movement across continents, periods, and media. Inhabited by Stories: Critical Essays on Tales Retold takes a different approach. What would a model of literary study look like that steps out of time's river and embraces not only the presence and proximity of the world to the senses, but also of the past and th

     
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    Source: Union catalogues
    Contributor: Barta-Smith, Nancy A. (HerausgeberIn); DiMarco, Danette (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781443843669; 1443843660; 9781443841535; 1443841536; 9781299658547; 1299658547
    Series: Ebrary Online
    Subjects: Intertextuality; Originality in literature; Literature; Literature; American literature; English literature; LITERARY CRITICISM; Intertextuality; Literature; Originality in literature
    Scope: 1 Online-Ressource (viii, 373 pages)
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    Includes bibliographical references and index. - Print version record
  18. Thinking with the familiar in contemporary literature and culture 'out of the ordinary'
    Contributor: Kuortti, Joel (HerausgeberIn, VerfasserIn); Ilmonen, Kaisa (HerausgeberIn, VerfasserIn); Valovirta, Elina (HerausgeberIn, VerfasserIn); Korkka, Janne (HerausgeberIn)
    Published: [2020]
    Publisher:  Brill | Rodopi, Leiden

    "What grows out of the ordinary? This volume focuses on that which has been regarded as ordinary, self-evident and formulaic in literary and cultural phenomena such as diasporic cuisine, pet adoption narratives, Prairie writing, romance between... more

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    "What grows out of the ordinary? This volume focuses on that which has been regarded as ordinary, self-evident and formulaic in literary and cultural phenomena such as diasporic cuisine, pet adoption narratives, Prairie writing, romance between stepsiblings, the program of a political party, and everyday shopping in poetry. The book argues that by engaging with that which is perceived as ordinary we also gain understanding of how otherness becomes defined and constituted. The volume seeks new ways to access that which might lie in-between or beyond the opposition between exploitation and emancipation, and contests the hegemonic logic of revealing oppression and rebuilding liberation in contemporary critical theory to create new ways of knowing which grow out of the ordinary"--

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Kuortti, Joel (HerausgeberIn, VerfasserIn); Ilmonen, Kaisa (HerausgeberIn, VerfasserIn); Valovirta, Elina (HerausgeberIn, VerfasserIn); Korkka, Janne (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004406742
    Other identifier:
    Series: Critical studies ; volume 39
    Literature and Cultural Studies E-Books Online, Collection 2019, ISBN: 9789004386334
    Subjects: Originality in literature; Other (Philosophy) in literature; Literature, Modern
    Scope: 1 Online-Ressource (XVII, 225 Seiten)
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    Includes index
  19. Original copies in Georges Perec and Andy Warhol
    Author: Wadhera, Priya
    Published: [2017]
    Publisher:  Brill Rodopi, Leiden

    Contents -- Acknowledgments -- Chapter 1 Introduction -- Part 1 The Copy as Imitation and Enumeration in Perec -- Chapter 2 Copious Beginnings -- 2.1 The incipit of Un cabinet d'amateur (1979) -- 2.2 Defining the Copy -- 2.3 Original and Copy -- 2.4... more

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    Contents -- Acknowledgments -- Chapter 1 Introduction -- Part 1 The Copy as Imitation and Enumeration in Perec -- Chapter 2 Copious Beginnings -- 2.1 The incipit of Un cabinet d'amateur (1979) -- 2.2 Defining the Copy -- 2.3 Original and Copy -- 2.4 Mimesis -- 2.5 Copy as copia -- Chapter 3 Copying in Literature -- 3.1 Literature in the Age of the Scribe -- 3.2 Literature in the Age of Mechanical Reproduction -- Chapter 4 Perec and His Copies -- 4.1 Copying in Cabinet -- 4.2 Copies in Cabinet: A Brief Typology -- Part 2 Pastiches -- Chapter 5 Cabinet as Pastiche Chapter 6 The Kunstkammer in History and in Cabinet -- Chapter 7 The Discourse on Authentication -- Part 3 Paintings -- Chapter 8 Copying in Painting -- 8.1 The Tradition of the Painter-Apprentice -- 8.2 Fakes, Forgeries, and Citations -- Chapter 9 Painting in Cabinet -- Chapter 10 Trompe-l'oeil and L'OEil ébloui (1981) -- Chapter 11 From One Canvas to Another -- Part 4 Intertexts -- Chapter 12 Intertextuality in Cabinet -- Chapter 13 An Immediate Intratextual Source: La Vie mode d'emploi (1978) -- Chapter 14 An Intertextual Reference: Pierre Grassou by Balzac (1839) Chapter 15 An Early Intratextual Source: Le Condottière (1957-60) -- Chapter 16 To Copy Is to Create: Menard's "Copy" -- Chapter 17 The Copy in Warhol: Imitation, Enumeration, and Death -- Part 5 Conclusion -- Chapter 18 Copy Play in Perec and Warhol -- 18.1 The Copy as Original and Double -- 18.2 Hidden Origins: Fog and Fogging in Perec -- 18.3 A Memorial and a Celebration, a Forging of Life from Death -- Bibliography -- Index

     
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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004330207
    Series: Faux Titre Ser ; volume 413
    Faux Titre ; Volume 413
    Subjects: Art; Originality in art; Originality in literature; Art and literature; Perec, Georges ; 1936-1982 ; Criticism and interpretation; Warhol, Andy ; 1928-1987 ; Criticism and interpretation; Art ; Copying; Originality in art; Originality in literature; Art and literature; Electronic books
    Other subjects: Perec, Georges (1936-1982); Warhol, Andy (1928-1987)
    Scope: 1 Online-Ressource (xii, 216 p)
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    Description based upon print version of record
  20. Old style
    unoriginality and its uses in nineteenth-century U.S. literature
    Author: Stokes, Claudia
    Published: 2021
    Publisher:  University of Pennsylvania Press, Philadelphia

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    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812298161; 0812298160
    Edition: 1st edition
    Subjects: American literature; Originality in literature; Imitation in literature; Influence (Literary, artistic, etc.); Conservatism in literature; Conservatism and literature
    Scope: 1 Online-Ressource (1 volume.)
    Notes:

    Includes bibliographical references and index
  21. Following Faulkner
    the critical response to Yoknapatawpha's architect
    Author: Hagood, Taylor
    Published: 2017
    Publisher:  Camden House, Rochester, NY

    William Faulkner seems to have sprung a full-blown genius from a remote part of the American South. Yet Faulkner spent much of his life striving to emulate and overshadow - both as a writer and as a person - his great-grandfather and namesake,... more

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    William Faulkner seems to have sprung a full-blown genius from a remote part of the American South. Yet Faulkner spent much of his life striving to emulate and overshadow - both as a writer and as a person - his great-grandfather and namesake, Colonel William Falkner, a dueling, railroad-building, soldiering figure who loomed not just as a legend in Faulkner's family and community but also as a literary forebear, a published novelist, travel writer, and poet. Looking back on his career, Faulkner would mention that early on he had ridden his great-grandfather's coattails, but by the mid-twentieth century it was clear that it was the great-grandson who was leading the literary world: readers, young writers of fiction, and literary critics were following him as one who had found extraordinary ways to capture and express the most challenging aspects of modern life. Taylor Hagood's book centers on the concept of following to examine how Faulkner's work has been analyzed, elucidated,and promoted by a massive body of scholarly work spanning over seven decades. It narrates the development of Faulkner criticism, taking as its premise the idea that Faulkner forges a fiery path through modernism and into postmodernism that literary critics have been constantly rushing to follow.

    Taylor Hagood is Associate Professor of English at Florida Atlantic University. His book Faulkner: Writer of Disability (LSU Press, 2014) won the C. Hugh Holman Award for Best Book in Southern Literary Studies in 2015.
    Introduction -- Genius in the hinterland -- From new critical heights to structural and archival groundings -- The grip of theory -- Global Faulkner -- Forecast: future trends in Faulkner scholarship -- Works by William Faulkner

     
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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781782049340
    Series: Studies in American literature and culture : literary criticism in perspective
    Subjects: Influence (Literary, artistic, etc.); Originality in literature; Faulkner, William ; 1897-1962 ; Criticism and interpretation; Faulkner, William ; 1897-1962 ; Influence; Influence (Literary, artistic, etc.); Originality in literature
    Other subjects: Faulkner, William (1897-1962); Faulkner, William (1897-1962)
    Scope: 1 Online-Ressource (153 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 10 May 2017)
  22. Mary Wroth and Shakespeare
    Contributor: Salzman, Paul (MitwirkendeR); Wynne-Davies, Marion (MitwirkendeR)
    Published: 2015
    Publisher:  Routledge,, New York

    pt. 1. Poetry, circulation, influence -- pt. 2. Genre and gender -- pt. 3. Querying identity. more

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    pt. 1. Poetry, circulation, influence -- pt. 2. Genre and gender -- pt. 3. Querying identity.

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Salzman, Paul (MitwirkendeR); Wynne-Davies, Marion (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781315764900; 9781317655671; 9781317655688
    Other identifier:
    Series: Routledge studies in Shakespeare ; 11
    Subjects: Originality in literature; Difference (Philosophy) in literature; Gender identity in literature; Women and literature
    Other subjects: Shakespeare, William (1564-1616); Wroth, Mary Lady (approximately 1586-approximately 1640); Wroth, Mary Lady (approximately 1586-approximately 1640)
    Scope: 1 online resource (vi, 171 pages)
  23. Old Style
    Unoriginality and Its Uses in Nineteenth-Century U.S. Literature
    Author: Stokes, Claudia
    Published: [2021]; © 2022
    Publisher:  University of Pennsylvania Press, Philadelphia

    Frontmatter -- CONTENTS -- Acknowledgments -- Introduction -- PART I. UNORIGINALITY ON THE MARGINS -- Chapter 1. The Poetics of Unoriginality: The Case of Lucretia Davidson -- Chapter 2. Novel Commonplaces: Quotation, Epigraphs, and Literary... more

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    Frontmatter -- CONTENTS -- Acknowledgments -- Introduction -- PART I. UNORIGINALITY ON THE MARGINS -- Chapter 1. The Poetics of Unoriginality: The Case of Lucretia Davidson -- Chapter 2. Novel Commonplaces: Quotation, Epigraphs, and Literary Authority -- Chapter 3. A Few Good Books: Rereading and the Virtues of Familiarity -- PART II. ELITIST CONSERVATISM AND THE DEFENSE OF TRADITION -- Chapter 4. Old Friends in New Dress: James Fenimore Cooper and the Politics of the Sequel -- Chapter 5. Longfellow’s Antiquarianism -- Chapter 6. Thomas Bailey Aldrich and the End of Tradition -- Notes -- Bibliography -- Index An aesthetic of unoriginality shaped literary style and reader taste for decades of the nineteenth century. While critics in the twentieth century and beyond have upheld originality and innovation as essential characteristics of literary achievement, they were not features particularly prized by earlier American audiences, Claudia Stokes contends. On the contrary, readers were taught to value familiarity, traditionalism, and regularity. Literary originality was often seen as a mark of vulgar sensationalism and poor quality.In Old Style Stokes offers the first dedicated study of a forgotten nineteenth-century aesthetic, explicating the forms, practices, conventions, and uses of unoriginality. She focuses in particular on the second quarter of the century, when improvements in printing and distribution caused literary markets to become flooded with new material, and longstanding reading practices came under threat. As readers began to prefer novelty to traditional forms, advocates openly extolled unoriginality in an effort to preserve the old literary ways. Old Style examines this era of significant literary change, during which a once-dominant aesthetic started to give way to modern preferences.If writing in the old style came to be associated with elite conservatism—a linkage that contributed to its decline in the twentieth century—it also, paradoxically provided marginalized writers—people of color, white women, and members of the working class—the literary credentials they needed to enter print. Writing in the old style could affirm an aspiring author's training, command of convention, and respectability. In dismissing unoriginality as the literary purview of the untalented or unambitious, Stokes cautions, we risk overlooking something of vital importance to generations of American writers and readers

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812298161
    Other identifier:
    RVK Categories: HT 1520
    Edition: 1st edition
    Subjects: American literature; Conservatism and literature; Conservatism in literature; Imitation in literature; Influence (Literary, artistic, etc.); Originality in literature; Literatur; Nachahmung; Originalität; LITERARY CRITICISM / American / General
    Other subjects: Cultural Studies; Literature
    Scope: 1 Online-Ressource (xi, 253 Seiten)
  24. Thinking with the familiar in contemporary literature and culture 'out of the ordinary'
    Contributor: Kuortti, Joel (HerausgeberIn, VerfasserIn); Ilmonen, Kaisa (HerausgeberIn, VerfasserIn); Valovirta, Elina (HerausgeberIn, VerfasserIn); Korkka, Janne (HerausgeberIn)
    Published: [2020]
    Publisher:  Brill | Rodopi, Leiden

    "What grows out of the ordinary? This volume focuses on that which has been regarded as ordinary, self-evident and formulaic in literary and cultural phenomena such as diasporic cuisine, pet adoption narratives, Prairie writing, romance between... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität Potsdam, Universitätsbibliothek
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    "What grows out of the ordinary? This volume focuses on that which has been regarded as ordinary, self-evident and formulaic in literary and cultural phenomena such as diasporic cuisine, pet adoption narratives, Prairie writing, romance between stepsiblings, the program of a political party, and everyday shopping in poetry. The book argues that by engaging with that which is perceived as ordinary we also gain understanding of how otherness becomes defined and constituted. The volume seeks new ways to access that which might lie in-between or beyond the opposition between exploitation and emancipation, and contests the hegemonic logic of revealing oppression and rebuilding liberation in contemporary critical theory to create new ways of knowing which grow out of the ordinary"--

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Kuortti, Joel (HerausgeberIn, VerfasserIn); Ilmonen, Kaisa (HerausgeberIn, VerfasserIn); Valovirta, Elina (HerausgeberIn, VerfasserIn); Korkka, Janne (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004406742
    Other identifier:
    Series: Critical studies ; volume 39
    Literature and Cultural Studies E-Books Online, Collection 2019, ISBN: 9789004386334
    Subjects: Originality in literature; Other (Philosophy) in literature; Literature, Modern
    Scope: 1 Online-Ressource (XVII, 225 Seiten)
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    Includes index
  25. This is not a copy
    writing at the iterative turn
    Author: Marczewska, Kaja
    Published: 2018
    Publisher:  Bloomsbury Academic, [London] ; Bloomsbury Publishing, London

    "In This Is Not a Copy, Kaja Marczewska identifies a characteristic 'copy-paste' tendency in contemporary culture--a shift in attitude that allows reproduction and plagiarizing to become a norm in cultural production. This inclination can be observed... more

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    "In This Is Not a Copy, Kaja Marczewska identifies a characteristic 'copy-paste' tendency in contemporary culture--a shift in attitude that allows reproduction and plagiarizing to become a norm in cultural production. This inclination can be observed in literature and non-literary forms of writing at an unprecedented level, as experiments with text redefine the nature of creativity. Responding to these transformations, Marczewska argues that we must radically rethink our conceptions of artistic practice and proposes a move away from the familiar categories of copying and originality, creativity and plagiarism in favour of the notion of iteration. Developing the new concept of the Iterative Turn, This Is Not a Copy identifies and theorizes the turn toward ubiquitous iteration as a condition of text-based creative practices as they emerge in response to contemporary technologies. Conceiving of writing as iterative invites us to address a set of new, critical questions about contemporary culture. Combining discussion of literature, experimental and electronic writing, mainstream and independent publishing with debates in 20th- and 21st-century art, contemporary media culture, transforming technologies and copyright laws, This Is Not a Copy offers a timely and urgently needed argument, introducing a unique new perspective on practices that permeate our contemporary culture."--Bloomsbury Publishing

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501337864; 9781501337857; 9781501337840
    Other identifier:
    RVK Categories: HG 550
    Subjects: Originality in literature; Creative writing; Copying; Plagiarism; Copying; Originality in literature; Creative writing; Plagiarism
    Scope: 1 Online-Ressource (x, 304 pages), Illustrationen
    Notes:

    Includes bibliographical references and index