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  1. <<Il>> mito e il sacro in Richard Wagner
    sacrificio e redenzione nell'opera d'arte totale
    Author: Tessarin, Pietro
    Published: gennaio 2019
    Publisher:  Zecchini editore, Varese (Italy)

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    Source: Union catalogues
    Language: Italian
    Media type: Book
    ISBN: 9788865402108
    Edition: Prima edizione
    Series: <<I>> racconti della musica ; 41
    Subjects: Music / Philosophy and aesthetics; Myth; Holy, The; Tragedy in music
    Other subjects: Wagner, Richard / 1813-1883 / Criticism and interpretation
    Scope: viii, 244 pages, illustrations, 21 cm
  2. <<Le>> flux et le fixe
    peinture et musique
    Author: Weid, Jean-Noël <<von der>>
    Published: 2012
    Publisher:  Fayard, [Paris]

  3. <<The>> acoustic self in English modernism and beyond
    writing musically
    Author: Varga, Zoltan
    Published: 2022
    Publisher:  Routledge Taylor & Francis Group, New York

  4. A theory of musical narrative
    Author: Almén, Byron
    Published: 2017
    Publisher:  Indiana University Press, Bloomington ; Indianapolis

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    Universitätsbibliothek der LMU München
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780253030092
    Edition: First paperback edition
    Series: Musical meaning and interpretation
    Subjects: Narrativität; Musik
    Other subjects: Music / Philosophy and aesthetics; Musical analysis; Music / Semiotics; Music and literature; Music theory; Narrative in music; Music and literature; Music / Philosophy and aesthetics; Music / Semiotics; Music theory; Musical analysis; Narrative in music
    Scope: xiv, 248 Seiten, Noten
    Notes:

    Originally published in 2008
  5. ANOTHER SONG FOR EUROPE
    music, taste, and values in the eurovision song contest
    Author: Raykoff, Ivan
    Published: 2020
    Publisher:  ROUTLEDGE, [S.l.]

    The Eurovision Song Contest is famous for its camp spectacles and political intrigues, but what about its actual music? With more than 1,500 songs in over50 languages and a wide range of musical styles since it began in 1956, Eurovision features the... more

     

    The Eurovision Song Contest is famous for its camp spectacles and political intrigues, but what about its actual music? With more than 1,500 songs in over50 languages and a wide range of musical styles since it began in 1956, Eurovision features the most musically and linguistically diverse song repertoire in history. Listening closely to its classic fan favorites but also to songs that scored low because they were too different or too far ahead of their time, this book delves into the musical tastes and cultural values the contest engages through its international reach and popular appeal. Chapters discuss the iconic fanfare that introduces the broadcast, the supposed formulas for composing successful contest entries, how composers balance aspects of sameness and difference in their songs, and the tension between national genres of European popular music and musical trends beyond the nation's borders, especially the American influences on a show that is supposed to celebrate an idealized pan-European identity. The book also explores how audiences interact with the contest through musicking experiences that bring people together to celebrate its sounds and spectacles. What can seem like a silly song-and-dance show offers valuable insights into the bonds between popular music and cosmopolitan values for its many followers around the world. From dance parties to flashmobs, parodies to plagiarisms, and orchestras to artificial intelligence, Another Song for Europe will be of particular interest to Eurovision fans, critics, and scholars of popular music, popular culture, ethnomusicology, and European studies

     
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    Volltext (URL des Erstveroeffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781000245646; 1000245640; 9780429281532; 0429281536; 9781000245653; 1000245659; 9781000245660; 1000245667
    RVK Categories: LR 57230 ; LR 57720
    Subjects: Music / Philosophy and aesthetics; Ethnomusicology; Ästhetik; Musikalischer Stil; Popmusik
    Scope: 1 Online Ressource
  6. Aesthetic Measure
    Author: Birkhoff, George David
    Published: [1933]
    Publisher:  Harvard University Press, Cambridge, Mass.

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674734470; 9780674730229
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    Subjects: Music / Philosophy and aesthetics; Kunst; Musik; Ästhetik; Künste, Bildende Kunst allgemein; Aesthetics; Art; Proportion (Art); Poetry; Musik; Kunst; Mathematik; Ästhetik; Literatur
    Scope: 1 Online-Ressource (xiii,225p.)
    Notes:

    15 schw.-w. Abb., 23 plates
  7. Aesthetic Measure
    Author: Birkhoff, George David
    Published: [1933]
    Publisher:  Harvard University Press, Cambridge, Mass.

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674734470
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    RVK Categories: CC 6900
    Subjects: Music / Philosophy and aesthetics; Kunst; Musik; Ästhetik; Künste, Bildende Kunst allgemein; Aesthetics; Art; Proportion (Art); Poetry; Musik; Kunst; Mathematik; Ästhetik; Literatur
    Scope: 1 Online-Ressource (xiii,225p.)
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    15 schw.-w. Abb., 23 plates
  8. Aesthetic theories and forms in Indian tradition
    Published: 2008
    Publisher:  Centre for Studies in Civilization, New Delhi

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Würzburg
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    Source: Union catalogues
    Language: English
    Media type: Book
    Edition: 1. publ.
    Series: History of science, philosophy and culture in Indian civilization : Volume VI, Culture, language, literature and arts ; 1
    Subjects: Aesthetics, Indic; Form (Aesthetics); Music / Philosophy and aesthetics; Literature / Aesthetics; Literatur; Musik; Ästhetik; Aesthetics, Indic; Form (Aesthetics); Literature; Music; Kunst; Ästhetik
    Scope: C, 611 S., [16] Bl., Ill., 29 cm
    Notes:

    Includes bibliographical references and index
  9. Aesthetics and experience in music performance
    Published: 2005
    Publisher:  Cambridge Scholars Press, Newcastle

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1282042793; 1443802301; 9781282042797; 9781443802307
    Subjects: Musikalische Aufführungspraxis; Ästhetik; Musikerziehung; Music / Performance; Music / Philosophy and aesthetics; Musicology; MUSIC / Genres & Styles / Classical; MUSIC / Reference; Musik; Music; Music; Musicology; Musikalische Aufführungspraxis; Musikerziehung; Ästhetik
    Scope: 1 Online-Ressource (xxiv, 348 p.)
    Notes:

    Includes bibliographical references and index

    Introduction. The future of music research in Australia and the legacy of Mozart note crunching / Steven Knopoff -- Performance, aesthetics, experience : thoughts on Yawulyu Mungamunga songs / Linda Barwick

    The performance of early music. Johannes de Grocheo's De musica as a guidebook for thirteenth-century Parisian musical practice / Carol Williams -- Comparative aesthetic thought in early eighteenth-century England / Barnaby Ralph -- A brief polemic about the early music movement / Michael O'Loghlin -- Early music performance in Australia : cultural and historical perspectives / David Irving -- Producing major early music events in a conservatorium context : lessons learned / Peter Roennfeldt

    Aesthetics and experience in music of the eighteenth century. An experimental investigation of musical character portrayed by piano versus harpsichord performances of a J.S. Bach excerpt / Emery Schubert and Dorottya Fabian -- The nurturing of the late eighteenth-century prima donna / Samantha Cobcroft -- Meaning in harpsichord decoration : the Flemish and French schools of soundboard painting / Ayako Otomo

    Music as cultural product. Let's hear it for the boys : the place of boys' music in a feminist world / Scott D. Harrison -- The learning and transmission of Rebetika in the Greek-Australian diaspora community in Melbourne / Kipps Horn -- Celebration of cover up? : "My island home", Australian national identity and the spectacle of Sydney 2000 / Katelyn Barney -- "Don't you know they're talking about a revolution" : the trovador in socialist Cuba / Susan Monk -- Writing close to dance : expression in Yolngu performance / Franca Tamisari -- On slumber sea : lullaby as transitional vehicle / Robyn Brady

    Gender issues and queer musicology. Women and music. The personal is political is musical : understanding aboriginal women's performance practice / Liz Mackinlay -- Reflections on females conducting / Brydie-Leigh Bartleet -- Women do country music : Australian women's country music and music culture scholarship / Shirley Tucker. Queer musicology. Inside out : queer theory and popular culture / Mark McLelland -- Queer musicology / John Phillips -- Opening Pandora's box : role and representation in music criticism in late nineteenth-century Melbourne / Johanna Selleck

    Music education, musicology, and technology : performing relationships. Musicology and music education. Re/positioning the relationship between musicology and music education : an introduction / Kathryn Russell -- Does musicology have something to offer music education? : reflections from the classroom / James Cuskelly -- The interface between musicology and music education : an ethnomusicological perspective / Elizabeth Mackinlay. Music and technology. Learning through recording / Don Lebler -- Meaningful engagement with music technology / Steve Dillon

    The present volume is an examination of aesthetics and experience in music over a wide range of areas of contemporary interest to musicology. Early music, the eighteenth century, gender studies, music technology, music education and ethnomusicology are all subsumed and unified under this theme
  10. After Debussy
    music, language, and the margins of philosophy
    Author: Johnson, Julian
    Published: [2020]; © 2020
    Publisher:  Oxford University Press, New York, NY

    Focusing on the music of Debussy and its legacy in the century since his death, 'After Debussy' offers a groundbreaking new perspective on twentieth-century music that foregrounds a sensory logic of sound over quasi-linguistic ideas of structure or... more

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    Focusing on the music of Debussy and its legacy in the century since his death, 'After Debussy' offers a groundbreaking new perspective on twentieth-century music that foregrounds a sensory logic of sound over quasi-linguistic ideas of structure or meaning

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780190066826
    RVK Categories: LP 91692
    Subjects: Music / Philosophy and aesthetics; Music and language; Literatur; Rezeption; Ästhetik; Französisch; Phänomenologie; Sprache; Musik
    Other subjects: Debussy, Claude / 1862-1918 / Criticism and interpretation; Debussy, Claude (1862-1918)
    Scope: xix, 373 Seiten, Illustrationen, Notenbeispiele (schwarz-weiß)
    Notes:

    Includes bibliographical references and index
  11. After Debussy
    music, language, and the margins of philosophy
    Author: Johnson, Julian
    Published: 2020
    Publisher:  Oxford University Press, New York, NY

    Focusing on the music of Debussy and its legacy in the century since his death, 'After Debussy' offers a groundbreaking new perspective on twentieth-century music that foregrounds a sensory logic of sound over quasi-linguistic ideas of structure or... more

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    Bayerische Staatsbibliothek
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    Unlimited inter-library loan, copies and loan

     

    Focusing on the music of Debussy and its legacy in the century since his death, 'After Debussy' offers a groundbreaking new perspective on twentieth-century music that foregrounds a sensory logic of sound over quasi-linguistic ideas of structure or meaning

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780190066857
    Other identifier:
    RVK Categories: LP 91692
    Series: Oxford scholarship online
    Subjects: Music / Philosophy and aesthetics; Music and language; Literatur; Französisch; Musik; Rezeption; Ästhetik; Sprache; Phänomenologie
    Other subjects: Debussy, Claude / 1862-1918 / Criticism and interpretation; Debussy, Claude (1862-1918)
    Scope: 1 Online-Ressource, Illustrationen
    Notes:

    Includes bibliographical references and index

    Also issued in print: 2020
  12. All ears
    the aesthetics of espionage
    Author: Szendy, Peter
    Published: 2017
    Publisher:  Fordham University Press, New York

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    Bayerische Staatsbibliothek
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  13. Another song for Europe
    music, taste, and values in the Eurovision Song Contest
    Author: Raykoff, Ivan
    Published: 2021
    Publisher:  Routledge, London ; New York

    The Eurovision Song Contest is famous for its camp spectacles and political intrigues, but what about its actual music? With more than 1500 songs in over fifty languages and a wide range of musical styles since it began in 1956, Eurovision features... more

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    Bayerische Staatsbibliothek
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    Unlimited inter-library loan, copies and loan

     

    The Eurovision Song Contest is famous for its camp spectacles and political intrigues, but what about its actual music? With more than 1500 songs in over fifty languages and a wide range of musical styles since it began in 1956, Eurovision features the most musically and linguistically diverse song repertoire in history. Listening closely to its classic fan favourites but also to songs that scored low because they were too different or too far ahead of their time, this book delves into the musical tastes and cultural values the contest engages through its international reach and popular appeal

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780367242787
    RVK Categories: LR 57230 ; LR 57720
    Series: Ashgate popular and folk music series
    Subjects: Ästhetik; Popmusik; Musikalischer Stil
    Other subjects: Eurovision Song Contest / History; Music / Philosophy and aesthetics; Ethnomusicology; Eurovision Song Contest; Ethnomusicology; Music / Philosophy and aesthetics; History
    Scope: viii, 192 Seiten, Illustrationen, Notenbeispiele
  14. Another song for Europe
    music, taste, and values in the Eurovision Song Contest
    Author: Raykoff, Ivan
    Published: 2021
    Publisher:  Routledge, London ; New York

    The Eurovision Song Contest is famous for its camp spectacles and political intrigues, but what about its actual music? With more than 1500 songs in over fifty languages and a wide range of musical styles since it began in 1956, Eurovision features... more

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    The Eurovision Song Contest is famous for its camp spectacles and political intrigues, but what about its actual music? With more than 1500 songs in over fifty languages and a wide range of musical styles since it began in 1956, Eurovision features the most musically and linguistically diverse song repertoire in history. Listening closely to its classic fan favourites but also to songs that scored low because they were too different or too far ahead of their time, this book delves into the musical tastes and cultural values the contest engages through its international reach and popular appeal

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780367242787
    RVK Categories: LR 57230 ; LR 57720
    Series: Ashgate popular and folk music series
    Subjects: Ästhetik; Popmusik; Musikalischer Stil
    Other subjects: Eurovision Song Contest / History; Music / Philosophy and aesthetics; Ethnomusicology; Eurovision Song Contest; Ethnomusicology; Music / Philosophy and aesthetics; History
    Scope: viii, 192 Seiten, Illustrationen, Notenbeispiele
  15. Appréhender l'espace sonore
    l'écoute entre perception et imagination
    Author: Meric, Renaud
    Published: 2012
    Publisher:  Harmattan, Paris [u.a.]

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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: French
    Media type: Book
    ISBN: 9782296560352
    Series: Collection Musique-philosophie
    Subjects: Musical perception; Music / Psychological aspects; Music / Philosophy and aesthetics; Musical perception / Philosophy; Musik; Philosophie; Psychologie; Klang; Musikästhetik; Musikwahrnehmung; Raum <Motiv>; Bewegung <Motiv>; Elektronische Musik
    Scope: 432 S., Ill., graph. Darst.
    Notes:

    Bibliogr. p. 409 - 427. - Index
  16. Auf der Suche nach einer zeitgemäßen Musikästhetik
    Adornos »Philosophie der Musik« und die Beethoven-Fragmente
    Author: Urbanek, Nikolaus
    Published: [2015]; ©2010
    Publisher:  transcript-Verlag, Bielefeld

    Wie ist eine zeitgemäße Musikästhetik im Anschluss an Adorno heute noch möglich?In einer Konfrontation der nachgelassenen Beethoven-Fragmente Theodor W. Adornos mit dem aktuellen Diskurs der Ästhetik, der in einem Kraftfeld von hermeneutischen,... more

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    Wie ist eine zeitgemäße Musikästhetik im Anschluss an Adorno heute noch möglich?In einer Konfrontation der nachgelassenen Beethoven-Fragmente Theodor W. Adornos mit dem aktuellen Diskurs der Ästhetik, der in einem Kraftfeld von hermeneutischen, kritischen und dekonstruktivistischen Zugängen verortet wird, wirft Nikolaus Urbanek diese Frage auf.Die Auseinandersetzung mit Adornos ungeschriebenem Buch über Beethoven, das als eine ausgeführte »Philosophie der Musik« projektiert war, bietet neue Perspektiven auf die musikästhetische Diskussion der Themen der musikalischen Sprache, der musikalischen Zeit und des Spätstils

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839413203
    Other identifier:
    Edition: 1. Aufl
    Series: Edition Moderne Postmoderne
    Other subjects: Music / Philosophy and aesthetics; Aesthetics; Beethoven; Critical Theory; Deutsche Philosophiegeschichte; German History of Philosophy; Kritische Theorie; Musicology; Musik; Musikalische Sprache; Musikwissenschaft; Musikästhetik; Philosophie; Philosophy; Zeit und Musik; Ästhetik; Musikästhetik; PHILOSOPHY / History & Surveys / Modern
    Scope: 1 online resource
  17. Auf der Suche nach einer zeitgemäßen Musikästhetik
    Adornos »Philosophie der Musik« und die Beethoven-Fragmente
    Author: Urbanek, Nikolaus
    Published: [2015]; ©2010
    Publisher:  transcript-Verlag, Bielefeld

    Wie ist eine zeitgemäße Musikästhetik im Anschluss an Adorno heute noch möglich?In einer Konfrontation der nachgelassenen Beethoven-Fragmente Theodor W. Adornos mit dem aktuellen Diskurs der Ästhetik, der in einem Kraftfeld von hermeneutischen,... more

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    Wie ist eine zeitgemäße Musikästhetik im Anschluss an Adorno heute noch möglich?In einer Konfrontation der nachgelassenen Beethoven-Fragmente Theodor W. Adornos mit dem aktuellen Diskurs der Ästhetik, der in einem Kraftfeld von hermeneutischen, kritischen und dekonstruktivistischen Zugängen verortet wird, wirft Nikolaus Urbanek diese Frage auf.Die Auseinandersetzung mit Adornos ungeschriebenem Buch über Beethoven, das als eine ausgeführte »Philosophie der Musik« projektiert war, bietet neue Perspektiven auf die musikästhetische Diskussion der Themen der musikalischen Sprache, der musikalischen Zeit und des Spätstils

     
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  18. Best of IsaScience
    2013-2016 : an interdisciplinary collection of essays on music and arts
    Contributor: Hemetek, Ursula (Publisher); Szabo-Knotik, Cornelia (Publisher)
    Published: 2017
    Publisher:  Hollitzer Verlag, Wien

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    Source: Union catalogues
    Contributor: Hemetek, Ursula (Publisher); Szabo-Knotik, Cornelia (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783990124338
    Subjects: Music / Philosophy and aesthetics; Musik; Interdisziplinarität; Kultur; Kunst
    Scope: 1 Online-Ressource (233 Seiten)
  19. Bewegung in der Musik
    Eine transdisziplinäre Perspektive auf ein musikimmanentes Phänomen
    Author: Leonhardmair, Teresa
    Published: [2014]; ©2014
    Publisher:  transcript-Verlag, Bielefeld

    Musik und Bewegung weisen eine ausgeprägte anthropologische Dimension auf. Teresa Leonhardmair nimmt einen Perspektivenwechsel vor und situiert Bewegung in der Musik. Sie zeigt: Seit jeher spielt Bewegung in der Rede über Musik eine Rolle und ist... more

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    Musik und Bewegung weisen eine ausgeprägte anthropologische Dimension auf. Teresa Leonhardmair nimmt einen Perspektivenwechsel vor und situiert Bewegung in der Musik. Sie zeigt: Seit jeher spielt Bewegung in der Rede über Musik eine Rolle und ist Basis des Musik-Erlebens. In der Synopsis der Quellen werden erstmals Zusammenhänge sichtbar, die einen Beitrag für die Hermeneutik und Vermittlung von Musik leisten.Die breit angelegte Untersuchung etabliert den Zwischenraum von Wissenschaft und Kunst, innerhalb dessen sich Bewegung als Grundlage der Musik entfaltet. Der transdisziplinäre Ansatz generiert anhand musikalischer Parameter und Phänomene neue Sichtweisen und Impulse für musikaffine Fachbereiche The essence of Music lies in Movement: This book gets to the bottom of this through a trans-disciplinary approach using musical parameters

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839428337
    Other identifier:
    Edition: 1. Aufl
    Series: Musik und Klangkultur ; 7
    Other subjects: Music / Instruction and study; Music / Philosophy and aesthetics; Music / Physiological aspects; Musicology; Aesthetics; Bewegung; Movement; Musicology; Musikwissenschaft; Proportion; Resonance; Resonanz; Ästhetik; MUSIC / History & Criticism
    Scope: 1 online resource
  20. Boring Formless Nonsense
    Experimental Music and the Aesthetics of Failure
    Author: Priest, eldritch
    Published: 2013
    Publisher:  Bloomsbury Publishing, London

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 144112408X; 9781441124081
    Subjects: Music / Philosophy and aesthetics; MUSIC / Instruction & Study / Appreciation; Avant-garde (Music); Music / Philosophy and aesthetics; Musik; Avant-garde (Music); Music; Ästhetik; Scheitern; Experimentelle Musik; Avantgarde
    Scope: 1 online resource (327 pages)
    Notes:

    Print version record

    FC; Half Title; Title; Copyright; Dedication; Contents; Pretext; Introduction; 1 Boring; Introduction; On being bored; A boring history; Cage, Fluxus, and inclusion; Duration; The aesthetics of boredom and the art of waiting; The premises/promises of aesthetic boredom; A less promising boredom; Uglier feelings of the stuplime; Post ... death ... ; Afterthought ... ; 2 Formless; Pretext; (Informe); How to read this chapter; Story; Becoming formless; Music noise; Recording distraction; -- Multitasking; Capture and escape; Lull))))))))); Listening to SoS#16's lull))))); (((((Listening away)))))

    Muzak's way of dreaming ubiquitously)))) -- Notes on muzak; -- Quantum modulation; We don't (((listen))) anymore; The (((sound))) of habits; Artifice and the artificial;))))) Desire and dissatisfaction; Last))))); Another again; 3 Nonsense; (Voodoo; ((Metareferentiality, metamusic, and hypermusic; (((Grúpat and pseudonymity; ((((Symptoms, syndromes, and hyperfiction; (((((In a Sedimental Mood; ((((((Hyperstition, magick, and nonsense; (((((((Becoming Karen et al, a Real-Time Hyperstition as of March 30,2007 by Karen Eliot; ((((((((Of lies

    (((((((((What does music feel like? (or, "on the refrain of pain andimagining"): Discursive remainders from glossolalia (stress positions)by Engram Knots((((((((((glossolalia (stress positions); (((((((((((Occult dualism; ((((((((((((Illustrative interlude: Practicing; (((((((((((((The sleep side of music and dream-work; Nonsense II; Inconclusion/This chapter is false; Appendix; Bibliography; Index

    Boring Formless Nonsense intervenes in an aesthetics of failure that has largely been delimited by the visual arts and its avant-garde legacies. It focuses on contemporary experimental composition in which failure rubs shoulders with the categories of chance, noise, and obscurity. In these works we hear failure anew. We hear boredom, formlessness, and nonsense in a way that gives new purchase to aesthetic, philosophical, and ethical questions that falter in their negative capability. Reshaping debates on failure as an aesthetic category, eldritch Priest shows failure to be a highly dubious con
  21. Breaking down the walls of heartache
    how music came out
    Author: Aston, Martin
    Published: 2017
    Publisher:  Backbeat, San Francisco

    Popular music's gay DNA is inarguable, from Elvis in eye shadow and Little Richard's 'Tutti Frutti' to The Velvet Underground's subversive rock'n'roll and Bowie's ambisexual alien Ziggy Stardust; from kd lang's female Elvis to Kurt Cobain in a dress;... more

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    Popular music's gay DNA is inarguable, from Elvis in eye shadow and Little Richard's 'Tutti Frutti' to The Velvet Underground's subversive rock'n'roll and Bowie's ambisexual alien Ziggy Stardust; from kd lang's female Elvis to Kurt Cobain in a dress; from Noughties lesbian icon Beth Ditto to Lady Gaga's 'Born This Way' manifesto. But if collected essays and/or features have addressed gay, lesbian, bisexual and transgender singers, songwriters, musicians and songs, no book has yet comprehensively and authoritatively drawn together all the threads to explore this as an unfolding, historical narrative: to tell the story of how music 'came out', from the days when homosexuals were deeply in the closet, but the love that once dared not speak its name sings it, and on daytime radio to boot. This story will reveal which songs have coded messages about sexuality, and which proudly declared the truth, including examples of heterosexual songwriters and singers who chose to address same-sex issues, from Rod Stewart's 'The Killing Of Georgie' the first UK number one with a gay theme to Suede's 'Animal Nitrate'. The narrative will unfold against a backdrop of historic social and political shifts, as LGBT rights pushed for visibility and equality, from the closet of the Fifties to the struggle and setbacks of the Sixties, the liberation of the Seventies, the mainstream invasion and AIDS crisis of the Eighties, the advances of the Nineties and the more immersed scene of the Noughties. These artists have indeed changed the world as we know it. Breaking Down the Walls of Heartache is a story for a wide audience, not just the LGBT community but a broad spectrum of music lovers who are fascinated by these characters, events, stories and songs. It is also a very timely tale, given the prominence of same-sex issues such as marriage equality, alongside the retrogressive steps in places such as Russia and parts of Africa, where songs encapsulating the gay/lesbian experience mirror those of the Sixties, signifying how the journey from illegality and bigotry to freedom is still far from over

     
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  22. Chanter, narrer, danser
    contribution à une philosophie du sentir
    Author: Boissière, Anne
    Published: [2016]
    Publisher:  Éditions Delatour France, [Sampzon]

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    Universitätsbibliothek Augsburg
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    Source: Union catalogues
    Language: French
    Media type: Book
    ISBN: 9782752102737
    RVK Categories: AP 84000
    Series: Collection Musique & philsophie
    Subjects: Musik; Wahrnehmung; Ästhetik; Tanz; Psychologie; Gesang
    Other subjects: Musique et danse / Aspect psychologique; Musique / Philosophie et esthétique; Music / Philosophy and aesthetics
    Scope: 190 Seiten, 21 cm
    Notes:

    Bibliographie pages 189-190
  23. Code musicology
    from hardwired to software
    Author: Crowdy, Denis
    Published: 2022
    Publisher:  Lexington Books, Lanham

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781666909197
    Series: Critical perspectives on music and society
    Subjects: Musikproduktion; Software; Klang; Ästhetik;
    Other subjects: Music / Computer programs; Music / Philosophy and aesthetics; Music and technology; Musique / Logiciels; Musique / Philosophie et esthétique; Musique et technologie; Music and technology; Music / Computer programs; Music / Philosophy and aesthetics
    Scope: vii, 141 Seiten, Illustrationen, 23 cm
    Notes:

    Literaturverzeichnis: Seite 123-133
  24. Coming to terms with our musical past
    an essay on Mozart and modernist aesthetics
    Author: Goehring, Edmund J.
    Published: 2018
    Publisher:  University of Rochester Press, Rochester, NY

    A bold, restorative vision of Mozart's works, and Western art music generally, as manifestations of an idealism rooted in the sociable nature of humans more

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    Universitätsbibliothek Bamberg
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    A bold, restorative vision of Mozart's works, and Western art music generally, as manifestations of an idealism rooted in the sociable nature of humans

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781787442849
    Other identifier:
    RVK Categories: LP 40405
    Series: Eastman studies in music
    147
    Subjects: Music / Philosophy and aesthetics; Selbstbewusstsein; Ästhetik; Rezeption; Musikkritik
    Other subjects: Mozart, Wolfgang Amadeus / 1756-1791; Mozart, Wolfgang Amadeus (1756-1791)
    Scope: 1 Online-Ressource (xii, 209 Seiten)
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    Title from publisher's bibliographic system (viewed on 27 Apr 2021)

    Introduction: setting the stage, and then exiting it -- On critique; or, two paths through the art-critical world -- On transcendence; or, Mozart among the neoplatonists, present and past -- On intention -- On being -- On chance and necessity -- On ambiguity -- On mimesis -- On pleasure -- On concepts and culture -- The flaws in the finale -- Conclusion: an other modernism?
  25. Coming to terms with our musical past
    an essay on Mozart and modernist aesthetics
    Author: Goehring, Edmund J.
    Published: 2018
    Publisher:  University of Rochester Press, Rochester, NY

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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781787442849
    RVK Categories: LP 40405
    Series: Eastman studies in music
    Subjects: Music / Philosophy and aesthetics; Musikkritik; Rezeption; Ästhetik; Selbstbewusstsein
    Other subjects: Mozart, Wolfgang Amadeus / 1756-1791; Mozart, Wolfgang Amadeus (1756-1791)
    Scope: 1 Online-Ressource (223 Seiten)
    Notes:

    Includes bibliographical references and index

    Introduction: setting the stage, and then exiting it -- On critique; or, two paths through the art-critical world -- On transcendence; or, Mozart among the neoplatonists, present and past -- On intention -- On being -- On chance and necessity -- On ambiguity -- On mimesis -- On pleasure -- On concepts and culture -- The flaws in the finale -- Conclusion: an other modernism?