Skip to main navigation Skip to main content
info(at)avldigital.remove-this.de
Deutsch English
Narrow Search
Search narrowed by
Last searches

Results for *

Displaying results 126 to 150 of 164.

  1. Music, cosmology, and the politics of harmony in early China
    Author: Brindley, Erica
    Published: c2011 (2013)
    Publisher:  State University of New York Press, Albany

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1438443153; 9781438443157
    RVK Categories: LS 41100
    Series: SUNY series in Chinese philosophy and culture
    Subjects: MUSIC / History & Criticism; Han Dynasty (China); Music / Philosophy and aesthetics; Music / Political aspects; Music / Social aspects; Qin Dynasty (China); Zhou Dynasty (China); Geschichte; Gesellschaft; Musik; Politik; Music; Music; Music; Kulturpolitik; Musik; Kosmologie; Harmonie <Motiv>; Individuum; Staat
    Scope: 1 Online-Ressource (224 p.)
    Notes:

    Includes bibliographical references and index

    Music in state order and cosmic rulership -- A civilizing force for imperial rule -- Regulating sound and the cosmos -- Music and the emergence of a psychology of the emotions -- Sagely attunement to the cosmos -- Music and medicine
  2. Self-reference in literature and music
    Published: ©2010
    Publisher:  Rodopi, Amsterdam

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9042031581; 904203159X; 9789042031586; 9789042031593
    Series: Word and music studies ; 11
    Subjects: Music / Philosophy and aesthetics; Reference (Philosophy); Literature; LITERARY CRITICISM / General; Literature; Reference (Philosophy); Literatur; Musik; Reference (Philosophy) in literature; Reference (Philosophy)
    Scope: 1 Online-Ressource (x, 192 pages)
    Notes:

    Includes bibliographical references

    This volume contains a selection of nine essays with an interdisciplinary perspective. They were originally presented at the Sixth International Conference on Word and Music Studies, which was held at Edinburgh University in June 2007 and was organized by the International Association for Word and Music Studies (WMA). The contributions to this volume focus on self-reference in various systematic, historical and intermedial ways. Self-reference - including, as a special case, metareference (the self-conscious reflection on music, literature and other medial concerns) - is explored, among others

    Metamusic? Potentials and limits of 'metareference' in instrumental music : theoretical reflections and a case study (Mozart's Ein musikalischer Spass) / Werner Wolf -- Mahler within Mahler : allusion as quotation, self-reference, and metareference / Robert Samuels -- Medial self-reference between words and music in Erik Satie's piano pieces / Peter Dayan -- Opera on opera (on opera) : self-referential negotiations of a difficult genre / Frieder von Ammon -- Christophorus, oder "Die Vision einer Oper" : Franz Schreker's opera as a metareferential work / Walter Bernhart -- 'The play's the thing' : self- and metareference in contemporary operatic adaptation of twentieth-century drama / Michael Halliwell -- Robert Carsen's production of Les contes d'Hoffmann : an exercise in theatrical self-reflection / Simon Williams -- Leoncavallo's Pagliacci : operatic metareference on stage and on film / Bernhard Kuhn -- Intermedial reference as metareference : Hans Christian Andersen's musical novels / Joachim Grage
  3. The tooth that nibbles at the soul
    essays on music and poetry
    Author: Brown, Marshall
    Published: [2010]; © 2010
    Publisher:  University of Washington Press, Seattle

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0295800801; 0295990058; 0295990066; 9780295800806; 9780295990057; 9780295990064
    Series: Literary conjugations
    Subjects: Gedichten; Muziek; Esthetica; Music and literature; Music / Philosophy and aesthetics; MUSIC / Genres & Styles / Classical; MUSIC / Reference; Lyrik; Musik; Ästhetik; Music and literature; Music; Musikphilosophie; Musikästhetik; Literatur; Musik
    Scope: 1 online resource (xii, 374 pages), illustrations, music
    Notes:

    "A McLellan book."

    Description based on print version record

    Introduction : music and abstraction -- Music and fantasy -- German Romanticism and music -- Negative poetics : on skepticism and the lyric voice -- Rethinking the scale of literary history -- Mozart, Bach, and musical abjection -- Moods at mid-century : Handel and English literature, 1740-1760 -- Passion and love : anacreontic song and the roots of romantic lyric -- Haydn's whimsy : poetry, sexuality, repetition -- Non Giovanni : Mozart with Hegel
  4. Aesthetics and experience in music performance
    Published: 2005
    Publisher:  Cambridge Scholars Press, Newcastle

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1282042793; 1443802301; 9781282042797; 9781443802307
    Subjects: Musikalische Aufführungspraxis; Ästhetik; Musikerziehung; Music / Performance; Music / Philosophy and aesthetics; Musicology; MUSIC / Genres & Styles / Classical; MUSIC / Reference; Musik; Music; Music; Musicology; Musikalische Aufführungspraxis; Musikerziehung; Ästhetik
    Scope: 1 Online-Ressource (xxiv, 348 p.)
    Notes:

    Includes bibliographical references and index

    Introduction. The future of music research in Australia and the legacy of Mozart note crunching / Steven Knopoff -- Performance, aesthetics, experience : thoughts on Yawulyu Mungamunga songs / Linda Barwick

    The performance of early music. Johannes de Grocheo's De musica as a guidebook for thirteenth-century Parisian musical practice / Carol Williams -- Comparative aesthetic thought in early eighteenth-century England / Barnaby Ralph -- A brief polemic about the early music movement / Michael O'Loghlin -- Early music performance in Australia : cultural and historical perspectives / David Irving -- Producing major early music events in a conservatorium context : lessons learned / Peter Roennfeldt

    Aesthetics and experience in music of the eighteenth century. An experimental investigation of musical character portrayed by piano versus harpsichord performances of a J.S. Bach excerpt / Emery Schubert and Dorottya Fabian -- The nurturing of the late eighteenth-century prima donna / Samantha Cobcroft -- Meaning in harpsichord decoration : the Flemish and French schools of soundboard painting / Ayako Otomo

    Music as cultural product. Let's hear it for the boys : the place of boys' music in a feminist world / Scott D. Harrison -- The learning and transmission of Rebetika in the Greek-Australian diaspora community in Melbourne / Kipps Horn -- Celebration of cover up? : "My island home", Australian national identity and the spectacle of Sydney 2000 / Katelyn Barney -- "Don't you know they're talking about a revolution" : the trovador in socialist Cuba / Susan Monk -- Writing close to dance : expression in Yolngu performance / Franca Tamisari -- On slumber sea : lullaby as transitional vehicle / Robyn Brady

    Gender issues and queer musicology. Women and music. The personal is political is musical : understanding aboriginal women's performance practice / Liz Mackinlay -- Reflections on females conducting / Brydie-Leigh Bartleet -- Women do country music : Australian women's country music and music culture scholarship / Shirley Tucker. Queer musicology. Inside out : queer theory and popular culture / Mark McLelland -- Queer musicology / John Phillips -- Opening Pandora's box : role and representation in music criticism in late nineteenth-century Melbourne / Johanna Selleck

    Music education, musicology, and technology : performing relationships. Musicology and music education. Re/positioning the relationship between musicology and music education : an introduction / Kathryn Russell -- Does musicology have something to offer music education? : reflections from the classroom / James Cuskelly -- The interface between musicology and music education : an ethnomusicological perspective / Elizabeth Mackinlay. Music and technology. Learning through recording / Don Lebler -- Meaningful engagement with music technology / Steve Dillon

    The present volume is an examination of aesthetics and experience in music over a wide range of areas of contemporary interest to musicology. Early music, the eighteenth century, gender studies, music technology, music education and ethnomusicology are all subsumed and unified under this theme
  5. Sublime noise
    musical culture and the modernist writer
    Author: Epstein, Josh
    Published: 2014
    Publisher:  Johns Hopkins University Press, Baltimore

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1421415240; 9781421415246
    RVK Categories: EC 2440
    Series: UPCC book collections on Project MUSE.
    Subjects: BIOGRAPHY & AUTOBIOGRAPHY / Literary; Modernism (Literature); Modernism (Music); Music and literature; Music / Philosophy and aesthetics; Noise in literature; Musik; Music; Music and literature; Noise in literature; Modernism (Music); Modernism (Literature); Ästhetik; Moderne; Literatur; Geräusch <Motiv>; Musik; Sublimierung
    Scope: 1 Online-Ressource (pages cm.)
    Notes:

    Includes bibliographical references and index

    Orchestrating modernity: musical culture and the arts of noise -- Beating obedient, thinking of the key: Adorno, The Waste Land, and the total wrk of art -- The Antheil era: Ezra Pound's musical sensations -- Joyce's phoneygraphs: Antheil, Wagner, and the noise in the chamber -- Performing publicity: authenticity, influence, and the sitwellian commedia -- Aristocracy of the dissonant: the sublime noise of Forster and Britten
  6. Groove
    a phenomenology of rhythmic nuance
    Author: Roholt, Tiger C.
    Published: 2014
    Publisher:  Bloomsbury, New York, NY

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781441170774; 1441170774; 9781441166272; 1441166270; 9781441104182; 1441104186; 9781441101389; 1441101381; 1322111006; 9781322111001
    Subjects: MUSIC / History & Criticism; PHILOSOPHY / Aesthetics; PHILOSOPHY / Movements / Phenomenology; Music / Philosophy and aesthetics; Musical meter and rhythm; MUSIC / Instruction & Study / Theory; Musik; Ästhetik; Musical meter and rhythm; Music; Metrum; Musik; Musikphilosophie; Rhythmus
    Scope: 1 online resource (ix, 175 pages)
    Notes:

    "Written by an experienced drummer and philosopher, Groove is a vivid and exciting study of one of music's most central and relatively unexplored aspects. Tiger C. Roholt explains why grooves, which are forged in music's rhythmic nuances, remain hidden to some listeners. He argues that grooves are not graspable through the intellect nor through mere listening; rather, grooves are disclosed through our bodily engagement with music. We grasp a groove bodily by moving with music's pulsations. By invoking the French philosopher Maurice Merleau-Ponty's notion of "motor intentionality," Roholt shows that the "feel" of a groove, and the understanding of it, are two sides of a coin: to "get" a groove just is to comprehend it bodily and to feel that embodied comprehension"-- Provided by publisher

    Print version record

    Introduction -- 1. Musical Nuance -- 2. Perceiving -- 3. The Body -- 4. Groove in Music

    "A highly original work in the philosophy of music and sound, offering an in-depth study of the nature and purpose of rhythm"--
  7. Sonic possible worlds
    hearing the continuum of sound
    Author: Voegelin, Salomé
    Published: 2014
    Publisher:  Bloomsbury Academic, New York ; London ; New Delhi ; Sydney

    Inspired by its use in literary theory, film criticism and the discourse of game design, Salom Voegelin adapts and develops "possible world theory" in relation to sound. David K Lewis' Possible World is juxtaposed with Maurice Merleau-Ponty's... more

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Inspired by its use in literary theory, film criticism and the discourse of game design, Salom Voegelin adapts and develops "possible world theory" in relation to sound. David K Lewis' Possible World is juxtaposed with Maurice Merleau-Ponty's life-world, to produce a meeting of the semantic and the phenomenological at the place of listening. The central tenet of Sonic Possible Worlds is that at present traditional musical compositions and contemporary sonic outputs are approached and investigated through separate and distinct critical languages and histories. As a consequence, no continuous and comparative study of the field is possible. In Sonic Possible Worlds, Voegelin proposes a new analytical framework that can access and investigate works across genres and times, enabling a comparative engagement where composers such as Henry Purcell and Nadia Boulanger encounter sound art works by Shilpa Gupta and Christina Kubisch and where the soundscape compositions of Chris Watson and Francisco L pez resound in the visual worlds of Louise Bourgeois.

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781623566951; 1623566959; 9781623565091; 162356509X; 9781623567040; 1623567041
    RVK Categories: AP 14900
    Subjects: MUSIC / Instruction & Study / Theory; Music / Philosophy and aesthetics; Sound in art; Sound (Philosophy); Musik; Music; Sound (Philosophy); Sound in art; Ästhetik; Klang; Klangkunst; Philosophie; Experimentelle Musik
    Scope: 1 online resource (VI, 207 S.)
    Notes:

    Description based on print version record

    The landscape as sonic possible world -- Into the world of the work : the possibility of sound art -- Sonic materialism : the sound of stones -- Hearing the continuum of sound -- Listening to the inaudible : the sound of unicorns
  8. Boring Formless Nonsense
    Experimental Music and the Aesthetics of Failure
    Author: Priest, eldritch
    Published: 2013
    Publisher:  Bloomsbury Publishing, London

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 144112408X; 9781441124081
    Subjects: Music / Philosophy and aesthetics; MUSIC / Instruction & Study / Appreciation; Avant-garde (Music); Music / Philosophy and aesthetics; Musik; Avant-garde (Music); Music; Ästhetik; Scheitern; Experimentelle Musik; Avantgarde
    Scope: 1 online resource (327 pages)
    Notes:

    Print version record

    FC; Half Title; Title; Copyright; Dedication; Contents; Pretext; Introduction; 1 Boring; Introduction; On being bored; A boring history; Cage, Fluxus, and inclusion; Duration; The aesthetics of boredom and the art of waiting; The premises/promises of aesthetic boredom; A less promising boredom; Uglier feelings of the stuplime; Post ... death ... ; Afterthought ... ; 2 Formless; Pretext; (Informe); How to read this chapter; Story; Becoming formless; Music noise; Recording distraction; -- Multitasking; Capture and escape; Lull))))))))); Listening to SoS#16's lull))))); (((((Listening away)))))

    Muzak's way of dreaming ubiquitously)))) -- Notes on muzak; -- Quantum modulation; We don't (((listen))) anymore; The (((sound))) of habits; Artifice and the artificial;))))) Desire and dissatisfaction; Last))))); Another again; 3 Nonsense; (Voodoo; ((Metareferentiality, metamusic, and hypermusic; (((Grúpat and pseudonymity; ((((Symptoms, syndromes, and hyperfiction; (((((In a Sedimental Mood; ((((((Hyperstition, magick, and nonsense; (((((((Becoming Karen et al, a Real-Time Hyperstition as of March 30,2007 by Karen Eliot; ((((((((Of lies

    (((((((((What does music feel like? (or, "on the refrain of pain andimagining"): Discursive remainders from glossolalia (stress positions)by Engram Knots((((((((((glossolalia (stress positions); (((((((((((Occult dualism; ((((((((((((Illustrative interlude: Practicing; (((((((((((((The sleep side of music and dream-work; Nonsense II; Inconclusion/This chapter is false; Appendix; Bibliography; Index

    Boring Formless Nonsense intervenes in an aesthetics of failure that has largely been delimited by the visual arts and its avant-garde legacies. It focuses on contemporary experimental composition in which failure rubs shoulders with the categories of chance, noise, and obscurity. In these works we hear failure anew. We hear boredom, formlessness, and nonsense in a way that gives new purchase to aesthetic, philosophical, and ethical questions that falter in their negative capability. Reshaping debates on failure as an aesthetic category, eldritch Priest shows failure to be a highly dubious con
  9. Humanism, love and music
    Author: Floros, Constantin
    Published: 2012; © 2012
    Publisher:  Peter Lang AG, Frankfurt am Main, [Germany]

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783653042191; 3653042194; 9783631630440; 3631630441
    Subjects: MUSIC / Instruction & Study / Theory; Humanism in music; Love in music; Music / Philosophy and aesthetics; Musik; Music; Humanism in music; Love in music; Liebe <Motiv>; Musikphilosophie; Musikpsychologie; Musikästhetik; Musik; Humanität
    Scope: 1 online resource (277 pages), illustrations
    Notes:

    Description based on print version record
  10. Frontiers of pleasure
    models of aesthetic response in archaic and classical Greek thought
    Author: Peponi, Anastasia-Erasmia
    Published: 2012
    Publisher:  Oxford University Press, New York

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0199798397; 0199950393; 9780199798322; 9780199798391; 9780199950393
    RVK Categories: CC 6700 ; CD 1610 ; FB 4161
    Subjects: Aesthetics, Classical; Arts and society; Music / Philosophy and aesthetics; Philosophy, Ancient; Poetry, Ancient; BIOGRAPHY & AUTOBIOGRAPHY / Literary; Geschichte; Musik; Poetry, Ancient; Aesthetics, Classical; Arts and society; Music; Philosophy, Ancient; Ästhetik; Musik; Lyrik
    Scope: 1 online resource (216 pages), illustrations
    Notes:

    Print version record

    Concepts and terms -- Tranquility -- Weeping -- Fusion -- Eros I -- Eros II -- Coda

    This title presents critical issues regarding Greek conceptions of aesthetic response while questioning influential modern notions of the aesthetic
  11. Music and the crises of the modern subject
    Author: Klein, Michael Leslie
    Published: [2015]; © 2015
    Publisher:  Indiana University Press, Bloomington ; Indianapolis

    Location:
    Universitätsbibliothek Bayreuth
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Würzburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780253017208
    RVK Categories: LR 56650 ; LR 56800
    Series: Musical meaning and interpretation
    Subjects: Music / Psychological aspects; Music / Philosophy and aesthetics; Musical analysis; Music / Philosophy and aesthetics; Music / Psychological aspects; Musical analysis; Philosophy; Musik; Philosophie; Psychologie; Subjekt <Philosophie, Motiv>; Musikpsychologie; Geschichte; Musik
    Other subjects: Lacan, Jacques / 1901-1981 / Philosophy; Lacan, Jacques / 1901-1981; Lacan, Jacques (1901-1981)
    Scope: X, 191 Seiten, Notenbeispiele
    Notes:

    Includes bibliographical references (pages 173-182) and index
  12. Music and text
    critical inquiries
    Contributor: Scher, Steven P. (Publisher)
    Published: 1992
    Publisher:  Cambridge University Press, Cambridge

    Melopoetics, the study of the multifarious relations between music and literature, has emerged in recent years as an increasingly popular field of interdisciplinary inquiry. In this volume, noted musicologists and literary critics explore diverse... more

    Location:
    Universitätsbibliothek Bamberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Melopoetics, the study of the multifarious relations between music and literature, has emerged in recent years as an increasingly popular field of interdisciplinary inquiry. In this volume, noted musicologists and literary critics explore diverse topics of shared concern such as literary theory as a model for musical criticism, genre theories in literature and music, the criticism and analysis of texted music and the role of aesthetic, historical and cultural understanding in concepts of text/music convergence. These fourteen essays - united here not by a common ideology but by common subject matter - demonstrate how musical and literary scholarship can combine forces effectively on the common ground of contemporary critical theory and interpretive practice. The concluding essay by interdisciplinary historian Hayden White locates this ambitious enterprise of contemplating 'music and text' in the larger context of intellectual history

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Scher, Steven P. (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511518355
    Other identifier:
    RVK Categories: EC 2440 ; LP 16000 ; LR 55400 ; LR 57710
    Subjects: Musik; Music and language; Music and literature; Music / Philosophy and aesthetics; Literatur; Ton <Akustik>; Wort; Musik
    Scope: 1 online resource (xvii, 327 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Music and literature : the institutional dimensions / John Neubauer -- Privileging the moment of reception : music and radio in South Africa / Charles Hamm -- Chord and discourse : listening through the written word / Peter J. Rabinowitz -- Lyrical modes / Paul Alpers -- Origins of modernism : musical structures and narrative forms / Marshall Brown -- Metaphorical modes in nineteenth-century music criticism : image, narrative, and idea / Thomas Grey -- Narrative archetypes and Mahler's ninth symphony / Anthony Newcomb -- Music and representation : the instance of Haydn's Creation / Lawrence Kramer -- Musical analysis as stage direction / David Lewin -- Poet's love or composer's love? / Edward T. Cone

    The semiotic elements of a multiplanar discourse : John Harbison's setting of Michael Fried's "depths" / Claudia Stanger -- Whose life? : the gendered self in Schumann's Frauenliebe songs / Ruth A. Solie -- Operatic madness : a challenge to convention / Ellen Rosand -- Commentary : form, reference, and ideology in musical discourse / Hayden White
  13. L'origine de la tragédie (ou La naissance de la tragédie)
    Author: Nietzsche, Friedrich
    Published: 2013
    Publisher:  e-artnow, [Place of publication not identified]

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Contributor: Albert, Henri (Publisher); Marnold, Jean; Morland, Jacques
    Language: French
    Media type: Ebook
    Format: Online
    ISBN: 9788074840401; 8074840409
    Subjects: Esthetics; Music / Philosophy and esthetics; PHILOSOPHY / Metaphysics; Aesthetics; Greek drama (Tragedy); Music / Philosophy and aesthetics; Tragedy; Tragic, The; Musik; Ästhetik; Array
    Scope: 1 online resource
    Notes:

    Title from PDF title page (viewed on June 5, 2014)
  14. Myth and music
    a semiotic approach to the aesthetics of myth in music, especially that of Wagner, Sibelius and Stravinsky
    Author: Tarasti, Eero
    Published: 1979
    Publisher:  Mouton, The Hague

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110808759; 3110808757; 9027979189; 9789027979186
    Series: Approaches to semiotics ; 51
    Subjects: MUSIC / Instruction & Study / Appreciation; Music and mythology; Music / Philosophy and aesthetics; Music / Semiotics; Muziek; Mythen; Esthetica; Semiotiek; Musik; Ästhetik; Music and mythology; Music; Music; Mythos; Musik; Heldensage
    Other subjects: Wagner, Richard (1813-1883); Stravinsky, Igor (1882-1971); Sibelius, Jean (1865-1957)
    Scope: 364 pages
    Notes:

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (pages 355-362) and index
  15. Music of the spheres and the dance of death
    studies in musical iconology
    Author: Meyer-Baer, Kathi
    Published: 1970; © 1970
    Publisher:  Princeton University Press, Princeton, New Jersey

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400872336; 1400872332
    Series: Princeton legacy library
    Subjects: Death in music; Music / Philosophy and aesthetics; Music in art; PHILOSOPHY / Aesthetics; Death in music; Music in art; Music / Philosophy and aesthetics; MUSIC / Genres & Styles / Classical; MUSIC / Reference; Musik; Ästhetik; Array; Musikinstrument <Motiv>; Kunst; Musik; Musikant <Motiv>; Welt; Tod; Sphärenmusik; Totentanz; Musik <Motiv>; Musikalische Ikonographie; Allegorie
    Other subjects: Dante Alighieri (1265-1321)
    Scope: 1 online resource (405 pages), illustrations
    Notes:

    Includes index

    Description based on print version record

    List of Illustrations; Part One; Part Two

    The roots and evolution of two concepts usually thought to be Western in origin-musica mundana (the music of the spheres) and musica humana (music's relation to the human soul)-are explored. Beginning with a study of the early creeds of the Near East, Professor Meyer-Baer then traces their development in the works of Plato and the Gnostics, and in the art and literature of the Middle Ages and the Renaissance. Previous studies of symbolism in music have tended to focus on a single aspect of the problem. In this book the concepts of musica humana and musica mundane are related to philosophy, ae
  16. Nietzsche on tragedy
    Author: Silk, M. S.
    Published: 2016
    Publisher:  Cambridge University Press, Cambridge

    The first comprehensive study of Nietzsche's earliest book, The Birth of Tragedy (1872), this important volume by M. S. Silk and J. P. Stern examines the work in detail: its place in Nietzsche's philosophical career; its value as an account of... more

    Location:
    Universitätsbibliothek Bamberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    The first comprehensive study of Nietzsche's earliest book, The Birth of Tragedy (1872), this important volume by M. S. Silk and J. P. Stern examines the work in detail: its place in Nietzsche's philosophical career; its value as an account of ancient Greek culture; its place in the history of German ideas, and its value as a theory of tragedy and music. Presented in a fresh twenty-first-century series livery, and including a specially commissioned preface written by Lesley Chamberlain, illuminating its enduring importance and relevance to philosophical enquiry, this accessible study has been revived for a new generation of readers

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781316534786
    Other identifier:
    RVK Categories: CG 5917
    Edition: Cambridge Philosophy Classics edition
    Series: Cambridge philosophy classics
    Subjects: Musik; Ästhetik; Aesthetics; Music / Philosophy and aesthetics; Greek drama (Tragedy) / History and criticism; Tragedy; Tragic, The; Griechisch; Tragödie
    Other subjects: Nietzsche, Friedrich Wilhelm / 1844-1900 / Geburt der Tragödie; Nietzsche, Friedrich (1844-1900): Die Geburt der Tragödie aus dem Geiste der Musik
    Scope: 1 online resource (xiii, 467 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 08 Aug 2016)
  17. Sounding the virtual
    Gilles Deleuze and the theory and philosophy of music
    Published: ©2010
    Publisher:  Ashgate, Farnham, Surrey

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781409412090; 1409412091; 9780754667735; 0754667731
    Subjects: 1925-1995; Aesthetics; Deleuze, Gilles; Music; Philosophy and aesthetics; Fine Arts; MUSIC / Instruction & Study / Appreciation; Aesthetics; Music / Philosophy and aesthetics; Musik; Ästhetik; Music; Musiktheorie; Musikphilosophie
    Other subjects: Deleuze, Gilles / 1925-1995; Deleuze, Gilles (1925-1995); Deleuze, Gilles (1925-1995)
    Scope: xvii, 288 pages
    Notes:

    Includes bibliographical references and index

    Cover; Contents; List of Figures; List of Music Examples; Notes on Contributors; Introduction; 1 The Image of Thought and Ideas of Music; 2 Thinking Musical Difference: Music Theory as Minor Science*; 3 A Deleuzian Noise/Excavating the Body of Abstract Sound; 4 The Sound of Repeating Life: Ethics and Metaphysics in Deleuze's Philosophy of Music; 5 Enforced Deterritorialization, or the Trouble with Musical Politics; 6 Gilles Deleuze and the Musical Spinoza; 7 Intensity, Music, and Heterogenesis in Deleuze*; 8 Critique and Clinique: From Sounding Bodies to the Musical Event

    It is the contention of the editors and contributors of this volume that the work carried out by Gilles Deleuze, where rigorously applied, has the potential to cut through much of the intellectual sedimentation that has settled in the fields of music studies. Deleuze is a vigorous critic of the Western intellectual tradition, calling for a 'philosophy of difference', and, despite its ambitions, he is convinced that Western philosophy fails to truly grasp (or think) difference as such. It is argued that longstanding methods of conceptualizing music are vulnerable to Deleuze's critique. But, as
  18. Sublime noise
    musical culture and the modernist writer
    Author: Epstein, Joshua
    Published: 2014
    Publisher:  Johns Hopkins Univ. Press, Baltimore

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Series: Hopkins studies in modernism
    Subjects: Modernism (Literature); Modernism (Music); Noise in literature; Music and literature; Music / Philosophy and aesthetics; Modernism (Literature); Modernism (Music); Music and literature; Music / Philosophy and aesthetics; Noise in literature; Musik; Geräusch <Motiv>; Moderne; Musik; Ästhetik; Sublimierung; Literatur
    Scope: XXXIX, 338 S., 25 cm
    Notes:

    Includes bibliographical references and index

    Orchestrating modernity: musical culture and the arts of noise -- Beating obedient, thinking of the key: Adorno, The Waste Land, and the total wrk of art -- The Antheil era: Ezra Pound's musical sensations -- Joyce's phoneygraphs: Antheil, Wagner, and the noise in the chamber -- Performing publicity: authenticity, influence, and the sitwellian commedia -- Aristocracy of the dissonant: the sublime noise of Forster and Britten
  19. All ears
    the aesthetics of espionage
    Author: Szendy, Peter
    Published: 2017
    Publisher:  Fordham University Press, New York

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
  20. Staccato
    musiques, existences, philosophies
    Author: Hirt, André
    Published: Seiten
    Publisher:  Editions Kimé, Paris

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: French
    Media type: Book
    ISBN: 9782841747603
    Series: Bifurcations
    Subjects: Music / Philosophy and aesthetics; Musik; Ästhetik; Geschichte; Musik
    Scope: 198 Seiten, 21 cm
    Notes:

    Includes bibliographical references
  21. Poetry and the romantic musical aesthetic
    Author: Donelan, James H.
    Published: 2008
    Publisher:  Cambridge University Press, Cambridge

    James H. Donelan describes how two poets, a philosopher and a composer – Hölderlin, Wordsworth, Hegel and Beethoven – developed an idea of self-consciousness based on music at the turn of the nineteenth century. This idea became an enduring cultural... more

    Location:
    Universitätsbibliothek Bamberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    James H. Donelan describes how two poets, a philosopher and a composer – Hölderlin, Wordsworth, Hegel and Beethoven – developed an idea of self-consciousness based on music at the turn of the nineteenth century. This idea became an enduring cultural belief: the understanding of music as an ideal representation of the autonomous creative mind. Against a background of political and cultural upheaval, these four major figures – all born in 1770 – developed this idea in both metaphorical and actual musical structures, thereby establishing both the theory and the practice of asserting self-identity in music. Beethoven still carries the image of the heroic composer today; this book describes how it originated in both his music and in how others responded to him. Bringing together the fields of philosophy, musicology, and literary criticism, Donelan shows how this development emerged from the complex changes in European cultural life taking place between 1795 and 1831

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511482076
    Other identifier:
    RVK Categories: LP 19505 ; LR 56825 ; LR 57715
    Subjects: Musik; Music / Philosophy and aesthetics; Poetry; Romanticism; Musikästhetik; Romantik; Musik; Musikphilosophie; Musik <Motiv>; Literatur
    Scope: 1 online resource (xvi, 216 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Self-consciousness and music in the late Enlightenment -- Hölderlin's Deutscher Gesang and the music of poetic self-consciousness -- Hegel's aesthetic theory: self-consciousness and musical material -- Nature, music, and the imagination in Wordsworth's poetry -- Beethoven and musical self-consciousness -- The persistence of sound
  22. Metaphors of depth in German musical thought
    from E.T.A. Hoffmann to Arnold Schoenberg
    Author: Watkins, Holly
    Published: 2011
    Publisher:  Cambridge University Press, Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; São Paulo ; Delhi ; Tokyo ; Mexiko City

    What does it mean to say that music is deeply moving? Or that music's aesthetic value derives from its deep structure? This study traces the widely employed trope of musical depth to its origins in German-language music criticism and analysis. From... more

    Location:
    Universitätsbibliothek Bamberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    What does it mean to say that music is deeply moving? Or that music's aesthetic value derives from its deep structure? This study traces the widely employed trope of musical depth to its origins in German-language music criticism and analysis. From the Romantic aesthetics of E. T. A. Hoffmann to the modernist theories of Arnold Schoenberg, metaphors of depth attest to the cross-pollination of music with discourses ranging from theology, geology and poetics to psychology, philosophy and economics. The book demonstrates that the persistence of depth metaphors in musicology and music theory today is an outgrowth of their essential role in articulating and transmitting Germanic cultural values. While musical depth metaphors have historically served to communicate German nationalist sentiments, Watkins shows that an appreciation for the broad connotations of those metaphors opens up exciting new avenues for interpretation

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511820496
    Other identifier:
    RVK Categories: LR 56800 ; LR 56806
    Series: New perspectives in music history and criticism ; 21
    Subjects: Musik; Music / Philosophy and aesthetics; Music / Germany / 19th century / History and criticism; Music / Germany / 20th century / History and criticism; Music and philosophy; Ausdruck; Tiefe <Motiv>; Musiktheorie
    Other subjects: Schumann, Robert (1810-1856); Schönberg, Arnold (1874-1951); Wagner, Richard (1813-1883); Schenker, Heinrich (1868-1935); Marx, Adolf Bernhard (1795-1866); Hoffmann, E. T. A. (1776-1822)
    Scope: 1 Online-Ressource (xii, 335 Seiten), Illustrationen, Notenbeispiele
    Notes:

    Bandzählung der monographischen Reihe von der Landing Page (Cambridge University Press)

    From the mine to the shrine : the critical origins of musical depth -- Adolf Bernhard Marx and the inner life of music -- Robert Schumann and poetic depth -- Richard Wagner and the depths of time -- Heinrich Schenker and the apotheosis of musical depth -- Schoenberg's interior designs
  23. Zwischen Narzissmus und Selbsthass
    Das Bild des ästhetizistischen Künstlers im Theater der Jahrhundertwende und der Zwischenkriegszeit
    Author: Stauss, Sebastian
    Published: [2010]; ©2010
    Publisher:  De Gruyter, Berlin ; Boston

    Narziss ist eine viel genannte Schlüsselfigur der literarischen Dekadenz. Doch welche theoretischen Überlegungen, Analogien und Umkehrschlüsse zwischen Mythologie, Ästhetik und Psychologie verbinden sich mit und in ihm? Es lässt sich hinsichtlich des... more

    Access:

    Location:
    Hochschulbibliothek der Fachhochschule Aachen
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek der RWTH Aachen
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Bielefeld – University of Applied Sciences and Arts, Hochschulbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Bielefeld
    Inter-library loan:
    No inter-library loan

    Location:
    Evangelische Hochschule Rheinland-Westfalen-Lippe, Bibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Bochum, Hochschulbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule für Gesundheit, Hochschulbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Ruhr-Universität Bochum, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Technische Hochschule Georg Agricola, Hochschulbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Fachhochschule Dortmund, Hochschulbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Dortmund
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschulbibliothek der Hochschule Düsseldorf
    Inter-library loan:
    No inter-library loan

    Location:
    Universitäts- und Landesbibliothek Düsseldorf
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Duisburg-Essen
    Inter-library loan:
    No inter-library loan

    Location:
    Westfälische Hochschule Gelsenkirchen Bocholt Recklinghausen, Hochschulbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Fachhochschule Südwestfalen, Fachbibliothek Hagen, Zentralbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek der Fernuniversität
    Inter-library loan:
    No inter-library loan

    Location:
    Katholische Hochschule Nordrhein-Westfalen (katho), Hochschulbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Kunsthochschule für Medien, Bibliothek / Mediathek
    Inter-library loan:
    No inter-library loan

    Location:
    Rheinische Hochschule Köln gGmbH, Bibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Technische Hochschule Köln, Hochschulbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    Inter-library loan:
    No inter-library loan

    Location:
    Zentralbibliothek der Sportwissenschaften der Deutschen Sporthochschule Köln
    Inter-library loan:
    No inter-library loan

    Location:
    Technische Hochschule Ostwestfalen-Lippe, Service Kommunikation Information Medien
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Niederrhein, Bibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Ruhr West, Hochschulbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    FH Münster, Hochschulbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Paderborn
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Siegen
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Trier
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Wuppertal
    Inter-library loan:
    No inter-library loan

     

    Narziss ist eine viel genannte Schlüsselfigur der literarischen Dekadenz. Doch welche theoretischen Überlegungen, Analogien und Umkehrschlüsse zwischen Mythologie, Ästhetik und Psychologie verbinden sich mit und in ihm? Es lässt sich hinsichtlich des westeuropäischen Theaters der Jahrhundertwende und der Zeit zwischen den Weltkriegen davon ausgehen und erkunden, wie Künstlerfiguren dieser Epoche eine Aura und eine Charakterisierung eingeräumt werden, die sich an der sozialen Realität orientieren - oder von dieser mitunter stark divergieren. Die im 19. Jahrhundert noch weit verbreiteten Gattungen des Künstlerdramas und -romans weichen zu Beginn des 20. Jahrhunderts zudem neuen Formen und Spielarten von "Gesamtkunstwerken" und der Selbst-Inszenierung. Den gemeinhin bekannten "Narzissten" wie Oscar Wilde oder André Gide stehen Dramatiker und Opernkomponisten wie J. M. Barrie oder Franz Schreker gegenüber, die Künstlerleben zwischen Selbsthass und -zerstörung auf die Bühne bringen

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
  24. Queere Tracks
    subversive Strategien in der Rock- und Popmusik
    Author: Leibetseder, Doris
    Published: [2010]; © 2010
    Publisher:  transcript, Bielefeld

    Frontmatter -- Inhalt -- Danksagung -- Intro: Einleitung -- Track 01: Ironie - »The Cutting Edge« -- Track 02: Parodie - »Gender Trouble« -- Track 03: Camp - »Queer Revolt in Style« -- Track 04: Maske/Masquerade - »Transforming the Gaze« -- Track 05:... more

    Location:
    Universitätsbibliothek Koblenz
    Inter-library loan:
    No inter-library loan

     

    Frontmatter -- Inhalt -- Danksagung -- Intro: Einleitung -- Track 01: Ironie - »The Cutting Edge« -- Track 02: Parodie - »Gender Trouble« -- Track 03: Camp - »Queer Revolt in Style« -- Track 04: Maske/Masquerade - »Transforming the Gaze« -- Track 05: Mimesis/Mimikry - »Poetische Ästhetik« -- Track 06: Cyborg - »Transhuman« -- Track 07: Transsexualität - »Border Wars« -- Track 08: Dildo - »Gender Blender« -- Fade Out: Schlusswort -- Anhang -- Literatur -- Diskographie -- Videolink -- Abbildungsverzeichnis -- Backmatter In dieser spannenden Pionierarbeit werden erstmals Schlüsselkonzepte der aktuellen Gender-Politik und Queer Theorie wie Ironie, Parodie, Camp, Maske/Maskerade, Mimesis/Mimikry, Cyborg, Transsexualität und Dildo wissenschaftlich aufbereitet. Mit Hilfe einer neuen Art der Wissensvermittlung verbindet die Autorin anspruchsvolle sozial- und kulturwissenschaftliche Theorien mit praktischen Beispielen aus den Cultural Studies. Der subversive Charakter queerer Motive wird am Beispiel zeitgenössischer Rock- und Popmusik aufgezeigt und in Beziehung zu klassischen Diskursen der abendländischen Philosophiegeschichte gesetzt

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783839411933
    Other identifier:
    Series: Gender studies
    Subjects: Music / Philosophy and aesthetics / Electronic books; Music / Philosophy and aesthetics; Popular music / History and criticism; Rock music / History and criticism; SOCIAL SCIENCE / LGBT Studies / Gay Studies
    Scope: 1 Online-Ressource (336 Seiten), Illustrationen, Diagramme
    Notes:

    Dissertation, Universität Wien, 2008
  25. The politics of vibration
    music as a cosmopolitical practice
    Author: Boon, Marcus
    Published: 2022
    Publisher:  Duke University Press, Durham ; London

    "In The Politics of Vibration, cultural theorist Marcus Boon offers both an anthropological and theoretical account of vibrational ontology. Boon focuses on the work of three contemporary musicians-Hindustani classical vocalist Pandit Pran Nath,... more

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "In The Politics of Vibration, cultural theorist Marcus Boon offers both an anthropological and theoretical account of vibrational ontology. Boon focuses on the work of three contemporary musicians-Hindustani classical vocalist Pandit Pran Nath, Swedish drone composer and philosopher Catherine Christer Hennix, and Houston-based hip-hop creator, DJ Screw-each emerging from a different but entangled set of musical traditions or scenes, whose work is ontologically instructive. Written as a series of improvisations on the life and work of these musicians, The Politics of Vibration expands in the direction of considering the vibrational nature of music more generally. Vibration is understood in multiple ways, as a mathematical and a physical concept, as a religious or ontological force, and as a psychological/psychoanalytic determinant of subjectivity"--

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781478018391; 9781478015765
    RVK Categories: LR 56828 ; LR 56608
    Subjects: Schwingung; Musik; Ästhetik
    Other subjects: Hennix, Catherine Christer (1948-2023); DJ Screw (1971-2000); Pran Nath (1918-1996); Music / Philosophy and aesthetics; Pran Nath / 1918-1996 / Criticism and interpretation; Hennix, Catherine Christer / 1948- / Criticism and interpretation; DJ Screw / 1971-2000 / Criticism and interpretation; Metaphysics; Metaphysics; Musique / Philosophie et esthétique; Métaphysique; metaphysics; MUSIC / Essays; MUSIC / History & Criticism; DJ Screw / 1971-2000; Pran Nath / 1918-1996; Metaphysics; Music / Philosophy and aesthetics; Criticism, interpretation, etc
    Scope: VIII, 279 Seiten
    Notes:

    Music as a Cosmopolitical Practice -- Lord's House, Nobody's House: Pandit Pran Nath and Music as Sadhana -- The Drone of the Real: The Sound-Works of Catherine Christer Hennix -- Music and the Continuum -- Slowed and Throwed: DJ Screw and the Decolonization of Time -- Coda. July 2