Skip to main navigation Skip to main content
info(at)avldigital.remove-this.de
Deutsch English
Narrow Search
Search narrowed by
Last searches

Results for *

Displaying results 1 to 25 of 109.

  1. Code musicology
    from hardwired to software
    Author: Crowdy, Denis
    Published: 2022
    Publisher:  Lexington Books, Lanham

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781666909197
    Series: Critical perspectives on music and society
    Subjects: Musikproduktion; Software; Klang; Ästhetik;
    Other subjects: Music / Computer programs; Music / Philosophy and aesthetics; Music and technology; Musique / Logiciels; Musique / Philosophie et esthétique; Musique et technologie; Music and technology; Music / Computer programs; Music / Philosophy and aesthetics
    Scope: vii, 141 Seiten, Illustrationen, 23 cm
    Notes:

    Literaturverzeichnis: Seite 123-133
  2. Music and the crises of the modern subject
    Author: Klein, Michael Leslie
    Published: [2015]
    Publisher:  Indiana University Press, Bloomington

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780253017208; 9780253017222
    RVK Categories: LR 56650 ; LR 56800
    Series: Musical meaning and interpretation
    Subjects: Music / Psychological aspects; Music / Philosophy and aesthetics; Musical analysis; Music / Philosophy and aesthetics <fast>; Music / Psychological aspects <fast>; Musical analysis <fast>; Philosophy <fast>
    Other subjects: Lacan, Jacques / 1901-1981 / Philosophy; Lacan, Jacques / 1901-1981
    Scope: X, 191 Seiten, Notenbeispiele
    Notes:

    Includes bibliographical references (pages 173-182) and index
  3. Aesthetic Measure
    Author: Birkhoff, George David
    Published: [1933]
    Publisher:  Harvard University Press, Cambridge, Mass.

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674734470; 9780674730229
    Other identifier:
    Subjects: Music / Philosophy and aesthetics; Kunst; Musik; Ästhetik; Künste, Bildende Kunst allgemein; Aesthetics; Art; Proportion (Art); Poetry; Musik; Kunst; Mathematik; Ästhetik; Literatur
    Scope: 1 Online-Ressource (xiii,225p.)
    Notes:

    15 schw.-w. Abb., 23 plates
  4. Neo-mythologism in music
    from Scriabin and Schoenberg to Schnittke and Crumb
    Author: Adamenko, Victoria
    Published: c2007
    Publisher:  Pendragon Press, Hillsdale, NY

    Location:
    Universitätsbibliothek Bamberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781576472811
    Other identifier:
    RVK Categories: LP 91020 ; LR 56827
    Series: Interplay (Hillsdale, N.Y.) ; no. 5
    ACLS Humanities E-Book
    Subjects: Musik; Music and mythology; Music / Philosophy and aesthetics; Hermeneutics; Hermeneutik; Musikästhetik; Musikphilosophie; Musikalische Semiotik; Musik; Mythologie
    Scope: 1 Online-Ressource (xv, 299 Seiten), 23 cm
    Notes:

    Includes bibliographical references (p. 277-286) and index

    Neo-mythologism : a hermeneutic construct and a historic trend -- The prime structuring "molds" of myth and music -- Towards the universality of myth -- In search of the lost union : word-myth-music -- Cosmologies -- Numerology -- "Where time turns into space" : the mythologem of a circle -- Reception and critique
  5. Coming to terms with our musical past
    an essay on Mozart and modernist aesthetics
    Author: Goehring, Edmund J.
    Published: 2018
    Publisher:  University of Rochester Press, Rochester, NY

    A bold, restorative vision of Mozart's works, and Western art music generally, as manifestations of an idealism rooted in the sociable nature of humans more

    Location:
    Universitätsbibliothek Bamberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    A bold, restorative vision of Mozart's works, and Western art music generally, as manifestations of an idealism rooted in the sociable nature of humans

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781787442849
    Other identifier:
    RVK Categories: LP 40405
    Series: Eastman studies in music
    147
    Subjects: Music / Philosophy and aesthetics; Selbstbewusstsein; Ästhetik; Rezeption; Musikkritik
    Other subjects: Mozart, Wolfgang Amadeus / 1756-1791; Mozart, Wolfgang Amadeus (1756-1791)
    Scope: 1 Online-Ressource (xii, 209 Seiten)
    Notes:

    Title from publisher's bibliographic system (viewed on 27 Apr 2021)

    Introduction: setting the stage, and then exiting it -- On critique; or, two paths through the art-critical world -- On transcendence; or, Mozart among the neoplatonists, present and past -- On intention -- On being -- On chance and necessity -- On ambiguity -- On mimesis -- On pleasure -- On concepts and culture -- The flaws in the finale -- Conclusion: an other modernism?
  6. The Cambridge companion to music and romanticism
    Contributor: Taylor, Benedict (Publisher)
    Published: 2021
    Publisher:  Cambridge University Press, Cambridge

    "Unlike many earlier books on the topic, Romanticism is not taken here primarily to refer to a distinct period in music history, though there is nevertheless a clear historical focus on the long nineteenth century, resulting from the overlapping... more

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Unlike many earlier books on the topic, Romanticism is not taken here primarily to refer to a distinct period in music history, though there is nevertheless a clear historical focus on the long nineteenth century, resulting from the overlapping between the Romantic period as generally understood in literature and art (c. 1797-1848) and as commonly received as a musical epoch (from c. 1815 to c. 1914). Nor, on the other hand, is Romanticism understood simply as a musical style, even one characteristic of a group of figures we might choose to term 'Romantics'"--

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Volltext (lizenzpflichtig)
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Contributor: Taylor, Benedict (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781108647342
    Other identifier:
    RVK Categories: LQ 80025
    Series: Cambridge companions to music
    Subjects: Musik; Romantik; Das Romantische
    Other subjects: Romanticism in music; Music / 19th century / History and criticism; Music / 19th century / Philosophy and aesthetics; Music; Music / Philosophy and aesthetics; Romanticism in music; 1800-1899; Criticism, interpretation, etc
    Scope: 1 Online-Ressource
    Notes:

    HORIZONS. Defining the Indefinable : Romanticism and Music / Benedict Taylor ; The Emergence of Romanticism / Keith Chapin -- WORLDS. Music in Romantic Literature and Poetry / Miranda Stanyon ; Music, Romantic Landscape, and the Visual / Thomas Peattie ; Romanticism, the Folk, and Musical Nationalisms / Matthew Gelbart ; Music, Romanticism, and Politics / Katherine Hambridge ; Music and Technology / John Tresch ; Music, Magic, and the Supernatural / Francesca Brittan ; A Kingdom not of this World : Music, Religion, Art-Religion / James Garratt -- AESTHETICS. Music in Early German Romantic Philosophy / Tomas McAuley ; Meaning and Value in Romantic Musical Aesthetics / Alexander Wilfing / Music and Romantic Interiority / Holly Watkins ; Music, Expression, and the Aesthetics of Authenticity / Karen Leistra-Jones -- PRACTICES. Romantic Languages / Julian Horton ; Romantic Forms / Steven Vande Moortele ; Romanticism and the Ideal of Song / Lisa Feurzeig ; Music Staged and Unstaged / Sarah Hibberd ; Romanticism and Performance / Dana Gooley -- HISTORIES. Musical Romanticism as a Historiographical Construct / Nicole Grimes ; The End(s) of Musical Romanticism / Sebastian Wedler
  7. Future sounds
    the temporality of noise
    Author: Kennedy, Stephen
    Published: [2018]; © 2018
    Publisher:  Bloomsbury Academic, New York ; London ; Oxford ; New Delhi ; Sydney

    What can the sounds of today tell us about the future? Can an analysis of sound and sonic practices allow us to make reliable predictions in relation to wider social phenomena? And what might they tell us about technology in a world where futurology... more

    Location:
    Universitätsbibliothek Bayreuth
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    What can the sounds of today tell us about the future? Can an analysis of sound and sonic practices allow us to make reliable predictions in relation to wider social phenomena? And what might they tell us about technology in a world where futurology is such a frenzied and busy field? In order to answer these questions, this book tests a range of propositions that connect noise, sound and music to political, economic and technological events. Hence it is a book about historical trajectories and conflicting ideas about time and the necessity to re-contextualize and interpret them in the digital age. - Stephen Kennedy is Principal Lecturer in Media & Communication and Media Arts at University of Greenwich, UK. He is a critical theorist and political philosopher whose research ranges in scope from an analytic assessment of the figure of new technology in governmental policy to the circulation of cultural capital within mediated environments.

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781501321054
    RVK Categories: LR 56660 ; LR 56820
    Subjects: Musik; Kulturwissenschaften; Lärm; Klang; Ästhetik; Noise; Musikphilosophie; Geräusch
    Other subjects: Music / Philosophy and aesthetics; Sound (Philosophy); Noise (Philosophy)
    Scope: 167 Seiten
    Notes:

    Preface. - Introduction. - 1. Critical Temporalities. - 2. Noise and Political Economy. - 3. Remembering the Future: 1977-2017. - 4. Continuous Discontinuity: A Non-Linear History of Noise. - Bibliography. - Index
  8. A theory of musical narrative
    Author: Almén, Byron
    Published: 2017
    Publisher:  Indiana University Press, Bloomington ; Indianapolis

    Location:
    Universitätsbibliothek der LMU München
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780253030092
    Edition: First paperback edition
    Series: Musical meaning and interpretation
    Subjects: Narrativität; Musik
    Other subjects: Music / Philosophy and aesthetics; Musical analysis; Music / Semiotics; Music and literature; Music theory; Narrative in music; Music and literature; Music / Philosophy and aesthetics; Music / Semiotics; Music theory; Musical analysis; Narrative in music
    Scope: xiv, 248 Seiten, Noten
    Notes:

    Originally published in 2008
  9. Intents and purposes
    philosophy and the aesthetics of improvisation
    Author: Lewis, Eric
    Published: April 2019
    Publisher:  University of Michigan Press, Ann Arbor

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek der LMU München
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Würzburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780472131303
    RVK Categories: LR 56090
    Subjects: Jazz; Ästhetik; Musik; Improvisation
    Other subjects: Improvisation (Music) / Philosophy; Music / Philosophy and aesthetics; Music / Philosophy and aesthetics
    Scope: XIV, 265 Seiten
  10. Music between ontology and ideology
    Author: Božikova, Milena
    Published: 2020
    Publisher:  Cambridge Scholars Publishing, Newcastle upon Tyne, UK

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781527545311
    Subjects: Philosophie; Musikleben; Musik; Ontologie; Mathematik; Ästhetik; Ideologie
    Other subjects: Music / Philosophy and aesthetics; Music / Bulgaria / 20th century / History and criticism
    Scope: ix, 140 Seiten, Illustrationen, Portraits, 22 cm
  11. After Debussy
    music, language, and the margins of philosophy
    Author: Johnson, Julian
    Published: [2020]; © 2020
    Publisher:  Oxford University Press, New York, NY

    Focusing on the music of Debussy and its legacy in the century since his death, 'After Debussy' offers a groundbreaking new perspective on twentieth-century music that foregrounds a sensory logic of sound over quasi-linguistic ideas of structure or... more

    Location:
    Universitätsbibliothek Bayreuth
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule für Philosophie, Bibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek der LMU München
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Focusing on the music of Debussy and its legacy in the century since his death, 'After Debussy' offers a groundbreaking new perspective on twentieth-century music that foregrounds a sensory logic of sound over quasi-linguistic ideas of structure or meaning

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780190066826
    RVK Categories: LP 91692
    Subjects: Music / Philosophy and aesthetics; Music and language; Literatur; Rezeption; Ästhetik; Französisch; Phänomenologie; Sprache; Musik
    Other subjects: Debussy, Claude / 1862-1918 / Criticism and interpretation; Debussy, Claude (1862-1918)
    Scope: xix, 373 Seiten, Illustrationen, Notenbeispiele (schwarz-weiß)
    Notes:

    Includes bibliographical references and index
  12. Music and the sonorous sublime in European culture, 1680-1880
    Contributor: Hibberd, Sarah (Publisher); Stanyon, Miranda (Publisher)
    Published: 2020
    Publisher:  Cambridge University Press, Cambridge

    The sublime - that elusive encounter with overwhelming height, power or limits - has been associated with music from the early-modern rise of interest in the Longinian sublime to its saturation of European culture in the later nineteenth century and... more

    Location:
    Universitätsbibliothek Bamberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Regensburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    The sublime - that elusive encounter with overwhelming height, power or limits - has been associated with music from the early-modern rise of interest in the Longinian sublime to its saturation of European culture in the later nineteenth century and beyond. This volume offers a historically situated study of the relationship between music, sound and the sublime. Together, the authors distinguish between the different aesthetics of production, representation and effect, while understanding these as often mutually reinforcing approaches. They demonstrate music's strength in playing out the sublime as transfer, transport and transmission of power, allied to the persistent theme of destruction, deaths and endings. The volume opens up two avenues for further research suggested by the adjective 'sonorous': a wider spectrum of sounds heard as sublime, and (especially for those outside musicology) a more multifaceted idea of music as a cultural practice that shares boundaries with other sounding phenomena

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Hibberd, Sarah (Publisher); Stanyon, Miranda (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781108761253
    Other identifier:
    RVK Categories: LR 56800
    Subjects: Music / Philosophy and aesthetics; Sublime, The, in music; Musik; Das Erhabene
    Scope: 1 Online-Ressource (xv, 305 Seiten)
    Notes:

    Sonorous Sublimes : An Introduction / Sarah Hibberd and Miranda Stanyon -- Thunder or Celestial Harmony : French Theological Debates on the Sonorous Sublime / Sophie Hache -- 'A Pleasing Rape' : John Dennis, Music and the Queer Sublime / Matthew Head -- The Idea of the Past in Eighteenth-Century British Music / Suzanne Aspden -- C. P. E. Bach and the Neoclassical Sublime : Revisions of a Concept / Keith Chapin -- Cherubini's Médée and Sublime Vengeance / Sarah Hibberd -- When Does the Sublime Stop? Cavatinas and Quotations in Haydn's Seasons / Elaine Sisman -- Counterfeits, Contraltos and Harmony in De Quincey's Sublime / Miranda Stanyon -- The Consecration of Sound: Sublime Musical Creation in Haydn, Weber and Spohr / Benedict Taylor -- Commanding Performances: Opera, Surrogation and the Royal Sublime in 1848 / Dana Gooley -- Wagner's Sublime Effects: Bells, Cannon and the Perception of Heavy Sound / David Trippett
  13. Music and the sonorous sublime in European culture, 1680-1880
    Contributor: Hibberd, Sarah (Publisher); Stanyon, Miranda (Publisher)
    Published: 2020
    Publisher:  Cambridge University Press, Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Contributor: Hibberd, Sarah (Publisher); Stanyon, Miranda (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781108486590
    RVK Categories: LR 56800
    Subjects: Musik; Das Erhabene
    Other subjects: Music / Philosophy and aesthetics; Sublime, The, in music
    Scope: XV, 305 Seiten, Notenbeispiele
  14. Coming to terms with our musical past
    an essay on Mozart and modernist aesthetics
    Author: Goehring, Edmund J.
    Published: 2018
    Publisher:  University of Rochester Press, Rochester, NY

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781787442849
    RVK Categories: LP 40405
    Series: Eastman studies in music
    Subjects: Music / Philosophy and aesthetics; Musikkritik; Rezeption; Ästhetik; Selbstbewusstsein
    Other subjects: Mozart, Wolfgang Amadeus / 1756-1791; Mozart, Wolfgang Amadeus (1756-1791)
    Scope: 1 Online-Ressource (223 Seiten)
    Notes:

    Includes bibliographical references and index

    Introduction: setting the stage, and then exiting it -- On critique; or, two paths through the art-critical world -- On transcendence; or, Mozart among the neoplatonists, present and past -- On intention -- On being -- On chance and necessity -- On ambiguity -- On mimesis -- On pleasure -- On concepts and culture -- The flaws in the finale -- Conclusion: an other modernism?
  15. Best of IsaScience
    2013-2016 : an interdisciplinary collection of essays on music and arts
    Contributor: Hemetek, Ursula (Publisher); Szabo-Knotik, Cornelia (Publisher)
    Published: 2017
    Publisher:  Hollitzer Verlag, Wien

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Contributor: Hemetek, Ursula (Publisher); Szabo-Knotik, Cornelia (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783990124338
    Subjects: Music / Philosophy and aesthetics; Musik; Interdisziplinarität; Kultur; Kunst
    Scope: 1 Online-Ressource (233 Seiten)
  16. Rancière and music
    Contributor: Cachopo, João Pedro (Publisher); Nickleson, Patrick (Publisher); Stover, Chris (Publisher)
    Published: [2020]; © 2020
    Publisher:  Edinburgh University Press, Edinburgh

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Contributor: Cachopo, João Pedro (Publisher); Nickleson, Patrick (Publisher); Stover, Chris (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781474440226
    Series: Critical connections
    Subjects: Musik; Ästhetik
    Other subjects: Rancière, Jacques (1940-); Music / Philosophy and aesthetics; Rancière, Jacques; Rancière, Jacques; Music / Philosophy and aesthetics
    Scope: xiii, 396 Seiten
  17. Musical meaning
    toward a critical history
    Author: Kramer, Lawrence
    Published: ©2002
    Publisher:  University of California Press, Berkeley

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0520928326; 0585466246; 9780520928329; 9780585466248
    Subjects: MUSIC / Instruction & Study / Appreciation; MUSIC / Genres & Styles / Classical; Music, Influence of; Music; Music / Philosophy and aesthetics; Subjectivity in music; Muziekfilosofie; Muziekinterpretatie; Musik; Music; Music; Subjectivity in music; Music, Influence of; Musikalische Analyse; Musik; Hermeneutik; Musikalische Semiotik
    Scope: 1 Online-Ressource (ix, 335 pages)
    Notes:

    Includes bibliographical references and index

    Hermeneutics and musical history: a primer without rules, an exercise with Schubert -- Hands on, lights off: the Moonlight Sonata and the birth of sex at the piano -- Beyond words and music: an essay on songfulness -- Franz Liszt and the virtuoso public sphere: sight and sound in the rise of mass entertainment -- Rethinking Schumann's Carnaval: identity, meaning, and the social order -- Glottis envy: the Marx Brothers' A Night at the Opera -- Hercules' hautboys: mixed media and musical meaning -- The voice of Persephone: musical meaning and mixed media -- Powers of blackness: jazz and the blues in modern concert music -- Long ride in a slow machine: the alienation effect from Weill to Shostakovich -- Chiaroscuro: Coltrane's American songbook -- Ghost stories: cultural memory, mourning, and the myth of originality

    Lawrence Kramer has been a pivotal figure in the development of the controversial new musicology, integrating the study of music with social and cultural issues. This book continues and deepens the trajectory of Kramer's thinking as it argues that humanistic meaning is a basic force in music history
  18. Interpreting music
    Author: Kramer, Lawrence
    Published: c2011
    Publisher:  University of California Press, Berkeley

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0520267052; 0520267060; 0520947363; 9780520947368
    RVK Categories: LR 55570
    Subjects: MUSIC / Instruction & Study / Appreciation; MUSIC / Genres & Styles / Classical; Music; Music / Philosophy and aesthetics; Musik; Music; Music; Musik; Ästhetik
    Scope: 1 Online-Ressource (vii, 322 p.)
    Notes:

    Includes bibliographical references and index

    This is a comprehensive essay on musical meaning and performing music meaningfully - 'interpreting music' in both senses of the term. The author argues that music, far from being closed to interpretation is the paradigm of interpretation in general

    Hermeneutics -- Language -- Subjectivity -- Meaning -- Metaphor -- History -- Influence -- Deconstruction -- Analysis -- Resemblance -- Things -- Classical -- Modern -- Works -- Performance -- Musicology
  19. Music, art, and metaphysics
    essays in philosophical aesthetics
    Author: Levinson, Jerrold
    Published: 2011
    Publisher:  Oxford University Press, Oxford

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0191616559; 019959662X; 0199596638; 9780191616556; 9780199596621; 9780199596638
    Edition: [New ed.]
    Subjects: Philosophy and aesthetics; Philosophy; PHILOSOPHY / Aesthetics; Aesthetics; Music / Philosophy and aesthetics; Musik; Philosophie; Ästhetik; Aesthetics; Music; Musik; Ästhetik; Kunst; Metaphysik
    Scope: 1 Online-Ressource (xx, 419 pages)
    Notes:

    Previous edition: Ithaca, N.Y. : Cornell University Press, 1990

    Includes bibliographical references and index
  20. Remaking the song
    operatic visions and revisions from Handel to Berio
    Author: Parker, Roger
    Published: ©2006
    Publisher:  University of California Press, Berkeley, Calif.

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0520244184; 0520931785; 1282357654; 1423766636; 9780520244184; 9780520931787; 9781282357655; 9781423766636
    Series: Ernest Bloch lectures
    Subjects: MUSIC / Genres & Styles / Opera; Music / Philosophy and aesthetics; Operas; Musik; Operas; Music; Oper; Ästhetik; Opernarie
    Scope: 1 Online-Ressource (xii, 165 pages)
    Notes:

    Includes bibliographical references (pages 141-160) and index

    Remaking the song -- Of Andalusian maidens and recognition scenes : crossed wires in Il trovatore and La traviata -- Ersatz ditties : Adriana Ferrarese's Susanna -- In search of Verdi -- Berio's Turandot : once more the great tradition -- Sudden charms : the progress of an aria

    Spanning almost the entire history of opera, this book re-examines attitudes toward some of our best-loved musical works, and asks a question: what exactly is opera? It considers the works by Handel, Mozart, Donizetti, Verdi, Wagner, Puccini, and Berio, aiming to challenge what many regard as sacroscant: the opera's musical text
  21. Groove
    a phenomenology of rhythmic nuance
    Author: Roholt, Tiger C.
    Published: 2014
    Publisher:  Bloomsbury, New York, NY [u.a.]

    "A highly original work in the philosophy of music and sound, offering an in-depth study of the nature and purpose of rhythm"-- more

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Würzburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "A highly original work in the philosophy of music and sound, offering an in-depth study of the nature and purpose of rhythm"--

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781441104182
    RVK Categories: CC 6900 ; LR 56820
    Edition: 1. publ.
    Subjects: Musical meter and rhythm; Music / Philosophy and aesthetics; MUSIC / History & Criticism; PHILOSOPHY / Aesthetics; PHILOSOPHY / Movements / Phenomenology; Music / Philosophy and aesthetics; Musical meter and rhythm; Musik; Ästhetik; Metrum; Musikphilosophie; Rhythmus; Musik
    Scope: IX, 175 S.
    Notes:

    "Written by an experienced drummer and philosopher, Groove is a vivid and exciting study of one of music's most central and relatively unexplored aspects. Tiger C. Roholt explains why grooves, which are forged in music's rhythmic nuances, remain hidden to some listeners. He argues that grooves are not graspable through the intellect nor through mere listening; rather, grooves are disclosed through our bodily engagement with music. We grasp a groove bodily by moving with music's pulsations. By invoking the French philosopher Maurice Merleau-Ponty's notion of "motor intentionality," Roholt shows that the "feel" of a groove, and the understanding of it, are two sides of a coin: to "get" a groove just is to comprehend it bodily and to feel that embodied comprehension"-- Provided by publisher

    Includes bibliographical references and index

    Machine generated contents note: -- Chapter 1. Musical NuanceChapter 2. PerceivingChapter 3. The BodyChapter 4. Groove in Music
  22. ANOTHER SONG FOR EUROPE
    music, taste, and values in the eurovision song contest
    Author: Raykoff, Ivan
    Published: 2020
    Publisher:  ROUTLEDGE, [S.l.]

    The Eurovision Song Contest is famous for its camp spectacles and political intrigues, but what about its actual music? With more than 1,500 songs in over50 languages and a wide range of musical styles since it began in 1956, Eurovision features the... more

     

    The Eurovision Song Contest is famous for its camp spectacles and political intrigues, but what about its actual music? With more than 1,500 songs in over50 languages and a wide range of musical styles since it began in 1956, Eurovision features the most musically and linguistically diverse song repertoire in history. Listening closely to its classic fan favorites but also to songs that scored low because they were too different or too far ahead of their time, this book delves into the musical tastes and cultural values the contest engages through its international reach and popular appeal. Chapters discuss the iconic fanfare that introduces the broadcast, the supposed formulas for composing successful contest entries, how composers balance aspects of sameness and difference in their songs, and the tension between national genres of European popular music and musical trends beyond the nation's borders, especially the American influences on a show that is supposed to celebrate an idealized pan-European identity. The book also explores how audiences interact with the contest through musicking experiences that bring people together to celebrate its sounds and spectacles. What can seem like a silly song-and-dance show offers valuable insights into the bonds between popular music and cosmopolitan values for its many followers around the world. From dance parties to flashmobs, parodies to plagiarisms, and orchestras to artificial intelligence, Another Song for Europe will be of particular interest to Eurovision fans, critics, and scholars of popular music, popular culture, ethnomusicology, and European studies

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveroeffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781000245646; 1000245640; 9780429281532; 0429281536; 9781000245653; 1000245659; 9781000245660; 1000245667
    RVK Categories: LR 57230 ; LR 57720
    Subjects: Music / Philosophy and aesthetics; Ethnomusicology; Ästhetik; Musikalischer Stil; Popmusik
    Scope: 1 Online Ressource
  23. Musical sense-making
    enactment, experience and computation
    Author: Reybrouck, Mark
    Published: 2021
    Publisher:  Routledge, Taylor & Francis Group, London

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveroeffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780429274015; 0429274017
    Other identifier:
    Series: SEMPRE studies in the psychology of music
    Subjects: Music / Psychological aspects; Music / Philosophy and aesthetics; Musical perception; Musikalische Semantik; Interdisziplinarität; Musikwahrnehmung
    Scope: 1 Online Ressource (xvii, 217 pages :, illustrations (black and white.)
    Notes:

    Description based on print version record
  24. Sound and affect
    voice, music, world
    Contributor: Lochhead, Judith Irene (Publisher); Mendieta, Eduardo (Publisher); Smith, Stephen Decatur (Publisher)
    Published: [2021]; ©2021
    Publisher:  University of Chicago Press, Chicago ; London

    "Studies of affect and emotions have blossomed in recent decades across the humanities, neurosciences, and social sciences. In music scholarship, they have often built on the discipline's attention to what music theorists since the Renaissance have... more

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Studies of affect and emotions have blossomed in recent decades across the humanities, neurosciences, and social sciences. In music scholarship, they have often built on the discipline's attention to what music theorists since the Renaissance have described as music's unique ability to arouse passions in listeners. In this timely volume, the editors seek to combine this 'affective turn' with the 'sound turn' in the humanities, which has profitably shifted attention from the visual to the aural, as well as a more recent 'philosophical turn' in music studies. Accordingly, the volume maps out a new territory for research at the intersection of music, philosophy, and sound studies. The essays in Sound and Affect look at objects and experiences in which correlations of sound and affect reside, in music and beyond: the voice as it speaks, stutters, cries, or sings; music, whether vocal, instrumental, or electronic; our sonic environments, whether natural or man-made, and our responses to them. As argued here, far from being stable, correlations of sound and affect are influenced by factors as diverse as race, class, gender, and social and political experience. Examining these factors is key to the project, which gathers contributions from a cross-disciplinary roster of scholars including both established as well as a wealth of new voices. The essays are grouped thematically into sections that move from politics and ethics, to reflections on pre-and post-human "musicking," to the notions of affective listening and music temporalities, to are examination of historical understandings of music and affect. This agenda-setting collection will prove indispensable to anyone interested in innovative approaches to the study of sound and its many intersection with affect and emotions"--

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Contributor: Lochhead, Judith Irene (Publisher); Mendieta, Eduardo (Publisher); Smith, Stephen Decatur (Publisher)
    Language: English
    Media type: Book
    ISBN: 9780226758015; 9780226751832
    RVK Categories: LR 56800 ; LR 56650
    Subjects: Ästhetik; Affekt; Musik; Philosophie
    Other subjects: Music / Psychological aspects; Affect (Psychology); Music / Philosophy and aesthetics; Music / Political aspects; Emotions in music; Affect (Psychology); Emotions in music; Music / Philosophy and aesthetics; Music / Political aspects; Music / Psychological aspects
    Scope: ix, 405 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Waves of modernation: the sound of sophrosyne in ancient Greek and neoliberal times / Robin James -- The politics of silence: Heidegger's Black notebooks / Adam Knowles -- Sign, affect, and musicking before the human / Gary Tomlinson -- Human beginnings and music: technology and embodiment roles / Don Ihde -- The life and death of Daniel Barenboim / James Currie -- The philosopher's voice: the prosody of logos / Eduardo Mendieta -- Late capitalism, affect, and the algorithmic self in music streaming platforms / Michael Birenbaum Quintero -- Music, labor, and technologies of desire / Martin Scherzinger -- Musical affect, autobiographical memory, and collective individuation in Thomas Bernhard's Correction / Christopher Haworth -- The "sound" of music: sonic agency and the dialectic of freedom and constraint in jazz improvisation / Lorenzo C. Simpson -- Merleau-Ponty on consciousness and affect through the temporal movement of music / Jessica Wiskus -- A.N. Whitehead, feeling, and music: on some potential modifications to affect theory / Ryan Dohoney -- Delivering affect: Mersenne, voice, and the background of Jesuit rhetorical theory / André de Oliveira Redwood -- Mimesis and the affective ground of Baroque representation / Daniel Villegas Vélez -- Affect and the recording devices of seventeenth-century Italy / Emily Wilbourne -- Immanuel Kant and the downfall of the Affektenlehre / Tomás McAuley
  25. Sonic time machines
    explicit sound, sirenic voices, and implicit sonicity
    Author: Ernst, Wolfgang
    Published: 2016
    Publisher:  Amsterdam University Press, Amsterdam

    Our studies of aesthetics and knowledge have long tended to privilege the visual - at the expense, Wolfgang Ernst argues, of the aural. Sonic Time Machines aims to correct that, presenting a striking new approach to theorising sound that investigates... more

    Location:
    Universitätsbibliothek Bamberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Our studies of aesthetics and knowledge have long tended to privilege the visual - at the expense, Wolfgang Ernst argues, of the aural. Sonic Time Machines aims to correct that, presenting a striking new approach to theorising sound that investigates its split existence: as a temporal effect in a techno-cultural context and as a source of knowledge and information. Ernst creates a new term for the concept at the heart of the book, sonicity a flexible and powerful term that allows him to consider sound with all its many physical, philosophical, and cultural valences

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048528479
    Other identifier:
    RVK Categories: LR 56828 ; AP 14350
    Series: Recursions: theories of media, materiality, and cultural techniques
    Subjects: Music / Philosophy and aesthetics; Sound (Philosophy); Sound in mass media; Ästhetik; Ton <Akustik>; Musik; Massenmedien
    Scope: 1 Online-Ressource (184 Seiten)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Feb 2021)