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  1. Aesthetic Measure
    Author: Birkhoff, George David
    Published: [1933]
    Publisher:  Harvard University Press, Cambridge, Mass.

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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674734470; 9780674730229
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    Subjects: Music / Philosophy and aesthetics; Kunst; Musik; Ästhetik; Künste, Bildende Kunst allgemein; Aesthetics; Art; Proportion (Art); Poetry; Musik; Kunst; Mathematik; Ästhetik; Literatur
    Scope: 1 Online-Ressource (xiii,225p.)
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    15 schw.-w. Abb., 23 plates
  2. Zwischen Narzissmus und Selbsthass
    Das Bild des ästhetizistischen Künstlers im Theater der Jahrhundertwende und der Zwischenkriegszeit
    Author: Stauss, Sebastian
    Published: [2010]; ©2010
    Publisher:  De Gruyter, Berlin ; Boston

    Narziss ist eine viel genannte Schlüsselfigur der literarischen Dekadenz. Doch welche theoretischen Überlegungen, Analogien und Umkehrschlüsse zwischen Mythologie, Ästhetik und Psychologie verbinden sich mit und in ihm? Es lässt sich hinsichtlich des... more

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    Narziss ist eine viel genannte Schlüsselfigur der literarischen Dekadenz. Doch welche theoretischen Überlegungen, Analogien und Umkehrschlüsse zwischen Mythologie, Ästhetik und Psychologie verbinden sich mit und in ihm? Es lässt sich hinsichtlich des westeuropäischen Theaters der Jahrhundertwende und der Zeit zwischen den Weltkriegen davon ausgehen und erkunden, wie Künstlerfiguren dieser Epoche eine Aura und eine Charakterisierung eingeräumt werden, die sich an der sozialen Realität orientieren - oder von dieser mitunter stark divergieren. Die im 19. Jahrhundert noch weit verbreiteten Gattungen des Künstlerdramas und -romans weichen zu Beginn des 20. Jahrhunderts zudem neuen Formen und Spielarten von "Gesamtkunstwerken" und der Selbst-Inszenierung. Den gemeinhin bekannten "Narzissten" wie Oscar Wilde oder André Gide stehen Dramatiker und Opernkomponisten wie J. M. Barrie oder Franz Schreker gegenüber, die Künstlerleben zwischen Selbsthass und -zerstörung auf die Bühne bringen

     
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  3. Populäre Musik und Ästhetik
    Die historisch-philosophische Rekonstruktion einer Geringschätzung
    Author: Fuhr, Michael
    Published: [2015]; ©2007
    Publisher:  transcript-Verlag, Bielefeld

    Ob im Fernsehen oder Radio, im Kaufhaus, in Cafés, Clubs oder zu Hause - Popmusik ist heute allgegenwärtig. Umso auffälliger erscheint ihre geringe akademische Akzeptanz. Die Studie sucht hierfür Gründe und geht dabei den historisch-philosophischen... more

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    Ob im Fernsehen oder Radio, im Kaufhaus, in Cafés, Clubs oder zu Hause - Popmusik ist heute allgegenwärtig. Umso auffälliger erscheint ihre geringe akademische Akzeptanz. Die Studie sucht hierfür Gründe und geht dabei den historisch-philosophischen Bedingungen nach, die das Forschungsfeld zu populärer Musik bestimmen. Von der Ausgrenzung aus der klassischen Ästhetik bis hin zu Alltags- und Körperästhetiken werden Zusammenhänge aufgezeigt, die eine kritische Sicht auf die strukturbildenden Prinzipien musikwissenschaftlicher Forschung eröffnen und zugleich als Grundlagen für eine wissenschaftliche Auseinandersetzung mit populärer Musik dienen

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839406755
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    RVK Categories: LR 56970
    Edition: 1. Aufl
    Series: texte zur populären musik ; 3
    Other subjects: Music / Philosophy and aesthetics; Cultural Studies; Music; Musicology; Musik; Musikwissenschaft; Pop Music; Pop(ular)musikforschung; Popkultur; Popmusik; Popular Culture; Ästhetik; Unterhaltungsmusik; Musikästhetik; MUSIC / History & Criticism
    Scope: 1 online resource
  4. Der Wert der Musik
    Zur Ästhetik des Populären
    Author: Appen, Ralf von
    Published: [2015]; ©2007
    Publisher:  transcript-Verlag, Bielefeld

    Was bietet uns Musik, dass wir ihr so viel Zeit und Geld opfern? Wie soll sie beschaffen sein, damit sie die hohen Erwartungen erfüllt? Warum riskieren wir für sie das Gehör, warum gehen wir das Risiko illegaler Downloads ein?Um individuelle... more

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    Was bietet uns Musik, dass wir ihr so viel Zeit und Geld opfern? Wie soll sie beschaffen sein, damit sie die hohen Erwartungen erfüllt? Warum riskieren wir für sie das Gehör, warum gehen wir das Risiko illegaler Downloads ein?Um individuelle Bewertungen von Musik - und damit zusammenhängend: den Wert der Musik für den Menschen - zu verstehen, analysiert die Studie zunächst intensiv »Amazon«-Kundenrezensionen aktueller Alben von Robbie Williams, Eminem, The Strokes, Bob Dylan, Norah Jones u.a., um die gewonnenen Erkenntnisse dann aus der Perspektive gegenwärtiger philosophischer Ästhetik zu interpretieren

     
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  5. Sound Studies: Traditionen - Methoden - Desiderate
    Eine Einführung
    Published: [2015]; ©2008
    Publisher:  transcript-Verlag, Bielefeld

    Was höre ich - jetzt? Wie höre ich in diesem Raum oder auf diesem Platz?Die Buchreihe Sound Studies möchte ein Sprechen aus, mit und über Klang eröffnen - über Fach- und Methodengrenzen hinweg, über die Grenzen wissenschaftlichen Sprechens hinaus.Es... more

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    Was höre ich - jetzt? Wie höre ich in diesem Raum oder auf diesem Platz?Die Buchreihe Sound Studies möchte ein Sprechen aus, mit und über Klang eröffnen - über Fach- und Methodengrenzen hinweg, über die Grenzen wissenschaftlichen Sprechens hinaus.Es werden Fragen gestellt nach dem gegenwärtigen, historischen und künftigen Leben von Menschen und Tieren mit Dingen und Lauten; nach den Sounds, die sie gestalten, durch die sie handeln und fremde wie auch vermeintlich vertraute Kulturen erkunden.Der erste Band bietet eine Einführung in Traditionen, aktuelle künstlerische Ansätze und gegenwärtige Methoden - eine allgemeine Einführung in das Forschungsfeld Sound Studies, welches quer zu etablierten Disziplinen und Ausdrucksformen liegt. Er versammelt Texte zu historischen Beispielen der elektronischen Musik, des Radios und der Netzmusik, zu funktionalen Klängen, zur Akustischen Architektur, zur Pop- und Medienmusikwissenschaft, zu medienhistorischen Betrachtungen von Zeit und Klang, zur akustischen Markenkommunikation und zu experimentell-künstlerischen Ansätzen.Mit Beiträgen von Sam Auinger, Roger Behrens, Diedrich Diederichsen, Florian Dombois, Wolfgang Ernst, Golo Föllmer, Thomas Hermann, Daniel Ott, Holger Schulze, Martin Supper, Elena Ungeheuer, Carl-Frank Westermann u.v.a.m

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839408940
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    Edition: 1. Aufl
    Series: Sound Studies ; 1
    Other subjects: Music / Acoustics and physics; Music / Philosophy and aesthetics; Sound; Aesthetics; Architecture; Architektur; Cultural Studies; Design; Klang; Kulturwissenschaft; Kunst; Musicology; Musikwissenschaft; Pop Music; Popmusik; Sound; Ästhetik; MUSIC / History & Criticism
    Scope: 1 online resource
  6. Auf der Suche nach einer zeitgemäßen Musikästhetik
    Adornos »Philosophie der Musik« und die Beethoven-Fragmente
    Author: Urbanek, Nikolaus
    Published: [2015]; ©2010
    Publisher:  transcript-Verlag, Bielefeld

    Wie ist eine zeitgemäße Musikästhetik im Anschluss an Adorno heute noch möglich?In einer Konfrontation der nachgelassenen Beethoven-Fragmente Theodor W. Adornos mit dem aktuellen Diskurs der Ästhetik, der in einem Kraftfeld von hermeneutischen,... more

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    Wie ist eine zeitgemäße Musikästhetik im Anschluss an Adorno heute noch möglich?In einer Konfrontation der nachgelassenen Beethoven-Fragmente Theodor W. Adornos mit dem aktuellen Diskurs der Ästhetik, der in einem Kraftfeld von hermeneutischen, kritischen und dekonstruktivistischen Zugängen verortet wird, wirft Nikolaus Urbanek diese Frage auf.Die Auseinandersetzung mit Adornos ungeschriebenem Buch über Beethoven, das als eine ausgeführte »Philosophie der Musik« projektiert war, bietet neue Perspektiven auf die musikästhetische Diskussion der Themen der musikalischen Sprache, der musikalischen Zeit und des Spätstils

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839413203
    Other identifier:
    Edition: 1. Aufl
    Series: Edition Moderne Postmoderne
    Other subjects: Music / Philosophy and aesthetics; Aesthetics; Beethoven; Critical Theory; Deutsche Philosophiegeschichte; German History of Philosophy; Kritische Theorie; Musicology; Musik; Musikalische Sprache; Musikwissenschaft; Musikästhetik; Philosophie; Philosophy; Zeit und Musik; Ästhetik; Musikästhetik; PHILOSOPHY / History & Surveys / Modern
    Scope: 1 online resource
  7. Neo-mythologism in music
    from Scriabin and Schoenberg to Schnittke and Crumb
    Author: Adamenko, Victoria
    Published: c2007
    Publisher:  Pendragon Press, Hillsdale, NY

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    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781576472811
    Other identifier:
    RVK Categories: LP 91020 ; LR 56827
    Series: Interplay (Hillsdale, N.Y.) ; no. 5
    ACLS Humanities E-Book
    Subjects: Musik; Music and mythology; Music / Philosophy and aesthetics; Hermeneutics; Hermeneutik; Musikästhetik; Musikphilosophie; Musikalische Semiotik; Musik; Mythologie
    Scope: 1 Online-Ressource (xv, 299 Seiten), 23 cm
    Notes:

    Includes bibliographical references (p. 277-286) and index

    Neo-mythologism : a hermeneutic construct and a historic trend -- The prime structuring "molds" of myth and music -- Towards the universality of myth -- In search of the lost union : word-myth-music -- Cosmologies -- Numerology -- "Where time turns into space" : the mythologem of a circle -- Reception and critique
  8. Coming to terms with our musical past
    an essay on Mozart and modernist aesthetics
    Author: Goehring, Edmund J.
    Published: 2018
    Publisher:  University of Rochester Press, Rochester, NY

    A bold, restorative vision of Mozart's works, and Western art music generally, as manifestations of an idealism rooted in the sociable nature of humans more

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    A bold, restorative vision of Mozart's works, and Western art music generally, as manifestations of an idealism rooted in the sociable nature of humans

     
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    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781787442849
    Other identifier:
    RVK Categories: LP 40405
    Series: Eastman studies in music
    147
    Subjects: Music / Philosophy and aesthetics; Selbstbewusstsein; Ästhetik; Rezeption; Musikkritik
    Other subjects: Mozart, Wolfgang Amadeus / 1756-1791; Mozart, Wolfgang Amadeus (1756-1791)
    Scope: 1 Online-Ressource (xii, 209 Seiten)
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    Title from publisher's bibliographic system (viewed on 27 Apr 2021)

    Introduction: setting the stage, and then exiting it -- On critique; or, two paths through the art-critical world -- On transcendence; or, Mozart among the neoplatonists, present and past -- On intention -- On being -- On chance and necessity -- On ambiguity -- On mimesis -- On pleasure -- On concepts and culture -- The flaws in the finale -- Conclusion: an other modernism?
  9. The Cambridge companion to music and romanticism
    Contributor: Taylor, Benedict (Publisher)
    Published: 2021
    Publisher:  Cambridge University Press, Cambridge

    "Unlike many earlier books on the topic, Romanticism is not taken here primarily to refer to a distinct period in music history, though there is nevertheless a clear historical focus on the long nineteenth century, resulting from the overlapping... more

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    "Unlike many earlier books on the topic, Romanticism is not taken here primarily to refer to a distinct period in music history, though there is nevertheless a clear historical focus on the long nineteenth century, resulting from the overlapping between the Romantic period as generally understood in literature and art (c. 1797-1848) and as commonly received as a musical epoch (from c. 1815 to c. 1914). Nor, on the other hand, is Romanticism understood simply as a musical style, even one characteristic of a group of figures we might choose to term 'Romantics'"--

     
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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Contributor: Taylor, Benedict (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781108647342
    Other identifier:
    RVK Categories: LQ 80025
    Series: Cambridge companions to music
    Subjects: Musik; Romantik; Das Romantische
    Other subjects: Romanticism in music; Music / 19th century / History and criticism; Music / 19th century / Philosophy and aesthetics; Music; Music / Philosophy and aesthetics; Romanticism in music; 1800-1899; Criticism, interpretation, etc
    Scope: 1 Online-Ressource
    Notes:

    HORIZONS. Defining the Indefinable : Romanticism and Music / Benedict Taylor ; The Emergence of Romanticism / Keith Chapin -- WORLDS. Music in Romantic Literature and Poetry / Miranda Stanyon ; Music, Romantic Landscape, and the Visual / Thomas Peattie ; Romanticism, the Folk, and Musical Nationalisms / Matthew Gelbart ; Music, Romanticism, and Politics / Katherine Hambridge ; Music and Technology / John Tresch ; Music, Magic, and the Supernatural / Francesca Brittan ; A Kingdom not of this World : Music, Religion, Art-Religion / James Garratt -- AESTHETICS. Music in Early German Romantic Philosophy / Tomas McAuley ; Meaning and Value in Romantic Musical Aesthetics / Alexander Wilfing / Music and Romantic Interiority / Holly Watkins ; Music, Expression, and the Aesthetics of Authenticity / Karen Leistra-Jones -- PRACTICES. Romantic Languages / Julian Horton ; Romantic Forms / Steven Vande Moortele ; Romanticism and the Ideal of Song / Lisa Feurzeig ; Music Staged and Unstaged / Sarah Hibberd ; Romanticism and Performance / Dana Gooley -- HISTORIES. Musical Romanticism as a Historiographical Construct / Nicole Grimes ; The End(s) of Musical Romanticism / Sebastian Wedler
  10. Der Klang der Vernunft
    Eine Philosophie Neuer Musik
    Author: Thun, René
    Published: [2017]; ©2017
    Publisher:  transcript-Verlag, Bielefeld

    'New Music' is a form of embodying Enlightenment culture and is therefore active reason in the acoustic medium. René Thun demonstrates the validity of this musical-philosophical perspective, taking on a pragmatic media theory approach in terms of the... more

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    'New Music' is a form of embodying Enlightenment culture and is therefore active reason in the acoustic medium. René Thun demonstrates the validity of this musical-philosophical perspective, taking on a pragmatic media theory approach in terms of the history of ideas rather than a pure conceptually-deduced ontology. His interdisciplinary interweaving of philosophy, music, and musicology makes it possible to explain the critical references of New Music to concepts such as Enlightenment, tradition, and nature, as well as politics, anthropology, and music education Neue Musik ist eine Verkörperungsform von Aufklärungskultur und somit im akustischen Medium tätige Vernunft.René Thun erweist die Stichhaltigkeit dieser musikphilosophischen Perspektive, indem er statt von einer rein begrifflich deduzierten Ontologie vorrangig von einer medientheoretischen Pragmatik in ideengeschichtlicher Hinsicht ausgeht. Seine interdisziplinäre Verschränkung von Philosophie, Musik und Musikwissenschaft ermöglicht es, die kritischen Bezüge Neuer Musik zu Begriffen wie Aufklärung, Tradition, Natur sowie zur Politik, Anthropologie und Musikpädagogik zu explizieren. Der innovative Ansatz erlaubt es zudem, einen Ausblick auf eine mögliche Musikkultur geben zu können

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839437926
    Other identifier:
    RVK Categories: LR 56827 ; LR 56827
    Series: Musik und Klangkultur ; 21
    Subjects: Music / Philosophy and aesthetics; Aesthetics; Aufklärung; Enlightenment; Music History; Musicology; Musikgeschichte; Musikphilosophie; Musikwissenschaft; Neue Musik; Philosophie; Philosophy; Reason; Vernunft; Ästhetik; PHILOSOPHY / Aesthetics
    Scope: 1 online resource (218 p.)
  11. Auf der Suche nach einer zeitgemäßen Musikästhetik
    Adornos »Philosophie der Musik« und die Beethoven-Fragmente
    Author: Urbanek, Nikolaus
    Published: [2015]; ©2010
    Publisher:  transcript-Verlag, Bielefeld

    Wie ist eine zeitgemäße Musikästhetik im Anschluss an Adorno heute noch möglich?In einer Konfrontation der nachgelassenen Beethoven-Fragmente Theodor W. Adornos mit dem aktuellen Diskurs der Ästhetik, der in einem Kraftfeld von hermeneutischen,... more

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    Wie ist eine zeitgemäße Musikästhetik im Anschluss an Adorno heute noch möglich?In einer Konfrontation der nachgelassenen Beethoven-Fragmente Theodor W. Adornos mit dem aktuellen Diskurs der Ästhetik, der in einem Kraftfeld von hermeneutischen, kritischen und dekonstruktivistischen Zugängen verortet wird, wirft Nikolaus Urbanek diese Frage auf.Die Auseinandersetzung mit Adornos ungeschriebenem Buch über Beethoven, das als eine ausgeführte »Philosophie der Musik« projektiert war, bietet neue Perspektiven auf die musikästhetische Diskussion der Themen der musikalischen Sprache, der musikalischen Zeit und des Spätstils

     
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  12. Music and the sonorous sublime in European culture, 1680-1880
    Contributor: Hibberd, Sarah (Publisher); Stanyon, Miranda (Publisher)
    Published: 2020
    Publisher:  Cambridge University Press, Cambridge

    The sublime - that elusive encounter with overwhelming height, power or limits - has been associated with music from the early-modern rise of interest in the Longinian sublime to its saturation of European culture in the later nineteenth century and... more

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    The sublime - that elusive encounter with overwhelming height, power or limits - has been associated with music from the early-modern rise of interest in the Longinian sublime to its saturation of European culture in the later nineteenth century and beyond. This volume offers a historically situated study of the relationship between music, sound and the sublime. Together, the authors distinguish between the different aesthetics of production, representation and effect, while understanding these as often mutually reinforcing approaches. They demonstrate music's strength in playing out the sublime as transfer, transport and transmission of power, allied to the persistent theme of destruction, deaths and endings. The volume opens up two avenues for further research suggested by the adjective 'sonorous': a wider spectrum of sounds heard as sublime, and (especially for those outside musicology) a more multifaceted idea of music as a cultural practice that shares boundaries with other sounding phenomena

     
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    Source: Union catalogues
    Contributor: Hibberd, Sarah (Publisher); Stanyon, Miranda (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781108761253
    Other identifier:
    RVK Categories: LR 56800
    Subjects: Music / Philosophy and aesthetics; Sublime, The, in music; Musik; Das Erhabene
    Scope: 1 Online-Ressource (xv, 305 Seiten)
    Notes:

    Sonorous Sublimes : An Introduction / Sarah Hibberd and Miranda Stanyon -- Thunder or Celestial Harmony : French Theological Debates on the Sonorous Sublime / Sophie Hache -- 'A Pleasing Rape' : John Dennis, Music and the Queer Sublime / Matthew Head -- The Idea of the Past in Eighteenth-Century British Music / Suzanne Aspden -- C. P. E. Bach and the Neoclassical Sublime : Revisions of a Concept / Keith Chapin -- Cherubini's Médée and Sublime Vengeance / Sarah Hibberd -- When Does the Sublime Stop? Cavatinas and Quotations in Haydn's Seasons / Elaine Sisman -- Counterfeits, Contraltos and Harmony in De Quincey's Sublime / Miranda Stanyon -- The Consecration of Sound: Sublime Musical Creation in Haydn, Weber and Spohr / Benedict Taylor -- Commanding Performances: Opera, Surrogation and the Royal Sublime in 1848 / Dana Gooley -- Wagner's Sublime Effects: Bells, Cannon and the Perception of Heavy Sound / David Trippett
  13. Coming to terms with our musical past
    an essay on Mozart and modernist aesthetics
    Author: Goehring, Edmund J.
    Published: 2018
    Publisher:  University of Rochester Press, Rochester, NY

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781787442849
    RVK Categories: LP 40405
    Series: Eastman studies in music
    Subjects: Music / Philosophy and aesthetics; Musikkritik; Rezeption; Ästhetik; Selbstbewusstsein
    Other subjects: Mozart, Wolfgang Amadeus / 1756-1791; Mozart, Wolfgang Amadeus (1756-1791)
    Scope: 1 Online-Ressource (223 Seiten)
    Notes:

    Includes bibliographical references and index

    Introduction: setting the stage, and then exiting it -- On critique; or, two paths through the art-critical world -- On transcendence; or, Mozart among the neoplatonists, present and past -- On intention -- On being -- On chance and necessity -- On ambiguity -- On mimesis -- On pleasure -- On concepts and culture -- The flaws in the finale -- Conclusion: an other modernism?
  14. Best of IsaScience
    2013-2016 : an interdisciplinary collection of essays on music and arts
    Contributor: Hemetek, Ursula (Publisher); Szabo-Knotik, Cornelia (Publisher)
    Published: 2017
    Publisher:  Hollitzer Verlag, Wien

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    Contributor: Hemetek, Ursula (Publisher); Szabo-Knotik, Cornelia (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783990124338
    Subjects: Music / Philosophy and aesthetics; Musik; Interdisziplinarität; Kultur; Kunst
    Scope: 1 Online-Ressource (233 Seiten)
  15. Musical meaning
    toward a critical history
    Author: Kramer, Lawrence
    Published: ©2002
    Publisher:  University of California Press, Berkeley

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0520928326; 0585466246; 9780520928329; 9780585466248
    Subjects: MUSIC / Instruction & Study / Appreciation; MUSIC / Genres & Styles / Classical; Music, Influence of; Music; Music / Philosophy and aesthetics; Subjectivity in music; Muziekfilosofie; Muziekinterpretatie; Musik; Music; Music; Subjectivity in music; Music, Influence of; Musikalische Analyse; Musik; Hermeneutik; Musikalische Semiotik
    Scope: 1 Online-Ressource (ix, 335 pages)
    Notes:

    Includes bibliographical references and index

    Hermeneutics and musical history: a primer without rules, an exercise with Schubert -- Hands on, lights off: the Moonlight Sonata and the birth of sex at the piano -- Beyond words and music: an essay on songfulness -- Franz Liszt and the virtuoso public sphere: sight and sound in the rise of mass entertainment -- Rethinking Schumann's Carnaval: identity, meaning, and the social order -- Glottis envy: the Marx Brothers' A Night at the Opera -- Hercules' hautboys: mixed media and musical meaning -- The voice of Persephone: musical meaning and mixed media -- Powers of blackness: jazz and the blues in modern concert music -- Long ride in a slow machine: the alienation effect from Weill to Shostakovich -- Chiaroscuro: Coltrane's American songbook -- Ghost stories: cultural memory, mourning, and the myth of originality

    Lawrence Kramer has been a pivotal figure in the development of the controversial new musicology, integrating the study of music with social and cultural issues. This book continues and deepens the trajectory of Kramer's thinking as it argues that humanistic meaning is a basic force in music history
  16. Interpreting music
    Author: Kramer, Lawrence
    Published: c2011
    Publisher:  University of California Press, Berkeley

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0520267052; 0520267060; 0520947363; 9780520947368
    RVK Categories: LR 55570
    Subjects: MUSIC / Instruction & Study / Appreciation; MUSIC / Genres & Styles / Classical; Music; Music / Philosophy and aesthetics; Musik; Music; Music; Musik; Ästhetik
    Scope: 1 Online-Ressource (vii, 322 p.)
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    Includes bibliographical references and index

    This is a comprehensive essay on musical meaning and performing music meaningfully - 'interpreting music' in both senses of the term. The author argues that music, far from being closed to interpretation is the paradigm of interpretation in general

    Hermeneutics -- Language -- Subjectivity -- Meaning -- Metaphor -- History -- Influence -- Deconstruction -- Analysis -- Resemblance -- Things -- Classical -- Modern -- Works -- Performance -- Musicology
  17. Music, art, and metaphysics
    essays in philosophical aesthetics
    Author: Levinson, Jerrold
    Published: 2011
    Publisher:  Oxford University Press, Oxford

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0191616559; 019959662X; 0199596638; 9780191616556; 9780199596621; 9780199596638
    Edition: [New ed.]
    Subjects: Philosophy and aesthetics; Philosophy; PHILOSOPHY / Aesthetics; Aesthetics; Music / Philosophy and aesthetics; Musik; Philosophie; Ästhetik; Aesthetics; Music; Musik; Ästhetik; Kunst; Metaphysik
    Scope: 1 Online-Ressource (xx, 419 pages)
    Notes:

    Previous edition: Ithaca, N.Y. : Cornell University Press, 1990

    Includes bibliographical references and index
  18. Remaking the song
    operatic visions and revisions from Handel to Berio
    Author: Parker, Roger
    Published: ©2006
    Publisher:  University of California Press, Berkeley, Calif.

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    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0520244184; 0520931785; 1282357654; 1423766636; 9780520244184; 9780520931787; 9781282357655; 9781423766636
    Series: Ernest Bloch lectures
    Subjects: MUSIC / Genres & Styles / Opera; Music / Philosophy and aesthetics; Operas; Musik; Operas; Music; Oper; Ästhetik; Opernarie
    Scope: 1 Online-Ressource (xii, 165 pages)
    Notes:

    Includes bibliographical references (pages 141-160) and index

    Remaking the song -- Of Andalusian maidens and recognition scenes : crossed wires in Il trovatore and La traviata -- Ersatz ditties : Adriana Ferrarese's Susanna -- In search of Verdi -- Berio's Turandot : once more the great tradition -- Sudden charms : the progress of an aria

    Spanning almost the entire history of opera, this book re-examines attitudes toward some of our best-loved musical works, and asks a question: what exactly is opera? It considers the works by Handel, Mozart, Donizetti, Verdi, Wagner, Puccini, and Berio, aiming to challenge what many regard as sacroscant: the opera's musical text
  19. ANOTHER SONG FOR EUROPE
    music, taste, and values in the eurovision song contest
    Author: Raykoff, Ivan
    Published: 2020
    Publisher:  ROUTLEDGE, [S.l.]

    The Eurovision Song Contest is famous for its camp spectacles and political intrigues, but what about its actual music? With more than 1,500 songs in over50 languages and a wide range of musical styles since it began in 1956, Eurovision features the... more

     

    The Eurovision Song Contest is famous for its camp spectacles and political intrigues, but what about its actual music? With more than 1,500 songs in over50 languages and a wide range of musical styles since it began in 1956, Eurovision features the most musically and linguistically diverse song repertoire in history. Listening closely to its classic fan favorites but also to songs that scored low because they were too different or too far ahead of their time, this book delves into the musical tastes and cultural values the contest engages through its international reach and popular appeal. Chapters discuss the iconic fanfare that introduces the broadcast, the supposed formulas for composing successful contest entries, how composers balance aspects of sameness and difference in their songs, and the tension between national genres of European popular music and musical trends beyond the nation's borders, especially the American influences on a show that is supposed to celebrate an idealized pan-European identity. The book also explores how audiences interact with the contest through musicking experiences that bring people together to celebrate its sounds and spectacles. What can seem like a silly song-and-dance show offers valuable insights into the bonds between popular music and cosmopolitan values for its many followers around the world. From dance parties to flashmobs, parodies to plagiarisms, and orchestras to artificial intelligence, Another Song for Europe will be of particular interest to Eurovision fans, critics, and scholars of popular music, popular culture, ethnomusicology, and European studies

     
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    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781000245646; 1000245640; 9780429281532; 0429281536; 9781000245653; 1000245659; 9781000245660; 1000245667
    RVK Categories: LR 57230 ; LR 57720
    Subjects: Music / Philosophy and aesthetics; Ethnomusicology; Ästhetik; Musikalischer Stil; Popmusik
    Scope: 1 Online Ressource
  20. Musical sense-making
    enactment, experience and computation
    Author: Reybrouck, Mark
    Published: 2021
    Publisher:  Routledge, Taylor & Francis Group, London

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    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780429274015; 0429274017
    Other identifier:
    Series: SEMPRE studies in the psychology of music
    Subjects: Music / Psychological aspects; Music / Philosophy and aesthetics; Musical perception; Musikalische Semantik; Interdisziplinarität; Musikwahrnehmung
    Scope: 1 Online Ressource (xvii, 217 pages :, illustrations (black and white.)
    Notes:

    Description based on print version record
  21. Sonic time machines
    explicit sound, sirenic voices, and implicit sonicity
    Author: Ernst, Wolfgang
    Published: 2016
    Publisher:  Amsterdam University Press, Amsterdam

    Our studies of aesthetics and knowledge have long tended to privilege the visual - at the expense, Wolfgang Ernst argues, of the aural. Sonic Time Machines aims to correct that, presenting a striking new approach to theorising sound that investigates... more

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    Our studies of aesthetics and knowledge have long tended to privilege the visual - at the expense, Wolfgang Ernst argues, of the aural. Sonic Time Machines aims to correct that, presenting a striking new approach to theorising sound that investigates its split existence: as a temporal effect in a techno-cultural context and as a source of knowledge and information. Ernst creates a new term for the concept at the heart of the book, sonicity a flexible and powerful term that allows him to consider sound with all its many physical, philosophical, and cultural valences

     
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    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048528479
    Other identifier:
    RVK Categories: LR 56828 ; AP 14350
    Series: Recursions: theories of media, materiality, and cultural techniques
    Subjects: Music / Philosophy and aesthetics; Sound (Philosophy); Sound in mass media; Ästhetik; Ton <Akustik>; Musik; Massenmedien
    Scope: 1 Online-Ressource (184 Seiten)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Feb 2021)
  22. After Debussy
    music, language, and the margins of philosophy
    Author: Johnson, Julian
    Published: 2020
    Publisher:  Oxford University Press, New York, NY

    Focusing on the music of Debussy and its legacy in the century since his death, 'After Debussy' offers a groundbreaking new perspective on twentieth-century music that foregrounds a sensory logic of sound over quasi-linguistic ideas of structure or... more

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    Focusing on the music of Debussy and its legacy in the century since his death, 'After Debussy' offers a groundbreaking new perspective on twentieth-century music that foregrounds a sensory logic of sound over quasi-linguistic ideas of structure or meaning

     
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    Media type: Ebook
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    ISBN: 9780190066857
    Other identifier:
    RVK Categories: LP 91692
    Series: Oxford scholarship online
    Subjects: Music / Philosophy and aesthetics; Music and language; Literatur; Französisch; Musik; Rezeption; Ästhetik; Sprache; Phänomenologie
    Other subjects: Debussy, Claude / 1862-1918 / Criticism and interpretation; Debussy, Claude (1862-1918)
    Scope: 1 Online-Ressource, Illustrationen
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    Includes bibliographical references and index

    Also issued in print: 2020
  23. Music and Meaning
    Author: Woods, Elizabeth Robinson
    Published: [1932]
    Publisher:  Harvard University Press, Cambridge, Mass.

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    Language: English
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    ISBN: 9780674288942
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    Subjects: Music / Philosophy and aesthetics; Musik; Ästhetik; Musik; Meaning (Psychology); Aesthetics
    Scope: 1 Online-Ressource (viii,100 Seiten)
  24. The birth of tragedy
    Author: Nietzsche, Friedrich Wilhelm
    Published: 2000
    Publisher:  Oxford University Press, Oxford

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    Language: English
    Media type: Ebook
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    ISBN: 0191561770; 058536124X; 9780191561771; 9780585361246
    Series: Oxford world's classics (Oxford University Press)
    Subjects: PHILOSOPHY / Aesthetics; Aesthetics; Ethics; Greek drama (Tragedy); Music / Philosophy and aesthetics; Tragedy; Musik; Ästhetik; Greek drama (Tragedy); Tragedy; Ethics; Music; Aesthetics; Entstehung; Das Dionysische; Tragödie; Musik; Weltanschauung; Das Apollinische; Griechisch
    Other subjects: Apollon Gott; Dionysos; Wagner, Richard (1813-1883)
    Scope: 1 Online-Ressource (xliii, 173 pages)
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    Includes bibliographical references and index
  25. Penser le discours musical électroacoustique
    trajectoire Boulez-Nono
    Author: Gohon, Kévin
    Published: [2022]
    Publisher:  Presses universitaires de Rennes, Rennes

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