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"I'le to my self, and to my muse be true"
strategies of self-authorization in eighteenth century women poetry -
Voice and crisis
invocation in Milton's poetry -
John Milton's epic invocations
converting the muse -
Der Musenanruf bei Alanus ab Insulis, Gottfried von Straßburg und Dante
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"I'le to my self, and to my muse be true"
strategies of self-authorization in eighteenth-century women poetry -
"I'le to my self, and to my muse be true"
strategies of self-authorization in eighteenth-century women poetry -
Voice and crisis
invocation in Milton's poetry -
"I'le to my self, and to my muse be true"
strategies of self-authorization in eighteenth century women poetry -
John Milton's epic invocations
converting the muse -
Rilkes ‚Lehrgedicht’ „Die zehnte Duineser Elegie“
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Carmen 1 - Catulls Widmungs- und Programmgedicht
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Das "Bellum civile"-Proömium von Lukan im Vergleich zum "Aeneis"-Proömium
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Die Ciris: Der Musenanruf Zeile 92-100, Appendix Vergiliana
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Hesiods Erga
Beobachtungen zum Aufbau -
Rilkes 'Lehrgedicht' 'Die zehnte Duineser Elegie'
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Rilkes ‚Lehrgedicht’ „Die zehnte Duineser Elegie“