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Displaying results 1 to 21 of 21.

  1. The novels of Toni Morrison
    the search for self and place within the community
    Author: Bjork, Patrick Bryce
    Published: 1994
    Publisher:  Lang, New York u.a.

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    Universitätsbibliothek Passau
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    Universitätsbibliothek Würzburg
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  2. Selbstüberredung
    Rhetorik und Roman im 18. Jahrhundert
    Author: Meuthen, Erich
    Published: 1994
    Publisher:  Rombach, Freiburg im Breisgau

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Regensburg
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  3. Henri Michaux
    écritures de soi, expatriations
    Author: Martin, Jean-Pierre
    Published: 1994
    Publisher:  Corti, Paris

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bayreuth
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  4. Discoveries of the other
    alterity in the work of Leonard Cohen, Hubert Aquin, Michael Ondaatje, and Nicole Brossard
    Author: Siemerling, Winfried
    Published: 1994
    Publisher:  Univ. of Toronto Press, Toronto [u.a.]

    Winfried Siemerling examines alterity in the work of four innovative postmodern authors, exploring self and other as textual figures of the unknown. Subjectivity appears mediated, in these texts, by a self-reflexive work in language, seeking to grasp... more

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Winfried Siemerling examines alterity in the work of four innovative postmodern authors, exploring self and other as textual figures of the unknown. Subjectivity appears mediated, in these texts, by a self-reflexive work in language, seeking to grasp itself in relation to a significant and often fascinating, but also enigmatic, other. Siemerling notes that the question of the other constitutes the opening or gap of knowledge that sets the texts in motion. Because the other shows a marked tendency to escape conclusive definition, however, an articulation of the limits of knowledge becomes the condition under which the discovering subject itself apprehends its own precarious being The texts examined open the space between 'heterological' and 'thetic' moments of alterity. Siemerling explores Cohen's ways of eluding the self-imprisonment of a subject that names and defines the other. Cohen also uses ironic strategies in which the speaking 'I' turns against both itself and the addressee in order to confound thetic certainties. Hubert Aquin's work, responding to a Sartrean concept of alterity and the discourses of decolonization influenced by it, negotiates a historically defined Quebecois experience of domination by the other. The self-reflexive discoveries of the other in Michael Ondaatje's texts follow elusive figures that often appear adumbrated in the margins of history. In the domain of gender and sexuality, Nicole Brossard's texts similarly engage the double problematic of thetic alterity and heterology Siemerling concludes that the works under consideration offer heterological discoveries that maintain a productive 'negativity' (Kristeva) with respect to given knowledge and fixed articulations of self and other

     
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  5. Jack London ou l'écriture vécue
    Author: Lacassin, Francis
    Published: 1994
    Publisher:  Bourgois, [Paris]

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    Universitätsbibliothek Bayreuth
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  6. The real life of Mary Ann Evans
    George Eliot, her letters and fiction
    Author: Bodenheimer, Rosemarie
    Published: 1994
    Publisher:  Cornell Univ. Press, Ithaca [u.a.]

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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Staatliche Bibliothek Passau
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    Universitätsbibliothek Würzburg
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  7. From the perspective of the self
    Montaigne's self-portrait
    Author: Brush, Craig B.
    Published: 1994
    Publisher:  Fordham Univ. Press, New York

    In 1580 Michel de Montaigne (1533-1592) presented a literary project to the public the type of which had never before been introduced - a collection of Essays with himself as subject. Never before had a writer attempted a literary self-portrait, and... more

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    In 1580 Michel de Montaigne (1533-1592) presented a literary project to the public the type of which had never before been introduced - a collection of Essays with himself as subject. Never before had a writer attempted a literary self-portrait, and in so doing Montaigne named and defined a new literary form, the essay. Brush's critical study of the Essays examines the complex process of writing a self-portrait, showing the ways in which it is an entirely different enterprise from writing autobiography. The author discusses how Montaigne revealed his "mind in motion," and the most remarkable feature of that mind, skepticism. He treats Montaigne's development of a conversational voice and explicates how Montaigne's intense self-examination became an evolutionary process which had consequences in his life and literature. The work concludes with a discussion of how Montaigne's self-assigned task of introspection included the formation of a view of humanity and its ethics. Brush's work fills a gap in scholarship by critically examining the essential loci of the Essays, namely, the creation of a literary self-portrait. Montaigne's works are cited in English translation, and the subject is presented in terms accessible to the non-specialist.

     
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  8. Forests of symbols
    world, text & self in Malcolm Lowry's fiction
    Author: McCarthy, Patrick A.
    Published: 1994
    Publisher:  Univ. of Georgia Press, Athens [u.a.]

    Malcolm Lowry's reputation as a novelist rests primarily on the masterpiece Under the Volcano. Lowry is also well known for what he did not write; that is, for his anguished inability to complete his works. Under the Volcano is one of only two novels... more

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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Regensburg
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    Malcolm Lowry's reputation as a novelist rests primarily on the masterpiece Under the Volcano. Lowry is also well known for what he did not write; that is, for his anguished inability to complete his works. Under the Volcano is one of only two novels published in Lowry's lifetime; the bulk of his writings were still in various stages of composition when he died in 1957. In Forests of Symbols, Patrick A. McCarthy addresses the central enigma of the writer's life: his dependence on writing for his sense of identity and his fear that the process of composition would leave him with no identity apart from his work. Reading across Lowry's corpus - complete and incomplete, published and unpublished - McCarthy looks not only at the ways in which acts of reading, writing, and interpretation define Lowry's characters but also the threat they pose to those characters' sense of a coherent identity In particular, McCarthy examines the extent to which characters like the Consul, the protagonist of Under the Volcano, embody problems inseparable from the author's anxiety about his status in relation to the world around him and to the texts (his own and others') that played so great a role in his concept of his identity. According to McCarthy, the impediment to Lowry's completion of his writings stemmed from the conflicting images to continue and to finish - to keep open the infinite play of meanings and yet to create a coherent and balanced work that can have significance for others while also embodying the author's identity. These desires are present, in various forms, throughout Lowry's work McCarthy also discusses other ways by which Lowry was victimized by his own views on life and art: his anxiety about becoming a plagiarist should he be too deeply influenced as a reader; his even greater fear of success as a hindrance to his productivity; and his concern that his life was "being written," perhaps by his own fiction. In his final revelation of Lowry as a writer caught between romantic and modernist concepts of art and the self, McCarthy examines Lowry's scheme of organizing all his writing into a single masterwork titled The Voyage That Never Ends. Considering Lowry's deep inner divisions, McCarthy judges this totalizing vision to be as heroic as it was hopeless. This major study of the writer's oeuvre engagingly addresses the paradox that has drawn readers and scholars to Lowry's life and work

     
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  9. The ideal real
    Beckett's fiction and imagination
    Author: Davies, Paul
    Published: 1994
    Publisher:  Fairleigh Dickinson Univ. Press [u.a.], Rutherford [u.a.]

    The conclusions reached in The Ideal Real are not the same as those reached by most commentary on Beckett's works. Most Beckett criticism seeks falsely to over-simplify or align Beckett's point of view with existentialism, the absurd, or the... more

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Passau
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    The conclusions reached in The Ideal Real are not the same as those reached by most commentary on Beckett's works. Most Beckett criticism seeks falsely to over-simplify or align Beckett's point of view with existentialism, the absurd, or the pessimistic nihilism underlying much postmodern thought. Beckett, though one of the century's leading intellects, was also an intuitive who realized the Western empirical mind was an out-dated program that had long ceased to be of any help in understanding the human situation. The "disintegration" of mind and body felt by his characters reflects the disastrous effect of the continued imposition of that "reason-ridden" consciousness. At the same time it opens the door to a new possibility The Beckett heroes, whose experiences are discussed in this book, were conditioned by a "humanistic" education much like Beckett's; but they come to find that the self they were taught to see as their own is nonexistent. Having nothing in their acquired personality to cope with this crisis, Murphy, Molloy, Moran, Malone, and all that follow find themselves dying to their old self, to everything a Western liberal education could think of as self. Early on, Beckett saw clues to the situation in the work of Jung, the "mind doctor" who represented the opposite of the empirical tradition. Jung, like the esoteric schools, saw a potential human whose development was sometimes delayed or prevented by the very system the claimed to "educate" and "civilize" the personality. The existence of this potential self has been doubted by many modern thinkers, but Beckett's stories show "a soul denied in vain" since it is the enabler of all speech, whether apparently denying or affirming No knowledge can be considered apart from the knower. In The Ideal Real, Paul Davies argues that Beckett saw this potential self emerging in the world of imagination and symbol, especially in this age where language alone has come to be seen as the vehicle of education and the determiner of identity. He renders in prose the collapse of the illusive world of self to which the European cult of personality devoted three centuries, and witnesses its annihilation in the death before death - the white light of contemporary physics, the "void" of Zen - from which all trace of personality has fallen

     
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  10. The face in the mirror
    Hemingway's writers
    Author: Fleming, Robert E.
    Published: 1994
    Publisher:  Univ. of Alabama Press, Tuscaloosa [u.a.]

    The Face in the Mirror is a study of a largely overlooked theme in Hemingway's writing - his depiction of writers and the special problems they face, professionally and personally. From his earliest years as a short-story writer to the end of his... more

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Regensburg
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    The Face in the Mirror is a study of a largely overlooked theme in Hemingway's writing - his depiction of writers and the special problems they face, professionally and personally. From his earliest years as a short-story writer to the end of his career when he attempted to complete two ambitious novels, Hemingway was preoccupied with the artistic and ethical dilemmas of his writer protagonists. Fleming's book explores Hemingway's concern with writers from the 1920s through the early 1960s. Hemingway began his career with an easy confidence that he could profit from the errors of other authors he had encountered during his Paris period: his early story "Mr. and Mrs. Elliot" and his 1926 novel The Sun Also Rises depict writers who are flawed by a too-shallow commitment to their art that results in truncated literary careers and inferior literary work By the 1930s, having established his own reputation, Hemingway turned his scrutiny inward, examining some of his own faults in such works as "Fathers and Sons" and "The Gambler, the Nun, and the Radio." After World War II, Hemingway attempted to resume his literary career with Islands in the Stream and The Garden of Eden, neither of which he was able to finish. Both of these massive manuscripts thoroughly treated the problems an artist faces in balancing art and humanity. In A Moveable Feast, nearly completed at the time of his death, Hemingway retreated from the introspection of the two unfinished previous novels and instead created the myth of Ernest Hemingway as happy artist, surrounded by inferior talents who exemplify the ways in which authors may fail. Fleming's book provides a closer examination of such neglected works as To Have and Have Not and the Spanish Civil War short stories His readings of Islands in the Stream and The Garden of Eden will change the way future readers and critics view those novels. Fleming suggests that both of these postwar novels are major works of fiction, adding new dimensions to the Hemingway canon

     
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  11. Henri Michaux
    écritures de soi, expatriations
    Author: Martin, Jean-Pierre
    Published: 1994
    Publisher:  Corti, Paris

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    Freie Universität Berlin, Universitätsbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität Potsdam, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: French
    Media type: Book
    ISBN: 2714305067
    RVK Categories: IH 64401
    Subjects: Expatriation dans la littérature; Moi (Psychologie) dans la littérature; Literarisches Werk
    Other subjects: Michaux, Henri <1899-> - Critique et interprétation; Michaux, Henri <1899-1984>; Michaux, Henri (1899-1984)
    Scope: 585 S.
  12. Erzähltextanalyse und Gender Studies
    Contributor: Nünning, Vera; Nünning, Ansgar
    Published: 1961-2007
    Publisher:  Metzler, Stuttgart

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    Bibliothek des Collegium Polonicum in Słubice
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  13. Iškālīyāt aḏ-ḏāt as-sārida fi 'r-riwāya an-nisāʾīya as-Saʿūdīya (1999-2012 m)
    dirāsa naqdīya
    Author: Aḥmadī, Asmāʾ Bint-Muqbil Ibn-ʿAwaḍ al-
    Published: Ḥazīrān/Yūniyū 2020m - 1441h
    Publisher:  ad-Dār al-ʿArabīya lil-ʿUlūm Nāširūn, Bairūt ; Nādī Ǧāzān al-Adabī, Ǧāzān

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    Universitätsbibliothek Bamberg
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  14. Selbstüberredung
    Rhetorik und Roman im 18. Jahrhundert
    Author: Meuthen, Erich
    Published: 1994
    Publisher:  Rombach, Freiburg im Breisgau

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    TU Berlin, Universitätsbibliothek
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    Verbund der Öffentlichen Bibliotheken Berlins - VÖBB
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    Europa-Universität Viadrina, Universitätsbibliothek
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  15. Discoveries of the other
    alterity in the work of Leonard Cohen, Hubert Aquin, Michael Ondaatje, and Nicole Brossard
    Author: Siemerling, Winfried
    Published: 1994
    Publisher:  Univ. of Toronto Press, Toronto [u.a.]

    Winfried Siemerling examines alterity in the work of four innovative postmodern authors, exploring self and other as textual figures of the unknown. Subjectivity appears mediated, in these texts, by a self-reflexive work in language, seeking to grasp... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität Potsdam, Universitätsbibliothek
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    Winfried Siemerling examines alterity in the work of four innovative postmodern authors, exploring self and other as textual figures of the unknown. Subjectivity appears mediated, in these texts, by a self-reflexive work in language, seeking to grasp itself in relation to a significant and often fascinating, but also enigmatic, other. Siemerling notes that the question of the other constitutes the opening or gap of knowledge that sets the texts in motion. Because the other shows a marked tendency to escape conclusive definition, however, an articulation of the limits of knowledge becomes the condition under which the discovering subject itself apprehends its own precarious being The texts examined open the space between 'heterological' and 'thetic' moments of alterity. Siemerling explores Cohen's ways of eluding the self-imprisonment of a subject that names and defines the other. Cohen also uses ironic strategies in which the speaking 'I' turns against both itself and the addressee in order to confound thetic certainties. Hubert Aquin's work, responding to a Sartrean concept of alterity and the discourses of decolonization influenced by it, negotiates a historically defined Quebecois experience of domination by the other. The self-reflexive discoveries of the other in Michael Ondaatje's texts follow elusive figures that often appear adumbrated in the margins of history. In the domain of gender and sexuality, Nicole Brossard's texts similarly engage the double problematic of thetic alterity and heterology Siemerling concludes that the works under consideration offer heterological discoveries that maintain a productive 'negativity' (Kristeva) with respect to given knowledge and fixed articulations of self and other

     
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  16. The real life of Mary Ann Evans
    George Eliot, her letters and fiction
    Author: Bodenheimer, Rosemarie
    Published: 1994
    Publisher:  Cornell Univ. Press, Ithaca [u.a.]

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Universität Potsdam, Universitätsbibliothek
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  17. The face in the mirror
    Hemingway's writers
    Author: Fleming, Robert E.
    Published: 1994
    Publisher:  Univ. of Alabama Press, Tuscaloosa [u.a.]

    The Face in the Mirror is a study of a largely overlooked theme in Hemingway's writing - his depiction of writers and the special problems they face, professionally and personally. From his earliest years as a short-story writer to the end of his... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Unlimited inter-library loan, copies and loan

     

    The Face in the Mirror is a study of a largely overlooked theme in Hemingway's writing - his depiction of writers and the special problems they face, professionally and personally. From his earliest years as a short-story writer to the end of his career when he attempted to complete two ambitious novels, Hemingway was preoccupied with the artistic and ethical dilemmas of his writer protagonists. Fleming's book explores Hemingway's concern with writers from the 1920s through the early 1960s. Hemingway began his career with an easy confidence that he could profit from the errors of other authors he had encountered during his Paris period: his early story "Mr. and Mrs. Elliot" and his 1926 novel The Sun Also Rises depict writers who are flawed by a too-shallow commitment to their art that results in truncated literary careers and inferior literary work By the 1930s, having established his own reputation, Hemingway turned his scrutiny inward, examining some of his own faults in such works as "Fathers and Sons" and "The Gambler, the Nun, and the Radio." After World War II, Hemingway attempted to resume his literary career with Islands in the Stream and The Garden of Eden, neither of which he was able to finish. Both of these massive manuscripts thoroughly treated the problems an artist faces in balancing art and humanity. In A Moveable Feast, nearly completed at the time of his death, Hemingway retreated from the introspection of the two unfinished previous novels and instead created the myth of Ernest Hemingway as happy artist, surrounded by inferior talents who exemplify the ways in which authors may fail. Fleming's book provides a closer examination of such neglected works as To Have and Have Not and the Spanish Civil War short stories His readings of Islands in the Stream and The Garden of Eden will change the way future readers and critics view those novels. Fleming suggests that both of these postwar novels are major works of fiction, adding new dimensions to the Hemingway canon

     
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  18. Forests of symbols
    world, text & self in Malcolm Lowry's fiction
    Author: McCarthy, Patrick A.
    Published: 1994
    Publisher:  Univ. of Georgia Press, Athens [u.a.]

    Malcolm Lowry's reputation as a novelist rests primarily on the masterpiece Under the Volcano. Lowry is also well known for what he did not write; that is, for his anguished inability to complete his works. Under the Volcano is one of only two novels... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Malcolm Lowry's reputation as a novelist rests primarily on the masterpiece Under the Volcano. Lowry is also well known for what he did not write; that is, for his anguished inability to complete his works. Under the Volcano is one of only two novels published in Lowry's lifetime; the bulk of his writings were still in various stages of composition when he died in 1957. In Forests of Symbols, Patrick A. McCarthy addresses the central enigma of the writer's life: his dependence on writing for his sense of identity and his fear that the process of composition would leave him with no identity apart from his work. Reading across Lowry's corpus - complete and incomplete, published and unpublished - McCarthy looks not only at the ways in which acts of reading, writing, and interpretation define Lowry's characters but also the threat they pose to those characters' sense of a coherent identity In particular, McCarthy examines the extent to which characters like the Consul, the protagonist of Under the Volcano, embody problems inseparable from the author's anxiety about his status in relation to the world around him and to the texts (his own and others') that played so great a role in his concept of his identity. According to McCarthy, the impediment to Lowry's completion of his writings stemmed from the conflicting images to continue and to finish - to keep open the infinite play of meanings and yet to create a coherent and balanced work that can have significance for others while also embodying the author's identity. These desires are present, in various forms, throughout Lowry's work McCarthy also discusses other ways by which Lowry was victimized by his own views on life and art: his anxiety about becoming a plagiarist should he be too deeply influenced as a reader; his even greater fear of success as a hindrance to his productivity; and his concern that his life was "being written," perhaps by his own fiction. In his final revelation of Lowry as a writer caught between romantic and modernist concepts of art and the self, McCarthy examines Lowry's scheme of organizing all his writing into a single masterwork titled The Voyage That Never Ends. Considering Lowry's deep inner divisions, McCarthy judges this totalizing vision to be as heroic as it was hopeless. This major study of the writer's oeuvre engagingly addresses the paradox that has drawn readers and scholars to Lowry's life and work

     
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  19. The ideal real
    Beckett's fiction and imagination
    Author: Davies, Paul
    Published: 1994
    Publisher:  Fairleigh Dickinson Univ. Press [u.a.], Rutherford [u.a.]

    The conclusions reached in The Ideal Real are not the same as those reached by most commentary on Beckett's works. Most Beckett criticism seeks falsely to over-simplify or align Beckett's point of view with existentialism, the absurd, or the... more

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    Freie Universität Berlin, Universitätsbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    The conclusions reached in The Ideal Real are not the same as those reached by most commentary on Beckett's works. Most Beckett criticism seeks falsely to over-simplify or align Beckett's point of view with existentialism, the absurd, or the pessimistic nihilism underlying much postmodern thought. Beckett, though one of the century's leading intellects, was also an intuitive who realized the Western empirical mind was an out-dated program that had long ceased to be of any help in understanding the human situation. The "disintegration" of mind and body felt by his characters reflects the disastrous effect of the continued imposition of that "reason-ridden" consciousness. At the same time it opens the door to a new possibility The Beckett heroes, whose experiences are discussed in this book, were conditioned by a "humanistic" education much like Beckett's; but they come to find that the self they were taught to see as their own is nonexistent. Having nothing in their acquired personality to cope with this crisis, Murphy, Molloy, Moran, Malone, and all that follow find themselves dying to their old self, to everything a Western liberal education could think of as self. Early on, Beckett saw clues to the situation in the work of Jung, the "mind doctor" who represented the opposite of the empirical tradition. Jung, like the esoteric schools, saw a potential human whose development was sometimes delayed or prevented by the very system the claimed to "educate" and "civilize" the personality. The existence of this potential self has been doubted by many modern thinkers, but Beckett's stories show "a soul denied in vain" since it is the enabler of all speech, whether apparently denying or affirming No knowledge can be considered apart from the knower. In The Ideal Real, Paul Davies argues that Beckett saw this potential self emerging in the world of imagination and symbol, especially in this age where language alone has come to be seen as the vehicle of education and the determiner of identity. He renders in prose the collapse of the illusive world of self to which the European cult of personality devoted three centuries, and witnesses its annihilation in the death before death - the white light of contemporary physics, the "void" of Zen - from which all trace of personality has fallen

     
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  20. The novels of Toni Morrison
    the search for self and place within the community
    Author: Bjork, Patrick Bryce
    Published: 1994
    Publisher:  Lang, New York u.a.

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Universität Potsdam, Universitätsbibliothek
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  21. From the perspective of the self
    Montaigne's self-portrait
    Author: Brush, Craig B.
    Published: 1994
    Publisher:  Fordham Univ. Press, New York

    In 1580 Michel de Montaigne (1533-1592) presented a literary project to the public the type of which had never before been introduced - a collection of Essays with himself as subject. Never before had a writer attempted a literary self-portrait, and... more

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    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    In 1580 Michel de Montaigne (1533-1592) presented a literary project to the public the type of which had never before been introduced - a collection of Essays with himself as subject. Never before had a writer attempted a literary self-portrait, and in so doing Montaigne named and defined a new literary form, the essay. Brush's critical study of the Essays examines the complex process of writing a self-portrait, showing the ways in which it is an entirely different enterprise from writing autobiography. The author discusses how Montaigne revealed his "mind in motion," and the most remarkable feature of that mind, skepticism. He treats Montaigne's development of a conversational voice and explicates how Montaigne's intense self-examination became an evolutionary process which had consequences in his life and literature. The work concludes with a discussion of how Montaigne's self-assigned task of introspection included the formation of a view of humanity and its ethics. Brush's work fills a gap in scholarship by critically examining the essential loci of the Essays, namely, the creation of a literary self-portrait. Montaigne's works are cited in English translation, and the subject is presented in terms accessible to the non-specialist.

     
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