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  1. Essays on music and language in modernist literature
    musical modernism
    Contributor: O'Callaghan, Katherine (HerausgeberIn)
    Published: 2018
    Publisher:  Taylor and Francis,, London

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Contributor: O'Callaghan, Katherine (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781315231716; 9781351865876
    Other identifier:
    Series: Routledge Studies in Twentieth-Century Literature
    Subjects: Modernism (Literature); Modernism (Music); Language and languages; Modernism (Literature); Modernism (Music); Language and languages ; Study and teaching
    Scope: 1 online resource
  2. Modernist work
    labor, aesthetics, and the work of art
    Contributor: Attridge, John (HerausgeberIn); Rydstrand, Helen (HerausgeberIn)
    Published: 2019
    Publisher:  Bloomsbury Academic, New York

    "Through a wide-ranging selection of essays representing a variety of different media, national contexts and critical approaches, this volume provides a broad overview of the idea of work in modernism, considered in its historical, political,... more

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    "Through a wide-ranging selection of essays representing a variety of different media, national contexts and critical approaches, this volume provides a broad overview of the idea of work in modernism, considered in its historical, political, aesthetic and theoretical dimensions. Several individual chapters discuss canonical figures, including Richard Strauss, Joseph Conrad, Virginia Woolf, Franz Kafka and Gertrude Stein, but Modernist Work also addresses contexts that are chronologically and geographically foreign to the main stream of modernist studies, such as Swedish proletarian writing, Haitian nationalism and South African inheritors of Dada. Prominent historical themes include the ideas of class, revolution and the changing nature of women's work, while more conceptual chapters explore topics including autonomy, inheritance, intention, failure and intimacy." --

     

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    Source: Union catalogues
    Contributor: Attridge, John (HerausgeberIn); Rydstrand, Helen (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781501344015
    Subjects: Modernism (Literature); Modernism (Music); Film criticism; Work; Modernism (Aesthetics)
    Scope: x, 219 Seiten, Illustrationen
  3. An der Grenze des Fruchtlandes
    Musik und Malerei im Vorfeld der Moderne
    Published: 1997
    Publisher:  Prisca, Zülpich

    Staatliches Institut für Musikforschung - Preußischer Kulturbesitz, Bibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 3927675148
    Series: Beiträge zur Musikreflexion ; 8
    Subjects: Art and music; Painting; Modernism (Music); Modernism (Art)
    Scope: 306 S., 24 cm
    Notes:

    Literaturverz. S. 297-306

    Zugl.: Essen, Univ., Diss., 1997

  4. Walt Whitman and modern music
    war, desire, and the trials of nationhood
    Published: 2000
    Publisher:  Garland Publ., New York, NY [u.a.]

    Staatliches Institut für Musikforschung - Preußischer Kulturbesitz, Bibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0815331541
    RVK Categories: LR 57710
    Series: Garland reference library of the humanities ; 2100
    Border crossings ; 10
    Subjects: Music and literature; Modernism (Music); Nationalism in music
    Other subjects: Whitman, Walt
    Scope: xxi, 179 p, 24 cm
  5. John Kirkpatrick, American music, and the printed page
    Published: 2013
    Publisher:  Univ. of Rochester Pr. [u.a.], Rochester, NY [u.a.]

    Staatliches Institut für Musikforschung - Preußischer Kulturbesitz, Bibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781580464048
    RVK Categories: LP 95900
    Series: Eastman studies in music ; 98
    Subjects: Music; Music
    Other subjects: Kirkpatrick, John (1905-1991); Kirkpatrick, John, 1905-1991; Array; Array
    Scope: XII, 205 S, Ill., Notenbeisp., 23 cm
    Notes:

    Includes bibliographical references and index

    Introduction : strange stopping places -- Beginnings -- Mentorship : music publishing -- Collaboration : Ruggles's Evocations -- Performance : Ives's Concord sonata -- Imagination : Ruggles's Mood -- Voice : the prose works -- Institution : the Charles Ives Society -- Conclusion : Kirkpatrick, compared -- Works of John Kirkpatrick.

  6. Music's Nordic breakthrough
    aesthetics, modernity, and cultural exchange, 1890-1930
    Contributor: Bullock, Philip Ross (Publisher); Grimley, Daniel M. (Publisher)
    Published: [2021]; © 2021
    Publisher:  The Boydell Press, Woodbridge, Suffolk ; Rochester, NY

    Universität der Künste Berlin, Universitätsbibliothek
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  7. Broken beauty
    musical modernism and the representation of disability
    Published: [2018]
    Publisher:  Oxford University Press, New York, NY

    Staatliches Institut für Musikforschung - Preußischer Kulturbesitz, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780190871208
    Subjects: People with disabilities in music; Music; Modernism (Music)
    Scope: xi, 203 Seiten
  8. Modernist mysteries
    Perséphone
    Published: 2012
    Publisher:  Oxford University Press, New York ;

    Here, Levitz demonstrates how a group of collaboratoring artists - Igor Stravinsky, Ida Rubenstein, Jacques Copeau, André Gide and others - used the myth of Perséphone to perform and articulate their most deeply held beliefs about four topics... more

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    Here, Levitz demonstrates how a group of collaboratoring artists - Igor Stravinsky, Ida Rubenstein, Jacques Copeau, André Gide and others - used the myth of Perséphone to perform and articulate their most deeply held beliefs about four topics significant to modernism: religion, sexuality, death, and historical memory in art.

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780199932467
    Other identifier:
    RVK Categories: LP 94902
    Subjects: Persephone (Greek deity); Mythology, Greek, in music; Modernism (Music); Stravinsky, Igor: Perséphone
    Other subjects: Stravinsky, Igor (1882-1971): Perséphone; Gide, André (1869-1951); Rubinstein, Ida (1885?-1960)
    Scope: 1 online resource, ill. (some col.)
    Notes:

    Includes bibliographical references and index. - Description based on online resource; title from PDF title page (viewed on Aug. 24, 2012)

  9. Music and the aesthetics of modernity
    essays; [for Reinhold Brinkmann, scholar, teacher, friend; papers presented at a symposium held at the John Knowles Paine Concert Hall of the Harvard Music Department, Nov. 9 - 11, 2001]
    Contributor: Berger, Karol (Hrsg.); Brinkmann, Reinhold (GefeierteR)
    Published: 2005
    Publisher:  Harvard Univ., Dept. of Music, Cambridge, Mass.

    Staats- und Universitätsbibliothek Bremen
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    2005 A 20811
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    B 5 Mus 1.1
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    Sbc 45, Berg, Music
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    J III 1612
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    Source: Union catalogues
    Contributor: Berger, Karol (Hrsg.); Brinkmann, Reinhold (GefeierteR)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0964031728; 9780964031722
    Other identifier:
    9780964031722
    2004021410
    RVK Categories: LP 13000 ; LP 15000 ; LR 56807 ; LR 56800 ; LP 16000
    Edition: 1. ed.
    Series: Isham Library papers ; 6
    Harvard publications in music ; 21
    Subjects: Music; Modernism Aesthetics; Music; Modernism (Music)
    Scope: XVIII, 412 S., Ill., graph. Darst., Kt., Notenbeisp.
    Notes:

    Includes bibliographical references (p. ) and index

  10. Zeit als Prozess und Epiphanie in der experimentellen amerikanischen Musik
    Charles Ives bis La Monte Young
    Published: 2007
    Publisher:  Steiner, Stuttgart

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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 9783515090339; 3515090339
    Other identifier:
    9783515090339
    9033
    RVK Categories: LP 19507 ; EC 5410 ; LQ 89307
    Series: Array ; 60
    Subjects: Avant-garde (Music); Modernism (Music); Time in music
    Other subjects: Ives, Charles E.; Cowell, Henry Dixon; Carter, Elliott; Cage, John; Feldman, Morton; Young, La Monte
    Scope: 365 S., graph. Darst., Notenbeisp.
    Notes:

    Teilw. zugl.: Heidelberg, Univ., Diss., 2006 u.d.T.: Herzfeld, Gregor: Prozess und Epiphanie

  11. The modernist world
    Contributor: Ross, Stephen (Publisher); Lindgren, Allana C. (Publisher)
    Published: 2015
    Publisher:  Routledge, London [u.a.]

    Universitätsbibliothek Regensburg
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Ross, Stephen (Publisher); Lindgren, Allana C. (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781315778334; 9781317696162
    Other identifier:
    RVK Categories: LH 65880 ; EC 5184
    Edition: 1. publ.
    Series: The Routledge worlds
    Subjects: Modernism (Literature); Modernism (Aesthetics); Modernism (Art); Modernism (Music); Modern movement (Architecture); Musik; Moderne; Literatur; Künste; Architektur
    Scope: 1 Online-Ressource (XXXIII, 615 Seiten), Ill.
    Notes:

    Includes bibliographical references and index

  12. Music and literary modernism
    critical essays and comparative studies
    Published: 2009
    Publisher:  Cambridge Scholars Pub., Newcastle upon Tyne, UK

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1443802247; 1443814024; 9781443802246; 9781443814027
    Subjects: MUSIC / Genres & Styles / Classical; MUSIC / Reference; Modernism (Literature); Modernism (Music); Music in literature; Music in literature; Modernism (Music); Modernism (Literature); Musik; Moderne; Literatur
    Scope: 1 Online-Ressource (vi, 260 p.)
    Notes:

    Includes bibliographical references

  13. Sublime noise
    musical culture and the modernist writer
    Published: 2014
    Publisher:  Johns Hopkins University Press, Baltimore

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1421415240; 9781421415246
    RVK Categories: EC 2440
    Series: UPCC book collections on Project MUSE.
    Subjects: BIOGRAPHY & AUTOBIOGRAPHY / Literary; Modernism (Literature); Modernism (Music); Music and literature; Music / Philosophy and aesthetics; Noise in literature; Musik; Music; Music and literature; Noise in literature; Modernism (Music); Modernism (Literature); Ästhetik; Moderne; Literatur; Geräusch <Motiv>; Musik; Sublimierung
    Scope: 1 Online-Ressource (pages cm.)
    Notes:

    Includes bibliographical references and index

    Orchestrating modernity: musical culture and the arts of noise -- Beating obedient, thinking of the key: Adorno, The Waste Land, and the total wrk of art -- The Antheil era: Ezra Pound's musical sensations -- Joyce's phoneygraphs: Antheil, Wagner, and the noise in the chamber -- Performing publicity: authenticity, influence, and the sitwellian commedia -- Aristocracy of the dissonant: the sublime noise of Forster and Britten

  14. Aesthetic technologies of modernity, subjectivity, and nature
    opera, orchestra, phonograph, film
    Published: 2016
    Publisher:  University of California Press, Oakland, California

    "The book addresses how music (especially opera), the phonograph, and film served as cultural agents facilitating the many extraordinary social, artistic, and cultural shifts that characterized the nascent twentieth century and much of what followed... more

    Bayerische Staatsbibliothek
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    "The book addresses how music (especially opera), the phonograph, and film served as cultural agents facilitating the many extraordinary social, artistic, and cultural shifts that characterized the nascent twentieth century and much of what followed long thereafter, even to the present. Three tropes are central: the tensions and traumas...-cultural, social, and personal...-associated with modernity; changes in human subjectivity and its engagement and representation in music and film; and the more general societal impact of modern media, sound recording (the development of the phonograph in particular), and the critical role played by early-century opera recording. A principal focus of the book is the conflicted relationship in Western modernity to nature, particularly as nature is perceived in opposition to culture and articulated through music, film, and sound as agents of fundamental, sometimes shocking transformation. The book considers the sound/vision world of modernity filtered through the lens of aesthetic modernism and rapid technological change, and the impact of both, experienced with the prescient sense that there could be no turning back"...Provided by publisher

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0520287371; 9780520287372
    RVK Categories: LR 56827 ; LR 57737
    Subjects: Film; Geschichte; Gesellschaft; Musik; Music; Modernism (Music); Opera; Motion pictures; Sound recordings; Nature in music; Nature in motion pictures; Filmästhetik; Film; Schallaufzeichnung; Moderne; Musikästhetik; Ästhetik; Oper; Natur
    Other subjects: Puccini, Giacomo, (1858-1924); Puccini, Giacomo (1858-1924): La fanciulla del West
    Scope: XVI, 351 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Includes bibliographical references and index

  15. Modernism and popular music
    Published: 2011
    Publisher:  Cambridge University Press, Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; São Paulo ; Delhi ; Tokyo ; Mexico City

    Traditionally, ideas about twentieth-century 'modernism' - whether focused on literature, music or the visual arts - have made a distinction between 'high' art and the 'popular' arts of best-selling fiction, jazz and other forms of popular music, and... more

    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Traditionally, ideas about twentieth-century 'modernism' - whether focused on literature, music or the visual arts - have made a distinction between 'high' art and the 'popular' arts of best-selling fiction, jazz and other forms of popular music, and commercial art of one form or another. In Modernism and Popular Music, Ronald Schleifer instead shows how the music of George and Ira Gershwin, Cole Porter, Thomas 'Fats' Waller and Billie Holiday can be considered as artistic expressions equal to those of the traditional high art practices in music and literature. Combining detailed attention to the language and aesthetics of popular music with an examination of its early twentieth-century performance and dissemination through the new technologies of the radio and phonograph, Schleifer explores the 'popularity' of popular music in order to reconsider received and seeming self-evident truths about the differences between high art and popular art and, indeed, about twentieth-century modernism altogether

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511793295
    Other identifier:
    RVK Categories: LR 54600
    Subjects: Modernism (Music); Popular music / United States / History and criticism; Jazz / History and criticism; Unterhaltungsmusik; Jazz; Modernismus; Ästhetik
    Other subjects: Gershwin, George / 1898-1937 / Criticism and interpretation; Holiday, Billie / 1915-1959 / Criticism and interpretation; Porter, Cole / 1891-1964 / Criticism and interpretation; Waller, Fats / 1904-1943 / Criticism and interpretation; Porter, Cole (1891-1964); Waller, Fats (1904-1943); Gershwin, Ira (1896-1983); Holiday, Billie (1915-1959); Gershwin, George (1898-1937)
    Scope: 1 Online-Ressource (xx, 233 Seiten), Notenbeispiele
    Notes:

    Introduction: popular music and the experience of modernism -- Part I. Musical Modernism: Popular Music in the Time of Jazz: 1. Classical modernity and popular music; 2. Twentieth-century modernism and 'jazz' music -- Part II. Gershwin, Porter, Waller, and Holiday: 3. Melting pot and meeting place: the Gershwin brothers and the arts of quotation; 4. 'What is this thing called love?': Cole Porter and the rhythms of desire; 5. Signifying music: Fats Waller and the time of jazz; 6. Music without composition: Billie Holiday and ensemble performance -- Conclusion: popular music and the revolution of the word

  16. The Cambridge companion to modernist culture
    Contributor: Marshik, Celia (Publisher)
    Published: 2015
    Publisher:  Cambridge University Press, Cambridge

    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Source: Union catalogues
    Contributor: Marshik, Celia (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781107278882
    Other identifier:
    RVK Categories: EC 5184
    Series: Cambridge companions to culture
    Subjects: Modernism (Literature); Modernism (Aesthetics); Modernism (Art); Modernism (Music); Moderne; Literatur; Kultur
    Scope: 1 Online-Ressource (xxii, 257 Seiten), Illustrationen
  17. Sublime noise
    musical culture and the modernist writer
    Published: 2014
    Publisher:  Johns Hopkins Univ. Press, Baltimore

    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    Series: Hopkins studies in modernism
    Subjects: Modernism (Literature); Modernism (Music); Noise in literature; Music and literature; Music / Philosophy and aesthetics; Modernism (Literature); Modernism (Music); Music and literature; Music / Philosophy and aesthetics; Noise in literature; Musik; Geräusch <Motiv>; Moderne; Musik; Ästhetik; Sublimierung; Literatur
    Scope: XXXIX, 338 S., 25 cm
    Notes:

    Includes bibliographical references and index

    Orchestrating modernity: musical culture and the arts of noise -- Beating obedient, thinking of the key: Adorno, The Waste Land, and the total wrk of art -- The Antheil era: Ezra Pound's musical sensations -- Joyce's phoneygraphs: Antheil, Wagner, and the noise in the chamber -- Performing publicity: authenticity, influence, and the sitwellian commedia -- Aristocracy of the dissonant: the sublime noise of Forster and Britten

  18. The quilting points of musical modernism
    revolution, reaction, and William Walton
    Published: 2012
    Publisher:  Cambridge University Press, Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; São Paulo ; Delhi ; Mexiko City

    Modernism is both a contested aesthetic category and a powerful political statement. Modernist music was condemned as degenerate by the Nazis and forcibly replaced by socialist realism under the Soviets. Sympathetic philosophers and critics have... more

    Universitätsbibliothek Bamberg
    Unlimited inter-library loan, copies and loan
    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan

     

    Modernism is both a contested aesthetic category and a powerful political statement. Modernist music was condemned as degenerate by the Nazis and forcibly replaced by socialist realism under the Soviets. Sympathetic philosophers and critics have interpreted it as a vital intellectual defence against totalitarianism, yet some American critics consider it elitist, undemocratic and even unnatural. Drawing extensively on the philosophy of Heidegger and Badiou, The Quilting Points of Musical Modernism proposes a new dialectical theory of faithful, reactive and obscure subjective responses to musical modernism, which embraces all the music of Western modernity. This systematic definition of musical modernism introduces readers to theory by Badiou, Žižek and Agamben. Basing his analyses on the music of William Walton, Harper-Scott explores connections between the revolutionary politics of the nineteenth and twentieth centuries and responses to the event of modernism in order to challenge accepted narratives of music history in the twentieth century

     

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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139023894
    Other identifier:
    RVK Categories: LP 95290
    Series: Music in context
    Subjects: Musik; Music / 20th century / Philosophy and aesthetics; Modernism (Music); Ästhetik; Moderne; Neue Musik
    Other subjects: Walton, William Sir (1902-1983)
    Scope: 1 Online-Ressource (xxii, 277 Seiten), Diagramme, Notenbeispiele
  19. The modernist world
    Contributor: Ross, Stephen (Publisher); Lindgren, Allana C. (Publisher)
    Published: 2015
    Publisher:  Routledge, London [u.a.]

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Ross, Stephen (Publisher); Lindgren, Allana C. (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781315778334; 9781317696162
    Other identifier:
    RVK Categories: LH 65880 ; EC 5184
    Edition: 1. publ.
    Series: The Routledge worlds
    Subjects: Modernism (Literature); Modernism (Aesthetics); Modernism (Art); Modernism (Music); Modern movement (Architecture); Musik; Moderne; Literatur; Künste; Architektur
    Scope: 1 Online-Ressource (XXXIII, 615 Seiten), Ill.
    Notes:

    Includes bibliographical references and index

  20. Sublime noise
    musical culture and the modernist writer
    Published: [2014]
    Publisher:  Johns Hopkins University Press, Baltimore

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781421415239; 1421415232
    Other identifier:
    9781421415239
    RVK Categories: EC 2440 ; HM 1031
    Series: Hopkins studies in modernism
    Subjects: Modernism (Literature); Modernism (Music); Noise in literature; Music and literature; Music; Musik; Literatur; Moderne
    Scope: xxxix, 338 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Includes bibliographical references and index

    Orchestrating modernity: musical culture and the arts of noiseBeating obedient, thinking of the key: Adorno, The Waste Land, and the total wrk of art -- The Antheil era: Ezra Pound's musical sensations -- Joyce's phoneygraphs: Antheil, Wagner, and the noise in the chamber -- Performing publicity: authenticity, influence, and the sitwellian commedia -- Aristocracy of the dissonant: the sublime noise of Forster and Britten.

  21. Broken beauty
    musical modernism and the representation of disability
    Published: 2018
    Publisher:  Oxford University Press, New York, NY

    'Broken beauty' draws on two decades of work in disability studies and a growing body of recent work that brings the discussion of disability into musicology and music theory. more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    'Broken beauty' draws on two decades of work in disability studies and a growing body of recent work that brings the discussion of disability into musicology and music theory.

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780190871239
    Other identifier:
    Subjects: People with disabilities in music; Music; Modernism (Music)
    Scope: 1 online resource
    Notes:

    Previously issued in print: 2018. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on April 19, 2018)

  22. The music of painting
    music, modernism and the visual arts from the Romantics to John Cage
    Author: Vergo, Peter
    Published: 2012
    Publisher:  Phaidon, London

    Staatliche Hochschule für Bildende Künste, Städelschule, Bibliothek
    06.20.10.30 2012
    No loan of volumes, only paper copies will be sent
    Universität Freiburg, Kunstgeschichtliches Institut, Bibliothek
    Frei 13: A-117-61
    No loan of volumes, only paper copies will be sent
    Universitätsbibliothek Mannheim
    500 EC 2440 V498
    No inter-library loan
    Germanisches Nationalmuseum, Bibliothek
    8° Kd 201/216
    No loan of volumes, only paper copies will be sent
    Württembergische Landesbibliothek
    62/6245
    Unlimited inter-library loan, copies and loan
    Seminar für Ausbildung und Fortbildung der Lehrkräfte Tübingen (Gymnasium), Bibliothek
    Mus-M v 6
    No loan of volumes, only paper copies will be sent
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780714863863
    Other identifier:
    9780714863863
    RVK Categories: EC 2440 ; LH 61110
    Edition: Repr. in paperback
    Subjects: Kunst; Musik; Geschichte 1830-1960;
    Other subjects: Art and music; Modernism (Art); Modernism (Music)
    Scope: 367 Seiten, 8 ungezählte Blätter, Illustrationen, 24 cm
    Notes:

    Hier auch später erschienene, unveränderte Nachdrucke

  23. An der Grenze des Fruchtlandes
    Musik und Malerei im Vorfeld der Moderne
    Published: 1997
    Publisher:  Prisca, Zülpich

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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 3927675148
    Series: Beiträge zur Musikreflexion ; 8
    Subjects: Art and music; Painting; Modernism (Music); Modernism (Art)
    Scope: 306 S., 24 cm
    Notes:

    Zugl.: Essen, Univ., Diss., 1997

  24. <<The>> quilting points of musical modernism
    revolution, reaction, and William Walton
    Published: 2012
    Publisher:  Cambridge University Press, Cambridge [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780521765213; 9781108746830
    Edition: 1. publ.
    Series: Music in context
    Subjects: Music; Modernism (Music)
    Scope: XXII, 277 S., graph. Darst., Notenbeisp.
    Notes:

    Literaturverz. S. 255 - 266

  25. Modernism and popular music